February 2019

Total Page:16

File Type:pdf, Size:1020Kb

February 2019 February 2019 SATURDAY, FEBRUARY 2 9:40 AM ET/6:40 AM PT 3:00 PM ET/12:00 PM PT 12:15 AM ET/9:15 PM PT 8:40 AM CT/7:40 AM MT 2:00 PM CT/1:00 PM MT 11:15 PM CT/10:15 PM MT Letters From Iwo Jima In The Heat Of The Night The Right Stuff 12:05 PM ET/9:05 AM PT 5:00 PM ET/2:00 PM PT FRIDAY, FEBRUARY 1 3:30 AM ET/12:30 AM PT 11:05 AM CT/10:05 AM MT 4:00 PM CT/3:00 PM MT 1:15 AM ET/10:15 PM PT 2:30 AM CT/1:30 AM MT A Funny Thing Happened on the Brokeback Mountain 12:15 AM CT/11:15 PM MT Irma La Douce Way to the Forum 7:20 PM ET/4:20 PM PT Cleaner 6:00 AM ET/3:00 AM PT 1:45 PM ET/10:45 AM PT 6:20 PM CT/5:20 PM MT 2:45 AM ET/11:45 PM PT 5:00 AM CT/4:00 AM MT 12:45 PM CT/11:45 AM MT The Cove 1:45 AM CT/12:45 AM MT The Trailer Show Schindler’s List 9:00 PM ET/6:00 PM PT Hatfields and McCoys: Bad Blood 6:30 AM ET/3:30 AM PT 5:05 PM ET/2:05 PM PT 8:00 PM CT/7:00 PM MT 4:10 AM ET/1:10 AM PT 5:30 AM CT/4:30 AM MT 4:05 PM CT/3:05 PM MT Woodstock - 3 Days of Peace & 3:10 AM CT/2:10 AM MT The Greatest Show on Earth Children Of A Lesser God Music: The Director’s Cut Will Penny 9:05 AM ET/6:05 AM PT 7:10 PM ET/4:10 PM PT 6:00 AM ET/3:00 AM PT 8:05 AM CT/7:05 AM MT 6:10 PM CT/5:10 PM MT TUESDAY, FEBRUARY 5 5:00 AM CT/4:00 AM MT Hugo The Miracle Worker 12:50 AM ET/9:50 PM PT Love Story 11:15 AM ET/8:15 AM PT 9:00 PM ET/6:00 PM PT 11:50 PM CT/10:50 PM MT 7:45 AM ET/4:45 AM PT 10:15 AM CT/9:15 AM MT 8:00 PM CT/7:00 PM MT The Buddy Holly Story 6:45 AM CT/5:45 AM MT Gandhi Platoon 2:50 AM ET/11:50 PM PT The Bishop’s Wife 2:25 PM ET/11:25 AM PT 11:05 PM ET/8:05 PM PT 1:50 AM CT/12:50 AM MT 9:40 AM ET/6:40 AM PT 1:25 PM CT/12:25 PM MT 10:05 PM CT/9:05 PM MT Life Is Beautiful 8:40 AM CT/7:40 AM MT The Right Stuff Life Is Beautiful 4:50 AM ET/1:50 AM PT It’s A Mad, Mad, Mad, Mad 5:40 PM ET/2:40 PM PT 3:50 AM CT/2:50 AM MT World 4:40 PM CT/3:40 PM MT MONDAY, FEBRUARY 4 High Noon 12:25 PM ET/9:25 AM PT Apocalypse Now Redux 1:05 AM ET/10:05 PM PT 6:20 AM ET/3:20 AM PT 11:25 AM CT/10:25 AM MT 9:00 PM ET/6:00 PM PT 12:05 AM CT/11:05 PM MT 5:20 AM CT/4:20 AM MT Cat Ballou 8:00 PM CT/7:00 PM MT Platoon The Buddy Holly Story 2:05 PM ET/11:05 AM PT Schindler’s List 3:10 AM ET/12:10 AM PT 8:15 AM ET/5:15 AM PT 1:05 PM CT/12:05 PM MT 2:10 AM CT/1:10 AM MT 7:15 AM CT/6:15 AM MT Murder On The Orient Express SUNDAY, FEBRUARY 3 Ye n t l Woodstock - 3 Days of Peace & 4:15 PM ET/1:15 PM PT 12:20 AM ET/9:20 PM PT 5:25 AM ET/2:25 AM PT Music: The Director’s Cut 3:15 PM CT/2:15 PM MT 11:20 PM CT/10:20 PM MT 4:25 AM CT/3:25 