Shimon Weinroth - Poems
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Deuteronomy- Kings As Emerging Authoritative Books, a Conversation
DEUTERONOMY–KinGS as EMERGING AUTHORITATIVE BOOKS A Conversation Edited by Diana V. Edelman Ancient Near East Monographs – Monografías sobre el Antiguo Cercano Oriente Society of Biblical Literature Centro de Estudios de Historia del Antiguo Oriente (UCA) DEUTERONOMY–KINGS AS EMERGING AUTHORITATIVE BOOKS Ancient Near East Monographs General Editors Ehud Ben Zvi Roxana Flammini Editorial Board Reinhard Achenbach Esther J. Hamori Steven W. Holloway René Krüger Alan Lenzi Steven L. McKenzie Martti Nissinen Graciela Gestoso Singer Juan Manuel Tebes Number 6 DEUTERONOMY–KINGS AS EMERGING AUTHORITATIVE BOOKS A CONVERSATION Edited by Diana V. Edelman Society of Biblical Literature Atlanta Copyright © 2014 by the Society of Biblical Literature All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by means of any information storage or retrieval system, except as may be expressly permit- ted by the 1976 Copyright Act or in writing from the publisher. Requests for permission should be addressed in writing to the Rights and Permissions Offi ce, Society of Biblical Literature, 825 Houston Mill Road, Atlanta, GA 30329 USA. Library of Congress Control Number: 2014931428 Th e Ancient Near East Monographs/Monografi as Sobre El Antiguo Cercano Oriente series is published jointly by the Society of Biblical Literature and the Universidad Católica Argentina Facultad de Ciencias Sociales, Políticas y de la Comunicación, Centro de Estu- dios de Historia del Antiguo Oriente. For further information, see: http://www.sbl-site.org/publications/Books_ANEmonographs.aspx http://www.uca.edu.ar/cehao Printed on acid-free, recycled paper conforming to ANSI/NISO Z39.48-1992 (R1997) and ISO 9706:1994 standards for paper permanence. -
Kebra Nagast
TheQueenofShebaand HerOnlySonMenyelek (KëbraNagast) translatedby SirE.A.WallisBudge InparenthesesPublications EthiopianSeries Cambridge,Ontario2000 Preface ThisvolumecontainsacompleteEnglishtranslationofthe famousEthiopianwork,“TheKëbraNagast,”i.e.the“Gloryof theKings[ofEthiopia].”Thisworkhasbeenheldinpeculiar honourinAbyssiniaforseveralcenturies,andthroughoutthat countryithasbeen,andstillis,veneratedbythepeopleas containingthefinalproofoftheirdescentfromtheHebrew Patriarchs,andofthekinshipoftheirkingsoftheSolomonic linewithChrist,theSonofGod.Theimportanceofthebook, bothforthekingsandthepeopleofAbyssinia,isclearlyshown bytheletterthatKingJohnofEthiopiawrotetothelateLord GranvilleinAugust,1872.Thekingsays:“Thereisabook called’KiveraNegust’whichcontainstheLawofthewholeof Ethiopia,andthenamesoftheShûms[i.e.Chiefs],and Churches,andProvincesareinthisbook.IÊprayyoufindout whohasgotthisbook,andsendittome,forinmycountrymy peoplewillnotobeymyorderswithoutit.”Thefirstsummary ofthecontentsofthe KëbraNagast waspublishedbyBruceas farbackas1813,butlittleinterestwasrousedbyhissomewhat baldprécis.And,inspiteofthelaboursofPrætorius,Bezold, andHuguesleRoux,thecontentsoftheworkarestill practicallyunknowntothegeneralreaderinEngland.Itis hopedthatthetranslationgiveninthefollowingpageswillbe ii Preface ofusetothosewhohavenotthetimeoropportunityfor perusingtheEthiopicoriginal. TheKëbraNagast isagreatstorehouseoflegendsand traditions,somehistoricalandsomeofapurelyfolk-lore character,derivedfromtheOldTestamentandthelater Rabbinicwritings,andfromEgyptian(bothpaganand -
Issue 171.