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Computational by Design Pdf, Epub, Ebook
COMPUTATIONAL BY DESIGN PDF, EPUB, EBOOK Viktor Malakuczi | 156 pages | 18 Jan 2019 | Common Ground Research Networks | 9781863351225 | English | none Computational by Design PDF Book Suche via eMail Abonnieren. Five family members aged years presented with fever, upper or lower respiratory tract symptoms, or diarrhea, or a combination of these days after exposure. Here we present a benchmark framework for comparison between flexible-backbone design methods applied to binding interactions. Notably, homol. This paper presents methodology and implementation of parametric architectural design of bricklaying walls fabricated by industrial robotic arm. What is Computational Design? Our emails are made to shine in your inbox, with something fresh every morning, afternoon, and weekend. Across the continent, drones are also in place to deliver everything from hospital supplies to life jackets in Chile and El Salvador. We recommend the use of the mixed-precision SPDP model since the numerical results obtained are comparable with those of the full double precision DPDP model and the ref. Adapted from the intro for How To Speak Machine , which will be published later this year by Penguin. Tools Intellectual property Organizations Awards. The new GLYCAM is no longer limited to any particular class of biomolecules, but is extendible to all molecular classes in the spirit of a small-molecule force field. If you are interested in creating your own Visual Programming interface , either standalone or plug-in, please check out pupi. Aish is the father of Computation Design as we know it. The successes and failures represent a wide variety of interface types and design goals including heterodimers, homodimers, peptide-protein interactions, one-sided designs i. -
Still Photography
Still Photography Soumik Mitra, Published by - Jharkhand Rai University Subject: STILL PHOTOGRAPHY Credits: 4 SYLLABUS Introduction to Photography Beginning of Photography; People who shaped up Photography. Camera; Lenses & Accessories - I What a Camera; Types of Camera; TLR; APS & Digital Cameras; Single-Lens Reflex Cameras. Camera; Lenses & Accessories - II Photographic Lenses; Using Different Lenses; Filters. Exposure & Light Understanding Exposure; Exposure in Practical Use. Photogram Introduction; Making Photogram. Darkroom Practice Introduction to Basic Printing; Photographic Papers; Chemicals for Printing. Suggested Readings: 1. Still Photography: the Problematic Model, Lew Thomas, Peter D'Agostino, NFS Press. 2. Images of Information: Still Photography in the Social Sciences, Jon Wagner, 3. Photographic Tools for Teachers: Still Photography, Roy A. Frye. Introduction to Photography STILL PHOTOGRAPHY Course Descriptions The department of Photography at the IFT offers a provocative and experimental curriculum in the setting of a large, diversified university. As one of the pioneers programs of graduate and undergraduate study in photography in the India , we aim at providing the best to our students to help them relate practical studies in art & craft in professional context. The Photography program combines the teaching of craft, history, and contemporary ideas with the critical examination of conventional forms of art making. The curriculum at IFT is designed to give students the technical training and aesthetic awareness to develop a strong individual expression as an artist. The faculty represents a broad range of interests and aesthetics, with course offerings often reflecting their individual passions and concerns. In this fundamental course, students will identify basic photographic tools and their intended purposes, including the proper use of various camera systems, light meters and film selection. -
Study of Package Design for a Craft Wooden Boat Model Using Corrugated Board and Natural Extract to Prevent Termites
Asian Social Science; Vol. 13, No. 8; 2017 ISSN 1911-2017 E-ISSN 1911-2025 Published by Canadian Center of Science and Education Study of Package Design for a Craft Wooden Boat Model Using Corrugated Board and Natural Extract to Prevent Termites Janyut Srihirun1 & Benja Satongkrun1 1 Faculty of Architecture, Department of Art and Design, Naresuan University, Thailand Correspondence: Janyut Srihirun, Faculty of Architecture, Naresuan University, Phitsanulok 65000, Thailand. Tel: 668-6514-3075. E-mail: [email protected], [email protected] Received: May 3, 2017 Accepted: June 29, 2017 Online Published: July 25, 2017 doi:10.5539/ass.v13n8p103 URL: https://doi.org/10.5539/ass.v13n8p103 Abstract The objectives of this research were to study and design packaging, test its efficiency, and determine the satisfaction levels of consumers with the structure and graphic design of a craft wooden boat model packaging produced from corrugated board using natural extract to prevent termites. Data collection was conducted using focus groups of producers and consumers. Data was then summarized and used for the design and creation of the model packaging. Suggestions from experts were applied to improve the packaging of the craft wooden boat model; its preventive efficiency was then tested and the satisfaction of consumers was assessed. The results of the package structure test showed that bursting strength was 8.66 kgf/cm2, edge crush test was 3.86 kg/cm and drop height was 762 mm, which reaches standards ASTM D 774, ISO 3037 and ASTM D 5276, as well as helping prevent termites from biting. The size and design were portable and suitable to be displayed for sale. -