AM MT 12:00 PM ET/9:00 AM PT The Greatest Show on Earth Letters From Iwo Jima The Barefoot Contessa 11:00 AM CT/10:00 AM MT 6:50 PM ET/3:50 PM PT 2:45 AM ET/11:45 PM PT 7:40 AM ET/4:40 AM PT Brokeback Mountain 5:50 PM CT/4:50 PM MT 1:45 AM CT/12:45 AM MT 6:40 AM CT/5:40 AM MT 2:15 PM ET/11:15 AM PT Hugo Apocalypse Now Redux Fiddler on the Roof 1:15 PM CT/12:15 PM MT 9:00 PM ET/6:00 PM PT 6:05 AM ET/3:05 AM PT 10:45 AM ET/7:45 AM PT High Noon 8:00 PM CT/7:00 PM MT 5:05 AM CT/4:05 AM MT 9:45 AM CT/8:45 AM MT 3:45 PM ET/12:45 PM PT Gandhi Children Of A Lesser God Cinema Paradiso 2:45 PM CT/1:45 PM MT 8:10 AM ET/5:10 AM PT 12:55 PM ET/9:55 AM PT Come Back, Little Sheba 7:10 AM CT/6:10 AM MT 11:55 AM CT/10:55 AM MT The Woman In Red No Country for Old Men All schedules subject to change - All times Eastern/Pacific - Visit the HDNet Movies web site for the latest information: www.hdnetmovies.com Page 1 4:25 PM ET/1:25 PM PT 11:20 PM ET/8:20 PM PT SATURDAY, FEBRUARY 9 3:25 PM CT/2:25 PM MT 10:20 PM CT/9:20 PM MT 1:25 AM ET/10:25 PM PT Midnight Express Gods and Monsters 12:25 AM CT/11:25 PM MT 6:30 PM ET/3:30 PM PT City Slickers 5:30 PM ET/2:30 PM PT 5:30 PM CT/4:30 PM MT FRIDAY, FEBRUARY 8 3:20 AM ET/12:20 AM PT 4:30 PM CT/3:30 PM MT Sayonara 1:10 AM ET/10:10 PM PT 2:20 AM CT/1:20 AM MT The Buddy Holly Story 9:00 PM ET/6:00 PM PT 12:10 AM CT/11:10 PM MT Stalag 17 7:30 PM ET/4:30 PM PT 8:00 PM CT/7:00 PM MT Sling Blade 5:25 AM ET/2:25 AM PT 6:30 PM CT/5:30 PM MT Apocalypse Now 3:30 AM ET/12:30 AM PT 4:25 AM CT/3:25 AM MT The Woman In Red 11:30 PM ET/8:30 PM PT 2:30 AM CT/1:30 AM MT The Defiant Ones 9:00 PM ET/6:00 PM PT 10:30 PM CT/9:30 PM MT Gods and Monsters 7:05 AM ET/4:05 AM PT 8:00 PM CT/7:00 PM MT Platoon 5:20 AM ET/2:20 AM PT 6:05 AM CT/5:05 AM MT Reversal of Fortune 4:20 AM CT/3:20 AM MT The Trailer Show 11:00 PM ET/8:00 PM PT THURSDAY, FEBRUARY 7 Children Of A Lesser God 7:15 AM ET/4:15 AM PT 10:00 PM CT/9:00 PM MT 1:35 AM ET/10:35 PM PT 7:25 AM ET/4:25 AM PT 6:15 AM CT/5:15 AM MT The Untouchables 12:35 AM CT/11:35 PM MT 6:25 AM CT/5:25 AM MT A Funny Thing Happened on the Apocalypse Now The Trailer Show Way to the Forum WEDNESDAY, FEBRUARY 6 4:05 AM ET/1:05 AM PT 7:55 AM ET/4:55 AM PT 9:00 AM ET/6:00 AM PT 1:05 AM ET/10:05 PM PT 3:05 AM CT/2:05 AM MT 6:55 AM CT/5:55 AM MT 8:00 AM CT/7:00 AM MT 12:05 AM CT/11:05 PM MT Sayonara Ye n t l Stalag 17 Reversal of Fortune 6:35 AM ET/3:35 AM PT 10:15 AM ET/7:15 AM PT 11:05 AM ET/8:05 AM PT 3:05 AM ET/12:05 AM PT 5:35 AM CT/4:35 AM MT 9:15 AM CT/8:15 AM MT 10:05 AM CT/9:05 AM MT 2:05 AM CT/1:05 AM MT Dead