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 171 October Oxford’s Music Magazine 2009 tristantristantristantristan &&& thethethe troubadourstroubadourstroubadourstroubadourstroubadours Oxford’s own Magnificent Seven ride out - Interview inside plus News, reviews and seven pages of local gigs photo: Marc West photo: Marc NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net THIS MONTH’S OX4 FESTIVAL will feature a special Music Unconvention alongside its other attractions. The mini-convention, featuring a panel of local music people, will discuss, amongst other musical topics, the idea of keeping things local. OX4 takes place on Saturday 10th October at venues the length of Cowley Road, including the 02 Academy, the Bullingdon, East Oxford Community Centre, Baby Simple, Trees Lounge, Café Tarifa, Café Milano, the Brickworks and the Restore Garden Café. The all-day event has SWERVEDRIVER play their first Oxford gig in over a decade next been organised by Truck and local gig promoters You! Me! Dancing! Bands month. The one-time Oxford favourites, who relocated to London in the th already confirmed include hotly-tipped electro-pop outfit The Big Pink, early-90s, play at the O2 Academy on Thursday 26 November. The improvisational hardcore collective Action Beat and experimental hip hop band, who signed to Creation Records shortly after Ride in 1990, split in outfit Dälek, plus a host of local acts. Catweazle Club and the Oxford Folk 1999 but reformed in 2008, still fronted by Adam Franklin and Jimmy Festival will also be hosting acoustic music sessions. -
The Portrait of the Kings and the Historiographical Poetics of the Deuteronomistic Historian
The Portrait of the Kings and the Historiographical Poetics of the Deuteronomistic Historian By Alison Lori Joseph A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Near Eastern Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Ronald Hendel, Chair Professor Robert Alter Professor Erich Gruen Professor Steven Weitzman Spring 2012 Copyright © 2012 Alison Lori Joseph, All Rights Reserved. Abstract The Portrait of the Kings and the Historiographical Poetics of the Deuteronomistic Historian By Alison Lori Joseph Doctor of Philosophy in Near Eastern Studies University of California, Berkeley Professor Ronald Hendel, Chair This dissertation explores the historiographical style and method of the Deuteronomist (Dtr) in the book of Kings, with particular attention to what I call the prototype strategy in the portrayal of the Israelite kings. It lays out a systematic analysis of Dtr’s historiographical composition and the ways he includes and reshapes his inherited sources to suit his purposes. This work offers a framework for the selectional and compositional method that Dtr employs in the construction of his history, and especially in crafting the portrait of the kings. This analysis suggests that Dtr has a specific set of historiographical priorities to which he adheres in order to interpret the history of the monarchy in light of deuteronomistic theology. This is done through crafting a comprehensive narrative that functions didactically, instructing the kings and the people of Judah how to behave through illustrating the consequences of disobedience. A key element to Dtr’s historiographical process is the use of a prototype strategy. -
The Cord Weekly (November 7, 2001)
Life in Afghanistan: The American What's it really like? economy is like this Page 12_^ pyramid Page 22 CORD Wednesday November 7, 2001 THELaurier'sWEEKLY Official Student • • Issue Newspaper Volume 42 13 3News Growing pains at WLU Students demand answers from university administration Alicia McFadden Business department also Dillon Moore remarked on his personal experi- ence having more students in his Yesterday in the Paul Martin class than he was prepared to han- Centre, a large group gathered to dle. He attempted to draw a com- take part in a town-hall style forum parison between the situation at held by the Students' Union to Laurier to the one at his Alma address the problem of rapid Mater Mount Allison University, growth at Wilfrid Laurier where he felt the enrollment had University. been effectively capped. "I don't Executive Vice President: think we'll lose our identity as a University Affairs Dave Wellhauser small, unique and personal univer- chaired the forum. He welcomed sity," he said. the audience to the event, which Chair of the Board of he stated was one among a series Governors Jerry Young presented planned. Each of the six panelists the side of the administration, pro- was then allowed to make their ducing a number of documents introductory statements. examining growth at Laurier. The panel listens as Rowland Smith describes his thoughts on the sense of community at Laurier Dr. Barry Kay related his expe- "I'm trying to drive home that rience as part of the Political we aren't functioning without a uation at Laurier to that of univer- seen Laurier students receive since "clients" and should be given a Science department. -
