Newsletter 12/10 DIGITAL EDITION Nr
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Khaddafy Denies Libya Attacks Chad
Consumer official says Tigers return favor, beat Chile protests cable firm makes plenty Yankees In last of tenth worry leaders page 3 ... page 15 ... page 4 Manchester, Conn. Saturday, Aug. 13, 1983 Single copy; 25<t Colonel arrives for maneuvers Khaddafy Bv Frederick Kiel United Press International denies Libya The American commander for U.S.-Honduran military ma neuvers has arrived in Teguci galpa, a Honduran officer said attacks Chad Friday. In Guatemala, the government said a top guerrilla NDJAMENA, Chad (UPI) - Habre also called on the Organi leader was killed, probably by Libyan bombers hammered the zation of African Unity, meeting another rebel faction. eastern oasis strongholds of Oum this weekend in Brazzaville, Col. Am ie Schossberg, in Chalouba and Kalait Friday and Congo, to stop "the Libyan aggres charge of joint military ma Chad's President Hissene Habre sion against Chad.” neuvers between Honduras and appealed to France and the United His office said Libyan planes the United States, arrived in States to intervene in the fighting. bombed Oum Chalouba and Kalait Tegucigalpa Thursday and was "The Libyan bombing has led to and unconfirmed reports reaching traveling Friday to Paimerola, the occupation of the entire north the capital said Libyan aircraft where the maneuver headquar of our country. We urgently appeal also attacked the village of Koro ters will be, Honduran army to our allies France and the United Toro 350 miles north of Ndjamena Chief of Staff Col. Jose Ab- States to intervene directly to stop Friday morning. denego Bueso Rosa said. this Libyan aggression,” Habre The town is the regrouping point said. -
Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
Newsletter 22/06 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 22/06 DIGITAL EDITION Nr. 193 - Oktober 2006 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 22/06 (Nr. 193) Oktober 2006 editorial Hallo Laserdisc- und DVD-Fans, diesem Sinne sind wir guten Mutes, unse- liebe Filmfreunde! ren Festivalbericht in einem der kommen- Kennen Sie das auch? Da macht man be- den Newsletter nachzureichen. reits während der Fertigstellung des einen Newsletters große Pläne für den darauf Aber jetzt zu einem viel wichtigeren The- folgenden nächsten Newsletter und prompt ma. Denn wer von uns in den vergangenen wird einem ein Strich durch die Rechnung Wochen bereits die limitierte Steelbook- gemacht. So in unserem Fall. Der für die Edition der SCANNERS-Trilogie erwor- jetzt vorliegende Ausgabe 193 vorgesehene ben hat, der darf seinen ursprünglichen Bericht über das Karlsruher Todd-AO- Ärger über Teil 2 der Trilogie rasch ver- Festival musste kurzerhand wieder auf Eis gessen. Hersteller Black Hill ließ Folgen- gelegt werden. Und dafür gibt es viele gute des verlautbaren: Gründe. Da ist zunächst das Platzproblem. Im wahrsten Sinne des Wortes ”platzt” der ”Käufer der Verleih-Fassung der Scanners neue Newsletter wieder aus allen Nähten. Box haben sicherlich bemerkt, dass der Wenn Sie also bislang zu jenen Unglückli- 59 prall gefüllte Seiten - und das nur mit zweite Teil um circa 100 Sekunden gekürzt chen gehören, die SCANNERS 2 nur in anstehenden amerikanischen Releases! Des ist. -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing -
HENRY FOOL USA 1997 137 Min. Farbe
