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SATURDAY, AUGUST 28, 2021 at 10:00 AM
www.reddingauction.com 1085 Table Rock Road, Gettysburg, PA PH: 717-334-6941 Pennsylvania's Largest No Buyers Premium Gun Auction Service Your Professional FireArms Specialists With 127+ Combined Years of Experience Striving to Put Our Clients First & Achieving Highest Prices Realized as Possible! NO RESERVE – NO BUYERS PREMIUM If You Are Interested in Selling Your Items in an Upcoming Auction, Email [email protected] or Call 717- 334-6941 to Speak to Someone Personally. We Are Consistently Bringing Higher Prices Realized Than Other Local Auction Services Due to Not Employing a Buyer’s Premium (Buyer’s Penalty). Also, We Consistently Market Our Sales Nationally with Actual Content For Longer Periods of Time Than Other Auction Services. SATURDAY, AUGUST 28, 2021 at 10:00 AM PLEASE NOTE: -- THIS IS YOUR ITEMIZED LISTING FOR THIS PARTICULAR AUCTION PLEASE BRING IT WITH YOU WHEN ATTENDING Abbreviation Key for Ammo Lots: NIB – New in Box WTOC – Wrapped at Time of Cataloging (RAS Did Not Unwrap the Lots With This Designation in Order to Verify the Correctness & Round Count. We depend on our consignor’s honesty and integrity when describing sealed boxes. RAS Will Offer No Warranties or No Guarantees Regarding Count or the Contents Inside of These Boxes) Any firearms with a “R” after the lot number means it is a registrable firearm. Any firearms without the “R” is an antique & Mfg. Pre-1898 meaning No registration is required. Lot #: 1. Winchester – No. W-600 Caged Copper Room Heater w/Cord – 12½” Wide 16” High w/Gray Base (Excellent Label) 2. Winchester-Western – “Sporting Arms & Ammunition” 16” Hexagon Shaped Wall Clock – Mfg. -
Inside the Secret World of the Geisha
2019 Spring Semester Inside the Secret World of the Geisha Section 1 Instructor/Title Professor Arif Iqball 【Course Outline / Description】 Painted by Picasso, sculpted by Rodin, entertainers to Queen Elizabeth, Prince Charles, and US Presidents, yet the role and image of the Japanese Geisha has often been misinterpreted outside Japan, and has shaped Western stereotypes about Japan and Japanese women. Being historically closed in a world of secrecy, not many Japanese either have been able to get access to this world with its own rules and etiquette, and with very little documentation. This course examines the primary role of the Geisha in Japan as an artist and an entertainer encompassing a variety of important social, cultural, and historical elements. Leveraging the instructor’s personal connections and research, a field trip to a seasonal dance performance, and conversations with current Geisha, as well as use of academic literature and visual documentation including historical photographs, documentaries and movie representations, this course attempts to provide a complete cultural experience to the Asian and Japanese Studies student on the true role and place of these artists in Japanese culture, and in a traditional world which runs parallel (and yet is completely different than) to the modern Japanese world of manga, anime, and robots. With emphasis on the Geisha of the five Kagai (performance districts) in Kyoto, this course not only explores the historical and cultural elements, but also introduces this relatively unknown and closed -
Marks Published for Opposition
MARKS PUBLISHED FOR OPPOSITION The following marks are published in compliance with section 12(a) of the Trademark Act of 1946. Applications for the registration of marks in more than one class have been filed as provided in section 30 of said act as amended by Public Law 772, 87th Congress, approved Oct. 9, 1962, 76 Stat. 769. Opposition under section 13 may be filed within thirty days of the date of this publication. See rules 2.101 to 2.105. A separate fee of two hundred dollars for opposing each mark in each class must accompany the opposition. SECTION 1.— INTERNATIONAL CLASSIFICATION The short titles associated below with the international class numbers are terms designed merely for quick identification and are not an official part of the international classification. The full names of international classes are given in section 6.1 of the trademark rules of practice. The designation ‘‘U.S. Cl.’’ appearing in this section refers to the U.S. class in effect prior to Sep. 1, 1973 rather than the international class which applies to applications filed on or after that date. For adoption of international classification see notice in the OFFICIAL GAZETTE of Jun. 26, 1973 (911 O.G. TM 210). Application in more than one class SN 75-163,780. BAUER NIKE HOCKEY INC., ST-JEROME, CLASS 28—TOYS AND SPORTING GOODS QUEBEC, CANADA, FILED 9-10-1996. FOR SPORTS ARTICLES AND REPLACEMENT PARTS THEREFOR, NAMELY, ICE SKATES, HOCKEY SKATES, ROLLER SKATES, IN-LINE ROLLER SKATES, ICE SKATE BLADES, IN-LINE SKATE CHASSIS, WHEELS, AND BRAKES; HOCKEY STICKS, -
