The Public Eye, Summer 2015
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Am Yisrael: a Resource Guide to Exploring the Many Faces of the Jewish People
Am Yisrael: A Resource Guide to Exploring the Many Faces of the Jewish People Prepared by Congregation Beth Adam and OurJewishCommunity.org with support from The Jewish Foundation of Cincinnati Table of Contents A Letter to Grownups ....................................................... Page 1 Am Yisrael: One Big Jewish Family ...................................... Page 2 Where Jews Live .............................................................. Page 3 What Jews Look Like ......................................................... Page 4 What Jews Wear ............................................................... Pages 5-8 What Jews Eat ................................................................ Page 9 Fun Jewish Recipes from Around the World ........................... Pages 10-12 I Love Being Jewish ......................................................... Page 13 Discussion Generating Activities ........................................ Pages 14-15 Discussion Questions ....................................................... Page 16 Jewish Diversity Songs ..................................................... Page 17 Coloring Book Pages ........................................................ Pages 18-29 Acknowledgments .......................................................... Page 30 Letter to Grownups When you think of Jews, what do you picture? What do they eat? What language do they speak? How do they dress? What makes them unique? There are so many ways to be Jewish, and so many different Jewish cultures around the world. -
RIGHTS at RISK
RIGHTS at RISK Time for Action Observatory on the Universality of Rights Trends Report 2021 RIGHTS AT RISK: TIME FOR ACTION Observatory on the Universality of Rights Trends Report 2021 Chapter 4: Anti-Rights Actors 4 www.oursplatform.org 72 RIGHTS AT RISK: TIME FOR ACTION Observatory on the Universality of Rights Trends Report 2021 Chapter 4: Anti-Rights Actors Chapter 4: CitizenGo Anti-Rights Actors – Naureen Shameem AWID Mission and History ounded in August 2013 and headquartered Fin Spain,221 CitizenGo is an anti-rights platform active in multiple regions worldwide. It describes itself as a “community of active citizens who work together, using online petitions and action alerts as a resource, to defend and promote life, family and liberty.”222 It also claims that it works to ensure respect for “human dignity and individuals’ rights.”223 United Families Ordo Iuris, International Poland Center for World St. Basil the Istoki Great Family and Endowment Congress of Charitable Fund, Russia Foundation, Human Rights Families Russia (C-Fam) The International Youth Alliance Coalition Russian Defending Orthodox Freedom Church Anti-Rights (ADF) Human Life Actors Across International Heritage Foundation, USA FamilyPolicy, Russia the Globe Group of Friends of the and their vast web Family of connections Organization Family Watch of Islamic International Cooperation Anti-rights actors engage in tactical (OIC) alliance building across lines of nationality, religion, and issue, creating a transnational network of state and non-state actors undermining rights related to gender and sexuality. This El Yunque, Mexico visual represents only a small portion Vox party, The Vatican World Youth Spain of the global anti-rights lobby. -
Turkish Literature from Wikipedia, the Free Encyclopedia Turkish Literature
Turkish literature From Wikipedia, the free encyclopedia Turkish literature By category Epic tradition Orhon Dede Korkut Köroğlu Folk tradition Folk literature Folklore Ottoman era Poetry Prose Republican era Poetry Prose V T E A page from the Dîvân-ı Fuzûlî, the collected poems of the 16th-century Azerbaijanipoet Fuzûlî. Turkish literature (Turkish: Türk edebiyatı or Türk yazını) comprises both oral compositions and written texts in the Turkish language, either in its Ottoman form or in less exclusively literary forms, such as that spoken in the Republic of Turkey today. The Ottoman Turkish language, which forms the basis of much of the written corpus, was influenced by Persian and Arabic and used the Ottoman Turkish alphabet. The history of the broader Turkic literature spans a period of nearly 1,300 years. The oldest extant records of written Turkic are the Orhon inscriptions, found in the Orhon River valley in central Mongolia and dating to the 7th century. Subsequent to this period, between the 9th and 11th centuries, there arose among the nomadic Turkic peoples of Central Asia a tradition of oral epics, such as the Book of Dede Korkut of the Oghuz Turks—the linguistic and cultural ancestors of the modern Turkish people—and the Manas epic of the Kyrgyz people. Beginning with the victory of the Seljuks at the Battle of Manzikert in the late 11th century, the Oghuz Turks began to settle in Anatolia, and in addition to the earlier oral traditions there arose a written literary tradition issuing largely—in terms of themes, genres, and styles— from Arabic and Persian literature. -