Man Walking Stalag 17 Exodus The Untouchables 8:40 AM ET/5:40 AM PT 12:20 PM ET/9:20 AM PT 2:40 PM ET/11:40 AM PT 5:10 AM ET/2:10 AM PT 7:40 AM CT/6:40 AM MT 11:20 AM CT/10:20 AM MT 1:40 PM CT/12:40 PM MT 4:10 AM CT/3:10 AM MT Elmer Gantry City Slickers Brokeback Mountain Midnight Express 11:10 AM ET/8:10 AM PT 2:15 PM ET/11:15 AM PT 5:00 PM ET/2:00 PM PT 7:15 AM ET/4:15 AM PT 10:10 AM CT/9:10 AM MT 1:15 PM CT/12:15 PM MT 4:00 PM CT/3:00 PM MT 6:15 AM CT/5:15 AM MT Marty Platoon In The Heat Of The Night It’s A Mad, Mad, Mad, Mad 12:45 PM ET/9:45 AM PT 4:20 PM ET/1:20 PM PT 7:00 PM ET/4:00 PM PT World 11:45 AM CT/10:45 AM MT 3:20 PM CT/2:20 PM MT 6:00 PM CT/5:00 PM MT 10:00 AM ET/7:00 AM PT The Greatest Show on Earth Irma La Douce Adaptation 9:00 AM CT/8:00 AM MT 3:20 PM ET/12:20 PM PT 6:50 PM ET/3:50 PM PT 9:00 PM ET/6:00 PM PT Murder On The Orient Express 2:20 PM CT/1:20 PM MT 5:50 PM CT/4:50 PM MT 8:00 PM CT/7:00 PM MT 12:15 PM ET/9:15 AM PT Apocalypse Now Redux The Fortune Cookie The Duchess 11:15 AM CT/10:15 AM MT 6:40 PM ET/3:40 PM PT 9:00 PM ET/6:00 PM PT 10:55 PM ET/7:55 PM PT The Untouchables 5:40 PM CT/4:40 PM MT 8:00 PM CT/7:00 PM MT 9:55 PM CT/8:55 PM MT 2:20 PM ET/11:20 AM PT The Red Shoes No Country for Old Men Eternal Sunshine of the Spotless 1:20 PM CT/12:20 PM MT 9:00 PM ET/6:00 PM PT 11:05 PM ET/8:05 PM PT Mind Dead Man Walking 8:00 PM CT/7:00 PM MT 10:05 PM CT/9:05 PM MT Sling Blade Brokeback Mountain All schedules subject to change - All times Eastern/Pacific - Visit the HDNet Movies web site for the latest information: www.hdnetmovies.com Page 2 MONDAY, FEBRUARY 11 TUESDAY, FEBRUARY 12 2:55 AM ET/11:55 PM PT 12:10 AM ET/9:10 PM PT 1:15 AM ET/10:15 PM PT 1:55 AM CT/12:55 AM MT 11:10 PM CT/10:10 PM MT 12:15 AM CT/11:15 PM MT Dead Man Walking High Noon Come Back, Little Sheba 5:00 AM ET/2:00 AM PT SUNDAY, FEBRUARY 10 1:40 AM ET/10:40 PM PT 3:00 AM ET/12:00 AM PT 4:00 AM CT/3:00 AM MT 12:50 AM ET/9:50 PM PT 12:40 AM CT/11:40 PM MT 2:00 AM CT/1:00 AM MT Sayonara 11:50 PM CT/10:50 PM MT A Passage To India I Want to Live! 7:30 AM ET/4:30 AM PT The Duchess 4:25 AM ET/1:25 AM PT 5:05 AM ET/2:05 AM PT 6:30 AM CT/5:30 AM MT 2:45 AM ET/11:45 PM PT 3:25 AM CT/2:25 AM MT 4:05 AM CT/3:05 AM MT It’s A Mad, Mad, Mad, Mad 1:45 AM CT/12:45 AM MT Separate Tables Cinema Paradiso World Adaptation 6:10 AM ET/3:10 AM PT 7:15 AM ET/4:15 AM PT 10:15 AM ET/7:15 AM PT 4:45 AM ET/1:45 AM PT 5:10 AM CT/4:10 AM MT 6:15 AM CT/5:15 AM MT 9:15 AM CT/8:15 AM MT 3:45 AM CT/2:45 AM MT The Trailer Show In The Heat Of The Night Witness Eternal Sunshine of the Spotless 