Tenaga Dalam Volume 2 - August 1999
Tenaga Dalam Volume 2 - August 1999 The Voice of the Indonesian Pencak Silat Governing Board - USA Branch Welcome to the August issue of Tenaga Dalam. A lot has occurred since May issue. Pendekar Sanders had a very successful seminar in Ireland with Guru Liam McDonald on May 15-16, a very large and successful seminar at Guru Besar Jeff Davidson’s school on June 5-6 and he just returned from a seminar in England. The seminar at Guru Besar Jeff Davidson’s was video taped and the 2 volume set can be purchased through Raja Naga. Tape 1 consists of blakok (crane) training and Tape 2 has about 15 minutes more of blakok training followed by a very intense training session in various animal possessions including the very rare Raja Naga possession. Guru Besar Davidson and his students should be commended on their excellent portrayal of the art. Tape 1 is available to the general public, but due to the intense nature of tape 2 you must be a student. It is with great sadness that I must report that Guru William F. Birge passed away. William was a long time personal student of Pendekar Sanders and he will be missed by all of the people that he came into contact with. 1 Tribute to Guru William F. Birge Your Memory Will Live On In Our Hearts. 2 DJAKARTA aeroplane is a lead-coloured line of sand beaten by EX ‘PEARL OF THE EAST’ waves seeping into a land as flat as Holland. The Dutch settlers who came here in 1618 and founded The following is a passage from the wonderful Batavia must have thought it strangely like their book Magic and Mystics of Java by Nina Epton, homeland. -
Scraps of Hope in Banda Aceh
Marjaana Jauhola Marjaana craps of Hope in Banda Aceh examines the rebuilding of the city Marjaana Jauhola of Banda Aceh in Indonesia in the aftermath of the celebrated SHelsinki-based peace mediation process, thirty years of armed conflict, and the tsunami. Offering a critical contribution to the study of post-conflict politics, the book includes 14 documentary videos Scraps of Hope reflecting individuals’ experiences on rebuilding the city and following the everyday lives of people in Banda Aceh. Scraps of Hope in Banda Aceh Banda in Hope of Scraps in Banda Aceh Marjaana Jauhola mirrors the peace-making process from the perspective of the ‘outcast’ and invisible, challenging the selective narrative and ideals of the peace as a success story. Jauhola provides Gendered Urban Politics alternative ways to reflect the peace dialogue using ethnographic and in the Aceh Peace Process film documentarist storytelling. Scraps of Hope in Banda Aceh tells a story of layered exiles and displacement, revealing hidden narratives of violence and grief while exposing struggles over gendered expectations of being good and respectable women and men. It brings to light the multiple ways of arranging lives and forming caring relationships outside the normative notions of nuclear family and home, and offers insights into the relations of power and violence that are embedded in the peace. Marjaana Jauhola is senior lecturer and head of discipline of Global Development Studies at the University of Helsinki. Her research focuses on co-creative research methodologies, urban and visual ethnography with an eye on feminisms, as well as global politics of conflict and disaster recovery in South and Southeast Asia. -
A Stigmatised Dialect
A SOCIOLINGUISTIC INVESTIGATION OF ACEHNESE WITH A FOCUS ON WEST ACEHNESE: A STIGMATISED DIALECT Zulfadli Bachelor of Education (Syiah Kuala University, Banda Aceh, Indonesia) Master of Arts in Applied Linguistics (University of New South Wales, Sydney, Australia) Thesis submitted in total fulfillment of the requirements for the degree of Doctor of Philosophy Department of Linguistics Faculty of Arts University of Adelaide December 2014 ii iii iv v TABLE OF CONTENTS A SOCIOLINGUISTIC INVESTIGATION OF ACEHNESE WITH A FOCUS ON WEST ACEHNESE: A STIGMATISED DIALECT i TABLE OF CONTENTS v LIST OF FIGURES xi LIST OF TABLES xv ABSTRACT xvii DECLARATION xix ACKNOWLEDGMENTS xxi CHAPTER 1 1 1. INTRODUCTION 1 1.1 Preliminary Remarks ........................................................................................... 1 1.2 Acehnese society: Socioeconomic and cultural considerations .......................... 1 1.2.1 Acehnese society .................................................................................. 1 1.2.2 Population and socioeconomic life in Aceh ......................................... 6 1.2.3 Workforce and population in Aceh ...................................................... 7 1.2.4 Social stratification in Aceh ............................................................... 13 1.3 History of Aceh settlement ................................................................................ 16 1.4 Outside linguistic influences on the Acehnese ................................................. 19 1.4.1 The Arabic language.......................................................................... -
