Ethnopalynological Applications in Land and Water Based
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Terrestrial and Marine Biological Resource Information
APPENDIX C Terrestrial and Marine Biological Resource Information Appendix C1 Resource Agency Coordination Appendix C2 Marine Biological Resources Report APPENDIX C1 RESOURCE AGENCY COORDINATION 1 The ICF terrestrial biological team coordinated with relevant resource agencies to discuss 2 sensitive biological resources expected within the terrestrial biological study area (BSA). 3 A summary of agency communications and site visits is provided below. 4 California Department of Fish and Wildlife: On July 30, 2020, ICF held a conference 5 call with Greg O’Connell (Environmental Scientist) and Corianna Flannery (Environmental 6 Scientist) to discuss Project design and potential biological concerns regarding the 7 Eureka Subsea Fiber Optic Cables Project (Project). Mr. O’Connell discussed the 8 importance of considering the western bumble bee. Ms. Flannery discussed the 9 importance of the hard ocean floor substrate and asked how the cable would be secured 10 to the ocean floor to reduce or eliminate scour. The western bumble bee has been 11 evaluated in the Biological Resources section of the main document, and direct and 12 indirect impacts are avoided. The Project Description describes in detail how the cable 13 would be installed on the ocean floor, the importance of the hard bottom substrate, and 14 the need for avoidance. 15 Consultation Outcomes: 16 • The Project was designed to avoid hard bottom substrate, and RTI Infrastructure 17 (RTI) conducted surveys of the ocean floor to ensure that proper routing of the 18 cable would occur. 19 • Ms. Flannery will be copied on all communications with the National Marine 20 Fisheries Service 21 California Department of Fish and Wildlife: On August 7, 2020, ICF held a conference 22 call with Greg O’Connell to discuss a site assessment and survey approach for the 23 western bumble bee. -
What Is This? Solving Problems Found in Collection October 17, 2017
What is this? Solving Problems Found in Collection October 17, 2017 Jobi Zink, Registrar Rosenbach Museum & Library [email protected] Resources I could not have presented this webinar without guidance from the following resources: Melinda Simms, Master’s Thesis Found in Collections: A Reference Guide for Reconciling Undocumented Objects in Historical Museums http://www.foundincollections.com/ Buck, edited by Rebecca A.; Gilmore, Jean Allman (2010). MRM5: Museum registration methods (5th ed.). Washington, DC: AAM Press, American Association of Museums. (aka The Registrar’s Bible) https://vimeo.com/139636936 A very short and entertaining PSA-style video, pleading for help with Found in Collections from the Florida History Museum Found in collection (Includes links to individual American states unclaimed property laws. Products Label Holders http://www.gaylord.com/Preservation/Conservation-Supplies/Labeling-%26-Marking/ Polypropylene-Label-Holders-%2812-Pack%29/p/61-388 Poly Vista-Pockets™ Clear Book Pockets http://www.thelibrarystore.com/product/ ad41-0802/s Large Object Tags http://www.gaylord.com/Preservation/Conservation- Supplies/Labeling-%26-Marking/Gaylord-Archival%26%23174%3B- 10-pt-Folder-Stock-Artifact-Tags-%28100-Pack%29/p/ HYB01357 1 Little tags http://www.gaylord.com/Preservation/Artifact-%26-Collectibles-Preservation/ Labeling-%26-Supplies/Gaylord-Archival%26%23174%3B-10-pt-Folder- Stock-Prestrung-Artifact-Tags-with-Rounded-Corners-%28100-Pack%29/p/ HYB02620 Tyvek® tags http://www.gaylord.com/Preservation/Artifact-%26-Collectibles- -
Special Collections Collection Management Policy Updated September 2013 Cost, Staff Time, Storage Space, Or Policy Implications
BRYN MAWR COLLEGE SPECIAL COLLECTIONS COLLECTIONS MANAGEMENT POLICY APPROVED BY THE COLLECTIONS COMMITTEE, OCTOBER 4, 2013 Adopted by the Collections Management Committee: October 4, 2013 Approved by the Board of Trustees: September 20, 2014 i TABLE OF CONTENTS I. Introduction..........................................3 C. Requirements and Obligations for A. Statement of Purpose…………..........3 Borrowers……................................17 B. Process of Establishing Policy……….3 D. Interdepartmental Loans……………17 C. Statement of Authority ..................3 VII. Documentation……..............................18 D. Collections Committee Charge ......3 A. Collection Object Records………....18 E. Legal Considerations and Codes of B. Backup System for Records………..19 Ethics..............................................4 C. Inventory......................................19 F. Review and Revision.......................4 D. Image File Naming Standards……..19 G. Public Disclosure.............................4 VIII. Collections Care………….......................19 II. Mission and Collections of the Bryn IX. Insurance and Risk Management….....20 Mawr College Special Collections.........4 A. Insurance Policy………....................20 A. Institutional Mission Statement……5 B. General Risk Management……......20 B. History of the Special Collections…5 C. Security……………………………………...20 C. Purpose and Use of the Special X. Access and Use....................................20 Collections .....................................5 A. Collections Access……...................20 -
