Initiation of Coverage of Cable TV Channel a Play on Russia's Rapidly
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Organisational Structure, Programme Production and Audience
OBSERVATOIRE EUROPÉEN DE L'AUDIOVISUEL EUROPEAN AUDIOVISUAL OBSERVATORY EUROPÄISCHE AUDIOVISUELLE INFORMATIONSSTELLE http://www.obs.coe.int TELEVISION IN THE RUSSIAN FEDERATION: ORGANISATIONAL STRUCTURE, PROGRAMME PRODUCTION AND AUDIENCE March 2006 This report was prepared by Internews Russia for the European Audiovisual Observatory based on sources current as of December 2005. Authors: Anna Kachkaeva Ilya Kiriya Grigory Libergal Edited by Manana Aslamazyan and Gillian McCormack Media Law Consultant: Andrei Richter The analyses expressed in this report are the authors’ own opinions and cannot in any way be considered as representing the point of view of the European Audiovisual Observatory, its members and the Council of Europe. CONTENT INTRODUCTION ...........................................................................................................................................6 1. INSTITUTIONAL FRAMEWORK........................................................................................................13 1.1. LEGISLATION ....................................................................................................................................13 1.1.1. Key Media Legislation and Its Problems .......................................................................... 13 1.1.2. Advertising ....................................................................................................................... 22 1.1.3. Copyright and Related Rights ......................................................................................... -
(Stop a Douchebag) Vigilantes in Russia
© Laboratorium: Russian Review of Social Research. 2019. 11(3):16–45 16 DOI: 10.25285/2078-1938-2019-11-3-16-45 EROES OR HOOLIGANS? HMEDIA PORTRAYAL OF STOPXAM (STOP A DOUCHEBAG) VIGILANTES IN RUSSIA Rashid Gabdulhakov Rashid Gabdulhakov, Department of Media and Communication, Erasmus University Rotterdam. Address for correspondence: Erasmus University Rotterdam, Postbus 1738, 3000 DR Rotterdam, Netherlands. [email protected]. The author expresses sincere gratitude to the informants for their contributions, as well as to peer reviewers and editors of this special issue for their valuable feed- back. This work was supported by the Dutch Research Council (NWO) project num- ber 276-45-004. Several state-supported digital vigilante groups emerged in Russia at the downturn of the pro-Kremlin youth group Nashi (Ours), when its former commissars formed issue- specific movements to counter perceived legal and moral offences through exposure of targets on social media. One of such groups is StopXam (Stop a Douchebag), specializ- ing in road-traffic and parking violations. StopXam participants confront the drivers and retaliate by placing stickers that read “I spit on everyone I drive where I want” on the targets’ windshields. The retaliation is often accompanied by verbal and physical fighting; the process is filmed, edited, and shared on YouTube, receiving millions of views. While digital media made such practices possible, traditional broadcasters maintain significance in rendering meaning to the phenomenon of vigilantism and in framing vigilantes, their targets, police, and other actors. As the existing literature on digital vigilantism is predominantly focused on digital media affordances, this article aims to address this gap through a qualitative analysis of traditional media coverage of StopXam. -
Censorship Among Russian Media Personalities and Reporters in the 2010S Elisabeth Schimpfossl the University of Liverpool Ilya Yablokov the University of Manchester
