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Wenders Has Had Monumental Influence on Cinema
“WENDERS HAS HAD MONUMENTAL INFLUENCE ON CINEMA. THE TIME IS RIPE FOR A CELEBRATION OF HIS WORK.” —FORBES WIM WENDERS PORTRAITS ALONG THE ROAD A RETROSPECTIVE THE GOALIE’S ANXIETY AT THE PENALTY KICK / ALICE IN THE CITIES / WRONG MOVE / KINGS OF THE ROAD THE AMERICAN FRIEND / THE STATE OF THINGS / PARIS, TEXAS / TOKYO-GA / WINGS OF DESIRE DIRECTOR’S NOTEBOOK ON CITIES AND CLOTHES / UNTIL THE END OF THE WORLD ( CUT ) / BUENA VISTA SOCIAL CLUB JANUSFILMS.COM/WENDERS THE GOALIE’S ANXIETY AT THE PENALTY KICK PARIS, TEXAS ALICE IN THE CITIES TOKYO-GA WRONG MOVE WINGS OF DESIRE KINGS OF THE ROAD NOTEBOOK ON CITIES AND CLOTHES THE AMERICAN FRIEND UNTIL THE END OF THE WORLD (DIRECTOR’S CUT) THE STATE OF THINGS BUENA VISTA SOCIAL CLUB Wim Wenders is cinema’s preeminent poet of the open road, soulfully following the journeys of people as they search for themselves. During his over-forty-year career, Wenders has directed films in his native Germany and around the globe, making dramas both intense and whimsical, mysteries, fantasies, and documentaries. With this retrospective of twelve of his films—from early works of the New German Cinema Alice( in the Cities, Kings of the Road) to the art-house 1980s blockbusters that made him a household name (Paris, Texas; Wings of Desire) to inquisitive nonfiction looks at world culture (Tokyo-ga, Buena Vista Social Club)—audiences can rediscover Wenders’s vast cinematic world. Booking: [email protected] / Publicity: [email protected] janusfilms.com/wenders BIOGRAPHY Wim Wenders (born 1945) came to international prominence as one of the pioneers of the New German Cinema in the 1970s and is considered to be one of the most important figures in contemporary German film. -
Revue De Presse Land of Scarecrows
Revue de Presse Land of Scarecrows 1/ Variety Asia Online http://www.varietyasiaonline.com/content/view/6717/1/ Pusan reveals project funding winners Written by Han Sunhee Wednesday, 13 August 2008 Story Categories: Documentary, Festivals, Film, Finance, Korea, Pusan, SEOUL – Twenty seven movie projects are to receive funding from the Pusan International Film Festival's Asia Cinema Fund it was announced Tuesday. The ACF spans three sections that support different aspects of the production and post-production processes for movies that are deemed Asia's most creative film efforts. The six recipients of coin from the 'Independent Feature Script and Project Incubating Fund' section include Korean helmer Kim Jong-kwan's "Seaside" and Malaysian director Woo Ming Jin's "Woman On Fire Looks For Water." A further six projects are to receive coin from the 'Independent Feature Post-production Fund.' These include Korean helmer Roh Gyeong-tae's "Land of Scarecrow," Chinese helmer He Jianjun's "River People." Malaysian helmer Ho Yuhang's "At The End of Daybreak" was selected as the recipient of Asia Pacific Actors Network's production support fund, and was backed by Korean production shingle M&FC. The AND Fund for docus rewarded five Korean projects including Korean-American female director Tammy Chu Tolle's "Resilience" and nine other Asian projects including Indian helmer Ranu Ghosh's "Quarter No. 4/11." 2008 Independent Feature Script and Project Development Fund recipients "Seaside" (Korea) Kim Jongkwan "Daybreak" (Korea) Cho Kyu Jang "The Reason" -
Film Reviews Interviews Video Interviews
