Berlinale Shorts

Total Page:16

File Type:pdf, Size:1020Kb

Berlinale Shorts INHALT Die offiziellen Partner der 65. Internationalen Filmfestspiele Berlin ______________ 4 WETTBEWERB ____________________ 6 BERLINALE SPECIAL ________________ 10 PANORAMA ______________________ 12 FORUM ________________________ 18 Dieter Kosslick, Festivaldirektor © Marc Ohrem Leclef PERSPEKTIVE DEUTSCHES KINO ________ 24 BERLINALE GOES KIEZ ______________ 24 BERLINALE SHORTS ________________ 26 KULINARISCHES KINO ______________ 26 IN 11 TAGEN UM DIE WELT GENERATION KPLUS/14PLUS__________ 28 RETROSPEKTIVE __________________ 32 BERLINALE CLASSICS ____________________ 3 4 ährend dieses Vorwort geschrieben wird, morden fana tische Terroristen in Paris. W Religions- und Fremdenhass, erzwungene Migration, Homophobie und Folter HOMMAGE ______________________________ 3 6 drohen zu Leit linien in einer von Profitgier und Ausbeutung dominierten, globalisierten NATIVe ________________________________ 3 6 Welt zu werden. Auch bei der diesjährigen Berlinale nehmen FilmemacherInnen und FORUM EXPANDED ________________ 38 audio visuelle KünstlerInnen zu diesen Themen couragierte Positionen ein. BERLINALE TALENTS ________________ 40 Die 65. Ausgabe beginnt mit einer Abenteuergeschichte: Die spanische Regisseurin Isabel Berlinale Festivalplan ______________ 42 Coixet folgt in NOBODY WANTS THE NIGHT der mutigen Josephine Peary, der Ehefrau des Arktisforschers Robert Peary, auf ihrem Weg in Richtung Nordpol. Zum internationalen Information & Service ______________ 44 Starensemble gehören Oscarpreisträgerin Juliette Binoche, Rinko Kikuchi und Gabriel Wortveranstaltungen ______________ 45 Byrne. Ticketvorverkauf ________________ 46 Mit starken Frauen endet das Festival auch. In Regisseur Kenneth Branaghs CINDERELLA Ticketpreise ____________________ 46 verzaubern uns Cate Blanchett, Lily James, Helena Bonham Carter und „Game of Thrones“ Kinoadressen ____________________ 47 Star Richard Madden. Übrigens: Vor 64 Jahren erhielt der Animationsfilm CINDERELLA ____________________ 48 den Publikumspreis der ersten Berlinale. Damals wie heute produzierte Disney den Film. Berlinale Shop Index __________________________ 49 In der Retrospektive wird mit „Glorious Technicolor“ gezaubert. Mit rund 30 Filmen aus dem George Eastman House, anderen Archiven und Filmstudios huldigt das Festival dem Farb film verfahren Technicolor, das vor 100 Jahren eine neue Pracht auf die Kinolein- IMPRESSUM wände brachte. INTERNATIONALE FILMFESTSPIELE BERLIN Potsdamer Straße 5, 10785 Berlin Berlinale Special Series Telefon 030 259 20 - 0 Und auf zu neuen Ufern: Mit den präsentiert die Berlinale Vorab- [email protected], www.berlinale.de premieren von deutschen und internationalen Serien, die das Special-Programm im Haus Festivaldirektor: Dieter Kosslick der Berliner Festspiele an der Schaperstraße ergänzen. Ein Geschäftsbereich der Kulturveranstaltungen Fast 400 Filme zeigt die Berlinale an den 11 Festivaltagen. Stellen Sie sich Ihr eigenes des Bundes in Berlin GmbH Programm zusammen, reisen Sie mit uns um die Welt und genießen Sie die Abenteuer auf der großen Leinwand gemeinsam mit Tausenden von Berlinale-Fans. Gemeinsam im Kino sieht sich’s eben besser. Herzlich willkommen Covergestaltung: