69-4946 NAVIN, Sally L. Price, 1938
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Remembering Racial Integration in Teaneck, New Jersey, 1949 – 1968
Reputation and Reality in America’s Model Town: Remembering Racial Integration in Teaneck, New Jersey, 1949 – 1968 Rachel Mark Senior Thesis Department of History, Columbia University April 4, 2011 Acknowledgements In ‟65 tension was running high at my high school/ There was a lot of fights between the black and white/There was nothing you could do…/ Troubled times had come to my hometown/ My hometown/ My hometown/ My hometown - Bruce Springsteen, “My Hometown” This thesis investigates how integration is remembered in Teaneck, NJ, the first town in the nation to vote for integrated schools. While I observe in this thesis that the reality of integration ultimately fell short of the goals set by the activists themselves, I do not wish to take away from these individuals and their honorable actions. In a time when the country faced fierce segregation and racism, a majority in Teaneck stepped up and voted for what they believed in their hearts was right: equal education. As a third generation Teaneck resident, I feel a close connection to this story. My grandparents still vividly remember casting their votes for integration, and my mother went to the central sixth grade school created as part of the original integration plan. And at the outset, I would like to thank my parents – Joseph and Meryl Mark – and grandparents – Abraham and Sheila Schlussel, and Norman and Frances Mark – for not just providing me with a topic for my thesis but also for instilling a love of education and learning that inspired me to undertake the project in the first place. -
Les Musées D'ethnologie: Culture, Politique Et Changement
Les musées d’ethnologie: culture, politique et changement institutionnel. Camille Mazé, Frédéric Poulard, and Christelle Ventura, eds. Paris: Éditions du Comité des travaux historiques et scientifiques, 2013. 288 pp.* Reviewed by Sally Price There’s a word missing from the title of this book, which is completely devoted to French “museums of ethnology.” Readers looking for an assessment of the history or current state of ethnographic museums may be disappointed by this narrow focus, in which no more than an occasional tip of the hat is given to museological developments outside of France or literature about them. Readers looking for reflections on French culture and politics will, on the other hand, find a great deal of interest. This is a book about France—its politics, its ideologies, its social hierarchies, its cultural self-image, and the structure of its academic disciplines—all through the lens of museological history. (No attention is given to museums in France’s overseas departments; that’s a study waiting to be tackled by future researchers.) Recent work on particular museums by young Ph.D.s accounts for most (not all) of the essays. The 20-page introduction (authored by the three editors, only two of whom contribute subsequent chapters) weaves in an out of the themes addressed in the rest of the book, many of which concern the “crisis” in French ethnographic museums of recent decades. Historical events in the nation at large (wars, demographic shifts, industrialization), the role of political power, and the relationship between Paris and the rest of the country are central. -
S. Price Patchwork History : Tracing Artworlds in the African Diaspora Essay on Interpretations of Visual Art in Societies of the African Diaspora
S. Price Patchwork history : tracing artworlds in the African diaspora Essay on interpretations of visual art in societies of the African diaspora. Author relates this to recent shifts in anthropology and art history/criticism toward an increasing combining of art and anthropology and integration of art with social and cultural developments, and the impact of these shifts on Afro-American studies. To exemplify this, she focuses on clothing (among Maroons in the Guianas), quilts, and gallery art. She emphasizes the role of developments in America in these fabrics, apart from just the African origins. In: New West Indian Guide/ Nieuwe West-Indische Gids 75 (2001), no: 1/2, Leiden, 5-34 This PDF-file was downloaded from http://www.kitlv-journals.nl SALLY PRICE PATCHWORK HISTORY: TRACING ARTWORLDS IN THE AFRICAN DIASPORA This paper considers interpretations of visual art in societies of the African diaspora, setting them within the context of recent theoretical shifts in the dis- ciplines of anthropology and art history/criticism. I will be arguing for the relevance to Afro-American studies of these broader disciplinary changes, which have fundamentally reoriented scholarship on arts that, for the most part, fall outside of what Joseph Alsop (1982) has dubbed "The Great Tradi- tions." Toward that end, I begin with a general assessment of these theoretical shifts (Part 1: Anthropology and Art History Shake Hands) before moving into an exploration of their impact on Afro-American studies (Part 2: Mapping the African-American Artworld). I then -