berlinale 2019 EFM Coverage as of Feb 20, 2019 300 Photos published on facebook 34 videos published on youtube FILM REVIEWS AMAZING GRACE, A Long Delayed Aretha Franklin Film surfaces at Berlin '69 What she said: The Art of Pauline Kael review Leakage | Nasht by Suzan Iravanian (Forum): Berlinale Review The Golden Glove by Fatih Akin: Berlinale Review Sampled reviews of Jessica Forever A City Hunts for a Murderer, and a Forum film hunts for meaning Berlinale by Alex: Mid Point Festival Reviews MK2 is very proud from the reviews on the Varda doc The Ground beneath my Feet in review Sondre Fristad's First Feature The Writer at the Berlinale System Crasher in review: Amazing ! Forget about all other contenders Derek Jarman's THE GARDEN, starring Tilda Swinton, returns to Berlinale 28 years after its premiere DIE KINDER DER TOTEN - World Premiere and Q&A with Kelly Copper and Pavol Liska INTERVIEWS Xaver Böhm on O Beautiful Night: Interview at Berlinale 2019 Interview with Brazilian Director Marcus Ligocki at Berlinale Marie Kreuzer: The Ground beneath my feet The Writer: Interview with Sondre Fristad in Berlin Interview with Producer, Director Writer Stu Levy @ 2019 Berlinale Interview with Director Gustavo Steinberg for 'Tito and the Birds' (2018) Alexandr Gorchilin on his First Feature Acid VIDEO INTERVIEWS VIDEO: Dieter Kosslick recalls some nice moments on the red carpet VIDEO: Anthony Bregman describes IFP's programs suppporting independent film making VIDEO: IFP Anthony Bregman opening remarks on his producing experiences at Friday's -
Berlinale 2008
Berlinale 2008 By Ron Holloway Spring 2008 Issue of KINEMA 58th BERLINALE 2008 Box Office Bonanza Will it ever end? During his seven years as Berlinale director, Dieter Kosslick’s festival tenure is annually boosted by success at the box office. Following the close of the 58th Berlin International Film Festival (7-17 February 2008), bonanza statistics were promptly released to the press. The 58th Berlinale recorded an overall audience of 430,000, of which some 230,000 purchased tickets, thus exceeding last year’s record by more than 6,000. The number of visiting film professionals (exhibitors, sales agents, industry representatives) increased to 20,000 from 125 countries, topping last year’s total of 19,155. The number of accredited journalists rose to 4,105. The sum of public screenings also rose to 1,256, compared with 934 screenings in 2007. Only the number of films participating in this year’s official programs dipped in comparison tolast year - down from 396 to 383 - but even this adjustment apparently made some Berlinale entries all the more attractive. The buzz at the Berlinale? Of particular interest were the ”EFM Industry Debates” held in the Marriott Hotel for three days in the middle of the festival. A hundred participants registered for the panel discussions on the challenges and opportunities of ”Digital Film Distribution” in the not too distant future. Another press headliner was a calculation on the ”monetary worth” of this year’s Berlinale, reckoned at circa €17.2m, or around US$ 26m. The sum includes the input by the German government (country, state, city), estimated at € 6.2m, or approximately US$ 9.3m. -
Reality & Effect: a Cultural History of Visual Effects