BOROS, Agentur für Kommunikation Druck: Möller Druck und Verlag GmbH, Ahrensfelde OT Blumberg 3 2 WETTBEWERB OFFIZIELLES PROGRAMM Donnerstag, 5.2. Freitag, 6.2. Samstag, 7.2. Sonntag, 8.2. Montag, 9.2. BERLINALE PALAST 9:00 xP 9:00 xP 9:00 xP 9:00 xP TAXI IXCANUL MR. HOLMES * EL CLUB Jafar Panahi Ixcanul Volcano Bill Condon The Club mit Jafar Panahi Jayro Bustamante 103H, Englisch . Pablo Larraín 82H, Farsi . - 90H, Kaqchiquel/Spanisch . - 97H, Spanisch . - 12:00 xP 11:45 xP 12:15 xP 12:15 xP QUEEN OF THE DESERT JOURNAL D’UNE FEMME KNIGHT OF CUPS ALS WIR TRÄUMTEN Werner Herzog DE CHAMBRE Terrence Malick As We Were Dreaming 125H, Englisch . Diary of a Chambermaid 118H, Englisch . Andreas Dresen Benoit Jacquot 117H, Deutsch - 96H, Französisch . - 16:00 060011 16:00 070011 16:00 080011 16:00 090011 TAXI IXCANUL MR. HOLMES* EL CLUB Jafar Panahi Ixcanul Volcano Bill Condon The Club Script: J. Panahi Jayro Bustamante Script: J. Hatcher Pablo Larraín mit Jafar Panahi Script: J. Bustamante mit Ian McKellen, Laura Linney, Script: D. Villalobos, G. Caledrón 82H, Farsi . - mit María Mercedes Coroy, María Milo Parker, Hiroyuki Sanada, mit Roberto Farías, Antonia Telón, Manuel Atún, Justo Lorenzo, Hattie Morahan Zegers, Alfredo Castro, Alejandro Marvin Coroy 103H, Englisch . Goic, Alejandro Sieveking, Jaime 90H, Kaqchiquel/Spanisch . - Vadell, Marcelo Alonso, Francisco Reyes, José Soza 97H, Spanisch . - Friedrichstadt-Palast: 7.2./9:30 Uhr Friedrichstadt-Palast: 8.2./9:30 Uhr Friedrichstadt-Palast: 9.2./9:30 Uhr Friedrichstadt-Palast: 10.2./9:30 Uhr HdBF 7.2./12:30 Uhr HdBF 8.2./12:00 Uhr Friedrichstadt-Palast: 9.2./15:00 Uhr Zoo Palast 1: 10.2./13:00 Uhr Friedrichstadt-Palast: 7.2./18:00 Uhr Friedrichstadt-Palast: 8.2./18:00 Uhr Friedrichstadt-Palast: 11.2./18:00 Uhr Friedrichstadt-Palast: 10.2./18:00 Uhr HdBF 15.2./14:30 Uhr HdBF 15.2./17:00 Uhr Friedrichstadt-Palast: 15.2./15:30 Uhr Kino International: 15.2./22:30 Uhr 19:45 18:45 060012 19:00 070012 19:00 080012 18:30 090012 Kein Kartenverkauf QUEEN OF THE DESERT JOURNAL D’UNE FEMME DE KNIGHT OF CUPS Presentation of European ERÖFFNUNG Werner Herzog CHAMBRE Terrence Malick Shooting Stars 2015 NADIE QUIERE LA NOCHE Script: W. Herzog Diary of a Chambermaid Script: T. Malick ALS WIR TRÄUMTEN Nobody Wants the Night mit Nicole Kidman, James Franco, Benoit Jacquot mit Christian Bale, Cate Blanchett, As We Were Dreaming Damian Lewis, Robert Pattinson Script: B. Jacquot, H. Zimmer Natalie Portman Isabel Coixet H H Andreas Dresen Script: M. Barros 125 , Englisch . mit Léa Seydoux, Vincent Lindon, 118 , Englisch . Script: W. Kohlhaase mit Juliette Binoche, Rinko Kikuchi, Clotilde Mollet, Hervé Pierre, mit Merlin Rose, Julius Nitschkoff, Mélodie Valemberg Gabriel Byrne, Orto Ignatiussen H Marcel Heuperman, Joel Basman, 118H, Englisch/Inuktitut . - 96 , Französisch . - Frederic Haselon, Ruby O. Fee 117H, Deutsch - Friedrichstadt-Palast: 5.2./20:30 Uhr Zoo Palast 1: 7.2./9:30 Uhr HdBF 8.2./9:30 Uhr Friedrichstadt-Palast: 9.2./12:00 Uhr Friedrichstadt-Palast: 10.2./12:00 Uhr Friedrichstadt-Palast: 6.2./12:00 Uhr Friedrichstadt-Palast 7.2./12:00 Uhr Friedrichstadt-Palast: 8.2./12:00 Uhr Friedrichstadt-Palast: 11.2./9:30 Uhr Union: 10.2./21:30 Uhr Friedrichstadt-Palast: 6.2./19:00 Uhr Friedrichstadt-Palast 