The Compleat Works of Nostradamus -=][ Compiled and Entered in PDF Format by Arcanaeum: 2003 ][=
The Compleat Works of Nostradamus -=][ compiled and entered in PDF format by Arcanaeum: 2003 ][=- Table of Contents: Preface Century I Century II Century III Century IV Century V Century VI Century VII Century VIII Century IX Century X Epistle To King Henry II Pour les ans Courans en ce Siecle (roughly translated: for the years’ events in this century) Almanacs: 1555−1563 Note: Many of these are written in French with the English Translation directly beneath them. Preface by: M. Nostradamus to his Prophecies Greetings and happiness to César Nostradamus my son Your late arrival, César Nostredame, my son, has made me spend much time in constant nightly reflection so that I could communicate with you by letter and leave you this reminder, after my death, for the benefit of all men, of which the divine spirit has vouchsafed me to know by means of astronomy. And since it was the Almighty's will that you were not born here in this region [Provence] and I do not want to talk of years to come but of the months during which you will struggle to grasp and understand the work I shall be compelled to leave you after my death: assuming that it will not be possible for me to leave you such [clearer] writing as may be destroyed through the injustice of the age [1555]. The key to the hidden prediction which you will inherit will be locked inside my heart. Also bear in mind that the events here described have not yet come to pass, and that all is ruled and governed by the power of Almighty God, inspiring us not by bacchic frenzy nor by enchantments but by astronomical assurances: predictions have been made through the inspiration of divine will alone and the spirit of prophecy in particular. -
Complete Christmas Songbook
NEW RELEASES - ORDER FORM Outside Music, 7 Labatt Ave., Suite 210, Toronto, On, M5A 1Z1. FAX: 416-461-0973 / 1-800-392-6804. EMAIL: [email protected] CAT. NO. ARTIST TITLE LABEL GENRE UPC CONFPPD REL. DATE QTY 43563-1053-3 PAISLEY, DOUG Starter Home SD / No Quarter Rock-Pop 843563105337 CD$ 12.00 2-Nov-18 NOQ059 PAISLEY, DOUG Starter Home SD / No Quarter Rock-Pop 843563105313 LP$ 16.00 2-Nov-18 JAG330CS UNKNOWN MORTAL O IC-01 Hanoi SD / Jagjaguwar Experimen 656605233055 CS 8.00$ 26-Oct-18 56605-2330-2 UNKNOWN MORTAL O IC-01 Hanoi SD / Jagjaguwar Experimen 656605233024 CDEP$ 12.00 26-Oct-18 JAG330 UNKNOWN MORTAL O IC-01 Hanoi SD / Jagjaguwar Experimen 656605233017 12" EP $ 14.00 26-Oct-18 87828-0432-2 HOW TO DRESS WELLThe Anteroom Domino Rock-Pop 887828043224 CD$ 12.80 19-Oct-18 WIG432 HOW TO DRESS WELLThe Anteroom (180g LPx2) Domino Rock-Pop 887828043217 LPx2$ 25.60 19-Oct-18 87828-0817-2 HOLTER, JULIA Aviary Domino Rock-Pop 887828041725 CDx2$ 13.67 26-Oct-18 WIG417 HOLTER, JULIA Aviary Domino Rock-Pop 887828041718 LPx2$ 25.60 26-Oct-18 WIG417X HOLTER, JULIA Aviary (Indie Only - clear viny Domino Rock-Pop 887828041732 LPx2$ 25.60 26-Oct-18 66561-0138-2 MOSS, JESSICA Entanglement Constellation Rock-Pop 666561013820 CD$ 10.00 26-Oct-18 CST138 MOSS, JESSICA Entanglement Constellation Rock-Pop 666561013813 LP$ 14.25 26-Oct-18 28070-6355-2 SPECTRES Last Days Artoffact Records Punk 628070635528 CD$ 10.00 19-Oct-18 28070-6356-2 SPECTRES Nothing to Nowhere Artoffact Records Punk 628070635627 CD$ 10.00 19-Oct-18 28070-6357-2 SPECTRES Utopia -
The Trouble with “Queerness”: Drag and the Making of Two Cultures by Katie Rebecca Horowitz a Dissertation Submitted in Part