HENRY FOOL USA 1997 137 Min. Farbe OmU Verleih : polyfilm, Wien Hal Hartley pur: klug, zynisch, komisch, und eine Spur tragisch. In Henry Fool trifft schräge Tristesse auf gerissene Durchtriebenheit, sind die Menschen weder schwarz noch weiß, sie fluchen, trinken, leben, lieben, atmen, hintergehen einander und versuchen dem täglichen Einerlei etwas Lust abzuringen. Simon ist einsam, verklemmt, scheu und arbeitet bei der städtischen Müllabfuhr. Die paar Dollar, die er damit verdient, muß er mit seiner manisch depressiven Mutter und der nymphomanischen Schwester teilen. Im Keller haust Henry, Biertrinker, Kettenraucher, Egomane, selbsternannter Literat und Frauenbetörer. Das schlichte Gegenteil von Simon. Henry schreibt - wahrscheinlich seit Jahren - seine Memoiren, ein Gekritzel, das dereinst die Welt erschüttern soll, so epochal, das auch Henry daran zerbrechen wird. Henry hält Simon zum Schreiben an und dieser landet mit der Unverfrorenheit des Anfängers einen Bestseller, der im Internet veröffentlicht wird und ihn über Nacht zum Star macht. PALME FÜR DAS BESTE DREHBUCH in Cannes 1998 Hal Hartley über Henry Fool: "Ich wollte eine Geschichte über Ehrgeiz, Talent und Einfluss machen. (...) Mich beschäftigte folgende Frage: Was passiert, wenn dein wichtigster Einfluss jemand ist, für den du dich eigentlich schämst, den als Vorbild anzuerkennen dir peinlich ist. (...) 'Faust' und 'Kaspar Hauser' waren Quellen. Ich habe sie nicht vollständig übernommen, aber bei der Lektüre erschienen sie mir als hilfreiche Startpunkte für meine Charaktere. Ich wollte, dass sie mythische, weit angelegte Charaktere werden, alle Komplexitätsschichten sollten intakt sein. (...) Ich habe mich auch auf das Verhältnis zwischen Joyce und Beckett bezogen - ohne mich wirklich genau an das zu halten, was ich darüber wusste." STAB Produzenten : Keith Abell Jerome Brownstein Thierry Cagianut Hal Hartley Larry Meistrich Daniel J. -
Universidade De São Paulo Escola De Comunicações E Artes
UNIVERSIDADE DE SÃO PAULO ESCOLA DE COMUNICAÇÕES E ARTES SÉRGIO EDUARDO ALPENDRE DE OLIVEIRA O mal-estar da sociedade americana e sua representação no cinema (1975-1978) São Paulo 2013 SÉRGIO EDUARDO ALPENDRE DE OLIVEIRA O mal-estar da sociedade americana e sua representação no cinema (1975-1978) Dissertação apresentada ao Programa de Pós- Graduação em Meios e Processos Audiovisuais, Linha de Pesquisa História, Teoria e Crítica, da Escola de Comunicações e Artes da Universidade de São Paulo, como requisito parcial para obtenção do título de Mestre em Meios e Processos Audiovisuais, sob orientação do Prof. Dr. Eduardo Victorio Morettin São Paulo 2013 Aos meus pais, Maria dos Anjos e Manoel Ao meu irmão Ricardo À Eide Sandra Azevedo Abreu Agradecimentos Agradeço especialmente ao Prof. Dr. Eduardo Victorio Morettin, que me ensinou a ser menos um crítico de cinema e mais um pesquisador acadêmico nestes dois anos e meio de trabalho. À CAPES, pela concessão da bolsa de mestrado, fundamental para a realização desta pesquisa. Aos meus pais, Maria dos Anjos e Manoel, por entenderem que a diminuição do número de visitas se devia ao término dos prazos de qualificação e entrega da dissertação. Ao meu irmão Ricardo, por me ajudar sempre com algumas dúvidas gramaticais. À Eide Sandra Azevedo Abreu, por ter me incentivado a trilhar novamente o caminho acadêmico e pela ajuda inestimável na redação do projeto. Aos amigos Cléber Eduardo, Luiz Carlos Oliveira Jr. e Pedro Faissol, pelas sugestões e questionamentos feitos durante a pesquisa. Resumo: Neste trabalho investigamos em que medida o mal-estar da sociedade americana, entre 1975 e 1978, causado por uma série de acontecimentos dos anos 1970 (fim da Guerra do Vietnã, reivindicações das chamadas minorias sociais, crise da OPEP e Watergate, entre outros), foi representado em filmes comerciais, feitos dentro de Hollywood e sem maiores ambições autorais. -