6:30 AM ET/3:30 AM PT 9:15 AM ET/6:15 AM PT 12:10 PM ET/9:10 AM PT Mind 5:30 AM CT/4:30 AM MT 8:15 AM CT/7:15 AM MT 11:10 AM CT/10:10 AM MT 6:40 AM ET/3:40 AM PT Fiddler on the Roof Come Back, Little Sheba The Defiant Ones 5:40 AM CT/4:40 AM MT 9:35 AM ET/6:35 AM PT 11:00 AM ET/8:00 AM PT 1:50 PM ET/10:50 AM PT The Bishop’s Wife 8:35 AM CT/7:35 AM MT 10:00 AM CT/9:00 AM MT 12:50 PM CT/11:50 AM MT 8:35 AM ET/5:35 AM PT Cat Ballou The Trailer Show Dead Man Walking 7:35 AM CT/6:35 AM MT 11:15 AM ET/8:15 AM PT 11:10 AM ET/8:10 AM PT 3:55 PM ET/12:55 PM PT The Woman In Red 10:15 AM CT/9:15 AM MT 10:10 AM CT/9:10 AM MT 2:55 PM CT/1:55 PM MT 10:05 AM ET/7:05 AM PT The Miracle Worker Apocalypse Now Schindler’s List 9:05 AM CT/8:05 AM MT 1:05 PM ET/10:05 AM PT 1:40 PM ET/10:40 AM PT 7:15 PM ET/4:15 PM PT Some Like It Hot 12:05 PM CT/11:05 AM MT 12:40 PM CT/11:40 AM MT 6:15 PM CT/5:15 PM MT 12:10 PM ET/9:10 AM PT Children Of A Lesser God Exodus Separate Tables 11:10 AM CT/10:10 AM MT 3:10 PM ET/12:10 PM PT 5:15 PM ET/2:15 PM PT 9:00 PM ET/6:00 PM PT The Duchess 2:10 PM CT/1:10 PM MT 4:15 PM CT/3:15 PM MT 8:00 PM CT/7:00 PM MT 2:05 PM ET/11:05 AM PT A Passage To India Platoon The Bishop’s Wife 1:05 PM CT/12:05 PM MT 5:55 PM ET/2:55 PM PT 7:20 PM ET/4:20 PM PT 10:55 PM ET/7:55 PM PT Cat Ballou 4:55 PM CT/3:55 PM MT 6:20 PM CT/5:20 PM MT 9:55 PM CT/8:55 PM MT 3:45 PM ET/12:45 PM PT High Noon Tsotsi Murder On The Orient Express 2:45 PM CT/1:45 PM MT 7:25 PM ET/4:25 PM PT 9:00 PM ET/6:00 PM PT Apocalypse Now 6:25 PM CT/5:25 PM MT 8:00 PM CT/7:00 PM MT THURSDAY, FEBRUARY 14 6:15 PM ET/3:15 PM PT Marty Witness 1:10 AM ET/10:10 PM PT 5:15 PM CT/4:15 PM MT 9:00 PM ET/6:00 PM PT 10:55 PM ET/7:55 PM PT 12:10 AM CT/11:10 PM MT A Passage To India 8:00 PM CT/7:00 PM MT 9:55 PM CT/8:55 PM MT Schindler’s List 9:00 PM ET/6:00 PM PT Come Back, Little Sheba Dead Man Walking 4:30 AM ET/1:30
Recommended publications
  • Strikers at Kennedy Moonport Ignore Plea to Let Workers in Marvin, Win Christie, Sound of Music Coveted 38Th Oscar Awards Raider
    HIGH TIDE LOW TIDE 4-20-66 4-20-66 5.4 AT 1642 0.5 AT 2242 5.8 AT 0430 0.6 AT 1042 VOL 7 No. 2983 KWAJALEIN, MARSHALL ISLANDS TUESDAY, APRIL 19, 1966 STRIKERS AT KENNEDY MOONPORT SEVILLE (UPI )--A "VERY UPSET" MRS. JOHN F. KENNEDY TODAY EMPHATICALLY DENIED RE­ IGNORE PLEA TO LET WORKERS IN PORTS SHE PLANNED TO MARRY SPANISH DIPLO­ CAPE KENNEDY (UPI)--STRIKING ROCKET WORKERS IGNORED A GOVERNMENT PLEA TO REDUCE PICKET­ MAT ANTONIO GARRIGUES. ING TODAY, HAMPERING CONSTRUCTION or AMERICA'S MOON PORT rOR THE SECOND CONSECUTIVE