The Trouble with “Queerness”: Drag and the Making of Two Cultures By Katie Rebecca Horowitz A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Rhetoric in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Linda Williams, Chair Professor Catherine Cole Professor Judith Butler Fall 2012 Abstract The Trouble with “Queerness”: Drag and the Making of Two Cultures by Katie Rebecca Horowitz Doctor of Philosophy in Rhetoric University of California, Berkeley Professor Linda Williams, Chair This dissertation responds to the frequent charge within academic and activist circles that queer theory is simply gay male theory cloaked in more inclusive language. Taking as its starting point an ethnographic case study of drag king and queen performance cultures, it challenges the efficaciousness of an everything and the kitchen sink approach to queer theorizing and organizing. This work constitutes the first academic monograph centered on queer life in Cleveland, Ohio and is also the first to focus simultaneously on kinging and queening, a lacuna at once explained by and demanding interrogation of the fact that these practices have almost nothing in common with each other. Despite the shared heading of drag, these iconically queer institutions overlap little with respect to audience, movement vocabulary, stage persona, and treatment of gender, class, race, and sexuality. The radical (in)difference between these genres serves as a microcosmic representation of the perennial rift between lesbians and gay men and highlights the heteronormativity of the assumption that all of the identity categories subsumed under (and often eclipsed by) the queer umbrella ought a priori to have anything in common culturally, politically, or otherwise. -
Songs by Artist
Songs by Artist Karaoke Collection Title Title Title +44 18 Visions 3 Dog Night When Your Heart Stops Beating Victim 1 1 Block Radius 1910 Fruitgum Co An Old Fashioned Love Song You Got Me Simon Says Black & White 1 Fine Day 1927 Celebrate For The 1st Time Compulsory Hero Easy To Be Hard 1 Flew South If I Could Elis Comin My Kind Of Beautiful Thats When I Think Of You Joy To The World 1 Night Only 1st Class Liar Just For Tonight Beach Baby Mama Told Me Not To Come 1 Republic 2 Evisa Never Been To Spain Mercy Oh La La La Old Fashioned Love Song Say (All I Need) 2 Live Crew Out In The Country Stop & Stare Do Wah Diddy Diddy Pieces Of April 1 True Voice 2 Pac Shambala After Your Gone California Love Sure As Im Sitting Here Sacred Trust Changes The Family Of Man 1 Way Dear Mama The Show Must Go On Cutie Pie How Do You Want It 3 Doors Down 1 Way Ride So Many Tears Away From The Sun Painted Perfect Thugz Mansion Be Like That 10 000 Maniacs Until The End Of Time Behind Those Eyes Because The Night 2 Pac Ft Eminem Citizen Soldier Candy Everybody Wants 1 Day At A Time Duck & Run Like The Weather 2 Pac Ft Eric Will Here By Me More Than This Do For Love Here Without You These Are Days 2 Pac Ft Notorious Big Its Not My Time Trouble Me Runnin Kryptonite 10 Cc 2 Pistols Ft Ray J Let Me Be Myself Donna You Know Me Let Me Go Dreadlock Holiday 2 Pistols Ft T Pain & Tay Dizm Live For Today Good Morning Judge She Got It Loser Im Mandy 2 Play Ft Thomes Jules & Jucxi So I Need You Im Not In Love Careless Whisper The Better Life Rubber Bullets 2 Tons O Fun -
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Hervé, A. (2016) Madness and monologic fiction: a writer's journey through selected first-person literary constructs of the aberrant voice and, Headlong, a novel. PhD thesis. Bath: Bath Spa University. ResearchSPAce http://researchspace.bathspa.ac.uk/ Your access and use of this document is based on your acceptance of the ResearchSPAce Metadata and Data Policies, as well as applicable law:- https://researchspace.bathspa.ac.uk/policies.html Unless you accept the terms of these Policies in full, you do not have permission to download this document. This cover sheet may not be removed from the document. Please scroll down to view the document. MADNESS AND MONOLOGIC FICTION: A WRITER’S JOURNEY THROUGH SELECTED FIRST-PERSON LITERARY CONSTRUCTS OF THE ABERRANT VOICE & HEADLONG, A NOVEL ALICE HERVÉ A thesis submitted in partial fulfilment of the requirements of Bath Spa