Materials for a Rejang-Indonesian-English Dictionary
PACIFIC LING U1STICS Series D - No. 58 MATERIALS FOR A REJANG - INDONESIAN - ENGLISH DICTIONARY collected by M.A. Jaspan With a fragmentary sketch of the . Rejang language by W. Aichele, and a preface and additional annotations by P. Voorhoeve (MATERIALS IN LANGUAGES OF INDONESIA, No. 27) W.A.L. Stokhof, Series Editor Department of Linguistics Research School of Pacific Studies THE AUSTRALIAN NATIONAL UNIVERSITY Jaspan, M.A. editor. Materials for a Rejang-Indonesian-English dictionary. D-58, x + 172 pages. Pacific Linguistics, The Australian National University, 1984. DOI:10.15144/PL-D58.cover ©1984 Pacific Linguistics and/or the author(s). Online edition licensed 2015 CC BY-SA 4.0, with permission of PL. A sealang.net/CRCL initiative. PACIFIC LINGUISTICS is issued through the Linguistic Circle of Canberra and consists of four series: SERIES A - Occasional Papers SERIES B - Monographs SERIES C - Books SERIES D - Special Publications EDITOR: S.A. Wurm ASSOCIATE EDITORS: D.C. Laycock, C.L. Voorhoeve, D.T. Tryon, T.E. Dutton EDITORIAL ADVISERS: B.W. Bender K.A. McElhanon University of Hawaii University of Texas David Bradley H.P. McKaughan La Trobe University University of Hawaii A. Capell P. MUhlhiiusler University of Sydney Linacre College, Oxford Michael G. Clyne G.N. O'Grady Monash University University of Victoria, B.C. S.H. Elbert A.K. Pawley University of Hawaii University of Auckland K.J. Franklin K.L. Pike University of Michigan; Summer Institute of Linguistics Summer Institute of Linguistics W.W. Glover E.C. Polome Summer Institute of Linguistics University of Texas G.W. Grace Malcolm Ross University of Hawaii University of Papua New Guinea M.A.K. -
Land- En Volkenkunde
Music of the Baduy People of Western Java Verhandelingen van het Koninklijk Instituut voor Taal- , Land- en Volkenkunde Edited by Rosemarijn Hoefte (kitlv, Leiden) Henk Schulte Nordholt (kitlv, Leiden) Editorial Board Michael Laffan (Princeton University) Adrian Vickers (The University of Sydney) Anna Tsing (University of California Santa Cruz) volume 313 The titles published in this series are listed at brill.com/ vki Music of the Baduy People of Western Java Singing is a Medicine By Wim van Zanten LEIDEN | BOSTON This is an open access title distributed under the terms of the CC BY- NC- ND 4.0 license, which permits any non- commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https:// creativecommons.org/ licenses/ by- nc- nd/ 4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Cover illustration: Front: angklung players in Kadujangkung, Kanékés village, 15 October 1992. Back: players of gongs and xylophone in keromong ensemble at circumcision festivities in Cicakal Leuwi Buleud, Kanékés, 5 July 2016. Translations from Indonesian, Sundanese, Dutch, French and German were made by the author, unless stated otherwise. The Library of Congress Cataloging-in-Publication Data is available online at http://catalog.loc.gov LC record available at http://lccn.loc.gov/2020045251 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. -
Ceramic Edge Pro™ Electric Knife Sharpener Since 1886, Smith’S® Has Been a Trusted Name in Knife and Tool Sharpening Products
Ceramic Edge Pro™ 747 MID-AMERICA BOULEVARD • HOT SPRINGS, ARKANSAS 71913-8414 USA Phone (+1) 501-321-2244 • Fax (+1) 501-321-9232 Electric Knife Sharpener Affûteur électrique Ceramic Edge Pro™ www.smithsedge.com Ceramic Edge Pro™ Afilador de cuchillos eléctrico Electric & Manual Sharpening In One Unit Affûtage électrique et manuel en une seule unité Afilado manual y eléctrico en un solo producto Smith’s Model # 50245 • C10555 • Made in China • Patent Pending Voltage: 120V/60Hz • Watts: 68.2W • Currents 1.22A Modèle Smith’s n° 50245 • Fabriqué en Chine • Brevet en instance Tension: 120V/60Hz • Watts: 68,2W • Courants 1,22A Smith’s Modelo # 50245 • C10555 • Hecho en China • Patente Pendiente Voltaje: 120V/60Hz • Potencia: 68,2W • Corriente 1,22A Smith’s®, Ceramic Edge Pro™ & The Edge Experts® are registrations and trademarks of Smith Abrasives, Inc. Smith’s®, Ceramic Edge Pro™ et The Edge Experts® font l’objet de dépôts légaux et de marques de commerce de Smith Abrasives, Inc. Smith’s®, Ceramic Edge Pro™, y The Edge Experts® son marcas comerciales y registradas de Smith Abrasives, Inc. Owner’s Manual Manuel d’utilisation • Manual del propietario For Best Results, Read Instructions Before Use Pour de meilleurs résultats, veuillez lire les instructions avant toute utilisation Para obtener los mejores resultados, lea las instrucciones antes de usar el aparato READ ALL INSTRUCTIONS Smith’s® Model 50245 – Ceramic Edge Pro™ Electric Knife Sharpener Since 1886, Smith’s® has been a trusted name in knife and tool sharpening products. IMPORTANT SAFEGUARDS The company’s long history has focused on a single mission: provide the consumer This is a listed appliance. -
