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Viewings by Appointment Only 6 +44 (0)7866 424 803 [email protected] runjeetsingh.com CONTENTS Daggers 6 Swords 36 Polearms 62 Firearms 74 Archery 84 Objects 88 Shields 98 Helmets 104 Written by Runjeet Singh Winter 2015 All prices on request Viewings by appointment only 6 1 JAAM-DHAR An important 17th century Indian A third and fourth example are (DEMONS TOOTH) katar (punch dagger) from the published by Elgood 2004, p.162 KATAR Deccan plateau, possibly Golkonda (no.15.39) and Egerton (no.388), (‘shepherd’s hill’), a fort of Southern from Deccan and Lucknow India and capital of the medieval respectively. Both are late 17th DECCAN (SOUTH INDIA) sultanate of the Qutb Shahi dynasty or early 18th century and again 17TH CENTURY (c.1518–1687). follow the design of the katar in this exhibition. OVERALL 460 MM This rare form of Indian katar is the BLADE 280 MM earliest example known from a small The heavy iron hilt has intricate group, examples of which are found piercing and thick silver sheet is in a number of notable collections. applied overall. These piercing, These include no.133 in Islamic suggestive of flower patterns, softens Arms & Armour from Danish private the austerity of the design which Collections, dated to the early 18th can be related to architecture, for century. Probably Deccani in origin, example the flared side bars have the arabesques on the blade have tri-lobed ends. The architectural Shi’ite calligraphy. The features of this theme continues into the lower bar fine katar are closely related to the which connects to the blade; this has katar published here. five cusp-shaped arches forming an arcade, which Elgood (2004) notes is Another example is published by similar to Muslim architecture, which Ricketts and Missillier, no.226, dated began to be adopted by the Hindu by the authors to the 19th century. court in the Royal centre at Hampi It is decorated with enamel and in the mid-16th century. The very described as coming from Lucknow. unusual zoomorphic grip has stylised Elgood 2004, interestingly points out elephants or makara. The piercing is the relationship between Lucknow particularly impressive here because and Hyderabad, both being Shi’ite the grip is over 10 mm thick. states and linked by marriage. 8 2 DECCANI KATAR A large and early example of a The hilt is constructed of two Deccani katar from the 17th century. unusually long side bars, an indication DECCAN PLATEAU (INDIA) that this is a transition piece and The blade is forged from wootz follows the same design as the Pata 17TH CENTURY damascus, and shows a complex or gauntlet sword. The cross grip pattern commonly referred to as comprises a pair of swollen bars OVERALL 580 MM ‘watering’ due to its appearance of and the hilt is covered with applied BLADE 310 MM swirling waves. The heavy blade silver gilt sheet. is armour piercing, with a swollen diamond section tip and a strong This katar is unusually large and central spine. has great presence, it is an academic object exemplifying the rewarding Though more restrained, the blade challenges which the study of Indian has the narrow multi-ribs for which weapons still presents. Tanjore katars are well known. A closely related blade can be found on a katar in the Metropolitan Museum, New York (no. 36.25.904) illustrated in Elgood 2004, p.147. The Metropolitan Museum katar and the one being considered here share a number of features including the very similar leaf shaped motif on the brace extending from the hilt. This detail is commonly found decorating regional architecture. 11 3 KUTCH KATAR A distinctive 19th Century Indian Katar from Sind or Kutch, described WESTERN INDIA as a ‘Garsoee Katar’ by Egerton. 19TH CENTURY A heavy and large example, with an armour piercing steel blade with OVERALL 505 MM swollen diamond shaped tip, the BLADE 320 MM lower part having a flat central panel and two tapering sides with sharp edges. The forte is chased with a central blossoming flower with large scrolling leafy stalks, decorated with thickly applied gilt-silver. The hilt is decorated in the same manner, with repeating six-petalled flowers linked by leafy stems, in a style frequently seen on richly decorated objects from all over India. The hilt shape is the most characteristic feature on this form of Katar, the eye immediately drawn to the rhomboidal grip which provides a comfortable hold. It has pronounced flattened corners which are chased with leafy stems, and the surface of the grip pierced and chased with flowers. The side bars curve in and out of the central grip, where a large sculpted flowering bud waits to blossom on either side. Then there is the V shaped bar which connects to the blade, and the intriguing subtle hooks modelled into the inside of the top and side bars. Nobody knows the origin of the intriguing hook like rose thorns that project on the inside of the frame of the hilt which are unique to these katars. Since they serve no apparent purpose they have to be decorative. Provenance Late R.Wagner Jr collection (USA) Published Pinchot, 2014, p.51, fig.3-113. 