Michael Spencer Jones Is One of the UK's Most Influential Rock
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Did Wigan Have a Northern Soul?
Did Wigan have a Northern Soul? Introduction The town of Wigan in Lancashire, England, will forever be associated with the Northern Soul scene because of the existence of the Casino Club, which operated in the town between 1973 and 1981. By contrast, Liverpool just 22 miles west, with the ‘the most intensely aware soul music Black Community in the country’, (Cohen, 2007, p.31 quoting from Melody Maker, 24 July 1976) remained immune to the attractions of Northern Soul and its associated scene, music, subculture and mythology. Similarly, the city of Manchester has been more broadly associated with punk and post-punk. Wigan was and remains indelibly connected to the Northern Soul scene with the Casino representing a symbolic location for reading the geographical, class and occupational basis of the scene’s practitioners. The club is etched into the history, iconography, and mythology of Northern Soul appearing in the academic and more general literature, television documentaries, memoirs, autobiographies and feature films. This chapter seeks to explore the relationship between history, place, class, industrialisation, mythology and nostalgia in terms of Wigan, the Casino Club and the Northern Soul scene. It asks the question: did Wigan have a northern soul? This is explored through the industrial and working-class history of the town and the place of soul music in its post-war popular culture. More broadly, it complements the historical literature on regional identity identifying how Northern Soul both complemented and challenged orthodox readings of Wigan as a town built on coal and cotton that by the 1970s was entering a process of deindustrialisation. -
White+Paper+Music+10.Pdf
In partnership with COPYRIGHT INFORMATION This white paper is written for you. Wherever you live, whatever you do, music is a tool to create connections, develop relationships and make the world a little bit smaller. We hope you use this as a tool to recognise the value in bringing music and tourism together. Copyright: © 2018, Sound Diplomacy and ProColombia Music is the New Gastronomy: White Paper on Music and Tourism – Your Guide to Connecting Music and Tourism, and Making the Most Out of It Printed in Colombia. Published by ProColombia. First printing: November 2018 All rights reserved. No reproduction or copying of this work is permitted without written consent of the authors. With the kind support of the World Tourism Organization (UNWTO). The opinions expressed in this publication are those of the authors. They do not purport to reflect the opinions or views of the UNWTO or its members. The designations employed and the presentation of material in this publication do not imply the expression of any opinions whatsoever on the part of the Secretariat of the World Tourism Organization concerning the legal status of any country, territory, city or area, or of its authorities or concerning the delimitation of its frontiers or boundaries. Address Sound Diplomacy Mindspace Aldgate, 114 Whitechapel High St, London E1 7PT Address ProColombia Calle 28 # 13a - 15, piso 35 - 36 Bogotá, Colombia 2 In partnership with CONTENT MESSAGE SECRETARY-GENERAL, UNWTO FOREWORD EXECUTIVE SUMMARY 1. INTRODUCING MUSIC TOURISM 1.1. Why Music? 1.2. Music as a Means of Communication 1.3. Introducing the Music and Tourism Industries 1.3.1. -
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity 2 Copyright © Sarah Thornton 1995 The right of Sarah Thornton to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. First published in 1995 by Polity Press in association with Blackwell Publishers Ltd. Reprinted 1996, 1997, 2001 Transferred to digital print 2003 Editorial office: Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Marketing and production: Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 1JF, UK All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any 3 form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. ISBN: 978-0-7456-6880-2 (Multi-user ebook) A CIP catalogue record for this book is available from the British Library. Typeset in 10.5 on 12.5 pt Palatino by Best-set Typesetter Ltd, Hong Kong Printed and bound in Great Britain by Marston Lindsay Ross International -
LEADERSHIP-2017: a Conflict of Interest?