Georgia State University ScholarWorks @ Georgia State University Communication Dissertations Department of Communication 5-3-2007 Reality & Effect: A Cultural History of Visual Effects Jae Hyung Ryu Follow this and additional works at: https://scholarworks.gsu.edu/communication_diss Part of the Communication Commons Recommended Citation Ryu, Jae Hyung, "Reality & Effect: A Cultural History of Visual Effects." Dissertation, Georgia State University, 2007. https://scholarworks.gsu.edu/communication_diss/13 This Dissertation is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. REALITY & EFFECT: A CULTURAL HISTORY OF VISUAL EFFECTS by JAE HYUNG RYU Under the Direction of Ted Friedman ABSTRACT The purpose of this dissertation is to chart how the development of visual effects has changed popular cinema’s vision of the real, producing the powerful reality effect. My investigation of the history of visual effects studies not only the industrial and economic context of visual effects, but also the aesthetic characteristics of the reality effect. In terms of methodology, this study employs a theoretical discourse which compares the parallels between visual effects and the discourse of modernity/postmodernity, utilizing close textual analysis to understand the symptomatic meanings of key texts. The transition in the techniques and meanings of creating visual effects reflects the cultural transformation from modernism to postmodernism. Visual effects have developed by adapting to the structural transformation of production systems and with the advance of technology. -
1 INTRODUCTION This Dissertation Will Discuss the Perception of Polish
Cut off by the 'Iron Curtain' Item Type Thesis Authors Draniewicz, Anna B. Rights <a rel="license" href="http://creativecommons.org/licenses/ by-nc-nd/3.0/"><img alt="Creative Commons License" style="border-width:0" src="http://i.creativecommons.org/l/by- nc-nd/3.0/88x31.png" /></a><br />The University of Bradford theses are licenced under a <a rel="license" href="http:// creativecommons.org/licenses/by-nc-nd/3.0/">Creative Commons Licence</a>. Download date 24/09/2021 13:59:05 Link to Item http://hdl.handle.net/10454/4927 INTRODUCTION This dissertation will discuss the perception of Polish Cinema in English- language literature. During the collection of my secondary data, which concentrated mainly on English-language books but also includes newspapers and Internet resources, I encountered many interesting issues. These are divided here into three categories discussed in three chapters: ‘Stereotypes and Errors’ that result from the lack of knowledge thus causing misunderstandings, ‘Deficiencies’ about the absence of some films and directors in the English-speaking world and ‘Different Perspectives’ that reveal some interesting comparisons. The judgements applied to define these sections are respectively: accuracy (correctness of the facts), novelty (unknown trends) and originality of ideas (absent in Polish film criticism). During my research I have discovered the main factors distorting the perception of Polish cinema. I talked about them during my presentation entitled ‘English-Language Critical Engagements with Polish Cinema’ during the ‘Polish Cinema in an International Context’ conference held in Manchester in December 2009. Most of these issues are addressed in Chapter One, which outlines the problems that English-language authors seem to have with the Polish language, the background political issues and the lack of knowledge about some of the periods of Polish cinema. -
Catalogo a Cura Di Produced by Catalogue Curated By