Ant Movie Catalog
Biblioteca di Città Studi CATALOGO FILM IN DVD Le schede dei film sono tratte da: www.cinematografo.it N.B. Le schede riportano la trama completa del film Titolo Regista A n n o Collocazione Scheda n. 1999 - conquista della terra J. Lee Thompson 1972 F DVD 107 5 0 2 single a nozze David Dobkin 2005 F DVD 186 6 0 2001: odissea nello spazio Stanley Kubrick 1968 F DVD 18 1 A beautiful mind Ron Howard 2001 F DVD 44 2 A proposito di schmidt Alexander Payne 2002 F DVD 192 4 A.i. intelligenza artificiale Steven Spielberg 2001 F DVD 60 5 Amadeus Milos Forman 1984 F DVD 127 7 Amarcord Federico Fellini 1973 F DVD 132 8 American beauty Sam Mendes 1999 F DVD 85 9 Amici miei Mario Monicelli 1975 F DVD 64 1 0 Amici miei atto II Mario Monicelli 1982 F DVD 65 1 1 Amici miei atto III Nanni Loy 1985 F DVD 66 1 2 Anno 2670 ultimo atto J. Lee Thompson 1973 F DVD 108 2 6 Apocalypse now redux Francis Ford Coppola 2001 F DVD 63 1 3 Arancia meccanica Stanley Kubrick 1971 F DVD 17 1 4 Assassinio sul nilo John Guillermin 1978 F DVD 120 1 6 Assassinio sull'orient express Sidney Lumet 1974 F DVD 119 1 7 Bagdad cafè Percy Adlon 1987 F DVD 53 2 0 Balla coi lupi Kevin Costner 1990 F DVD 32 2 2 Balle spaziali Mel Brooks 1987 F DVD 150 2 3 Band of Brothers. Fratelli al fronte Vari F DVD 202-207 2 4 Barry lyndon Stanley Kubrick 1975 F DVD 23 2 5 Belva di guerra Kevin Reynolds 1988 F DVD 163 2 7 Billy elliot Stephen Daldry 2000 F DVD 122 2 8 Black hawk down - black hawk abbattuto Ridley Scott 2001 F DVD 201 2 9 Blade runner Ridley Scott 1982 F DVD 1 3 0 Blade: trinity David S. -
Fay Grim' Hal Hartley Takes Familiar Faces in a Totally Different Direction
MOVIE REVIEW 'Fay Grim' Hal Hartley takes familiar faces in a totally different direction. By Kevin Crust Times Staff Writer May 18, 2007 Hal Hartley's dark comedy "Henry Fool" was an indie masterpiece that effectively and accessibly meshed Hartley's literary influences with his specific minimalist style and some of the most memorable characters of the last decade. Now, Hartley takes the characters he created for that world and launches them into a surprisingly different direction in "Fay Grim," a worthy follow-up and rare art house sequel. "Fool," released in 1998, was a leap forward for Hartley, building on his quirkier early work and taking it to a more substantial place. Featuring stage actors James Urbaniak and Thomas Jay Ryan as Simon Grim and Henry Fool, respectively, the film turned on the awakening of garbage man Simon's hidden poetic talents that bloomed under the urging of the Faustian drifter, Henry, whose lowly status and appearance belied his epic braggadocio. The Beckettesque duo, along with Parker Posey as Simon's sister Fay, who becomes the title character in the new movie, gave physical life to Hartley's complex and unabashedly intelligent characters. When we last saw our antiheroes, Simon had won the Nobel Prize for his profane and controversial poetry, Henry had fled murder charges by allegedly going to Stockholm using Simon's passport, and Fay was left with a young son after Henry had impregnated and married her seven years earlier. The handwritten, multipart opus Henry had been flouting, "The Confessions of Henry Fool," was largely thought to be a horrible novel, literary excrement perpetuated by a vulgar man with a vivid imagination. -