I. Gilia Capitata Verne Grant
Aliso: A Journal of Systematic and Evolutionary Botany Volume 2 | Issue 3 Article 5 1950 Genetic and Taxonomic Studies in Gilia: I. Gilia Capitata Verne Grant Follow this and additional works at: http://scholarship.claremont.edu/aliso Part of the Botany Commons Recommended Citation Grant, Verne (1950) "Genetic and Taxonomic Studies in Gilia: I. Gilia Capitata," Aliso: A Journal of Systematic and Evolutionary Botany: Vol. 2: Iss. 3, Article 5. Available at: http://scholarship.claremont.edu/aliso/vol2/iss3/5 EL ALISO VoL. 2, No. 3, pp. 239-316 Nov. 15, 1950 GENETIC AND TAXONOMIC STUDIES IN GILIA I. GILIA CAPITATA VERNE GRANT* PAGE I. Introduction . 239 2. The Taxonomic Characters 240 3. Geographical Distribution 246 4. Variability . 257 5. Compatability and Fertility 271 6. Cytology . 279 7. Factorial Analysis 283 8. Evolution . 295 9. Taxonomy . 300 10. Conclusions and Summarv 3II II. Literature Cited ' 315 1. INTRODUCTION The capitate gilias of the family Polemoniaceae, a diverse group of herba ceous annuals ranging on the Pacific slope of North America from Baja Cali fornia oo British Columbia, present a pattern of variation and intergradation which has long confounded the taxonomist. In Jepson's Manual (Mason ex Jepson, 1925) the entire group was placed in Cilia capitat.a Doug!., whereas in Jepson's Flora (1943) four species were recognized, namely G. capitata Doug!., G. starninea Greene, G. Chamissonis Greene, and G. achilleaefolia Benth. Neither arrangement has proved very satisfactory. The group possesses far more geographical variation than was recognized in Jepson's Manual, but not the morphological discontinuity between allopatric types that might be implied by the treatment in Jepson's Flora. -
Found in Collection 2020
FOUND IN Collection From the Archives of the Rochester Hills Museum at Van Hoosen Farm Fall 2020 2. From the Archives and Collections of the Rochester Hills Museum at Van Hoosen Farm Table of Contents Page 3 A Note From the Archivist Hospitality Page 4 Pages 4 - 5 Uncovering the Scrapbook of Rochester’s First Female Postmaster Back in the Day Page 6 Page 7 A Summer Internship at the Museum Page 8 These Letters Tell a Story Learn to Scan Your Photos Page 8 Page 9 A Young Lady on the Woman Question Page 10 Explore Women’s History Pages 11-12 A Trip to Asia Page 10 Found in Collection is a phrase used in the Museum field to describe undocumented Page 9 objects found within a Museum’s collections whose donor, history, and significance are unknown. These items pose the exciting (and sometimes frustrating) challenge of figuring out where they came from. Page 11 From the Archives and Collections of the Rochester Hills Museum at Van Hoosen Farm 3. A Note from the Archivist Hospitality is one of the resident, student, researcher or just someone who pillars of the Rochester loves history, I invite you to explore the Museum’s Hills Museum at Van archives. There is an incredible story waiting for you. Hoosen Farm. Welcoming visitors to our grounds, our buildings, and into In the postscript of Chronicle of Van Hoosen our history is what we Centenary Farm, Sarah Van Hoosen Jones shares do every single day but the story of international delegates of the Associated this began long before Country Women of the World. -
Insights and Hindsights from Deaccessioning
Insights and Hindsights from Deaccessioning Leslie B. Jones | Vice President, Museum Affairs & Curator of Decorative Arts Cheekwood Estate & Garden | Nashville, TN May 17, 2017 Museums preserve and protect more than 1 billion objects Heritage Health Index (2004) borrowed from American Alliance of Museums Visualization of powers of ten from one to 1 billion © CC BY-SA 3.0 UNESCO “Storage-Planning space and fittings” Source: MAP/Reviewer: Zoe Scott/Edits LLW Dec 2006, reviewed JH April 2010 * ORGANIZED THOUGHTS * DEACCESSIONING 101: Survey the Situation DEACCESSIONING 201: Proactivity is Power DEACCESSIONING 301: Research, Research, Research DEACCESSIONING 401: Action and Dispersal * NOT-SO-ORGANIZED THOUGHTS * INSIGHT(S) Recollections and examples of previous work that may prove to be helpful and/or instructive HINDSIGHT(S) Recollections and examples of previous work that demonstrate what is not helpful and/or instructive CHEEKWOOD ESTATE & GARDEN • Constructed between 1929 and 1932 • Private family home from 1932 until 1957 • Donated in 1957 to become the Tennessee Botanical Gardens and Fine Arts Center • Opened to the public in 1960 with Museum space in the historic home • Collection Categories include PERMANENT and ARCHIVAL • Collection overview resulted in an encyclopedic approach with holdings of works on paper, artist books, video art, sculpture, paintings, photography, ceramics, art glass, metal ware, furniture, textiles, ethnographic objects, etc. All IMAGES OWNED BY CHEEKWOOD AND MAY NOT BE REPRODUCED WITHOUT WRITTEN AUTHORIZATION -