2 0 1 3 P R O D U C T C a T a L
2013 PRODUCT CATALOG TABLE OF CONTENTS NEW PRODUCTS THE SHARPENING CATEGORY ........ 2 Bench Stones ..............................................12 MARKETING .......................................... 22 50118 | AXE & MACHETE SHARPENER Sharpening Rods .......................................14 NEW PRODUCTS .............................. 3 Precision Systems .......................................15 DISCLAIMER & WARRANTY Combination & INFORMATION ..................................... 23 ELECTRICS ........................................ 5 Speciality Sharpeners ...............................16 Edge Care ..................................................19 SALES NETWORK MANUALS International Distributors Handheld Sharpeners .................................8 PRODUCT GUIDE ................................ 20 & Domestic Reps ....................................... 23 Pull-Through Sharpeners ...........................10 See Page 16 for more details. 50363 | 4" DIAMOND STONE W/ COVER See Page 10 for more details. 50364 | POCKET PAL® X2 SHARPENER & SURVIVAL TOOL See Page 17 for more details. 50377 | DIAMOND EDGE ELITE ELECTRIC KNIFE SHARPENER 50376 | DIAMOND EDGE ELECTRIC KNIFE SHARPENER THE SHARPENING CATEGORY Sharpeners are a very profitable consumer retail product line. These products are no longer being viewed as just an accessory 50376 product to Cutlery, but as a stand-alone category. The sharpening category continues to outpace the growth of Cutlery in most Sporting Goods and Hardware retail chains and dealers in the US and International -
New Directions for Kabuki Performances in America in the 21St Century
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 4-2-2019 New Directions For Kabuki Performances in America in the 21st Century Narumi Iwasaki Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Japanese Studies Commons Let us know how access to this document benefits ou.y Recommended Citation Iwasaki, Narumi, "New Directions For Kabuki Performances in America in the 21st Century" (2019). Dissertations and Theses. Paper 4942. https://doi.org/10.15760/etd.6818 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. New Directions For Kabuki Performances in America in the 21 st Century by Narumi Iwasaki A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Japanese Thesis Committee: Laurence Kominz, Chair Suwako Watanabe Jon Holt Portland State University 2019 ©2019 Narumi Iwasaki i Abstract Transitions from the first kabuki performance abroad in Russia in 1928 to the recent performances around the world show various changes in the purpose and production of kabuki performances overseas. Kabuki has been performed as a Japanese traditional art in the U.S. for about 60 years, and the United States has seen more kabuki than any other country outside of Japan. Those tours were closely tied to national cultural policy of both Japan and the USA in the early years (Thornbury 2–3). -
Text Translations 1 5 6 7
TEXT TRANSLATIONS 1 5 6 7 4 3 1 2 PLAN OF THE GALLERY LIFE IN EDO X RUSSEL WONG IN KYOTO 1 Russel Wong in Kyoto Japan, particularly Kyoto, has always drawn and inspired local and international photographers. Russel Wong’s interest in photographing Kyoto and its geisha community began during a visit to Tokyo in 2005 to shoot publicity photographs for Watanabe Ken when he was starring in Memoirs of a Geisha (2005). Kyoto came up during their conversation and this rekindled Wong’s passion to dig deeper. The film received mixed reviews; mostly disapproval and disdain from the geisha community in Kyoto. Despite its controversies, the film has contributed in recent years to public perceptions of and curiosity about Japanese geisha (Kyoto dialect, geiko). Wong feels that perhaps his photographs can give the geiko community – which hardly speaks and is seldom seen – a voice for an international audience. Geiko community The geiko community in Kyoto is a closed group and the traditional system of ichigen- san okotowari, “turning away first-timers” still rules in most teahouses today. It took Wong five years to gain access to the geiko communities in all five kagai (geisha districts, also known as hanamachi) in Kyoto. Inspired by woodblock prints In making this body of work, Wong was inspired by Edo-period woodblock prints by Kitagawa Utamaro, Katsushika Hokusai, and Utagawa Hiroshige. He was particularly drawn to the compositions, how the elements of the image work together, and by the silhouettes and portraits of the women depicted in them. Wong’s photographs are infused with his own sense of nostalgia.