An Analysis of Keffiyeh/Made in China
Last name 1 Student name English 110 Instructor name Date Art that Dictates Rather than Imitates: An Analysis of Keffiyeh/Made in China The keffiyeh, a checkered black and white scarf worn about the head or neck, is a symbol of Palestinian resistance that dates back to the 1930’s Arab Revolution against British occupation, and it represents the current struggle of Palestinians to control their identity and future in the face of Israeli occupation of their lands (Kreibaum). Dalia Taha, a Palestinian playwright who grew up in Ramallah, a city in the Palestinian West Bank (Moss) uses this powerful symbol in the title of her experimental play Keffiyeh/Made in China. Taha notes, “Art always challenges power structures” (Moss), and she does precisely this in her play. Palestine has had a tumultuous history of occupation and conflict. During the Arab-Israeli War in 1948, Nakba occurred, where thousands of Palestinians were displaced to create Israel. Nakba is the Arabic word for catastrophe, and that is how it is remembered by Palestinians. Thousands of Palestinians continue to die in the Israel- Palestine conflict, and many fight for the right to assert their identity (B'Tselem). In her play Keffiyeh/Made in China, Taha captures this on-going tumultuous struggle by combining historical events with experimental literary structure in order to humanize and educate the world about the Palestinian suffering in the wake of their occupation and to create awareness and support for them lest they be forgotten entirely. In one of the play’s acts called “60 Seconds,” Taha presents a character about to die as the result of a gunshot wound to the face, and she uses the technique of blending fiction Last name 2 with reality to connect the audience more directly to the plight of the Palestinians. -
The Real Face of Arabic Symbols
Rochester Institute of Technology RIT Scholar Works Theses 5-17-2017 The Real Face of Arabic Symbols Leena Yahya Sonbuol [email protected] Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Sonbuol, Leena Yahya, "The Real Face of Arabic Symbols" (2017). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. R.I.T The Real Face of Arabic Symbols By Leena Yahya Sonbuol A Thesis Submitted to the Faculty of The College of Imaging Arts and Sciences School of Art In Candidacy for the Degree of MASTER OF FINE ARTS In Fine Arts Studio Rochester Institute of Technology Rochester, NY Date: May 17, 2017 I Thesis Approval Thesis Title: The Real Face of Arabic Symbols Thesis Author: Leena Yahya Sonbuol Chief Advisor: Eileen Feeney Bushnell (Signature) Date: Associate Advisor: Clifford Wun (Signature) Date: Associate Advisor: Denton Crawford (Signature) Date: Chair, School of Art: Glen Hintz (Signature) Date: II ACKNOWLEDGMENTS I would first like to thank my thesis advisor Eileen Bushnell, and my committee members, Clifford Wun, and Denton Crawford, for the guidance they provide to me while I was working on my thesis. Their doors were always open whenever I ran into a trouble spot or had a question not only regarding my artwork, but also about my life in the USA as an international student. They consistently allowed this paper to be my work but steered me in the right direction whenever they thought I needed it. -
Design Guidelines Manufacturer Guidelines
Congratulations on your participation in the tenth annual Prêt-A-Porter fashion event! Friday May 12th, 7:00 PM EXDO 1399 35th Street Denver, CO 80205 _________________________________________________________________________________________ This document should answer most of your questions about design, materials, and event logistics including: 1. Design Teams 6. Critical Dates 2. Manufacturer Guidelines 7. Model Information 3. Judging Criteria 8. Run-through of the event 4. Prizes 9. Frequently Asked Questions 5. Tickets __________________________________________________________________________________________ ► Design Guidelines Each Design Team will be comprised of up to five members plus a model. We encourage the model to be an integral part of the team and someone with your firm or manufacturer. No hired professional models. The intent of the event is to showcase your manufacturer’s product by using it in a unique and creative way. Look to media coverage of the couture and ready-to-wear fashion shows in New York, Paris, London and Milan for inspiration. Fabrication of the materials into a garment is the responsibility of the design team. We encourage your team to sew and assemble your creation using your own methods. With that said, however, you are allowed to have a seamstress outside of your team help you assemble your garment. This cost would be the responsibility of the design team. However only 10% of the entire garment can be sewn or fabricated by someone outside of your team. ► Manufacturer Guidelines The manufacturer’s only responsibility to the team is to supply the materials for the construction of the garment. The manufacturer is not required to help fabricate the garment; however, with past events, the most successful entries have featured collective collaboration between the design team and the manufacturer and pushed materials to perform in new ways. -
