religions Article Theology of Music and Hindu Religion: From Divine Origins to Classical Songs Guy L. Beck Department of Religious Studies, Loyola University New Orleans, 6363 St. Charles Avenue, Campus Box 81, New Orleans, LA 70118, USA;
[email protected] Abstract: As a subfield in the study of religion and music, the theology of music is generally understood in Western terms. Yet to fully encompass the rich heritage of music in world religions, the theology of music must welcome non-Western traditions. After introducing ancient Greek and Biblical narratives regarding the origins of music, including metaphysical concepts, narratives of music as Divine Gift, musical angels, and the sacred origin of the notes and scales, this article explores music in Hindu religion through the lens of theology. We find that Indian music is also ‘given by the gods’ (i.e., Brahma,¯ Vishnu, and Siva),´ associated with ‘musical angels,’ and originally formed from metaphysical principles (i.e., OM and the concept of Nada-Brahman).¯ What is demonstrated here, representing a long continuity, is how these same ideas are viable in the performance of Indian classical music today. Citing examples of compositions of Dhrupad and Khayal from the standard repertoire, this article reveals how modern-day classical songs contain references to sacred sound principles and the divine origins of music, both in their lyrics and in the unfoldment of musical notes (Svaras) and melodic patterns (Ragas).¯ Keywords: theology; sacred music; musicology; Hinduism Citation: Beck, Guy L. 2021. Theology of Music and Hindu “We worship Nada-Brahman,¯ that incomparable bliss which is immanent in all Religion: From Divine Origins to the creatures as intelligence and is manifest in the phenomenon of this universe.