DAY. GARRIGUES, 62, WHO ARRIVED IN THIS CITY THE AIR FORCE AND FEDERAL SPACE AGENCY REQUESTED THE STRIKING INTERNATIONAL UNION or THIS ArTERNOON TO JOIN A PARTY WHICH IN­ ~LECTRICIANS (AFL-CIO) LAST NIGHT TO LIMIT THEIR PICKET LINES TO ONLY ONE SPACEPORT EN­ CLUDED MRS. KENNEDY, SCOrrED AT THE RO­ ~RANCE IN AN ATTEMPT TO REMOVE THE STRIKE BARRIERS rOR BUILDING TRADESMEN, BUT THE ELECT­ MANCE REPORTS. "WE ARE JUST GOOD rRIENDS" ~ICIANS MAINTAINED PICKETS AT ALL rOUR MAIN GATES AGAIN TODAY AND TURNED AWAY ABOUT 40 HE SA I D. PERCENT or THE 1,161-MAN CONSTRUCTION WORK rORCE. Two BIG ApOLLO MOON BASE BUILDING PRO­ THE 36-YEAR-OLD rORMER FIRST LADY, IN A JECTS WERE AGAIN CRIPPLED. REPORT ISSUED THROUGH U.S. AMBASSADOR AN­ THE PICKETING BEGAN YESTERDAY AS A RESULT or A CONTRACT WAGE DISPUTE WITH THE UNITED GIER BIDDLE DUKE, SAID "I WANT TO MAKE IT rECHNO~OGY CENTER, MAKER or THE BIG SOLID-rUELED ROCKETS THAT GIVE THE AIR FORCE TITAN CRYSTAL CLEAR AND COMPLETELY UNDERSTOOD 3C SPACE LAUNCHER A 2.4 MILLION POUND THRUST BLASTOrr PUNCH.
    [Show full text]
  • A.D. Players Presents a Compelling Guess Who's Coming to Dinner
    Houston's independent source of local news and culture Playing A decision that affects two families and tests their real belief systems. Photo by Joey Watkins Photography A.D. Players Presents a Compelling Guess Who's Coming to Dinner D. L. GROOVER | FEBRUARY 2, 2020 | 11:21AM I'm not sure I can accurately give a review of A.D. Players' Guess Who's Coming to Dinner because I'm fairly certain I didn't see all of it. I was completely dumb-struck by Kirk A. Domer's luscious – and I mean luscious – set design for the Drayton's swanky mid-century aerie home in the San Francisco hills, and I spent a great deal of time mentally rearranging my furniture from home to see where it might fit into these swell new digs. The place is stunning, and I'm moving in. If you're a fan of HGTV, you, too, will join me. An immense cantilevered skylight anchors the room, as does its opposite focal point, the stone hearth and open fireplace that separates living room from dining room. The floors are polished stonework or wood; I couldn't tell since they are covered by huge patterned rugs of artful design. The doors are paneled with horizontal panes of glass, an iron staircase winds up to the bedroom level, niches with tasteful objets d'art fill the walls, the light fixtures are those cool atomic chandeliers, classy modern art graces the walls, painted tile edges the bar counter. This place speaks power and money and class. Oh, there's a play going on inside it.