7.2./21:00 Uhr Kino International: 8.2./22:30 Uhr Friedrichstadt-Palast: 13.2./15:00 Uhr HdBF 12.2./19:00 Uhr CinemaxX 7: 15.2./13:00 Uhr Friedrichstadt-Palast: 15.2./10:00 Uhr Berlinale Palast: 15.2./10:00 Uhr Friedrichstadt-Palast: 15.2./13:00 Uhr 22:00 060013 22:00 070013 22:00 080013 22:00 090013 45 YEARS VICTORIA EL BOTÓN DE NÁCAR BODY Andrew Haigh Sebastian Schipper The Pearl Button Małgorzata Szumowska Script: A. Haigh Script: S. Schipper, D. Neergaard- Patricio Guzmán Script: M. Szumowska, M. Englert mit Charlotte Rampling, Tom Holm, E. Schultz Script: P. Guzmán mit Janusz Gajos, Maja Courtenay, Geraldine James mit Laia Costa, Frederick Lau, Franz Dokumentarfilm Ostaszewska, Justyna Suwala, 93H, Englisch . Rogowski, Burak Yigit, Max Mauff, 82H, Spanisch . - Ewa Dalkowska André M. Hennicke 90H, Polnisch . - 140H, Deutsch/Englisch - . HdBF 7.2./10:00 Uhr Friedrichstadt-Palast: 8.2./14:30 Uhr Zoo Palast 1: 9.2./13:00 Uhr Friedrichstadt-Palast: 10.2./15:00 Uhr Friedrichstadt-Palast: 7.2./15:00 Uhr Toni & Tonino: 8.2./21:30 Uhr Friedrichstadt-Palast: 9.2./18:00 Uhr Friedrichstadt-Palast: 11.2./21:00 Uhr HdBF 7.2./22:15 Uhr HdBF 8.2./22:15 Uhr HdBF 15.2./10:00 Uhr HdBF 15.2./19:15 Uhr CINEMAXX 7 Berlinale Palast: 15.2./18:00 Uhr 12:00 xP 15:30 xP 15:00 xP 16:00 xP 15:30 xP NADIE QUIERE LA NOCHE 45 YEARS VICTORIA EL BOTÓN DE NÁCAR BODY Nobody Wants the Night Andrew Haigh Sebastian Schipper The Pearl Button Małgorzata Szumowska Isabel Coixet 93H, Englisch . 140H, Deutsch/Englisch - . Patricio Guzmán 90H, Polnisch . - 118H, Englisch/Inuktitut . - Dokumentarfilm 82H, Spanisch . - INTERNATIONAL 22:30 080331 JOURNAL D’UNE FEMME DE CHAMBRE Diary of a Chambermaid Benoit Jacquot mit Léa Seydoux, Vincent Lindon, Clotilde Mollet, Hervé Pierre 96H, Französisch . - ZOO PALAST 1 9:30 070303 9:30 080309 13:00 090303 QUEEN OF THE DESERT BERLINALE CLASSICS EL BOTÓN DE NÁCAR Werner Herzog GOLDFINGER The Pearl Button mit Nicole Kidman, James Franco, Großbritannien, USA 1964 Patricio Guzmán Damian Lewis, Robert Pattinson Guy Hamilton Dokumentarfilm 125H, Englisch . mit Sean Connery, Gert Fröbe, 82H, Spanisch . - Honor Blackman 112H, Englisch 6 + + + + Online-Tickets unter www.berlinale.de + + + + Ticketinfos unter: radioeins Ticket-Info-Hotline 01802-709911 (6 ct./Anruf, Mobilfunkpreis max. 42 ct./Min.) + + + + Dienstag, 10.2. Mittwoch, 11.2. Donnerstag, 12.2. Freitag, 13.2. Samstag, 14.2. Sonntag, 15.2. Berlinale Publikumstag 9:00 xP 9:00 xP 9:00 xP 9:00 xP 10:00 150011 POD ELECTRICHESKIMI AFERIM! ELSER * CHA VÀ CON VÀ JOURNAL D’UNE FEMME OBLAKAMI Radu Jude 13 Minutes Big Father, Small Father and DE CHAMBRE Under Electric Clouds 108H, Rumänisch . - Oliver Hirschbiegel Other Stories Diary of a Chambermaid Alexey German Jr. 110H, Deutsch - Phan Dang Di Benoit Jacquot 130H, Russisch . - 100H, Vietnamesisch . - mit Léa Seydoux, Vincent Lindon, Clotilde Mollet 96H, Französisch . - 12:15 xP 12:30 xP 12:00 xP 12:30 150014 EISENSTEIN IN GUANAJUATO VERGINE GIURATA CINDERELLA * BERLINALE SPECIAL GALA Peter Greenaway Sworn Virgin Kenneth Branagh SELMA 105H, Englisch . Laura Bispuri
Recommended publications
  • Wenders Has Had Monumental Influence on Cinema