COERCION OR CONFORMISM? CENSORSHIP AND SELF- CENSORSHIP AMONG RUSSIAN MEDIA PERSONALITIES AND REPORTERS IN THE 2010S ELISABETH SCHIMPFOSSL THE UNIVERSITY OF LIVERPOOL ILYA YABLOKOV THE UNIVERSITY OF MANCHESTER Abstract: This article examines questions of censorship, self-censorship and conformism on Russia’s federal television networks during Putin’s third presidential term. It challenges the idea that the political views and images broadcast by federal television are imposed coercively upon reporters, presenters and anchors. Based on an analysis of interviews with famous media personalities as well as rank-and-file reporters, this article argues that media governance in contemporary Russia does not need to resort to coercive methods, or the exertion of self-censorship among its staff, to support government views. Quite the contrary: reporters enjoy relatively large leeway to develop their creativity, which is crucial for state-aligned television networks to keep audience ratings up. Those pundits, anchors and reporters who are involved in the direct promotion of Kremlin positions usually have consciously and deliberately chosen to do so. The more famous they are, the more they partake in the production of political discourses. Elisabeth Schimpfossl, Ph.D., teaches history at The University of Liverpool, 12 Abercromby Square, Liverpool, L69 7WZ, UK, email: [email protected]; Ilya Yablokov is a Ph.D. candidate in Russian and East European Studies, School of Arts, Languages and Cultures, The University of Manchester, Oxford Road, Manchester, -
CTC Media Investor Presentation
CTC Media, Inc. Investor Presentation May 2014 A Leading Independent Broadcasting and Content Company in Russia From Private TV Network to Public Media Holding Launch of CTC- international in Germany, North America and the Baltics Development of in- house creative Telcrest Investments production center Limited acquired a 25% CTC Media was stake in СTС Media Launch of Peretz from Alfa Group founded as Story International in Modern Times Group First Initial Public Offering Belarus became a shareholder Launch of Domashniy.ru Communications on NASDAQ Launch of CTC- of CTC Media international in women’s portal USA 1989 1994 2002 2005 2006 2008 2009 2010 2011 2012 2013 2014 Launch of CTC Launch of CTC- Love Channel on international in cable and satellite Launch of CTC Launch of Israel Acquisition of DTV Launch of CTC- Network Domashny Network Launch of Peretz (rebranded to Peretz international in Establishment of International in in 2011) Kazakhstan, Kyrgyzstan, CTC Media’s Kyrgystan Armenia, Georgia, internal advertising Acquisition of Azerbaijan, Thailand and sales house Launch of Sweet Channel 31 in uplink to HOT BIRD ‘Everest Sales’ me brand together Kazakhstan and a TV with KupiVip company in Moldova CTC and Domashny Launch of received digital licenses Videomore.ru online content portal 2 We Fully Capture the Value Chain by Being Integrated TV Broadcaster CTC – target audience All 10-45 BROADCASTING ( RUSSIA) Domashny – target audience Females 25-59 Peretz – target audience All 25-49 CTC Love – target audience All 11-34 Kazakhstan Channel -
Covering Conflict – Reporting on Conflicts in the North Caucasus in the Russian Media – ARTICLE 19, London, 2008 – Index Number: EUROPE/2008/05
CO VERIN G CO N FLICT Reporting on Conflicts in the N orth Caucasus in the Russian M edia N M AY 2008 ARTICLE 19, 6-8 Am w ell Street, London EC1R 1U Q , U nited Kingdom Tel +44 20 7278 9292 · Fax +44 20 7278 7660 · info@ article19.org · http://w w w .article19.org ARTICLE 19 GLOBAL CAMPAIGN FOR FREE EXPRESSION Covering Conflict – Reporting on Conflicts in the North Caucasus in the Russian Media – ARTICLE 19, London, 2008 – Index Number: EUROPE/2008/05 i ARTICLE 19 GLOBAL CAMPAIGN FOR FREE EXPRESSION Covering Conflict Reporting on Conflicts in the North Caucasus in the Russian Media May 2008 © ARTICLE 19 ISBN 978-1-906586-01-0 Covering Conflict – Reporting on Conflicts in the North Caucasus in the Russian Media – ARTICLE 19, London, 2008 – Index Number: EUROPE/2008/05 i i ARTICLE 19 GLOBAL CAMPAIGN FOR FREE EXPRESSION Covering Conflict – Reporting on Conflicts in the North Caucasus in the Russian Media – ARTICLE 19, London, 2008 – Index Number: EUROPE/2008/05 ii i ARTICLE 19 GLOBAL CAMPAIGN FOR FREE EXPRESSION A CKN O W LED G EM EN TS This report was researched and written by the Europe Programme of ARTICLE 19. Chapter 6, on ‘International Standards of Freedom of Expression and Conflict Reporting’ was written by Toby Mendel, Director of ARTICLE 19’s Law Programme. Chapter 5, ‘Reporting Conflict: Media Monitoring Results’ was compiled by Natalia Mirimanova, independent conflict resolution and media consultant. The analysis of media monitoring data was carried out by Natalia Mirimanova and Luitgard Hammerer, (formerly) ARTICLE 19 Regional Representative - Europe, CIS. -