THE MICHIGAN REVIEW Volume 16, Number 2 The Campus Affairs Journal of the University of Michigan October 8, 1997 LEADERSHIP-2017: A Conflict of Interest? BY EvAN KNOTT AND lEE BocKHORN VERY SUMMER, THE University of Michigan spon E sors and facilitates Leader ship 2017, a highly selective summer internship program for students in volved in top positions of select stu dent organizations on campus. In tended to foster a unique collabora tive experience for the campus's most involved students to interact with Uni versity staff, administrators, and other student organizations, most stu dents at U-M know little about the program, its selection process, or how it has affected the University commu nityas a whole since its inception in 1994. While administration officials boast about the numerous campus oriented services and projects per formed during and after each year's sll1tlmer program, a critical analysis of 'the program reveals numerous questionable attributes inherent in CAMPUS Leadership 2017's structure and poli- , ', . Jr . ' "INTEGRITY "_,i, •• , . mea.'.. .... Leadership2017 originated dul-~ . ing a public forum of student leaders in the 1993-94 academic year. The program, under the direction of As sistant to the Vice-President of Stu dent Affairs Debra Moriarty and ~\\~ DEPT Associate Vice-President and Dean A of Students Royster Harper, is pro S'rU " vided as one of the programs ofMichi gan Leadership Initiatives (MLI). MLI's Board of Directors, which gives 2017 the "seal of approval" each year, 2017 consists roughly of 22 members, com prised in halfby students and in half by faculty, staff, and alumni. -
Richard Ashcroft Discusses Digital Versus Analogue, Insanity and Psychedelia, and Making Music in His Basement
Jacket by Alpha Industries; sunglasses by Ray-Ban. Photographs Dean Chalkley Styling Mark Anthony Bradley Words Andy Thomas Photographic Assistants Charlie Beerling and Gideon Marshall Styling Assistant Bradley Stainton Production Amy Foster and Anna Gibson at Lo and Behold loandbeholdproductions.com Runner Michaela Efford Equipment Three Four Snap threefoursnap.com On the release of These People, his first solo album in six years, Richard Ashcroft discusses digital versus analogue, insanity and psychedelia, and making music in his basement. J&N 73 Richard Ashcroft The backdrop to Richard Ashcroft’s latest Ashcroft ‘Captain Rock’ before dedicating If I turned the radio on, I would solo album, These People, was, he felt, the song ‘Cast No Shadow’ to him, from the hear ‘Lucky Man’ or I’d meet decidedly turbulent. He has described it album (What’s the Story) Morning Glory? someone on the street and they’d I started to think, is it enough in 2016 to just have four or five as a time of contentious wars, grassroots The Verve’s most critically acclaimed LP say, “Nice one Richard, thanks movements turning into semi-revolutions, Urban Hymns from 1997 spawned the huge for that tune.” And that keeps guys churning out stuff that essentially you could have seen such as the events in Tahrir Square, people hit singles ‘Bitter Sweet Symphony’, ‘The you in the present every day. So divided and a sense that everything was Drugs Don’t Work’, and ‘Lucky Man’. during any gap I take I’m always in 1972? falling to pieces across the world. It was to be the band’s last LP (until they feeding off the fact that I wrote “ It is also Ashcroft’s first release since reformed eight years ago for the album tunes that people loved and still we are already on a loser. -
Record Dreams Catalog
RECORD DREAMS 50 Hallucinations and Visions of Rare and Strange Vinyl Vinyl, to: vb. A neologism that describes the process of immersing yourself in an antique playback format, often to the point of obsession - i.e. I’m going to vinyl at Utrecht, I may be gone a long time. Or: I vinyled so hard that my bank balance has gone up the wazoo. The end result of vinyling is a record collection, which is defned as a bad idea (hoarding, duplicating, upgrading) often turned into a good idea (a saleable archive). If you’re reading this, you’ve gone down the rabbit hole like the rest of us. What is record collecting? Is it a doomed yet psychologically powerful wish to recapture that frst thrill of adolescent recognition or is it a quite understandable impulse to preserve and enjoy totemic artefacts from the frst - perhaps the only - great age of a truly mass art form, a mass youth culture? Fingering a particularly juicy 45 by the Stooges, Sweet or Sylvester, you could be forgiven for answering: fuck it, let’s boogie! But, you know, you’re here and so are we so, to quote Double Dee and Steinski, what does it all mean? Are you looking for - to take a few possibles - Kate Bush picture discs, early 80s Japanese synth on the Vanity label, European Led Zeppelin 45’s (because of course they did not deign to release singles in the UK), or vastly overpriced and not so good druggy LPs from the psychedelic fatso’s stall (Rainbow Ffolly, we salute you)? Or are you just drifting, browsing, going where the mood and the vinyl takes you? That’s where Utrecht scores. -
Timepieces Four Seasons Stories from the Past
Timepieces Four Seasons Stories from the past ‘The Four Seasons & Motown - A One Way Street or Not? – By Kingsley Abbott and Ken Charmer & “Received wisdom has always had it that, with the growth and huge chart success of Motown records from 1963/4 onwards, The Four Seasons skillfully developed their sound around 1965 onwards to include a Motown-ish edge. There was no blatant copying or re-working of riffs like the guitar line from ‘My Girl’ or the bass line from ‘I Can't Help Myself’ that virtually every soul label indulged in, in bucket-loads. But instead there was a recognisable move towards utilisation of more danceable feels for the backing tracks. ‘Let's Hang On’, ‘Opus 17’ et al showed that Bob’s Crewe and Gaudio were well aware of the elements that made Motown sell so well, and this clever aiming towards such radio-friendly tracks proved a boon for us all and helped to sub- tly lift the group to a new level following the Vee Jay years and the early Philips period. It was a most effective gear change. Was the Motown to Seasons route a one way street? Motown had been formed and developed by Berry Gordy, who from the earliest days was a songwriter who had an intrinsic appreciation of the elements that built a hit song, and there is little doubt that he would have imbued other writers and producers around him with a similar outlook. If you listen to the first of the excellent ‘Complete Singles’ CD sets, you can easily pick up on many examples of Motown trying a wide variety of different hit styles. -
