SH. AYMANOV AND THE DEVELOPMENT OF KAZAKH CINEMA Omen A.S.1 1Omen Arnur Sarsengaliuly - Master of the al-Farabi Kazakh National University Almaty, Kazakhstan Abstract: Shaken Aymanov, as a talented actor, thinker, who made an invaluable contribution to the formation and development of the Kazakh stage art. Shaken was a multi-faceted artist. Before we talk about Aymanov's arrival in the cinema, we will consider the development of film production in the country. Keywords: history, kazakh, cinema, film. Ш. АЙМАНОВ И РАЗВИТИЕ КАЗАХСКОГО КИНО Омен А.С.1 1Омен Арнур Сарсенгалиулы - Магистрант КазНУ им. аль-Фараби г. Алматы, Казахстан Аннотация: Шакен Айманов, как талантливый актер, мыслитель, внесший неоценимый вклад в становление и развитие киноискусства казахского сценического искусства. Шакен был многогранным артистом. Прежде чем говорить о приезде Айманова в кино, мы рассмотрим развитие кинопроизводства в стране. Ключевые слова: история, казахский, кинемотография, фильм. УДК 791.43 Nowadays, almost all civilized Nations can boast of great historical figures. Among them are politicians, state and public figures, poets and writers, veterans of art and culture. The Kazakh people are not alone in having outstanding children. Actor, Director Shaken Aymanov holds a special place in the formation and development of Kazakh cinema. Sh. Aymanov, as a talented actor, thinker, who made an invaluable contribution to the formation and development of the Kazakh stage art. Shaken was a multi-faceted artist. Before we talk about Aymanov's arrival in the cinema, we will consider the development of film production in the country.

Электронный журнал «Столица Науки» ИЮНЬ 6(23) https://www.scientific-capital.ru Shaken Aymanov, as a talented actor, thinker, who made an invaluable contribution to the formation and development of the Kazakh stage art. Shaken was a multi-faceted artist. Before we talk about Aymanov's arrival in the cinema, we will consider the development of film production in the country. In 1910, the first cinema was opened in Verny (now Almaty). The possibilities of developing the cinema art of each country in the space of the Union republics were determined by the results of experimental research based on advanced models of the all-Soviet school of cinema, taking into account national specifics. Such a model of the multinational Soviet school of cinema, developed from the point of view of the principle of diversity within unity, has become a whole phenomenon in the history of world cinema [1, p. 9]. In the history of any state, the development of cinema will go through certain stages. The artistic genre is always a continuation of the documentary sphere of the genre. The very beginning of the development of cinema begins with each stage in the history of individual republics. It has several reasons. First, if there are periodic features and socio-economic opportunities in public relations, then, on the other hand, the history of individual republics preserved national art, formed from the depths of centuries, and the features of spreading this heritage from generation to generation, which, in turn, contributed to the formation of cinema as an independent industry. These features are also evident in the history of Kazakh cinema. The formation and development of Kazakh cinema was directly influenced by Soviet cinema. Today, it would be possible to divide the history of Kazakh cinema into several stages, which formed their own laws and traditions of their own practical school. Of course, the first stage is characterized by the function of the first mobile installation that came to the Kazakh steppe, the Kazakh audience first got acquainted with the screen work, saw the power of cinema, which was very interesting to them.. This is 1910-1927 [2, article 96]. The second stage - the period of 1928-1938 - the appearance of the first film productions of chronicle stories on the Kazakh land. These years were a turning point in the history of world cinema. After a period of silence, cinema was "talked about",