    [Show full text]
  • January 2020
    January 2020 6:10 PM ET/3:10 PM PT 3:30 PM ET/12:30 PM PT 3:05 PM ET/12:05 PM PT 5:10 PM CT/4:10 PM MT 2:30 PM CT/1:30 PM MT 2:05 PM CT/1:05 PM MT The Trailer Show Three Wishes Leaves of Grass 6:50 PM ET/3:50 PM PT 5:30 PM ET/2:30 PM PT 4:55 PM ET/1:55 PM PT 5:50 PM CT/4:50 PM MT 4:30 PM CT/3:30 PM MT 3:55 PM CT/2:55 PM MT The Karate Kid Feast of Love The Burning Bed 9:00 PM ET/6:00 PM PT 7:20 PM ET/4:20 PM PT 6:45 PM ET/3:45 PM PT 8:00 PM CT/7:00 PM MT 6:20 PM CT/5:20 PM MT 5:45 PM CT/4:45 PM MT The Karate Kid: Part II Half Past Dead Rain Man WEDNESDAY, JANUARY 1 10:55 PM ET/7:55 PM PT 9:00 PM ET/6:00 PM PT 9:00 PM ET/6:00 PM PT 12:30 AM ET/9:30 PM PT 9:55 PM CT/8:55 PM MT 8:00 PM CT/7:00 PM MT 8:00 PM CT/7:00 PM MT 11:30 PM CT/10:30 PM MT Airplane II: The Sequel The Karate Kid III Convoy The Professional 10:55 PM ET/7:55 PM PT 10:55 PM ET/7:55 PM PT 2:00 AM ET/11:00 PM PT 9:55 PM CT/8:55 PM MT 9:55 PM CT/8:55 PM MT 1:00 AM CT/12:00 AM MT THURSDAY, JANUARY 2 12:50 AM ET/9:50 PM PT Assassination Primal Fear The Tuxedo 11:50 PM CT/10:50 PM MT 3:40 AM ET/12:40 AM PT 2:40 AM CT/1:40 AM MT Colors FRIDAY, JANUARY 3 SATURDAY, JANUARY 4 2:55 AM ET/11:55 PM PT 12:25 AM ET/9:25 PM PT 1:10 AM ET/10:10 PM PT Showgirls 1:55 AM CT/12:55 AM MT 11:25 PM CT/10:25 PM MT 12:10 AM CT/11:10 PM MT 6:00 AM ET/3:00 AM PT 5:00 AM CT/4:00 AM MT Assassination Half Past Dead The Professional 4:25 AM ET/1:25 AM PT 2:05 AM ET/11:05 PM PT 3:05 AM ET/12:05 AM PT The Doors: Mr.
    [Show full text]
  • Khaddafy Denies Libya Attacks Chad
    Consumer official says Tigers return favor, beat Chile protests cable firm makes plenty Yankees In last of tenth worry leaders page 3 ... page 15 ... page 4 Manchester, Conn. Saturday, Aug. 13, 1983 Single copy; 25<t Colonel arrives for maneuvers Khaddafy Bv Frederick Kiel United Press International denies Libya The American commander for U.S.-Honduran military ma­ neuvers has arrived in Teguci­ galpa, a Honduran officer said attacks Chad Friday. In Guatemala, the government said a top guerrilla NDJAMENA, Chad (UPI) - Habre also called on the Organi­ leader was killed, probably by Libyan bombers hammered the zation of African Unity, meeting another rebel faction. eastern oasis strongholds of Oum this weekend in Brazzaville, Col. Am ie Schossberg, in Chalouba and Kalait Friday and Congo, to stop "the Libyan aggres­ charge of joint military ma­ Chad's President Hissene Habre sion against Chad.” neuvers between Honduras and appealed to France and the United His office said Libyan planes the United States, arrived in States to intervene in the fighting. bombed Oum Chalouba and Kalait Tegucigalpa Thursday and was "The Libyan bombing has led to and unconfirmed reports reaching traveling Friday to Paimerola, the occupation of the entire north the capital said Libyan aircraft where the maneuver headquar­ of our country. We urgently appeal also attacked the village of Koro ters will be, Honduran army to our allies France and the United Toro 350 miles north of Ndjamena Chief of Staff Col. Jose Ab- States to intervene directly to stop Friday morning. denego Bueso Rosa said. this Libyan aggression,” Habre The town is the regrouping point said.