University for the degree of Doctor of Philosophy School of Humanities and Cultural Industries February 2016 Acknowledgements Many thanks to my supervisory team: Professor William Hughes and Dr Paul Meyer, for their guidance, motivation, and good humour. Also, and particularly, to Dr Tracy Brain for her reckless benevolence in allowing me the opportunity of research study and her sympathetic encouragement along the way. The monthly forums were invaluable. Further thanks to all the staff at Bath Spa University, and my fellow researchers whose viewpoints and friendships have enlivened and enhanced the past few years. As always, I am indebted to Ian Hervé, for believing in me and supporting my crazy dreams; and to my mother, Hilary Harding, for instilling in me a love of books, and for setting the example of writing them, rather than writing in them. -
Mr. Standfast
MR STANDFAST JOHN BUCHAN TO THAT MOST GALLANT COMPANY THE OFFICERS AND MEN OF THE SOUTH AFRICAN INFANTRY BRIGADE on the Western Front CONTENTS PART I 1. The Wicket-Gate 2. 'The Village Named Morality' 3. The Reflections of a Cured Dyspeptic 4. Andrew Amos 5. Various Doings in the West 6. The Skirts of the Coolin 7. I Hear of the Wild Birds 8. The Adventures of a Bagman 9. I Take the Wings of a Dove 10. The Advantages of an Air Raid 11. The Valley of Humiliation PART II 12. I Become a Combatant Once More 13. The Adventure of the Picardy Chateau 14. Mr Blenkiron Discourses on Love and War 15. St Anton 16. I Lie on a Hard Bed 17. The Col of the Swallows 18. The Underground Railway 19. The Cage of the Wild Birds 20. The Storm Breaks in the West 21. How an Exile Returned to His Own People 22. The Summons Comes for Mr Standfast NOTE The earlier adventures of Richard Hannay, to which occasional reference is made in this narrative, are recounted in _The _Thirty-Nine _Steps and _Greenmantle. J.B. PART I CHAPTER ONE The Wicket-Gate I spent one-third of my journey looking out of the window of a first-class carriage, the next in a local motor-car following the course of a trout stream in a shallow valley, and the last tramping over a ridge of downland through great beech-woods to my quarters for the night. In the first part I was in an infamous temper; in the second I was worried and mystified; but the cool twilight of the third stage calmed and heartened me, and I reached the gates of Fosse Manor with a mighty appetite and a quiet mind. -
The Future Herbal Tea Shops in Hong Kong
HONG KONG The Anthropology of a Chinese Metropolis ANTHROPOLOGY OF ASIA SERIES Published by Curzon Press and University ofHawai'i Press Series editor Grant Evans University ofHong Kong Asia today is one of the most dynamic regions of the world. The previously predominant image of'timeless peasants' has given way to the image of fast-paced business people, mass consumerism and high-rise urban conglomerations. Yet much discourse remains entrenched in the polarities of 'East vs. West', 'Tradition vs Change'. This series hopes to provide a forum for anthropological studies which break with such polarities. It will publish titles dealing with cosmopolitanism, cultural identity, representations, arts and performance. The complexities ofurban Asia, its elites, its political rituals, and its families will also be explored Dangerous Blood, Refined Souls Death Rituals among the Chinese in Singapore Tong Chee Kiong Anthropology and Colonialism in Asia Reflections on the Japanese, Dutch, Chinese, and Indian Experiences Edited by Jan van Bremen and Akitoshi Shimizu Folk Art Potters of Japan Beyond an Anthropology ofAesthetics Brian Moeran HONG KONG The Anthropology of a Chinese Metropolis Edited by Grant Evans and Maria Tam UNIVERSITY OF HAWAI'I PRESS HONOLULU Published in North America by University of Hawai'i Press 2840 Kolowalu Street Honolulu, Hawai'i 96822 First published in 1997 by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 lBP © 1997 G. Evans and M. Tam Printed in Great Britain All rights reserved. No part ofthis book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.