CINEMA DEL MEDITERRANEO ROMA 19-27 NOVEMBRE XVII EDIZIONE Con l’Adesione del Presidente della Repubblica AUDITORIUM DELLA CONCILIAZIONE e con il Patrocinio del Presidente del Parlamento europeo CASA DEL CINEMA Rappresentanza in Italia Ufficio Informazione per l’Italia www.medfilmfestival.org della Commissione europea del Parlamento europo MEDFILM FESTIVAL 2011 UNA PRODUZIONE DI CATALOGO A CURA DI PRODUCED BY CATALOGUE CURATED BY MEDFILM FESTIVAL ONLUS Alessandro Zoppo Via Mantova, 4 00198 Rome, Italy Curatore / Curatorr T +39 06 85354814 / F +39 068844719 Mara Valente www.medfilmfestival.org Giulio Casadei Francesco Catalfamo DIREZIONE ARTISTICA E ORGANIZZATIVA ARTISTIC AND EXECUTIVE MANAGEMENT UFFICIO STAMPA PRESS OFFICE Ginella Vocca Presidente Fondatore MedFilm Festival Reggi&Spizzichino Communication MedFilm Festival President and Founder PROGETTO DI COMUNICAZIONE VISIVA VISUAL COMMUNICATION STAFF ORGANIZZATIVO GENERAL ORGANIZATION Brando Gioacchini Vanessa Tonnini Responsabile Programmazione / Programmer SERVIZI E LOGISTICA Maya Breschi SUPPLIERS AND LOGISTICS Coordinamento Festival / Festival Coordinator Alessandro Zoppo Napis Curatore Concorso Cortometraggi / Short Movies Programmer Sottotitoli / Subtitles Paola Micalizzi e Mara Valente Delio Barbati Responsabili Progetto MetHexis / Methexis Project Coordinator Trasporti e logistica / Logistics and shipment Barbara Bruni Barbara Bruni Curatore Forum / Forum Curator Traduzioni / Translations Max Mestroni Studio Autuori&Carletti Responsabile e Coordinatore Ospitalità Foto / Photographs -
Festival Internacional De Cine De Mar Del Plata 2014
DEL 22 AL 30 / NOVIEMBRE 2014 NOVIEMBRE / 30 AL 22 DEL FESTIVAL INTERNACIONAL DE CINE DE MAR DEL PLATA MAR DEL PLATA INTERNATIONAL FILM FESTIVAL DEL 22 AL 30 / NOVIEMBRE 2014 MAR DEL PLATA, ARGEntINA Autoridades AUTORIDADES NACIONALES: PRESIDENTA VICEPRESIDENTE MINISTRA DE CULTURA Dra. Cristina Fernández Lic. Amado Boudou Sra. Teresa Parodi INSTITUTO NACIONAL DE CINE Y ARTES AUDIOVISUALES PRESIDENCIA GERENCIA DE ADMINISTRACIÓN GERENCIA DE FOMENTO A LA Sra. Lucrecia Cardoso Dr. Raúl A. Seguí PRODUCCIÓN DE CONTENIDOS PARA TELEVISIÓN, INTERNET Y VICEPRESIDENCIA GERENCIA DE ASUNTOS VIDEOJUEGOS Lic. Juan Esteban Buono Repetto INTERNACIONALES Ing. Germán Calvi Sr. Bernardo Bergeret AUDITORÍA INTERNA GERENCIA DE ACCION FEDERAL Dr. Rolando Oreiro GERENCIA DE ASUNTOS Sr. Félix Fiore JURÍDICOS GERENCIA GENERAL Dr. Orlando Pulvirenti DIRECTORA INCAA TV Sr. Rómulo Pullol Sra. Vanessa Ragone GERENCIA DE FOMENTO GERENCIA DE FISCALIZACIÓN Lic. Alberto Urthiague RECTOR ENERC Tec. Verónica Graciela Sr. Pablo Rovito Sanchez Gelós GOBIERNO DE LA PROVINCIA DE BUENOS AIRES GOBERNADOR PRESIDENTE DEL INSTITUTO DIRECTOR DEL CENTRO Daniel Osvaldo Scioli CULTURAL DE LA PROVINCIA PROVINCIAL TEATRO DE BUENOS AIRES AUDITORIUM DE VICEGOBERNADOR Jorge Alberto Telerman MAR DEL PLATA Lic. Juan Gabriel Mariotto Pablo Martínez del Bosque MUNICIPALIDAD DEL PARTIDO DE GENERAL PUEYRREDÓN INTENDENTE MUNICIPAL ENTE MUNICIPAL DE TURISMO VICEPRESIDENTE Cr. Gustavo Arnaldo Pulti PRESIDENTE Lic. Valeria Méndez Sr. Pablo Fernández SECRETARIO DE CULTURA Dr. Leandro Laserna 3 Staff -
PM Inaugurates Es'hailsat Teleport