Saramaka Maroons on the Brazilian Frontier Richard Price College Of
Saramaka Maroons on the Brazilian Frontier Richard Price College of William and Mary, Virginia, USA, and Anse Chaudière, Martinique Maroons in the Americas have always been champions at seizing the moment, whether in battles against their colonial enemies or in carving out imaginative economic niches in more recent times. This essay focuses on Maroon men from central Suriname who, in the second half of the nineteenth century, migrated to French Guiana where they monopolized the river transport system that supplied thousands of non-Maroon goldminers in that colony and, in the process, created a new of way of life for themselves and their descendants. The Oyapok region of French Guiana, which borders the Brazilian state of Amapá, might best be considered the distant frontier of a distant frontier B many thousands of kilometers from the metropolitan political center of Paris, many hundreds through the forest from the colonial capital of Cayenne, and, from the perspective of the Saramaka Maroons of central Suriname, at the farthest edge of the known geographical universe. In 1900, the mayor of the Commune de l=Oyapok gave the total population as 304. (He did not include members of the Aindigenous tribes of autochthonous or African origin living in the region@ which, according to a 1901 document, lived there Aunder the administrative protection of the customs service.@) Despite plans on the drawing board in 2002 for a bridge between St.- Georges-de-l'Oyapok and the Brazilian town of Oiapoque and for a road between St.- Georges-de-l'Oyapok and Cayenne (which would in theory permit direct road travel between, say, Macapá and Cayenne) the region has long remained a backwater B in 1971, for example, the largest town in the region, St-Georges-de-l'Oyapok, boasted only two cars.1 By 1900, when Saramaka Maroon migrants from Suriname (the main Atribe . -
Paris Primitive: Jacques Chirac's Museum on the Quai Branly By
organized, according to the editors, as a ulations at the time of decolonization, yet fugue. It is a successful strategy, and the continued to urge school teachers to focus rich articles are even more provocative history courses on the positive role of when the book is read front to back. I French colonization. It then took a year hope that in future publications, each of for the president of France to request that the authors include even more of the fine- the Constitutional Council remove this grained ethnographic detail that clearly specific decree. Paris Primitive analyzes underpins the claims they make. This and contextualizes French cultural repre- book is a recommended read for anyone sentations of non-Western material cul- interested in Amazonian ethnography, ture in light of such current political history and historicities, temporality, debates related to colonialism, slavery, identity, social memory, processes of and immigration. change, or simply learning more about Price documents the MQB’s geneal- alternate worldviews that continue to ex- ogy on the basis of an array of sources that ist today. would have been inaccessible if not for her thirty-year involvement and friendships with Paris’ artistic and intellectual movers and shakers. The book unfolds as a mys- Paris Primitive: Jacques Chirac’s tery story. The plot originates in 1990 at Museum on the Quai Branly. Sally Price. the Royal Palm, a palatial hotel in Mauri- Chicago: University of Chicago Press, tius, when Jacques Chirac, then mayor of 2007, 239 pp. Paris, and Jacques Kerchache, an art col- lector who styled himself a French ‘‘Indi- Catherine Benoıˆt ana Jones,’’ met for the first time. -
Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays. -
Graduate Arts and Sciences Program Catalog 2010-2011
SCIENCES AND CATALOG 2010-2011 ARTS PROGRAM GRADUATE WILLIAM MARY GRADUATE ARTS AND SCIENCES PROGRAM CATALOG 2010 – 2011 The College of Non-Profit Organization William Mary U.S. Postage PAID P.O. Box 8795 Williamsburg Williamsburg, Virginia 23187-8795 Virginia Permit No. 26 AUGUST 2010 Note: This catalog provides announcements for the 2010-11 academic year. It is current until August 2011. The College reserves the right to make changes in the regulations, charges, and curricula listed herein at any time. Catalogs are issued for other College programs as follows: Undergraduate School of Business School of Education School of Marine Science School of Law Summer Sessions Special Programs GENERAL STATEMENT OF POLICY The College of William and Mary does not discriminate on the basis of race, color, religion, national origin, sex, sexual orientation, disability or age in its programs and activities. Inquiries regarding the non-discrimination policies should