    “WENDERS HAS HAD MONUMENTAL INFLUENCE ON CINEMA. THE TIME IS RIPE FOR A CELEBRATION OF HIS WORK.” —FORBES WIM WENDERS PORTRAITS ALONG THE ROAD A RETROSPECTIVE THE GOALIE’S ANXIETY AT THE PENALTY KICK / ALICE IN THE CITIES / WRONG MOVE / KINGS OF THE ROAD THE AMERICAN FRIEND / THE STATE OF THINGS / PARIS, TEXAS / TOKYO-GA / WINGS OF DESIRE DIRECTOR’S NOTEBOOK ON CITIES AND CLOTHES / UNTIL THE END OF THE WORLD ( CUT ) / BUENA VISTA SOCIAL CLUB JANUSFILMS.COM/WENDERS THE GOALIE’S ANXIETY AT THE PENALTY KICK PARIS, TEXAS ALICE IN THE CITIES TOKYO-GA WRONG MOVE WINGS OF DESIRE KINGS OF THE ROAD NOTEBOOK ON CITIES AND CLOTHES THE AMERICAN FRIEND UNTIL THE END OF THE WORLD (DIRECTOR’S CUT) THE STATE OF THINGS BUENA VISTA SOCIAL CLUB Wim Wenders is cinema’s preeminent poet of the open road, soulfully following the journeys of people as they search for themselves. During his over-forty-year career, Wenders has directed films in his native Germany and around the globe, making dramas both intense and whimsical, mysteries, fantasies, and documentaries. With this retrospective of twelve of his films—from early works of the New German Cinema Alice( in the Cities, Kings of the Road) to the art-house 1980s blockbusters that made him a household name (Paris, Texas; Wings of Desire) to inquisitive nonfiction looks at world culture (Tokyo-ga, Buena Vista Social Club)—audiences can rediscover Wenders’s vast cinematic world. Booking: [email protected] / Publicity: [email protected] janusfilms.com/wenders BIOGRAPHY Wim Wenders (born 1945) came to international prominence as one of the pioneers of the New German Cinema in the 1970s and is considered to be one of the most important figures in contemporary German film.
    [Show full text]
  • OSN Brings the Best Content for Customers with Latest Technology by Nawara Fattahova Called ‘Live More’ Last Year
    lifestyle SUNDAY, FEBRUARY 1, 2015 OSN brings the best content for customers with latest technology By Nawara Fattahova called ‘Live More’ last year. It’s our corporate social responsibility campaign and we will KUWAIT: OSN, the leading pay TV network in continue to focus on that to create an emo- the Middle East and North Africa that offers tional bond with potential customers. international television entertainment content Reducing churn (people who leave the such as movies, sporting events and much service) is also a big focus for us. To reduce more, participated in the annual InfoConnect this, we will focus on our OSN privileges pro- exhibition held from Jan 26 to Feb 1, 2015 at gram. We established this program two and the Misref Fairground. During this event, they half years back, and it’s an amazing program had many special offers and promotions. with a strong link with our product. Many Kuwait Times met Hamad Malik, Chief organizations have loyalty programs, but they Marketing Officer of OSN, to learn more. usually give points that you can never redeem, but our focus is to give our customers experi- Kuwait Times: What is your marketing strat- ences which they can’t buy or nobody else will egy for 2015? give them. An example is if you are a WWE fan, Hamad Malik: We want to position our we give the opportunity for people to go and brand as a premium brand, and also as an watch the fights, meet the wrestlers and affordable luxury that understands clients’ spend time with them.