BUSINESS | Page 1 SPORT | Page 1 Halep and Kerber tested before reaching Airbus: Goodbye A380 semis published in QATAR since 1978 FRIDAY Vol. XXXIX No. 11095 February 15, 2019 Jumada II 10, 1440 AH GULF TIMES www. gulf-times.com 2 Riyals In brief Amir honours envoy of Peru Amir arrives in Munich to QATAR | Campaign Ministry urges public attend security conference to stop littering The Ministry of Municipality and QNA A strong strategic partnership be- Environment has called on all citizens Munich tween Qatar and the MSC emerged and residents to stop littering, during the 18th session of Doha Forum. emphasising the importance of In 2011, the fi rst meeting of Munich disposing it of at places specified is Highness the Amir Sheikh Security offi cials was held in Doha, by the State. The Ministry said the Tamim bin Hamad al-Thani where the two sides agreed to work Department of Public Hygiene is Harrived yesterday in the Ger- together more regularly so that the Qa- intensifying operations in Doha, man city of Munich to take part in the tari representation at the conference Rayyan and Shihaniyah to remove 55th edition of the Munich Security becomes at the highest level with the litter adding around 2025 tonnes Conference. participation of the Amir along with were lifted in January. The Amir is accompanied by an of- other leaders. fi cial delegation. Over the course of three days, MSC AMERICA | Confl ict The conference which starts today is will be held under the chairmanship House votes to end US one of the largest and most important of Wolfgang Ischinger and with the international conferences on the global participation of German Chancel- help in Saudi’s Yemen war security and defence policies. -
PASOLINI a Film by Abel Ferrara
presents PASOLINI A film by Abel Ferrara **Official Selection | Venice Film Festival** **Official Selection | New York Film Festival** **Official Selection | Toronto International Film Festival** France, Belgium, Italy / 2014 / 84 minutes / Color / 1.85:1 / English Publicity Contact: David Ninh, [email protected] Distributor Contact: Chris Wells, [email protected] Kino Lorber, Inc., 333 West 39th St., Suite 503, New York, NY 10018 (212) 629-6880 Synopsis: Pasolini, directed by Abel Ferrara, stars frequent collaborator Willem Dafoe as Italian poet and film director Pier Paolo Pasolini and chronicles his final hours on November 2, 1975. The film follows him as he works on his controversial classic, Salò, or the 120 Days of Sodom and leads up to his brutal murder on the beach in Ostia on the outskirts of the city. Facing resistance and persecution from the public, politicians, censors and critics, Pasolini visits with his beloved mother and friends, including actress Laura Betti (played by Maria de Madeiros) and continues his work on an ambitious new novel and screenplay - all the while cruising in his Alfa Romeo for adventure and connections with beautiful younger males in the dark streets of Rome. Director’s Note: In search of the death of the last poet only to find the killer inside me Sharpening his tools of ignorance on the memories of never forgotten acts of kindness in words and deeds, ideas impossible to comprehend. in a school in Casarsa I sit at my teacher’s feet yearning then hearing the music of the waves that wash the feet of the messiah on the beach at Idroscalo, those who weave their spell in silver are forever bound to the lithe body of Giotto constantly in search of the creation of the winning goal forever offside forever in the lead of the faithful of which I am one. -
International Documentary & Short Film Festival Of