How All This Came About
Innovation. Amplified. Chapter 1 How All This Came About by Hartley Peavey s most of you know, electronics have been direction (i.e. a “check valve” that allows electrons to A around a very long time. In the latter part of the flow in only one direction). It had been long known 1800s, Thomas Edison perfected the incandescent that electrons possess a “negative” (-) charge and lightbulb. Edison experimented with thousands of therefore are attracted to anything having a positive combinations of materials before he finally found (+) charge. So the flow of electrons is (and will al- that a small Tungsten filament inside an “evacuated” ways be) from negative to positive. glass container would convert electricity into light. These early bulbs suffered a number of problems, The aforementioned “Edison effect” became widely but generally were perfected enough for general known, and various labs on both sides of the Atlantic use by the early 1890s... After extended use, it was performed extensive research. The modern vacuum discovered that the inside of the clear glass “bulbs” tube utilizes three or more “electrodes” whose effect would gradually darken, thus absorbing much of was discovered in 1903 by an American named Lee the light generated by the incandescent filament. DeForrest. He discovered that if an electrode with Various schemes were tried to reduce this, includ- a negative charge was inserted between the incan- ing introduction of various “Noble” gases, as well descent filament and a positively charged electrode as insertion of other metal conductors in attempts (anode), that the flow of current could be controlled to “drain off” whatever was causing the inside of (modulated), thus causing the device to act like an Edison’s bulbs to blacken after extended periods of “electronic valve”… This is why most of the world use. -
California Noise: Tinkering with Hardcore and Heavy Metal in Southern California Steve Waksman
ABSTRACT Tinkering has long figured prominently in the history of the electric guitar. During the late 1970s and early 1980s, two guitarists based in the burgeoning Southern California hard rock scene adapted technological tinkering to their musical endeavors. Edward Van Halen, lead guitarist for Van Halen, became the most celebrated rock guitar virtuoso of the 1980s, but was just as noted amongst guitar aficionados for his tinkering with the electric guitar, designing his own instruments out of the remains of guitars that he had dismembered in his own workshop. Greg Ginn, guitarist for Black Flag, ran his own amateur radio supply shop before forming the band, and named his noted independent record label, SST, after the solid state transistors that he used in his own tinkering. This paper explores the ways in which music-based tinkering played a part in the construction of virtuosity around the figure of Van Halen, and the definition of artistic ‘independence’ for the more confrontational Black Flag. It further posits that tinkering in popular music cuts across musical genres, and joins music to broader cultural currents around technology, such as technological enthusiasm, the do-it-yourself (DIY) ethos, and the use of technology for the purposes of fortifying masculinity. Keywords do-it-yourself, electric guitar, masculinity, popular music, technology, sound California Noise: Tinkering with Hardcore and Heavy Metal in Southern California Steve Waksman Tinkering has long been a part of the history of the electric guitar. Indeed, much of the work of electric guitar design, from refinements in body shape to alterations in electronics, could be loosely classified as tinkering. -
The Emerging Voice of the Exhibition Designer
BOYCHER, ASHLEY, M.S., The Emerging Voice of the Exhibition Designer. (2010) Directed by Dr. Patrick Lee Lucas. pp. 77. Of the little writing available today authored by exhibition designers, most consists of manual-like instructions or pretty-picture compendia, though often interesting and even inspiring, not nearly enough to represent their field as a relevant, necessary profession. Turning to data drawn from exhibition designers’ personal experiences as well as their words deeply imbedded within a widely read museum publication, in this thesis I mined and shared exhibition designers’ voices as they relate to the exhibition development process and the broader professional museum culture. Specifically, I studied the imagery and text published from 1970 through 2009 in Museum (formerly Museum News), the American Association of Museums’ journal that has covered the museum community’s trends and issues for more than eighty-five years. I also interviewed a purposeful sample of five exhibition professionals with varied backgrounds and current foci, and, thirdly, I analyzed data collected from my own participant observations as an intern in the 3-D Exhibition Design Department at the Field Museum of Natural History. Critically silenced, often neutralized and sometimes ignored in the past, my research finds that exhibition designers have emerged at the crossroads rather than the margins of exhibit development. They have evolved their field and in terms of what museums and audiences expect of them, but designers continue to struggle to have their voices and roles considered "scholarly" equal to other museum professionals. This project intends to contribute, if even in a small way, to understanding the place of exhibition design in museums of the past forty years and the fluctuating present, as well as lays groundwork for future investigations. -