Russian Media in Teleological Perspective As a Methodological Challenge: Reconstructing Goals for Understanding Effects
RUSSIAN MEDIA IN TELEOLOGICAL PERSPECTIVE AS A METHODOLOGICAL CHALLENGE: RECONSTRUCTING GOALS FOR UNDERSTANDING EFFECTS РОССИЙСКИЕ СМИ В ТЕЛЕОЛОГИЧЕСКОЙ ПЕРСПЕКТИВЕ КАК МЕТОДОЛОГИЧЕСКИЙ ВЫЗОВ: РЕКОНСТРУКЦИЯ ЦЕЛЕЙ ДЛЯ ПОНИМАНИЯ ЭФФЕКТОВ Viktor M. Khroul, PhD in Philology, Associate Professor, Chair of Sociology of Mass Communications, Faculty of Journalism, Lomonosov Moscow State University, Moscow, Russia [email protected] Виктор Михайлович Хруль, кандидат филологических наук, доцент, кафедра социологии массовых коммуникаций, факультет журналистики, Московский государственный университет имени М. В. Ломоносова, Москва, Россия [email protected] The media effects studies are more precise in a teleological perspective implying that the effects are analyzed in terms of goals. The teleological approach to journalism must be based on an analysis of the transparency and regularity of the goal formation process, the level of consistency and hierarchicality of goals and their compliance with the social mission of the media. The author considers it useful to engage in an interdisciplinary cooperation in the area of teleological studies of journalism and mass media with sociologists, linguists and psychologists. 191 Key words: journalism, goals, teleological model, social mission, intent analysis. Изучение эффектов деятельности СМИ корректно про- водить с учетом поставленных целей, то есть в телеологи- ческой перспективе. Телеологический подход к журналисти- ке подразумевает анализ степени прозрачности и систем- ности процесса целеполагания, уровня согласованности и иерархичности целей, а также их соответствие социальной миссии СМИ. Автор полагает, что плодотворность тако- го подхода во многом зависит от состояния междисципли- нарного сотрудничества в области исследований эффектов СМИ, взаимодействия исследователей медиа с социолога- ми, лингвистами и психологами, в частности, при развитии метода интент-анализа. Ключевые слова: журналистика, цели, телеологический подход, социальная миссия, интент-анализ. -
2010 Annual Report Cdsenp 4Ymedia APR 20Fl
11006198 media _\ t7 2010 Annual Report cdSEnp 4Ymedia APR 20fl Dear CTC Media Stockholders 2054 2010 was record year for CTC Media Our full-yeaTfeVemre-ec4eded the record levels we saw in 2008 before the financial crisis This is particularly noteworthy when you consider that 2008 was record year for the television advertising industry in Russia and that in 2010 the overall market remained 6% below the 2008 levels in ruble terms whereas our full-year 2010 revenues were 14% higher than in 2008 We maintained our national advertising market share at 19% in 2010 despite our significant market outperformance in 2009 and the blended power ratio for our Russian networks remained stable from 2009 to 2010 at 1.5 We operate in highly competitive market where more and more value is placed on the delivery of incremental reach among the most attractive audience groups Our channels have carefully segmented and complementary audience profiles and we are focused on further developing our programming grids and increasing our combined share of viewing In this context it is important to note that CTCs audience share in the most commercially attractive segment of 14 to 44 year olds was stable in 2010 We also substantially enhanced the technical penetration of all of our networks in Russia during 2010 CTCs penetration increased from 90.7% to 93.7% while Domashnys penetration was up from 76.4% to 81.6% and DTVs penetration was up from 68.4% to 72.5% We continued to deliver profitability levels that are high by European broadcasting industry standards with -