    [Show full text]
  • Revue De Presse Land of Scarecrows
    Revue de Presse Land of Scarecrows 1/ Variety Asia Online http://www.varietyasiaonline.com/content/view/6717/1/ Pusan reveals project funding winners Written by Han Sunhee Wednesday, 13 August 2008 Story Categories: Documentary, Festivals, Film, Finance, Korea, Pusan, SEOUL – Twenty seven movie projects are to receive funding from the Pusan International Film Festival's Asia Cinema Fund it was announced Tuesday. The ACF spans three sections that support different aspects of the production and post-production processes for movies that are deemed Asia's most creative film efforts. The six recipients of coin from the 'Independent Feature Script and Project Incubating Fund' section include Korean helmer Kim Jong-kwan's "Seaside" and Malaysian director Woo Ming Jin's "Woman On Fire Looks For Water." A further six projects are to receive coin from the 'Independent Feature Post-production Fund.' These include Korean helmer Roh Gyeong-tae's "Land of Scarecrow," Chinese helmer He Jianjun's "River People." Malaysian helmer Ho Yuhang's "At The End of Daybreak" was selected as the recipient of Asia Pacific Actors Network's production support fund, and was backed by Korean production shingle M&FC. The AND Fund for docus rewarded five Korean projects including Korean-American female director Tammy Chu Tolle's "Resilience" and nine other Asian projects including Indian helmer Ranu Ghosh's "Quarter No. 4/11." 2008 Independent Feature Script and Project Development Fund recipients "Seaside" (Korea) Kim Jongkwan "Daybreak" (Korea) Cho Kyu Jang "The Reason"
    [Show full text]
  • Film Reviews Interviews Video Interviews
    berlinale 2019 EFM Coverage as of Feb 20, 2019 300 Photos published on facebook 34 videos published on youtube FILM REVIEWS AMAZING GRACE, A Long Delayed Aretha Franklin Film surfaces at Berlin '69 What she said: The Art of Pauline Kael review Leakage | Nasht by Suzan Iravanian (Forum): Berlinale Review The Golden Glove by Fatih Akin: Berlinale Review Sampled reviews of Jessica Forever A City Hunts for a Murderer, and a Forum film hunts for meaning Berlinale by Alex: Mid Point Festival Reviews MK2 is very proud from the reviews on the Varda doc The Ground beneath my Feet in review Sondre Fristad's First Feature The Writer at the Berlinale System Crasher in review: Amazing ! Forget about all other contenders Derek Jarman's THE GARDEN, starring Tilda Swinton, returns to Berlinale 28 years after its premiere DIE KINDER DER TOTEN - World Premiere and Q&A with Kelly Copper and Pavol Liska INTERVIEWS Xaver Böhm on O Beautiful Night: Interview at Berlinale 2019 Interview with Brazilian Director Marcus Ligocki at Berlinale Marie Kreuzer: The Ground beneath my feet The Writer: Interview with Sondre Fristad in Berlin Interview with Producer, Director Writer Stu Levy @ 2019 Berlinale Interview with Director Gustavo Steinberg for 'Tito and the Birds' (2018) Alexandr Gorchilin on his First Feature Acid VIDEO INTERVIEWS VIDEO: Dieter Kosslick recalls some nice moments on the red carpet VIDEO: Anthony Bregman describes IFP's programs suppporting independent film making VIDEO: IFP Anthony Bregman opening remarks on his producing experiences at Friday's
    [Show full text]
  • Berlinale 2008
    Berlinale 2008 By Ron Holloway Spring 2008 Issue of KINEMA 58th BERLINALE 2008 Box Office Bonanza Will it ever end? During his seven years as Berlinale director, Dieter Kosslick’s festival tenure is annually boosted by success at the box office. Following the close of the 58th Berlin International Film Festival (7-17 February 2008), bonanza statistics were promptly released to the press. The 58th Berlinale recorded an overall audience of 430,000, of which some 230,000 purchased tickets, thus exceeding last year’s record by more than 6,000. The number of visiting film professionals (exhibitors, sales agents, industry representatives) increased to 20,000 from 125 countries, topping last year’s total of 19,155. The number of accredited journalists rose to 4,105. The sum of public screenings also rose to 1,256, compared with 934 screenings in 2007. Only the number of films participating in this year’s official programs dipped in comparison tolast year - down from 396 to 383 - but even this adjustment apparently made some Berlinale entries all the more attractive. The buzz at the Berlinale? Of particular interest were the ”EFM Industry Debates” held in the Marriott Hotel for three days in the middle of the festival. A hundred participants registered for the panel discussions on the challenges and opportunities of ”Digital Film Distribution” in the not too distant future. Another press headliner was a calculation on the ”monetary worth” of this year’s Berlinale, reckoned at circa €17.2m, or around US$ 26m. The sum includes the input by the German government (country, state, city), estimated at € 6.2m, or approximately US$ 9.3m.