Электронный журнал «Столица Науки» ИЮНЬ 6(23) https://www.scientific-capital.ru there was a deep theoretical potential of cinema as a new field, and in 1938-1944 the Almaty film Studio was established, the first national competition of screenwriters was organized. During the war, the activities of major film studios in Almaty, such as Mosfilm and Lenfilm, had a direct impact on the formation of our national cinema. The center has delivered the necessary technical equipment for film production to Almaty and started training national specialists who was able to master them. In the 1945-1960 years of formation and development of national cinema. During these years, the first feature films of the Alma-ATA film Studio were put into production. During this period, the school of national directing was being developed. The cinematic paths of Shaken Aymanov, Mazhit Begalin, Abdolla Karsakbayev, Sultan Khodzhikov, Sharip Beisembayev began to form. The possibilities of training specialists in the field of Cinema at the professional level are defined [3, article 45]. The arrival of shaken Aymanov in the cinema corresponded to the years of formation of the history of Kazakh art cinema. The very first film in the field of Cinema was the film "Amangeldy", made in 1938. After learning that the film began shooting in the village of Karakastek near Almaty, he voluntarily enters the episode and became a consultant for this film. In General, the film "Amangeldy" was the first full-length sound film made in the Studio of newsreels "Lenfilm". The screenplay was written by Kazakh playwright Gabit Musrepov and writer Vsevolod Ivanov. According to the Kazakh cinema, a cinema historian Bauyrzhan Nogerbek, the screenplay was attended by Beimbet Maylin. About the shooting of the film, art critic Kabysh Siranov said:"... this film was one of the first pictures based on national cinematography" [4, p.10] - expresses his opinion. Shaken Aymanov, after the film" Amangeldy", in 1940, according to the script of M. Auezov, played the role of Sarsen in the film" Rayhan", in 1942 as Zhapar in the short film "Ak Gul" and received the warm support of the audience. The first artistic work of the Alma-ATA film Studio, created independently after the war, in 1945 in the film "Songs of Abay" Shaken Aymanov played the image of Sharip, one of the main roles. The acting skills of Shaken Aymanov, accurately emphasizing the roots of the character features of the most complex character Sharip,

Электронный журнал «Столица Науки» ИЮНЬ 6(23) https://www.scientific-capital.ru showed this "unpleasant character" so "attractive". Movies after the film "Abay" allowed Shaken to make difficult roles. Then sh. Aymanov as an actor played the main and supporting roles in a number of films: "Altyn Muis" (1948), "Zhambyl" (1952), "In one district" (1961), "Aldar Kose" (1964), "In the foothills of Naizatas" (1969), etc. In the film "Zhambyl", shot according to the script of N.Pogodin and A. Tazhibayev, the role of Zhambyl – this was the high role of Shaken Aymanov in the movie. Sh. Aymanov met Zhambyl during a visit to the decade of Kazakh literature and art, held in Moscow in 1936. During the long journey, the young people heard many stories, poems and thanked the poet. Muscovites strongly respected Zhambyl and welcomed. During the trip, Shaken learned several of the poet's poems. This was its distinctive feature [5, p. 85]. During the filming of the film, it was not easy for the 38-year-old to play the role of Zhambyl. Two Directors Dzigan very much searched, and the screen image of Zh. Zhabayev turned out successfully. The film, shot over 2 years, was shown in many foreign countries and was well-rated. The role of shaken Aymanov in the films "Zhambyl"earned special respect. The role of Zhambyl, was an example of which could serve as a national character, can be called the culmination of Aymanov's acting skills. On his creative path in cinema, Shaken Aymanov played as an actor of unique image of deep characters, the founder of Kazakh cinema in the context of national directing. After the film "Amangeldy", the historical-revolutionary theme was reflected in the film "Steppe Girl", shot in 1954 at the film studio "Almaty". This film is Shaken Aimanov's second directorial work. The main theme of the film is the news that came to the Kazakh steppes in the twenties - the liberation of the Kazakh woman as a result of the revolution. The main character's attitude to the new life is shown step by step, his aspiration to knowledge reaches the level of an outstanding scientist, and thus the main goal is to describe the formation of personal character in the new environment. His first work as a Director in the film "Legend of love" (1953) originates from the history of the Kazakh national directing. As an actor and Director, Shaken Aimanov

