I from KAMCHATKA to GEORGIA the BLUE BLOUSE MOVEMENT
FROM KAMCHATKA TO GEORGIA THE BLUE BLOUSE MOVEMENT AND EARLY SOVIET SPATIAL PRACTICE by Robert F. Crane B.A., Georgia State University, 2001 M.A., University of Pittsburgh, 2005 Submitted to the Graduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2013 i UNIVERSITY OF PITTSBURGH DEITRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Robert F. Crane It was defended on March 27, 2013 and approved by Atillio Favorini, PhD, Professor, Theatre Arts Kathleen George, PhD, Professor, Theatre Arts Vladimir Padunov, PhD, Professor, Slavic Languages and Literature Dissertation Advisor: Bruce McConachie, PhD, Professor, Theatre Arts ii Copyright © by Robert Crane 2013 iii FROM KAMCHATKA TO GEORGIA THE BLUE BLOUSE MOVEMENT AND EARLY SOVIET SPATIAL PRACTICE Robert Crane, PhD University of Pittsburgh, 2013 The Blue Blouse movement (1923-1933) organized thousands of workers into do-it-yourself variety theatre troupes performing “living newspapers” that consisted of topical sketches, songs, and dances at workers’ clubs across the Soviet Union. At its peak the group claimed more than 7,000 troupes and 100,000 members. At the same time that the movement was active, the Soviet state and its citizens were engaged in the massive project of building a new society reflecting the aims of the Revolution. As Vladimir Paperny has argued, part of this new society was a new spatial organization, one that stressed the horizontal over the
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