    [Show full text]
  • Reality & Effect: a Cultural History of Visual Effects
    Georgia State University ScholarWorks @ Georgia State University Communication Dissertations Department of Communication 5-3-2007 Reality & Effect: A Cultural History of Visual Effects Jae Hyung Ryu Follow this and additional works at: https://scholarworks.gsu.edu/communication_diss Part of the Communication Commons Recommended Citation Ryu, Jae Hyung, "Reality & Effect: A Cultural History of Visual Effects." Dissertation, Georgia State University, 2007. https://scholarworks.gsu.edu/communication_diss/13 This Dissertation is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. REALITY & EFFECT: A CULTURAL HISTORY OF VISUAL EFFECTS by JAE HYUNG RYU Under the Direction of Ted Friedman ABSTRACT The purpose of this dissertation is to chart how the development of visual effects has changed popular cinema’s vision of the real, producing the powerful reality effect. My investigation of the history of visual effects studies not only the industrial and economic context of visual effects, but also the aesthetic characteristics of the reality effect. In terms of methodology, this study employs a theoretical discourse which compares the parallels between visual effects and the discourse of modernity/postmodernity, utilizing close textual analysis to understand the symptomatic meanings of key texts. The transition in the techniques and meanings of creating visual effects reflects the cultural transformation from modernism to postmodernism. Visual effects have developed by adapting to the structural transformation of production systems and with the advance of technology.
    [Show full text]
  • 1 INTRODUCTION This Dissertation Will Discuss the Perception of Polish
    Cut off by the 'Iron Curtain' Item Type Thesis Authors Draniewicz, Anna B. Rights <a rel="license" href="http://creativecommons.org/licenses/ by-nc-nd/3.0/"><img alt="Creative Commons License" style="border-width:0" src="http://i.creativecommons.org/l/by- nc-nd/3.0/88x31.png" /></a><br />The University of Bradford theses are licenced under a <a rel="license" href="http:// creativecommons.org/licenses/by-nc-nd/3.0/">Creative Commons Licence</a>. Download date 24/09/2021 13:59:05 Link to Item http://hdl.handle.net/10454/4927 INTRODUCTION This dissertation will discuss the perception of Polish Cinema in English- language literature. During the collection of my secondary data, which concentrated mainly on English-language books but also includes newspapers and Internet resources, I encountered many interesting issues. These are divided here into three categories discussed in three chapters: ‘Stereotypes and Errors’ that result from the lack of knowledge thus causing misunderstandings, ‘Deficiencies’ about the absence of some films and directors in the English-speaking world and ‘Different Perspectives’ that reveal some interesting comparisons. The judgements applied to define these sections are respectively: accuracy (correctness of the facts), novelty (unknown trends) and originality of ideas (absent in Polish film criticism). During my research I have discovered the main factors distorting the perception of Polish cinema. I talked about them during my presentation entitled ‘English-Language Critical Engagements with Polish Cinema’ during the ‘Polish Cinema in an International Context’ conference held in Manchester in December 2009. Most of these issues are addressed in Chapter One, which outlines the problems that English-language authors seem to have with the Polish language, the background political issues and the lack of knowledge about some of the periods of Polish cinema.
    [Show full text]
  • Catalogo a Cura Di Produced by Catalogue Curated By