Atavism and Modernity in Time's Portrayal of the Arab World, 2001-2011
Atavism and Modernity in Time's Portrayal of the Arab World, 2001-2011 A dissertation presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Mary R. Abowd August 2013 © 2013 Mary R. Abowd. All Rights Reserved. This dissertation titled Atavism and Modernity in Time's Portrayal of the Arab World, 2001-2011 by MARY R. ABOWD has been approved for the E. W. Scripps School of Journalism and the Scripps College of Communication by Anne Cooper Professor Emerita of Journalism Scott Titsworth Dean, Scripps College of Communication ii ABSTRACT ABOWD, MARY R., Ph.D., August 2013, Journalism Atavism and Modernity in Time's Portrayal of the Arab World, 2001-2011 Director of Dissertation: Anne Cooper This study builds on research that has documented the persistence of negative stereotypes of Arabs and the Arab world in the U.S. media during more than a century. The specific focus is Time magazine’s portrayal of Arabs and their societies between 2001 and 2011, a period that includes the September 11, 2001, attacks; the ensuing U.S.- led “war on terror;” and the mass “Arab Spring” uprisings that spread across the Arab world beginning in late 2010. Using a mixed-methods approach, the study explores whether and to what extent Time’s coverage employs what Said (1978) called Orientalism, a powerful binary between the West and the Orient characterized by a consistent portrayal of the West as superior—rational, ordered, cultured—and the Orient as its opposite—irrational, chaotic, depraved. -
Jailhouse Islamophobia: Anti-Muslim Discrimination in American Prisons
Race Soc Probl (2009) 1:36–44 DOI 10.1007/s12552-009-9003-5 Jailhouse Islamophobia: Anti-Muslim Discrimination in American Prisons Kenneth L. Marcus Published online: 31 March 2009 Ó Springer Science+Business Media, LLC 2009 Abstract The post 9/11 surge in America’s Muslim Keywords Islamophobia Á Muslims Á Prisoners’ rights Á prison population has stirred deep-seated fears, including Religious freedom Á Religious discrimination Á the specter that American prisons will become a breeding Religious Land Use and Incarcerated Persons Act system for ‘‘radicalized Islam.’’ With these fears have come restraints on Muslim religious expression. Mistreat- ment of Muslim prisoners violates the Religious Land Use Introduction and Institutionalized Persons Act of 2000 (RLUIPA), which Congress passed in part to protect prisoners from Muslims constitute nearly a tenth of the American federal religious discrimination. Despite RLUIPA, prisoners still prison population and their numbers are rapidly rising.1 face the same challenge that preceded the legislation. The post 9/11 surge in Muslim prison population has stir- Ironically, while Congress directed courts to apply strict red deep-seated fears and resentments, including the scrutiny to these cases, the courts continue to reject most specter that the American prison system will become a claims. One reason is that many courts are applying a breeding system for ‘‘radicalized Islam.’’2 With these fears diluted form of the legal standard. Indeed, the ‘‘war on have come restraints on Muslim religious expression, with terror’’ has justified increasing deference to prison admin- prison officials citing a need to maintain orderly prison istration to the detriment of incarcerated Muslims and administration and ensure homeland security.3 religious freedom. -
Board of Governors Brunch Event Sponsored by Alliance Defending Freedom May 15, 2015
COUNCIL FOR NATIONAL POLICY Board of Governors Brunch Event Sponsored by Alliance Defending Freedom May 15, 2015 MR. ALAN SEARS: It is so good to be with you. Good morning and bless you. Thank you, Tony for your gracious introduction, and Tim, thank you for the opening prayer, and thanks to all of you for joining us here today. We also want to thank the CNP Board of Governors for the privilege of again presenting this event in conjunction with the Council for National Policy. CNP members have been standing boldly and consistently for over thirty years for the Constitution, for the values and the beliefs the Alliance Defending Freedom was formed to defend every day in courts across the land, and increasingly across the globe. A few welcomes, today is with us a member of our ADF governing board, Mrs. Marjorie Dannenfelser. Marjorie, thank you for being with us. We are also honored and I would ask if you wouldn’t mind, Mary Ellen, to stand so people can see where you are, we are honored by the presence of Mary Ellen Bork, the wife of the late Judge Robert Bork who was the 2010 recipient. We also are especially honored this morning to have our 81st Attorney General of the United States, Mr. Michael Mukasey. All of you remember his stalwart defense of the Constitution, ordered liberty, and our great nation. He served for many years as federal judge and then chief judge of the southern district of New York. He was the trial judge for the first World Trade Center case involving what is commonly referred to as the blind chic. -