FESTIVAL BOOK & OF KERALA INTERNATIONAL INTERNATIONAL DOCUMENTARY SHORT FILM FESTIVAL ID D TH SF I F SF F INTERNATIONAL DOCUMENTARY & SHORT FILM FESTIVAL www.idsffk.in OF KERALA 16-20 JUNE 2017 THIRUVANANTHAPURAM | KAIRALI SREE NILA 10 TH IDSFFK 1 10TH IDSFFK 1 CREDITS Chairman & Festival Director, IDSFFK: Kamal Vice Chairperson & Artistic Director: Bina Paul Secretary & Executive Director: Mahesh Panju Treasurer: Zulfikar Rahman A Deputy Director (Festival): H Shaji Deputy Director (Programmes): N P Sajeesh Programme Manager (Finance): Radha Krishnan M Programme Manager (Festival): Deepika Suseelan Programme Manager (Programmes): Vimal Kumar V P Librarian (Technical Coordinator): Gopeekrishna S Online Media: Riyaz Ahamed Programme Assistants: Saiyed Farooq Z, Geethanjali C, Sreevidhya J, Revathy L Festival Cell: Sivakumar P S, Velayudhan Nair K, Mary Ninan, Padmakumar P R, Shyamlal S S, Harikumar K, Venukuttan Nair K, Ravikumar K, Jayakumari D, Sandhya B, Naveen Nath G S, Sukumaran K, Jaya L, Sasikala G, Arun R, Sahadevan R, Vijaya Mohan B, Lizy M, Omana J, Naveen L Johnson Filmmakers Liaison: Bandhu Prasad Aleyamma Guest Relations: Arjun A, Jayesh L R, Shelly J, M Rameez Media Relations: I & PRD, Government of Kerala Projectionists: John Kurian, Nishanth S T, Abhilash Software: Eventival, CDit Website Support : CDit Festival Design: B Priyaranjanlal Signature Film: Shameer Babu Festival Book Chief Editor: Mahesh Panju (Secretary, KSCA) Editor: H Shaji (Deputy Director, KSCA) Editorial Team: N P Sajeesh, Usha V T Word Processing & Page Setting: B Sivaprasad Academy is grateful to various film journals, festival publications, Film Festival websites from which we have borrowed materials to put together this book. The opinions expressed herein are not necessarily that of the Kerala State Chalachitra Academy or the Editors. -
Miere. Im Elektrischen Modus
Berlinale 11–21 Feb 2016 Wettbewerb Competition Berlinale Special Premiere. Competition / Berlinale Special Wettbewerb 2016 Feb 66. Internationale Filmfestspiele Berlin 11-21 Emissionsfrei vorfahren – mit dem Audi Q7 e-tron im elektrischen Modus. #Berlinale Kraftstoff verbrauch Audi Q7 e-tron quattro in l/100 km: kombiniert 1,9–1,8; Stromverbrauch in kWh/100 km: kombiniert 19,0–18,1; CO₂-Emissionen in g/km: kombiniert 50–48, Effi zienzklasse: A+. Angaben zu den Kraftstoff verbräuchen und CO₂-Emissionen bei Spannbreiten in Abhängigkeit vom verwendeten Reifen-/Rädersatz. 20141117_LogobalkenA5HF_148x17_RZ.indd 1 17.11.14 14:02 148x198_Berlinale2016_Q7_BroschRetro_26161.indd 1 08.01.16 16:16 VORWORT Route 66 ENTDECKEN SIE DAS GEHEIMNIS Filme und Festivals sind immer auch Seismographen, FILMREIFER MOMENTE Spiegel und Diskurs der Realität. Künstler reflektieren audiovisuell die Welt. Und die ist in Bewegung, im Wortsinn. Was zwingt Millionen von Menschen, ihre Heimat zu verlassen? Wer nimmt sie auf? Und wie werden sie aufgenommen? Wir heißen die Gäste des Festivals aus aller Welt will kommen. Dieser Gruß hat bei dieser 66. Berlinale einen ganz anderen Klang. Das schöne deutsche Wort „Will kommenskultur“ wird oft in sein Gegenteil verkehrt. Traumatisierte, bedürftige, frierende Menschen, die alles verloren haben, werden nicht selten mit Ressen Festivaldirektor Dieter Kosslick timents, Hass und Vorurteilen empfangen. Deutschland 1951. Ein Land voller Flüchtlinge. Unter Ich bin 1948 geboren. Ich sehe die zu uns fliehenden dem Eindruck des Krieges und der größten Tragödie Menschen als Chance, auch als historische Chance, ein des vergangenen Jahrhunderts, des Holocaust, denen wenig besser zu begreifen, welches Leid den vielen Millionen zum Opfer gefallen sind und die weitere Flüchtlingen hierzulande im und nach dem Zweiten Millionen zur Flucht gezwungen haben, werden am Weltkrieg widerfahren ist, was sie damals zur Flucht 6.