    CINEMA DEL MEDITERRANEO ROMA 19-27 NOVEMBRE XVII EDIZIONE Con l’Adesione del Presidente della Repubblica AUDITORIUM DELLA CONCILIAZIONE e con il Patrocinio del Presidente del Parlamento europeo CASA DEL CINEMA Rappresentanza in Italia Ufficio Informazione per l’Italia www.medfilmfestival.org della Commissione europea del Parlamento europo MEDFILM FESTIVAL 2011 UNA PRODUZIONE DI CATALOGO A CURA DI PRODUCED BY CATALOGUE CURATED BY MEDFILM FESTIVAL ONLUS Alessandro Zoppo Via Mantova, 4 00198 Rome, Italy Curatore / Curatorr T +39 06 85354814 / F +39 068844719 Mara Valente www.medfilmfestival.org Giulio Casadei Francesco Catalfamo DIREZIONE ARTISTICA E ORGANIZZATIVA ARTISTIC AND EXECUTIVE MANAGEMENT UFFICIO STAMPA PRESS OFFICE Ginella Vocca Presidente Fondatore MedFilm Festival Reggi&Spizzichino Communication MedFilm Festival President and Founder PROGETTO DI COMUNICAZIONE VISIVA VISUAL COMMUNICATION STAFF ORGANIZZATIVO GENERAL ORGANIZATION Brando Gioacchini Vanessa Tonnini Responsabile Programmazione / Programmer SERVIZI E LOGISTICA Maya Breschi SUPPLIERS AND LOGISTICS Coordinamento Festival / Festival Coordinator Alessandro Zoppo Napis Curatore Concorso Cortometraggi / Short Movies Programmer Sottotitoli / Subtitles Paola Micalizzi e Mara Valente Delio Barbati Responsabili Progetto MetHexis / Methexis Project Coordinator Trasporti e logistica / Logistics and shipment Barbara Bruni Barbara Bruni Curatore Forum / Forum Curator Traduzioni / Translations Max Mestroni Studio Autuori&Carletti Responsabile e Coordinatore Ospitalità Foto / Photographs
    [Show full text]
  • Festival Internacional De Cine De Mar Del Plata 2014
    DEL 22 AL 30 / NOVIEMBRE 2014 NOVIEMBRE / 30 AL 22 DEL FESTIVAL INTERNACIONAL DE CINE DE MAR DEL PLATA MAR DEL PLATA INTERNATIONAL FILM FESTIVAL DEL 22 AL 30 / NOVIEMBRE 2014 MAR DEL PLATA, ARGEntINA Autoridades AUTORIDADES NACIONALES: PRESIDENTA VICEPRESIDENTE MINISTRA DE CULTURA Dra. Cristina Fernández Lic. Amado Boudou Sra. Teresa Parodi INSTITUTO NACIONAL DE CINE Y ARTES AUDIOVISUALES PRESIDENCIA GERENCIA DE ADMINISTRACIÓN GERENCIA DE FOMENTO A LA Sra. Lucrecia Cardoso Dr. Raúl A. Seguí PRODUCCIÓN DE CONTENIDOS PARA TELEVISIÓN, INTERNET Y VICEPRESIDENCIA GERENCIA DE ASUNTOS VIDEOJUEGOS Lic. Juan Esteban Buono Repetto INTERNACIONALES Ing. Germán Calvi Sr. Bernardo Bergeret AUDITORÍA INTERNA GERENCIA DE ACCION FEDERAL Dr. Rolando Oreiro GERENCIA DE ASUNTOS Sr. Félix Fiore JURÍDICOS GERENCIA GENERAL Dr. Orlando Pulvirenti DIRECTORA INCAA TV Sr. Rómulo Pullol Sra. Vanessa Ragone GERENCIA DE FOMENTO GERENCIA DE FISCALIZACIÓN Lic. Alberto Urthiague RECTOR ENERC Tec. Verónica Graciela Sr. Pablo Rovito Sanchez Gelós GOBIERNO DE LA PROVINCIA DE BUENOS AIRES GOBERNADOR PRESIDENTE DEL INSTITUTO DIRECTOR DEL CENTRO Daniel Osvaldo Scioli CULTURAL DE LA PROVINCIA PROVINCIAL TEATRO DE BUENOS AIRES AUDITORIUM DE VICEGOBERNADOR Jorge Alberto Telerman MAR DEL PLATA Lic. Juan Gabriel Mariotto Pablo Martínez del Bosque MUNICIPALIDAD DEL PARTIDO DE GENERAL PUEYRREDÓN INTENDENTE MUNICIPAL ENTE MUNICIPAL DE TURISMO VICEPRESIDENTE Cr. Gustavo Arnaldo Pulti PRESIDENTE Lic. Valeria Méndez Sr. Pablo Fernández SECRETARIO DE CULTURA Dr. Leandro Laserna 3 Staff
    [Show full text]
  • PM Inaugurates Es'hailsat Teleport
    BUSINESS | Page 1 SPORT | Page 1 Halep and Kerber tested before reaching Airbus: Goodbye A380 semis published in QATAR since 1978 FRIDAY Vol. XXXIX No. 11095 February 15, 2019 Jumada II 10, 1440 AH GULF TIMES www. gulf-times.com 2 Riyals In brief Amir honours envoy of Peru Amir arrives in Munich to QATAR | Campaign Ministry urges public attend security conference to stop littering The Ministry of Municipality and QNA A strong strategic partnership be- Environment has called on all citizens Munich tween Qatar and the MSC emerged and residents to stop littering, during the 18th session of Doha Forum. emphasising the importance of In 2011, the fi rst meeting of Munich disposing it of at places specified is Highness the Amir Sheikh Security offi cials was held in Doha, by the State. The Ministry said the Tamim bin Hamad al-Thani where the two sides agreed to work Department of Public Hygiene is Harrived yesterday in the Ger- together more regularly so that the Qa- intensifying operations in Doha, man city of Munich to take part in the tari representation at the conference Rayyan and Shihaniyah to remove 55th edition of the Munich Security becomes at the highest level with the litter adding around 2025 tonnes Conference. participation of the Amir along with were lifted in January. The Amir is accompanied by an of- other leaders. fi cial delegation. Over the course of three days, MSC AMERICA | Confl ict The conference which starts today is will be held under the chairmanship House votes to end US one of the largest and most important of Wolfgang Ischinger and with the international conferences on the global participation of German Chancel- help in Saudi’s Yemen war security and defence policies.