    [Show full text]
  • The Use of Music in the Cinematic Experience
    Western Kentucky University TopSCHOLAR® Honors College Capstone Experience/Thesis Honors College at WKU Projects Spring 2019 The seU of Music in the Cinematic Experience Sarah Schulte Western Kentucky University, [email protected] Follow this and additional works at: https://digitalcommons.wku.edu/stu_hon_theses Part of the Film and Media Studies Commons, Music Commons, and the Psychology Commons Recommended Citation Schulte, Sarah, "The sU e of Music in the Cinematic Experience" (2019). Honors College Capstone Experience/Thesis Projects. Paper 780. https://digitalcommons.wku.edu/stu_hon_theses/780 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Honors College Capstone Experience/ Thesis Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. SOUND AND EMOTION: THE USE OF MUSIC IN THE CINEMATIC EXPERIENCE A Capstone Project Presented in Partial Fulfillment of the Requirements for the Degree Bachelor of Arts with Honors College Graduate Distinction at Western Kentucky Univeristy By Sarah M. Schulte May 2019 ***** CE/T Committee: Professor Matthew Herman, Advisor Professor Ted Hovet Ms. Siera Bramschreiber Copyright by Sarah M. Schulte 2019 Dedicated to my family and friends ACKNOWLEDGEMENTS This project would not have been possible without the help and support of so many people. I am incredibly grateful to my faculty advisor, Dr. Matthew Herman. Without your wisdom on the intricacies of composition and your constant encouragement, this project would not have been possible. To Dr. Ted Hovet, thank you for believing in this project from the start. I could not have done it without your reassurance and guidance.
    [Show full text]
  • Teaching Social Issues with Film
    Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film
    [Show full text]
  • Guide to the Edythe and Lloyd Katz Photographs
    Guide to the Edythe and Lloyd Katz Photographs This finding aid was created by Lindsay Oden and Emily Lapworth. This copy was published on August 28, 2019. Persistent URL for this finding aid: http://n2t.net/ark:/62930/f1jk7k © 2019 The Regents of the University of Nevada. All rights reserved. University of Nevada, Las Vegas. University Libraries. Special Collections and Archives. Box 457010 4505 S. Maryland Parkway Las Vegas, Nevada 89154-7010 [email protected] Guide to the Edythe and Lloyd Katz Photographs Table of Contents Summary Information ..................................................................................................................................... 3 Biographical Note for Edythe Katz-Yarchever .............................................................................................. 3 Scope and Contents Note ................................................................................................................................ 5 Arrangement .................................................................................................................................................... 6 Administrative Information ............................................................................................................................. 6 Related Materials ............................................................................................................................................. 7 Names and Subjects .......................................................................................................................................
    [Show full text]
  • The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
    The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968.
    [Show full text]
  • Film Appreciation Wednesdays 6-10Pm in the Carole L
    Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced.
    [Show full text]
  • Affirmative Action.Pdf