Marginality and the Films of Hal Hartley
The Repetition of Difference: Marginality and the Films of Hal Hartley NEWCAOTLE UNIVErOITY LIDRAfY 200 13901 0 'The\ Lb8L,Jo Lesley Deer PhD Thesis September 2000 Centre for Research into Film The University of Newcastle upon Tyne But you know, everyone really only makes one film in his life, and then he breaks it up into fragments and makes it again with just a few little variations each time. Jean Renoir' 'From preface to Flirt screenplay (Hartley 1996: vii). ACKNOWLEDGEMENT I wish gratefully to acknowledge the Arts and Humanities Research Board of the British Academy for assisting the production of this thesis with a Postgraduate Studentship. Thank you to my supervisor, Prof Phil Powrie, for keeping me on track, to Prof. Keith Reader for mentoring my teaching, and to all of the staff connected to the University of Newcastle upon Tyn&s Centre for Research into Film. Thanks also go to Paul Bishenden, Mike Heath, Celia Shephard, and my family, for their help and support. ABSTRACT THE REPETITION OF DIFFERENCE: MARGINALITY AND THE FILMS OF HAL HARTLEY Hal Hartley is prominent within the recent rise of the independent film-making movement in America. This thesis is centred around the issues of repetition, difference and marginality which characterise his films. Marginality inhabits Hartley's position as an American independent who makes a European art-house style of film. He is an auteur who articulates his influences through his reference to Godard. Marginality is also the dominant characteristic of those who people Hartley's films. Difference, which is marginality pushed to its greatest extent, is further imposed upon Hartley's characters. -
Quarta-Feira, 21 De Agosto De 1985 Ano XCV — N° 135 Preço: Cr$ 2 000
JORNAL DO BRASIL ©.IORNAI DO BRASIL I.TDA. 1985 Rio de Janeiro — Quarta-feira, 21 de agosto de 1985 Ano XCV — N° 135 Preço: Cr$ 2 000 Tempo Brasílla-Foto de José Varella Vereador No Rio e em Niterói, força parcialmente nubla- do a nublado. Ne- deputado voeiros esparsos ao a votar amanhecer. Tempe- ratura estável. Foto do satélite e tempo o seu aumento no mundo, página 14. A pressão exercida por cerca de 800 Cotações vereadores, para que fosse votado o au- mento de seus vencimentos Dólar ontem: Cr$ em regime de 6.750 (compra) e Cr$ urgência, garantiu o quorum da sessão 6.770 (venda); hoje: vespertina da Câmara e até fez com Cr$ 6.770 e Cr$ 6.790; que no paralelo: Cr$ Ulysses Guimarães violasse o regimento 9.000 e Cr$ 9.250. interno. Durante 4 horas, os vereadores ORTN de agosto: Cr$ tumultuaram 49.396,88. MVR: Cr$ as galerias, com gritos e 167.106,70. UNIF e vaias. O projeto de aumento deve ser UFERJ: Cr$ 107.220 votado hoje. (mesmo valor para cálculo do IPTU nes- De manhã, a ausência de senadores te semestre). Salário quase impediu a realização de sessão do mínimo: Cr$ 333.120. (Página 16) Congresso. A lista de presença registrava 30 assinaturas de senadores (só um com- Inflação pareceu) e 201 de deputados (apenas 20 O diretor do Institu- estavam no plenário). A Mesa da Câmara to Brasileiro de Eco- discutirá hoje o corte dos A nomia da Fundação jetons. Getúlio Vargas, Ju- Assembléia paulista paga 2 jetons por lian Chacel, confir- dia aos seus 84 deputados. -