    [Show full text]
  • PASOLINI a Film by Abel Ferrara
    presents PASOLINI A film by Abel Ferrara **Official Selection | Venice Film Festival** **Official Selection | New York Film Festival** **Official Selection | Toronto International Film Festival** France, Belgium, Italy / 2014 / 84 minutes / Color / 1.85:1 / English Publicity Contact: David Ninh, [email protected] ​ ​ Distributor Contact: Chris Wells, [email protected] ​ ​ Kino Lorber, Inc., 333 West 39th St., Suite 503, New York, NY 10018 (212) 629-6880 Synopsis: Pasolini, directed by Abel Ferrara, stars frequent collaborator Willem Dafoe as Italian poet and ​ film director Pier Paolo Pasolini and chronicles his final hours on November 2, 1975. The film follows him as he works on his controversial classic, Salò, or the 120 Days of Sodom and leads ​ ​ up to his brutal murder on the beach in Ostia on the outskirts of the city. Facing resistance and persecution from the public, politicians, censors and critics, Pasolini visits with his beloved mother and friends, including actress Laura Betti (played by Maria de Madeiros) and continues his work on an ambitious new novel and screenplay - all the while cruising in his Alfa Romeo for adventure and connections with beautiful younger males in the dark streets of Rome. Director’s Note: In search of the death of the last poet only to find the killer inside me Sharpening his tools of ignorance on the memories of never forgotten acts of kindness in words and deeds, ideas impossible to comprehend. in a school in Casarsa I sit at my teacher’s feet yearning then hearing the music of the waves that wash the feet of the messiah on the beach at Idroscalo, those who weave their spell in silver are forever bound to the lithe body of Giotto constantly in search of the creation of the winning goal forever offside forever in the lead of the faithful of which I am one.
    [Show full text]
  • International Documentary & Short Film Festival Of
    FESTIVAL BOOK & OF KERALA INTERNATIONAL INTERNATIONAL DOCUMENTARY SHORT FILM FESTIVAL ID D TH SF I F SF F INTERNATIONAL DOCUMENTARY & SHORT FILM FESTIVAL www.idsffk.in OF KERALA 16-20 JUNE 2017 THIRUVANANTHAPURAM | KAIRALI SREE NILA 10 TH IDSFFK 1 10TH IDSFFK 1 CREDITS Chairman & Festival Director, IDSFFK: Kamal Vice Chairperson & Artistic Director: Bina Paul Secretary & Executive Director: Mahesh Panju Treasurer: Zulfikar Rahman A Deputy Director (Festival): H Shaji Deputy Director (Programmes): N P Sajeesh Programme Manager (Finance): Radha Krishnan M Programme Manager (Festival): Deepika Suseelan Programme Manager (Programmes): Vimal Kumar V P Librarian (Technical Coordinator): Gopeekrishna S Online Media: Riyaz Ahamed Programme Assistants: Saiyed Farooq Z, Geethanjali C, Sreevidhya J, Revathy L Festival Cell: Sivakumar P S, Velayudhan Nair K, Mary Ninan, Padmakumar P R, Shyamlal S S, Harikumar K, Venukuttan Nair K, Ravikumar K, Jayakumari D, Sandhya B, Naveen Nath G S, Sukumaran K, Jaya L, Sasikala G, Arun R, Sahadevan R, Vijaya Mohan B, Lizy M, Omana J, Naveen L Johnson Filmmakers Liaison: Bandhu Prasad Aleyamma Guest Relations: Arjun A, Jayesh L R, Shelly J, M Rameez Media Relations: I & PRD, Government of Kerala Projectionists: John Kurian, Nishanth S T, Abhilash Software: Eventival, CDit Website Support : CDit Festival Design: B Priyaranjanlal Signature Film: Shameer Babu Festival Book Chief Editor: Mahesh Panju (Secretary, KSCA) Editor: H Shaji (Deputy Director, KSCA) Editorial Team: N P Sajeesh, Usha V T Word Processing & Page Setting: B Sivaprasad Academy is grateful to various film journals, festival publications, Film Festival websites from which we have borrowed materials to put together this book. The opinions expressed herein are not necessarily that of the Kerala State Chalachitra Academy or the Editors.
    [Show full text]