I4 Energy Recovery Wheel
I4 ENERGY RECOVERY WHEEL innergytech.com 5 year warranty parts & labor HEAT PIPES PLATES WHEELS CORES * 8068_IT_Manual I4_V2_octobre 2019 Révision 01 TABLE OF CONTENTS ABOUT THIS MANUAL ________________________________________________________________________________4 WINNERGY PRO SELECTION SOFTWARE _______________________________________________________________5 THE IMPROVED I4 WHEEL DESIGN _____________________________________________________________________6 THE I4R FIELD INSTALLED ENERGY RECOVERY WHEEL ___________________________________________________7 SPLIT FRAME DESIGN ________________________________________________________________________________7 PERFECT FOR MECHANICAL ROOMS AND RETROFIT APPLICATIONS _____________________________________7 OTHER FIELD SERVICES ______________________________________________________________________________7 FEATURES AND BENEFITS _____________________________________________________________________________7 PRODUCT OVERVIEW ________________________________________________________________________________8 PRINCIPLE OF OPERATION ___________________________________________________________________________9 1.1 Energy recovery _______________________________________________________________________________ 9 1.2 Key wheel effectiveness factors ________________________________________________________________10 I4 CONSTRUCTION/PARTS __________________________________________________________________________11 2.1 Construction details __________________________________________________________________________ -
1 What Is Photography?
Basic Photography To P. Still the first for the first . Basic Photography Seventh Edition Michael Langford FBIPP, HonFRPS Formerly Photography Course Director Royal College of Art, London Focal Press OXFORD AUCKLAND BOSTON JOHANNESBURG MELBOURNE NEW DELHI Focal Press An imprint of Butterworth-Heinemann Linacre House, Jordan Hill, Oxford OX2 8DP 225 Wildwood Avenue, Woburn, MA 01801-2041 A division of Reed Educational and Professional Publishing Ltd A member of the Reed Elsevier plc group First published 1965 Second edition 1971 Third edition 1973 Fourth edition 1977 Fifth edition 1986 Sixth edition 1997 Reprinted 1998 (twice), 1999 Seventh edition 2000 © Michael Langford 2000 All rights reserved. No part of this publication may be reproduced in any material form (including photocopying or storing in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright holder except in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London, England W1P 0LP. Applications for the copyright holder’s written permission to reproduce any part of this publication should be addressed to the publishers British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication Data A catalogue record for this book is available from the -
Godin Guitars Are Assembled in Berlin New Hampshire from Parts Crafted in Québec Canada
Godin Guitars are assembled in Berlin New Hampshire from parts crafted in Québec Canada. Les Guitares Godin sont assemblées à la main aux États-Unis à partir de pièces fabriquées au Canada. Godin Guitars, 19420 Avenue Clark-Graham, Baie D’Urfé Québec Canada H9X 3R8 www.godinguitars.com Godin is a registered trademark of 117506 Canada inc. / Godin est une marque déposée de 117506 Canada inc. All specifications are subject to change without prior notice. / Toutes les caractéristiques sont sujettes à changements sans préavis. Printed in Canada on Recycled Paper / Imprimé au Canada sur papier recyclé Photography & Graphic Design / Photos et Conception Graphique : Katherine Calder-Becker For over thirty years, Robert Godin has been pushing the bound- aries of both acoustic and electric guitar design. Robert’s innova- tions in semi-acoustic guitars, multi-voice instruments, and synth access have made Godin an industry leader in all of these cate- gories. Godin’s ongoing commitment to value and innovation has never been more evident than in the current model lineup. All Godin guitars are assembled in Berlin, New Hampshire from parts crafted in Godin's original facility in La Patrie, Quebec Canada. Robert Godin godin glossary Ergocut - This describes a special technique that is applied to all Godin necks. The sides SA (synth access via the 13-pin connection) - Godin has led the industry in the design and of the neck—at the fingerboard—are beveled inward providing an extra comfortable "worn development of guitars with built-in synth access for over a decade. The eleven synth- in" feel. ready models in the line are equipped with a 13-pin output jack that connects the guitar directly into various 13-pin devices. -