San Diego Handout – February 2016
San Diego February 25, 2016 Handlery Hotel San Diego 950 Hotel Circle North San Diego, CA 92108 Our ministry is to make giving easy! WE HELP CHRISTIANS GIVE BY: • Cr eating an immediate income tax deduction • Pr oviding simple on-line records and grant making • Ac cepting asset gifts of all kinds • Su pporting family generosity with multi-generation Giving Funds OUR STAFF OUR BOARD Bryan Feller Jim Johnson, Chairman Bob Shank Executive Director Johnson, Hart & Dyson Barnabas Group and The [email protected] Master’s Program James Franklin Joe Eelkema Har-Bro Mary King Gift Advisor Steve Perry King & Co. Investment [email protected] Counsel LLC Sacred Harvest Foundation Terri Ponce de Leon Hilda Kennedy Director of Giver Services AmPac Tri State CDC [email protected] Chris Duncan Robert P. Fry, Jr. Convene Senior Gift Advisor [email protected] Jill Tilk Giver Services Support 19742 MacArthur Blvd, Suite 230, Irvine, CA 92612 [email protected] Phone: 949-263-0820 • Fax: 949-263-9129 www.NCFCalifornia.com THE BARNABAS GROUP SAN DIEGO THURSDAY, FEBRUARY 25, 2016 Time Topic Presenter ________________________________________________________________________ 7:30 a.m. Breakfast 8:24 a.m. I Like Laughter 8:28 a.m. Opening Prayer Dan Hitzhusen 8:29 a.m. Announcements Dan Hitzhusen 8:36 a.m. The Master’s Program Steve Esser 8:39 a.m. Pioneers Steve Richardson & Mike Rufo 8:55 a.m. Business as Mission Grant Van Cleve & Jim Seiler 9:00 a.m. Asian Access Joe Handley 9:16 a.m. Approaching the Line Alan Sears 9:41 a.m. Convergence Bob Shank 9:43 a.m. -
Borders. Contemporary Middle Eastern Art and Discourse
Robert Kluijver BordersContemporary Middle Eastern Art and Discourse The Hague October 2007 | January 2009 Borders Contemporary Middle Eastern Art and Discourse Gemak, The Hague October 2007 to January 2009 Borders Contemporary Middle Eastern Art and Discourse Gemak, The Hague October 2007 to January 2009 Self-published by the Gemeentemuseum Den Haag Print run of 500 copies January 2010 Acknowledgements Most of the support for Gemak came from the municipality of The Hague through the Gemeentemuseum and the Vrije Academie, but essential financial support also came from the Hivos NCDO Cultuurfonds, the Mondriaan Foundation, Kosmopolis Den Haag and Cordaid. I would like to thank these organizations for their willingness to support Gemak in its initial steps. My gratitude to the staff at the Gemeentemuseum (Director Benno Tempel, deputy director Hans Buurman, and Peter Couvee & Annemarie de Jong from the graphic department) who supported this publication. Thanks also to Alan Ingram, Ruchama Marton, Alessandro Petti, Roee Rosen, Tina Sherwell and Eyal Weizman for allowing me to reproduce their texts, either in full or abridged. Credits All texts are by Robert Kluijver except where indicated otherwise. Design by Matthew Adeney. The photographs have either been given by the artists or have been taken by the author, except where attributed otherwise. See photo credits at the back of the book. The points of view expressed herein are the author’s only, and do not reflect those of the Gemeentemuseum, the Vrije Academie or of the artists and writers discussed/quoted. The author takes full responsibility for any eventual mistakes. Note In the period covered by this book Gemak organized more exhibitions than the three that were part of the ‘The Border’ cycle. -
Chinese Propaganda Poster Collection Mss 360
http://oac.cdlib.org/findaid/ark:/13030/c85144sw No online items Guide to the Chinese propaganda poster collection Mss 360 Posters processed and described by Sarah Veeck, 2018; finding aid prepared by Sarah Veeck and Zachary Liebhaber, 2018. UC Santa Barbara Library, Department of Special Research Collections University of California, Santa Barbara Santa Barbara 93106-9010 [email protected] URL: http://www.library.ucsb.edu/special-collections 2018 October 10 Guide to the Chinese propaganda poster Mss 360 1 collection Mss 360 Title: Chinese propaganda poster collection Identifier/Call Number: Mss 360 Contributing Institution: UC Santa Barbara Library, Department of Special Research Collections Language of Material: Chinese Physical Description: 8 linear feet(2 map cabinet drawers) Date (inclusive): 1958-1987 Date (bulk): 1970s Abstract: Chinese propaganda posters on a variety of subjects and themes, ranging from the 1950s through the early 1980s. Physical Location: Special Research Collections, UC Santa Barbara Library Language of Material: Poster captions in Chinese. Access Restrictions The collection is open for research. Use Restrictions Copyright has not been assigned to the Department of Special Research Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Research Collections. Permission for publication is given on behalf of the Department of Special Research Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained. Acquisition Information Library purchase, 2018. Preferred Citation [Identification of Item], Chinese propaganda poster collection, Mss 360. Department of Special Research Collections, UC Santa Barbara Library, University of California, Santa Barbara.