be addressed to: Ms. Tammy Currie Director of Equal Opportunity Hornsby House P.O. Box 8795 Williamsburg, VA 23187-8795 (757) 221-2615 The College of William and Mary Diversity Statement The College of William and Mary in Virginia is a community of teachers, students, and staff who share our national ideals of human equality, democracy, pluralism, and advancement based on merit. We give life to these principles - and prepare women and men to be citizens of the wider world - when we value diverse back- grounds, talents, and points of view. As a community, William and Mary believes that cultural pluralism and intel- lectual freedom introduce us to new experiences, stimulate original ideas, enrich critical thinking, and give our work a broader reach. -
Sally Price and Richard Price
From Reel-to-Reel to Printed Page: The Biography of a Transcription Sally Price and Richard Price How to capture a multi-media community event—bristling with song, dance, esoteric allusions, double-entendres, critical interruptions, raucous joking, and ven- eration of a recently deceased kinsperson—and convey its substance and spirit to readers far away who understand none of the languages being used? A video re- cording, supplemented by English subtitles, might have gone pretty far. But for two young anthropologists in the Amazonian rain forest in the 1960s, the tools at hand were a Uher tape recorder spinning five-inch reels and a notebook. After our return from the Saramaka village where we had been conducting field work, the reels lay silent. One set was in New Haven, where RP was finishing a dis- sertation on Saramaka social structure, and (a little later) another was on deposit in the Archives of Traditional Music at Indiana University.1 But within a few years, they came into play in connection with the 20-year-old son of a village headman who had begged us to bring him to the United States—“the land of opportunity,” he’d heard, where everything from education to job training was within reach. Never having had a chance to go to school (since there were no schools in the rain forest of Suriname where he grew up), Adiante Franszoon was bright, gregarious, enterpris- ing, and fun to be with. So although we were skeptical about the chances of a non- literate person from such a distant culture dealing successfully with an environment of pervasive literacy, an unfamiliar language, a New England winter, and American racism, we rented an apartment with a second bedroom for him, bought our first TV set (with earphones so he could listen to English while we were otherwise engaged), sent him the go-ahead to travel north from Paramaribo, and greeted him as he emerged from customs at JFK, shivering from the December cold but ready for the adventure. -
Writing a Moral Code: Algorithms for Ethical Reasoning by Humans and Machines
religions Article Writing a Moral Code: Algorithms for Ethical Reasoning by Humans and Machines James McGrath 1,* ID and Ankur Gupta 2 1 Butler University, Department of Philosophy, Religion, and Classics, 4600 Sunset Avenue, Indianapolis, IN 46208, USA 2 Butler University, Department of Computer Science, 600 Sunset Avenue, Indianapolis, IN 46208, USA; [email protected] * Correspondence: [email protected]; Tel.: +1-317-940-9364 Received: 31 July 2018; Accepted: 7 August 2018; Published: 9 August 2018 Abstract: The moral and ethical challenges of living in community pertain not only to the intersection of human beings one with another, but also our interactions with our machine creations. This article explores the philosophical and theological framework for reasoning and decision-making through the lens of science fiction, religion, and artificial intelligence (both real and imagined). In comparing the programming of autonomous machines with human ethical deliberation, we discover that both depend on a concrete ordering of priorities derived from a clearly defined value system. Keywords: ethics; Isaac Asimov; Jesus; Confucius; Socrates; Euthyphro; commandments; robots; artificial intelligence; programming; driverless cars 1. Introduction Ethical reasoning, when it is done effectively, involves prioritizing between competing options. Philosophical thought experiments such as the “trolley problem” highlight the human tendency to avoid making decisions about situations in which there is no good outcome. However, the history of both religion -
2015-16 Annual Report