    Critical Race and Whiteness Studies www.acrawsa.org.au/ejournal Volume 8, 2012 BOOK REVIEW Hamilton Carroll. 2011. Affirmative Reaction: New Formations of White Masculinity, Durham and London: Duke University Press. Timothy Laurie University of Sydney To borrow a phrase from a program that foreshadows much of Hamilton Carroll’s argument, Affirmative Reaction reads like a captain’s log of what stressed out, fed up, self-sacrificing white men are up to on America’s screens – and sometimes, on paper and CDs too. Drawing on films (Brokeback Mountain, Million Dollar Baby, Gran Torino, Traffic and Syriana), television programs (24, American Chopper), comics (The Call of Duty) and music (Eminem, including 8 Mile), Carroll argues that “appeals to injury... incorporate and mobilize failure as a constitutive force for the reorientation of posthegemonic forms of white masculinist privilege” (2). Rather than distancing itself from identity politics, associated here with “women’s rights, gay rights, and civil rights eras” (7), white masculinity now announces itself as a marginal identity: Clint Eastwood the reformed racist and conscientious hero in Gran Torino, Michael Douglas the troubled and transformed father in Traffic, and Eminem the ‘white trash’ upstart in 8 Mile. In other texts, notably Million Dollar Baby and a series of comics based on September 11 fire-fighters, the special status afforded to white ethnicity also serves as an alibi for familiar clichés of white male heroism. The title of this book is misleading - better would be Hamilton
    [Show full text]
  • Films Winning 4 Or More Awards Without Winning Best Picture
    FILMS WINNING 4 OR MORE AWARDS WITHOUT WINNING BEST PICTURE Best Picture winner indicated by brackets Highlighted film titles were not nominated in the Best Picture category [Updated thru 88th Awards (2/16)] 8 AWARDS Cabaret, Allied Artists, 1972. [The Godfather] 7 AWARDS Gravity, Warner Bros., 2013. [12 Years a Slave] 6 AWARDS A Place in the Sun, Paramount, 1951. [An American in Paris] Star Wars, 20th Century-Fox, 1977 (plus 1 Special Achievement Award). [Annie Hall] Mad Max: Fury Road, Warner Bros., 2015 [Spotlight] 5 AWARDS Wilson, 20th Century-Fox, 1944. [Going My Way] The Bad and the Beautiful, Metro-Goldwyn-Mayer, 1952. [The Greatest Show on Earth] The King and I, 20th Century-Fox, 1956. [Around the World in 80 Days] Mary Poppins, Buena Vista Distribution Company, 1964. [My Fair Lady] Doctor Zhivago, Metro-Goldwyn-Mayer, 1965. [The Sound of Music] Who's Afraid of Virginia Woolf?, Warner Bros., 1966. [A Man for All Seasons] Saving Private Ryan, DreamWorks, 1998. [Shakespeare in Love] The Aviator, Miramax, Initial Entertainment Group and Warner Bros., 2004. [Million Dollar Baby] Hugo, Paramount, 2011. [The Artist] 4 AWARDS The Informer, RKO Radio, 1935. [Mutiny on the Bounty] Anthony Adverse, Warner Bros., 1936. [The Great Ziegfeld] The Song of Bernadette, 20th Century-Fox, 1943. [Casablanca] The Heiress, Paramount, 1949. [All the King’s Men] A Streetcar Named Desire, Warner Bros., 1951. [An American in Paris] High Noon, United Artists, 1952. [The Greatest Show on Earth] Sayonara, Warner Bros., 1957. [The Bridge on the River Kwai] Spartacus, Universal-International, 1960. [The Apartment] Cleopatra, 20th Century-Fox, 1963.
    [Show full text]
  • Newsletter 12/10 DIGITAL EDITION Nr
    ISSN 1610-2606 ISSN 1610-2606 newsletter 12/10 DIGITAL EDITION Nr. 275 - Juli 2010 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 12/10 (Nr. 275) Juli 2010 editorial Hallo Laserdisc- und DVD- Fans, liebe Filmfreunde! Wer bislang geglaubt hat, dass es sich bei Ihrem geschätzten LASER HOTLINE Team um unzerstörbare Arbeitsroboter handelt, den dürfen wir jetzt mal wieder eines Besse- ren belehren: unsere Kolumnistin Anna muss zur Zeit leider das Bett hüten. Somit müssen unsere Leser in dieser Ausgabe auf Annas Ge- spräch mit Hollywood verzichten. Denn mit Fieber im Körper Ach Du dickes Ei! schreibt es sich bekanntlich relativ Eine solch originelle Verpackung gab es nicht einmal zu schlecht. Wir wünschen ihr von DVD-Zeiten - die ALIEN ANTHOLOGY „Egg“-Box in dieser Stelle aus alles Gute und limitierter Auflage kostet EUR 179,90 alsbaldige Genesung. Als kleinen Trost für alle Kolumnenfans haben wir uns aber ein “Special” einfallen lassen, das sich natürlich längst nicht so spannend liest wie Annas Wer auf die höllisch teure Sammleredition in kleine Geschichten, dafür aber Spezialverpackung keinen Wert legt, dem bietet die Fox eine umso mehr Appetit macht auf ein „Basic“-Variante (links im Bild) zum Preis von EUR 69,90 Ereignis, das im Oktober von sich Reden machen wird. Dann wird es nämlich zum ersten Mal die gesam- te ALIEN ANTHOLOGY auf Blu-ray zu kaufen geben. Alle Infos zu dieser Veröffentlichung finden Sie in unserem “Special” auf den folgenden Seiten.
    [Show full text]