Vascular Plants of Humboldt Bay's Dunes and Wetlands Published by U.S
Vascular Plants of Humboldt Bay's Dunes and Wetlands Published by U.S. Fish and Wildlife Service G. Leppig and A. Pickart and California Department of Fish Game Release 4.0 June 2014* www.fws.gov/refuge/humboldt_bay/ Habitat- Habitat - Occurs on Species Status Occurs within Synonyms Common name specific broad Lanphere- Jepson Manual (2012) (see codes at end) refuge (see codes at end) (see codes at end) Ma-le'l Units UD PW EW Adoxaceae Sambucus racemosa L. red elderberry RF, CDF, FS X X N X X Aizoaceae Carpobrotus chilensis (Molina) sea fig DM X E X X N.E. Br. Carpobrotus edulis ( L.) N.E. Br. Iceplant DM X E, I X Alismataceae lanceleaf water Alisma lanceolatum With. FM X E plantain northern water Alisma triviale Pursh FM X N plantain Alliaceae three-cornered Allium triquetrum L. FS, FM, DM X X E leek Allium unifolium Kellogg one-leaf onion CDF X N X X Amaryllidaceae Amaryllis belladonna L. belladonna lily DS, AW X X E Narcissus pseudonarcissus L. daffodil AW, DS, SW X X E X Anacardiaceae Toxicodendron diversilobum Torrey poison oak CDF, RF X X N X X & A. Gray (E. Greene) Apiaceae Angelica lucida L. seacoast angelica BM X X N, C X X Anthriscus caucalis M. Bieb bur chevril DM X E Cicuta douglasii (DC.) J. Coulter & western water FM X N Rose hemlock Conium maculatum L. poison hemlock RF, AW X I X Daucus carota L. Queen Anne's lace AW, DM X X I X American wild Daucus pusillus Michaux DM, SW X X N X X carrot Foeniculum vulgare Miller sweet fennel AW, FM, SW X X I X Glehnia littoralis (A. -
|||GET||| Exhibition Design 1St Edition
EXHIBITION DESIGN 1ST EDITION DOWNLOAD FREE Philip Hughes | 9781856696401 | | | | | Exhibit Design The Exhibition Design 1st edition will often mirror the architectural process or schedule, moving from conceptual plan, through schematic design, design development, contract document, fabrication, and installation. Many different companies will have their own multi-purpose system that may be used for the construction of smaller Exhibition stands, there are several different systems available and training into the specifics of each is usually conducted on a case by case basis. More Pendant lights sculpted from pebble stones and bronze bowls cast from objects found on hikes are among the pieces on show at Alpenglow Projects gallery in Vancouver. Ralph Appelbaum AssociatesU. Automotive design Automotive suspension design CMF design Corrugated box design Electric guitar design Furniture design Sustainable Hardware interface design Motorcycle design Packaging and labeling Photographic lens design Product design Production design Sensory design Service design. Museums Exhibition Design 1st edition should be the same as what is found in a retail store, Exhibition Design 1st edition the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. Additional Product Features Dewey Edition. A wealth of visual material includes photographs of completed exhibitions by world-renowned designers, concept drawings, computer Exhibition Design 1st edition, charts and tables of information--all for -
Nmnh-Collections-Management-Policy
National Museum of Natural History Smithsonian Institution Collections Management Policy (Last revised April,2012; next revision due 2022) Have read and approve: Davidl Skorton Secretary, Smithsonian Institution Date Judith Leonard \ John Davis General Counsel Provosrand Under Secretary for Museums and Research A William G. Tompkins Director, National Collections Program Kirk Johnson, Sant Director National Museum of Natural History Recommended for approval: Maureen Kearney Carol R. Butler Associate Director for Science Assistant Director for Collections National Museum of Natural History Smithsonian Institution Collections Management Policy Rev. December 13th, 2017 Table of Contents Section I. Introduction .......................................................................................................................... 1 A. Purpose ......................................................................................................................................... 1 B. Background ................................................................................................................................. 1 C. Applicability ................................................................................................................................ 2 D. Authority and Responsibility ................................................................................................ 3 E. Ethics............................................................................................................................................. -
Collection Management Policy