Электронный журнал «Столица Науки» ИЮНЬ 6(23) https://www.scientific-capital.ru made a great contribution to the release of about 20 feature films on the screen. With some creative crises that occur in the first films, I was not lost through every film, constantly learning on the edge of the profession of filmmaking. The last screen work of Shaken Aymanov "The end of the ataman" (1970) continues the historical and biographical genre of Kazakh cinema in this period. Script authors - A. Mikhalkov-Konchalovsky, E. Tropinin. The story of the film covers the period of the civil war and is based on historical data. The film was a success and received "excellent" ratings in both Almaty and Moscow. Moscow released the film "The end of the ataman" on the all-Union screen "For the best". The distinctive plot rhythm in Shaken Aymanov's film "Atameken" is accompanied by a deep philosophical poetics of description. The harmony of the visual series and the character of national identity, most clearly manifested in a number of episodes, makes this film one of the Golden treasures of Kazakh cinema. Although the film indirectly covers the theme of war, it is highly regarded as a valuable work that raises the level of national leadership to a new level in terms of the possibility of opening the theme. The film "Atameken", written by Olzhas Suleimenov, is a good example of a poetic approach to the structure of the film. The film tells about the experiences and emotions of his father and son, who died in the war and wanted to return the body of a Kazakh soldier buried near Leningrad. In 1966, at the international film festival in Frankfurt, the film "Atameken "received a special diploma of Director, and in 1967, at the Central Asian film competition in Dushanbe, it received the award "Mountain crystal". In 1968, the film "Atameken" received The state prize of the Kazakh SSR. Actor Elubay Umirzakov, who played the main role, was also awarded the State prize this year [6, p. 3]. In addition to movies, Shaken Aymanov also drew attention to the work of the society. He headed the Art Department of the film Studio. He became the first Secretary of the Union of cinematographers of Kazakhstan. The creative growth of Shaken Aymanov is considered in combination with the main stages of Kazakh cinema. Shaken Aymanov, who went from the history of multinational cinema of the Soviet period to the art of directing, formed the Kazakh

Электронный журнал «Столица Науки» ИЮНЬ 6(23) https://www.scientific-capital.ru national school of cinema with his best works. In 1938-1969, Shaken Aimanov starred in 11 films and as a film Director. Among them are such works of Kazakh cinema as "Our favorite doctor", "Angel in a turban", "The end of the ataman" [7, p. 41]. The film "Our favorite doctor" was made in 1957. One of the features of the film is that it shows only carefree and happy people. There was a time when the film industry had not yet got rid of the principles of art of the Stalinist era. The film was a musical Comedy with the participation of singers Yermek Serkebayev, brothers Rishat and Muslim Abdullin, Bibigul Tulegenova, actors Yuri Pomerantsev and Evgeny Diordiev. But the film "Our favorite doctor" shows one of the social problems of that time. He criticizes the bureaucracy in the role of a Director dressed in a Stalinist-style jacket. In 1984, the name of Shaken Aymanov was assigned to the Kazakhfilm film Studio. In conclusion, Sh. Aymanov's Films are highly regarded as classics today. Each of his films clearly shows the image of the time, national character and national identity. Shaken Aymanov, who was always in demand as a Director, was able to make films in different genres. This proves the depth of directorial abilities in the film in the methods of artistic description. Bibliography 1. B. R. Nogerbek, Naurazbekova G. K., Mukusheva N. R. The history of the Kazakh cinema. - Almaty: From. Dates.Market, 2005. - 289 p. 2. Cinematography Of Kazakhstan. - Alma-ATA: Art, 1992. - 323 p. 3. Cinema of Kazakhstan: movie guide. - Almaty: silk road, 2000. - 69 p. 4. Thoughts about cinema: collection / K. Siranov. - Almaty: art. 1983. - 160 p. 5. Masters of the Kazakh stage / comp. Z. U. Islambaeva M. M. Tashimova. - Almaty, 2010. - 350 p. 6. Zhakypov T. The brightest star of Kazakh cinema / T. Zhakypov / / Almaty akshami. - 1989, February 11. - B. 3. 7. Shaken Aimanov (Shakherim) Kenzhetaevich (1914-1970) // Yeltutka. Famous people the history of the country / M. Zholdasbekovich, K. Salgarelli, A. Seydimbek. - Almaty, 2001. - 420 p.

Электронный журнал «Столица Науки» ИЮНЬ 6(23) https://www.scientific-capital.ru