2015 - 16 ANNUAL REPORT : DIALOGUE The humanities are the stories, ideas, words, and artifacts through which we make sense of our lives and our world. The humanities introduce us to people we have never met, places we have never visited, and ideas that may have never crossed our minds. By showing us how other people have lived and thought about life, the humanities help us to decide what is important for our own lives, our nation, and our world. By offering us a long historical perspective on the philosophy, art, religion, literature, politics, and music of people who came before us, the humanities give us the tools to have civil and informed conversations about the most important questions facing humanity today. Unless otherwise noted, all photos are by Steve Castillo. Steve by all photos are Unless otherwise noted, INFO NEWS Q&A http:// Throughout this annual report are many opportunities to find more information. GO GO GO GO Link to our interactive PDF for more information online: http://shc.stanford.edu/sites/default/files/SHC_2015AnnualReport_web.pdf PHOTOS / PHOTOS STANFORD HUMANITIES CENTER LETTER FROM 2 THE DIRECTOR 4 EVENTS 8 FELLOWS INTERNATIONAL 18 VISITORS PROGRAM HUME HUMANITIES 22 HONORS FELLOWS THEODORE AND FRANCES GEBALLE 24 RESEARCH WORKSHOPS ADDITIONAL 29 PROGRAMS 30 PUBLICATIONS STAFF, ADVISORY BOARD, 33 HONORARY FELLOWS FINANCIAL 34 OVERVIEW 35 GIVING 36 NAMED GIFTS / GRANTS Unless otherwise noted, all photos are by Steve Castillo. Steve by all photos are Unless otherwise noted, BUILDING FOR 37 THE FUTURE PHOTOS / PHOTOS / 1 LETTER FROM THE DIRECTOR The theme of our annual report this year is “dialogue” because the Stanford Humanities Center convenes conversations about essential questions facing humanity today. -
Eaming Interdependence:
eaming Interdependence: .. ofthe International/Intercultural Education ofFirst- Year College Students David]. Bachner Laurence J. Malone Mary C. Snider Cite as: Bachner, D. J., Malone, L. J. &" Snider, M. C. (2001). Learning interdependence: A case study of the international/intercultural education offirst-year college students. Columbia, SC: Univer sity of South Carolina, National Resource Center for The First-Year Experience and Students in Transition. Sample chapter citation: Bachner, D. J. (2001). An administrator's perspective: The development of the first-year intercultural experience. In Learning interdependence: A case study of the international/intercultural education of first-year college students. Columbia, SC: University of South Carolina, National Resource Center for The First-Year Experience and Students HJ Transition. Copyright 2001, by the University of South Carolina. All rights reserved. No part of this work may be reproduced or copied in any form, by any means, without written permission of the University of South Carolina. The Freshman Year Experience® and The First-Year Experience® are service marks of the University of South Carolina. A license may be granted upon written request to use the terms The Freshman Year Experience and The First-Year Experience. This license is not transferrable without written approval of the University of South Carolina. Additional copies of this book may be ordered at $30 each from the National Resource Center for The First-Year Experience and Students in Transition, University of South Carolina, 1629 Pendleton Street, Columbia, SC 29208. Telephone (803) 777-6029. Telefax (803) 777-4699. Libn' Df Congress Cataloging-in-Publication Data Ba ,David]., 1944- Le~,' . interdependence: A case study of the international/intercultural education of {irst-year college students / David J. -
The 1857 Project This Special Issue Examines the History of Slavery, Segregation and Racism in Our Region
The 1857 Project This special issue examines the history of slavery, segregation and racism in our region. It was produced with the help and financial support of the Pulitzer Center on Crisis Reporting. 2020• Volume 49 Number 356 • $8 CONTRIBUTORS PUBLISHED BY: School of Journalism College WILLIAM H. FREIVOGEL of Mass Communication and PUBLISHER Media Arts William H. Freivogel is a former editorial page Deborah Tudor, Interim Dean deputy editor for the St. Louis Post-Dispatch and Jan Thompson, Director contributes to St. Louis Public Radio. He is a member of the Missouri Bar. HARPER BARNES Harper Barnes, a former critic-at-large of the St. BOARD OF ADVISERS: Louis Post-Dispatch, is the author of “Standing on Jim Kirchherr, Don Corrigan, JACKIE SPINNER EDITOR a Volcano: The Life add Times of David Rowland Lisa Bedian, Tammy Merrett, Jackie Spinner is an Associate Professor at Columbia Francis” (Missouri Historical Society Press) as well Rita Csapo-Sweet, Steve Perron, College in Chicago; freelance independent journalist as “Never Been a Time” (Walker). Eileen Duggan, Michael D. specializing on the Middle East; former Baghdad Sorkin, David P. Garino, Rick Bureau Chief Washington Post. KAYLA CHAMNESS Stoff, Ted Gest, Fred Sweet, Kayla Chamness, senior at SIUC and reporter on William Greenblatt, Lynn GJR staff. Venhaus, Daniel Hellinger, Robert MANAGING EDITOR ZAHEDUR R. ARMAN A. Cohn, Michael E. Kahn, John Zahedur R. Arman is the founding president of BD PERCY GREEN P. Dubinsky, Gerald Early, Paul Fact Check. He is a doctoral student in the SIUC Schoomer, Moisy Shopper, Ray Percy Green led the ACTION civil rights group, College of Mass Communication and Media Arts.