And Teresa Swanborough (TS) Interviewed by Kate Hall (KH) and Nick Wood (NW) Date
Northern Soul Scene Project Colin Swanborough (CS) and Teresa Swanborough (TS) interviewed by Kate Hall (KH) and Nick Wood (NW) Date: CS: A genre of music that more than any other promotes two things. It promotes the need to dance and it promotes the … the need to be part of a group. Now, the reason I say that is, if you don't mind, I'll go to you, because I did, I've got a problem. If you go to a northern soul, you will not ever be anything else except another member of the same family. So you could go over there and you would just enter into this relationship with people you’ve never spoken to before. If I go to, God forbid, [ ] everybody is just an individual, the same. So once you get this northern soul bug if you like, it's something that just never, ever goes. KH: Like being Catholic. CS: Yeah, but with a deeper faith. So I first got involved in northern soul most probably about ‘69 so I was about 11 and there was a place in Stanground called the Stanground Soul Hole and it was an underground cellar inside of Stanground [ ]. KH: Okay. CS: And the big children used to go down there, you could hear the music from outside and of course in I went and never came back since really. And the soul movement has sort of contained the most of the same people ever since, you do get newcomers, youngsters coming nowadays, but they tend to be the children of the mothers and fathers. -
Deformation to Users
DEFORMATION TO USERS This manuscript has been reproduced from the microfrhn master. UMI films the text directly firom the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard marginc^ and inq)roper alignment can adversety affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note wiD indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, begmning at the upper left-hand corner and continuing from left to right in equal sections withsmall overl^s. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photogr^hs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for ary photographs or illustrations appearing in this copy for an additional charge. Contact UMI directty to order. UMI A Bell & Howell Information Company 300 North Z eeb Road. Ann Arbor. Ml 48106-1346 USA 313.'761-4700 800/521-0600 Understanding "El autismo" ; A qualitative study of the parental interpretation of autism: A Hispanic perspective Dissertation Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Claudia Lucia Moreno, B.A., M.S.W. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Music Is GREAT Edition 4, October 2015
A guide Brought to you by for international media Edition 4 – October 2015 Festival No 6 Portmeirion, Wales visitbritain.com/media Contents Quick facts about Music in Britain......................................................................................................... 2 Music is Great – why? ............................................................................................................................... 3 10 must-do music activities in Britain ................................................................................................... 4 Music venues in Britain – a guide .......................................................................................................... 5 Music venues by music genre ............................................................................................................... 13 British music through the decades ...................................................................................................... 16 You saw them here first ......................................................................................................................... 18 Lyrical Britain: let the music be your guide ..................................................................................... 20 Step into British album covers ............................................................................................................. 24 Immersive music experiences ............................................................................................................. -
List: 44 When Your Heart Stops Beating ...And You Will Know Us By
List: 44 When Your Heart Stops Beating ...And You Will Know Us By The Trail Of Dead ...And You Will Know Us By The Trail Of Dead ...And You Will Know Us By The Trail Of Dead So Divided ...And You Will Know Us By The Trail Of Dead Worlds Apart 10,000 Maniacs In My Tribe 10,000 Maniacs Our Time In Eden 10,000 Maniacs The Earth Pressed Flat 100% Funk 100% Funk 3 Doors Down Away From The Sun 3 Doors Down The Better Life 30 Seconds To Mars 30 Seconds To Mars 30 Seconds To Mars A Beautiful Lie 311 311 311 Evolver 311 Greatest Hits '93-'03 311 Soundsystem 504 Plan Treehouse Talk 7:22 Band 7:22 Live 80's New Wave 80's New Wave (Disc1) 80's New Wave 80's New Wave (Disc2) A Day Away Touch M, Tease Me, Take Me For Granted A Day To Remember And Their Name Was Treason A New Found Glory Catalyst A New Found Glory Coming Home A New Found Glory From The Screen To Your Stereo A New Found Glory Nothing Gold Can Stay A New Found Glory Sticks And Stones Aaron Spiro Sing Abba Gold Aberfeldy Young Forever AC/DC AC/DC Live: Collector's Edition (Disc 1) AC/DC AC/DC Live: Collector's Edition (Disc 2) AC/DC Back In Black AC/DC Ballbreaker AC/DC Blow Up Your Video AC/DC Dirty Deeds Done Dirt Cheap AC/DC Fly On The Wall AC/DC For Those About To Rock We Salute You AC/DC High Voltage AC/DC Highway To Hell AC/DC If You Want Blood You've Got I AC/DC Let There Be Rock AC/DC Powerage AC/DC Stiff Upper Lip AC/DC T.N.T.