Recruitment Pack Exhibition Designer
Recruitment Pack Exhibition Designer (3D) Exhibition Designer (3D) £28,292 - £30,766 [pro rata if part time] per annum plus membership of Civil Service pension scheme Fixed term up to 30 June 2019 We are looking for a creative and enthusiastic Exhibition Designer (3D) to join our in-house Design team. National Museums supports an exciting programme of special exhibitions critical to bringing in new audiences, as well as repeat visitors. Your role will be to assist with the design, development, planning, preparation and delivery of these exhibitions, and to work with colleagues across a number of departments, and externally, to ensure that exhibitions and galleries throughout our five museums are maintained to the highest standard. You will be educated to degree standard in a relevant professional design qualification and will have proven relevant experience of design and production, preferably with some graphic design skills. You will be able to think creatively and will enjoy working to tight deadlines in a busy and fast-paced environment. You will need to demonstrate an ability to work under pressure and to operate effectively, both independently and as a team member. This is a fixed term post up to 30 June 2019. To make an online application for this post and to find further details of this post and of all our vacancies please visit www.nms.ac.uk. If you require further information telephone 0131 247 4094 (answerphone) or email [email protected], stating reference NMS18/815 Closing date for completed applications is Tuesday, 03 April 2018. It is anticipated that the selection event will take place around the middle of April 2018. -
Variability, Non- Uniformity, and Complexity: from Product to Process
Preferred citation: T. Uesaka. Review: Variability, non-uniformity and complexity: from product to process. In Advances in Pulp and Paper Research, Cambridge 2013, Trans. of the XVth Fund. Res. Symp. Cambridge, 2013, (S.J. I’Anson, ed.), pp 321–357, FRC, Manchester, 2018. DOI: 10.15376/frc.2013.1.321. VARIABILITY, NON- UNIFORMITY, AND COMPLEXITY: FROM PRODUCT TO PROCESS Tetsu Uesaka Fibre Science and Communication Network (FSCN), and Department of Chemical Engineering, Mid Sweden University, SE- 851 70, Sundsvall, Sweden 1. INTRODUCTION The variability in process and product is part of our life in the industry. For example, in the headbox jet speed and temperature are constantly changing at different frequencies; cross-machine direction elastic stiffness has a typical inverse-smile pattern across the paper machine width; qualities of pulp bale often vary from one shipment to the other. For many years, the industry has been tackling this problem in different unit processes. Particularly in today’s competi- tive market, achieving consistency and uniformity is a necessary condition for staying in the market. Accordingly the subject has been heavily investigated in process control area in terms of control methods (adaptive control, multi- variable control, and expert system), sensor developments, and process modeling and simulation. (A comprehensive review of contemporary process control is provided in [1–2].) This review paper deals with the same subject but from a slightly different angle, i.e., performance perspective. In the beginning, it may not be obvious why performance problems are those of variability and non- uniformity. However, this problem almost always emerges as a central theme at the end. -
What Is This? Solving Problems Found in Collection October 17, 2017
What is this? Solving Problems Found in Collection October 17, 2017 Jobi Zink, Registrar Rosenbach Museum & Library [email protected] Resources I could not have presented this webinar without guidance from the following resources: Melinda Simms, Master’s Thesis Found in Collections: A Reference Guide for Reconciling Undocumented Objects in Historical Museums http://www.foundincollections.com/ Buck, edited by Rebecca A.; Gilmore, Jean Allman (2010). MRM5: Museum registration methods (5th ed.). Washington, DC: AAM Press, American Association of Museums. (aka The Registrar’s Bible) https://vimeo.com/139636936 A very short and entertaining PSA-style video, pleading for help with Found in Collections from the Florida History Museum Found in collection (Includes links to individual American states unclaimed property laws. Products Label Holders http://www.gaylord.com/Preservation/Conservation-Supplies/Labeling-%26-Marking/ Polypropylene-Label-Holders-%2812-Pack%29/p/61-388 Poly Vista-Pockets™ Clear Book Pockets http://www.thelibrarystore.com/product/ ad41-0802/s Large Object Tags http://www.gaylord.com/Preservation/Conservation- Supplies/Labeling-%26-Marking/Gaylord-Archival%26%23174%3B- 10-pt-Folder-Stock-Artifact-Tags-%28100-Pack%29/p/ HYB01357 1 Little tags http://www.gaylord.com/Preservation/Artifact-%26-Collectibles-Preservation/ Labeling-%26-Supplies/Gaylord-Archival%26%23174%3B-10-pt-Folder- Stock-Prestrung-Artifact-Tags-with-Rounded-Corners-%28100-Pack%29/p/ HYB02620 Tyvek® tags http://www.gaylord.com/Preservation/Artifact-%26-Collectibles-