MARTHA’S VINEYARD MU SEUM COLLECTION MANAGEMENT POLICY APPROVED BY THE BOAR D OF DIRECTORS February 19, 2020 TABLE OF CONTENTS I. Introduction: Overview of the Martha’s Vineyard Museum 1 A. Mission 1 B. History of the Martha’s Vineyard Museum 1 C. Legal Status and Organizational Structure 2 II. Statement of Authority 2 A. Board Authority and Responsibilities 2 B. Staff Authority and Responsibilities 3 III. Scope of Collections 4 A. Introduction 4 B. History of the Collections 5 C. Collecting Guidelines 5 IV. Categories of Collections 5 V. Acquisitions and Accessions 6 VI. Deaccessions and Disposal 8 VII. Loans 10 A. Outgoing Loans 10 B. Incoming Loans 11 C. Old Loans 11 VIII. Objects in Custody 12 IX. Documentation 12 X. Collections Care 13 XI. Insurance 14 XII. Access and Use 14 XIII. Intellectual Property 15 XIV. Ethics 15 XV. Collections Management Policy Review and Revision 15 I. Introduction: Overview of the Martha’s Vineyard Museum (MVM) A. Mission The MVM’s Mission, approved by the membership on Aug 8, 2016: The Martha's Vineyard Museum inspires all people to discover, explore, and strengthen their connections to this Island and its diverse heritage. B. History of the Martha’s Vineyard Museum The Martha's Vineyard Museum was founded as the Dukes County Historical Society in 1922 and incorporated the following year. The Society’s founders devoted a great deal of their time, energy, and resources to the documentation of the Island's role in American history and the community's involvement in the maritime industry. In 1996, acknowledging the fact that the Society’s collections relate exclusively to Martha’s Vineyard and recognizing that the Cuttyhunk Historical Society serves the only town in Dukes County that is not on the Vineyard, the organization changed its name to the Martha's Vineyard Historical Society. -
Read Book Conservation and Restoration of Stained Glass Ebook
CONSERVATION AND RESTORATION OF STAINED GLASS PDF, EPUB, EBOOK none | none | 30 Jun 1998 | ATLANTIC BOOKS | 9780614142617 | English | Kent, United Kingdom Conservation and Restoration of Stained Glass PDF Book This efficiency also brings savings due to the reduced number of scaffolding erections. Deterioration does not always occur gradually and may also occur suddenly and catastrophically, as the result of natural disasters e. An temporary protection is then installed in the frame. There are thousands of leaded windows in this country in need of repair. The conservator must be familiar with not only the general materials with which he or she is working but also the details specific to the project at hand, in order to understand and address the needs of a particular window or building. Rambusch is the sole survivor of the many Manhattan arts and crafts firms producing stained glass in the early s. Care should be taken not to remove any later over-painting without due consideration, as such layers may have historic value, in their own right Rauch , 7. While being the most cost effective and least labor intensive style of glass, it is one of the most beautiful. Unfortunately, in practice, this is not always the case, and it is well known that unsuitable, or improperly ventilated protective glazing can actually create an overly hot or humid microclimate around the historic glass that increases the rate of deterioration Vogel et al. In the event that these layers appear particularly friable, it is necessary to clean the glass delicately with cotton swabs, and in more extreme cases, manually affix the original paint lines to the surface, under a microscope, by applying small tiny drops of resin at specific points Rauch , 6; Vogel et al. -
Canadian Collections Care Survey Summary of Results
Canadian Collections Care Survey Summary of Results Introduction The Canadian Association for Conservation of Cultural Property (CAC) and the Canadian Association of Professional Conservators (CAPC) are proud to introduce the first national survey of its kind to examine the current state of collections care and conservation in heritage institutions in Canada. This data can be used freely for advocacy, fundraising and programming purposes. Responses were collected using online survey software between 23 May and 31 July 2018. As with all surveys that useanopeninvitationtoparticipateviaelectronicnetworks,the results are determined by respondents who have access plus an incentive to respond. The respondents’ locations and profiles are described at the beginning of this document. Please note that in this report, Canadian regions are defined as follows: Atlantic (New Brunswick, Newfoundland and Labrador, Nova Scotia, Prince Edward Island), Central (Ontario, Quebec), Prairies (Alberta, Saskatchewan, Manitoba), West Coast (British Columbia), North (Yukon, Northwest Territories, Nunavut). Associate Partners CAC and CAPC would like to thank the following organizations for their help in disseminating the survey link throughout their respective networks. Alberta Museums Association Community Museums Association of PEI Archives Society of Alberta Government of Nunavut, Department of Culture and Heritage Association des archivistes du Québec Government of Yukon, Department of Tourism Association of Manitoba Museums ICOM-Canada Association of Newfoundland