Best Performance by a Web Site
Best performance by a Web site The critics are calling it “powerfully simple” and “an incredible performance.” We call it IMS SiteManager and it’s an incredibly easy way for your Web site to achieve star status without a supporting cast of thousands. IMS SiteManager delivers real return on your investment by combining design, hosting 133 S. Butler St., Suite 201 and content management into one easy-to-use product. Site updating is quick and simple Madison, WI 53703-5606 using just your Web browser. 608-663-8920 locally or Contact us for a free demo and your ticket to effortless Web performance and red 888.205.0244 anywhere carpet treatment. sitemanager.ims.net Madison Gives Restaino Bunbury Four Stars! #### #### #### “OUR EXPERIENCE WITH “MELISSA REALLY KNEW “MARK PROVIDED THE 877.963.FILM ✿ LIZ LAUER HAS BEEN HER STUFF. SHE MADE IT HIGHEST QUALITY OF REAL EXCELLENT. IN FACT, ALL GO VERY SMOOTHLY. ESTATE KNOWLEDGE, AS I’VE TOLD HER SHE’S OUR WE WOULD RECOMMEND WELL AS AN HONEST AND WWW.WIFILMFEST.ORG WWW.WIFILMFEST.ORG ‘REALTOR FOR LIFE!’ ” HER TO EVERYONE!” CONSIDERATE CHARISMA.” ✿ — Sharon Larson — Matt and Katie — Anny and Karl APRIL 12-15, 2007 ✿ MADISON ✿ Chris Atkinson Jenny Bunbury Tom Bunbury Mark Gladue Brandon Grosse Melissa Hogg Barbara Kubly Liz Lauer Nina Lebwohl Kim Nemacheck Visit Our Stars at the Downtown / Isthmus Office Masters of Real Estate 119 West Washington Avenue • Madison • 608-310-5777 One block from Capitol Square • www.RestainoBunbury.com WISCONSIN FILM FESTIVAL WISCONSIN FILM FESTIVAL ...from Cottages to Castles... 2 WE ARE CHARTER MEDIA. -
Premiererne Robert Crawford
ley, Ted Kierscey, Dorse A. Lanpher, James L. George, Dick Lucas. Ark: Don Griffith. (Dansk version: Musik: Bent Fabricius-Bjerre) Musik: Artie Butler. Sange: »The Journey«, »Rescue Aid Society«, »Tomorrow Is Another Day« af Carol Connors, Ayn Robbins. »Someone’s Waiting for You« af Sammy Fain, Carol Connors, Ayn Rob bins. Solist: Shelby Filnt. »The U.S. Air Force« af Premiererne Robert Crawford. Medv: (stemmer) Preben Kaas 1.10-31.12.78/ved Claus Hesselberg (Bernard), Susanne Bruun-Koppel (Bianca), Kir sten Rolffes (Medusa), Benny Hansen (Snus), Elin Reimer (Ellie Mae), Olaf Nielsen (Luke), Claus Ryskjær (Albatrossen Orville), Helge Kjæ- ruIff-Schmidt (Rufus), Nicla Ursin (Penny), Bjørn Watt-Boolsen (Chariman), Jess Ingerslev (Kom mentator). Længde: 77 min., 2055 m. Censur: Rød. Udi: Columbia-Fox. Prem: 26.12.78 Metro pol, Ballerup, Rialto II, BIO TRIO. Anm. Kos. 140. Anvendte forkortelser: BETTY BOOP SKANDALER Adapt: = Adaption Komp: = Komponist Betty Boobs Scnadals. USA 1928-1934. Filmene er: 1928: »Koko’s Earth Kontrol« P-selskab: Out Ark: = Filmarkitekt Kost: = Kostumer of the Inkwell. P: Max Fleischer. 1930: »Swing, Arr: = Musikarrangør Medv: = Medvirkende skuespillere You Sinners«. P-selskab: Talkartoon. P: Max As-P: = Associate Producer P: = Producere Fleischer. Instr: Dave Fleischer. 1931: »Bimbo’s Ass: = Assistent P-leder: = Produktionsleder Initiation« P-selskab: Talkartoon. P: Max Fleis Dekor: = Scenedekorationer Prem: = Dansk premiere cher. Instr: Dave Fleischer. 1932: »Minnie the Dir: = Dirigent P-selskab: = Produktionsselskab Moocher«. P-selskab: Talkatoon. Instr: Dave Dist: = Udlejer i oprindelsesland P-sup: = Produktions-superviser Fleischer. Sange: »Minnie the Moocher« og »Tiger Rag« m. Cab Calloway og hans orkester. Ex-P: = Executive Producer P-tegn: = Produktionstegner (design) 1933: »Stoopnocracy«.