13 4 KANDYAN KNIFE Robert Elgood has described this In its original fluted wooden Ceylonese Piha-Kaetta, or Kandyan scabbard completely covered in CEYLON knife from the 18th century as silver with filigree lockets and two arguably the best example of its central bands, the chape embossed 18TH CENTURY type known. with scrolling foliage and kirtimukha protective mask head on either side. OVERALL 290 MM The characteristic rhinoceros horn BLADE 170 MM grip scales with cast and chased The only other known example of a gold and silver mounts are carved Ceylonese knife with a similar blade on both sides with a pair of beasts is in the Metropolitan museum of having simha heads (one head Art, New York (36.25.786a, b) and is incomplete) and bird like bodies. illustrated (unfortunately sheathed) An arched gold pommel-cap, pierced in Stone’s glossary simply under and chased with delicate Ceylonese ‘knife’ see no.19, p.365. The potential scrollwork inhabited by two pairs importance of this unusual variant is of entwined birds. A large shaped, still being debated by academics. pierced and scrolling silver bolster, with attractive gold floral decoration. Provenance The slightly re-curving blade has a Late R.Wagner Jr collection (USA) gentler angle then most daggers of this type, double edged over half its Exhibited length and is covered with foliate Higgins Armoury Museum, engraved silver. H.R.Robinson notes Worcester, MA (USA), (de Silva, 1975, p.150) that Kandyan September-December 1994 knives may have some relation to the Kukri knife form, the shape of Published the example here certainly seems to Pinchot, 2014, p.57, fig.3-138. have taken some influence from the Kopis blade. 14 16 5 NASRID STYLE A scarce Nasrid style ear-dagger, A portrait owned by the Royal “EAR” DAGGER Spain, 19th century. collection of the young King Edward VI wearing a dagger of this type A heavy straight blade, with a long hangs in Windsor Castle. See Laking SPAIN flat 50mm spine on one side, and (p.56, fig.836). 19TH CENTURY a shorter 20mm ricasso on the other. The blade forte is flat, and The dagger takes influence from the OVERALL 350 MM the blade ground into a flattened famous Nasrid period ear dagger in BLADE 210 MM diamond section. The forte and the Real Armeria, Madrid No.G361 grip strap are richly decorated (Laking, p.290-3) which is associated with fine gold damascene koftgari with Muhammed XII (called Boabdil) in the form of cartouches containing and the battle of Lucena in Southern pseudo-calligraphic inscriptions Spain 888 AH/1483 AD. in loose foliated kufic script, and panels of scrolling leafy tendrils. Two similar daggers exist in the collection of the late Signor Ressman, The hilt has elephant ivory grip now in the Bargello, Florence see scales engraved with geometric Laking (fig. 828b & 828d). These motifs and quatrefoils, pinned with daggers are decorated in a similar brass rivets; the integral ivory ears way, with very fine damascene are decorated with small panels koftgari, and the grip scales of carved inscriptions. Both ears being carved in the same have small gilt-iron pommel caps. 'Hispano-Moresque’ manner. Overall a deep yellow glossy patina to the ivory. Pseudo Arabic and Latin inscriptions exist on the famous Nasrid period The Italian States, particularly Venice, gilt parade helmet which is set with and Spain, employed the Stradiotti enamel devices in the Metropolitan as mercenaries who brought this Museum, New York no.1883.413 weapon with them and made it (see J.D. Dodds, p.294-5). popular. Laking comments that fine and splendidly-enriched examples exist in public and private collections; however, I think it is safe for us to presume that most existing examples are already known, and few are left to be discovered, for this reason, the high quality example shown here is an exciting discovery. 19 6 CHILANUM This long, slender, elegant 17th century weapon from the Deccan DECCAN PLATEAU (INDIA) plateau of south-west India is called a chilanum. This wonderful piece of 16TH–17TH CENTURY workmanship is made from a single piece of steel and has a sensuous OVERALL 380 MM profile like a goddess in her BLADE 280 MM ‘tribhanga’ or triply flexed pose. The distinctive hilt has an attractive pommel with an acorn shaped finial. A lower bulbous knop and a larger one of similar shape sits in the centre of the waisted hilt.
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