Tailwind® 500/550 with RDU TV Programming for Europe
Tailwind® 500/550 with RDU TV programming for Europe European Programming 23 CNBC Europe E 57 WDR Köln G 91 N24 Austria G 125 EinsPlus G ® for Tailwind 500/550 with RDU 24 Sonlife Broadcasting Network E 58 WDR Bielefeld G 92 rbb Berlin G 126 PHOENIX G A Arabic G German P Portuguese 25 Russia Today E 59 WDR Dortmund G 93 rbb Brandenburg G 127 SIXX G D Deutch K Korean S Spanish 26 GOD Channel E 60 WDR Düsseldorf G 94 NDR FS MV G 128 sixx Austria G E English M Multi T Turkish F French Po Polish 27 BVN TV D 61 WDR Essen G 95 NDR FS HH G 129 TELE 5 G 28 TV Record SD P 62 WDR Münster G 96 NDR FS NDS G 130 DMAX G Standard Definition Free-to-Air channel 29 TELESUR S 63 WDR Siegen G 97 NDR FS SH G 131 DMAX Austria G 30 TVGA S 64 Das Erste G 98 MDR Sachsen G 132 SPORT1 G The following channel list is effective April 21, 2016. Channels listed are subject to change 31 TBN Espana S 65 hr-fernsehen G 99 MDR S-Anhalt G 133 Eurosport 1 Deutschland G without notice. 32 TVE INTERNACIONAL EUROPA S 66 Bayerisches FS Nord G 100 MDR Thüringen G 134 Schau TV G Astra 33 CANAL 24 HORAS S 67 Bayerisches FS Süd G 101 SWR Fernsehen RP G 135 Folx TV G 34 Cubavision Internacional S 68 ARD-alpha G 102 SWR Fernsehen BW G 136 SOPHIA TV G 1 France 24 (in English) E 35 RT Esp S 69 ZDF G 103 DELUXE MUSIC G 137 Die Neue Zeit TV G 2 France 24 (en Français) F 36 Canal Algerie F 70 ZDFinfo G 104 n-tv G 138 K-TV G 3 Al Jazeera English E 37 Algerie 3 A 71 zdf_neo G 105 RTL Television G 139 a.tv G 4 NHK World TV E 38 Al Jazeera Channel A 72 zdf.kultur G 106 RTL FS G 140 TVA-OTV -
MRM: Russia, Ukraine and Poland, the Leading TV Markets in Eastern Europe Poland: Audience Share (July 15-21, 2013 % All 4+)
SPECIAL REPORT | TV MARKETS | EUROPE BY ARTEM VAKALYUK MRM: RUSSIA, UKRAINE AND POLAND, THE LEADING TV MARKETS IN EASTERN EUROPE POLAND: AUDIENCE SHARE (JULY 15-21, 2013 % ALL 4+) RUSSIA satellite communications complexes owned by rate reach 27%. after the analogue terrestrial switch off that is The Russian Federation is by far the largest the Russian Satellite Communications Company In 1H 013, 24% of the 53 million TV homes in planned for summer 2015. The number of digital country in the world, with an area of 17,075,400 at teleports which ensure the transmission of Russia were equipped for Direct-to-Home satellite terrestrial TV nets that will have national-wide km². With nearly 142 million people, it is ranked channels to all five time zones in Russia via the reception, making satellite the country’s leading coverage will increase to 32. the ninth largest in terms of population. The total space vehicles of RTRN. platform for digital television. The number of Private TV broadcasters owned by Ukrainian number of television households is 53 million The digitalization process in Russia can be satellite homes across Russia maintains a strong tycoons play the lead role on the local market. while it is estimated that there are 100 million broken down into two stages: the introduction dynamic, increasing by 25% between 2011 and There are four dominant TV Groups in Ukraine: television sets in use. of DVB-T and the transition to the DVB-T2 2013 from 8 million to 12.6 million. 10% of these StarLight Media (belongs to Viktor Pinchuk, Television is the most popular operates STB, ICTV, Novy Channel, M1, RUSSIA: AUDIENCE SHARE (AUGUST 19-25, 2013 % - ALL 4+) M2 and QTV channels), Inter Media Group medium in Russia, with 74% of Source: AGB Nielsen Media Research the population watching national (belongs to Dmitry Firtash, runs Inter, NTN, K1, K2, Mega, Enter-film, MTV Ukraine, television channels routinely and Russia. -
1400 Mb/S +156 Kanałów
Kosmiczna prędkość Pakiet 1400 Mb/s +156 Kanałów Internet Abonament miesięcznie oszczędzasz 149 PLN 149 PLN Predkość wysyłania danych do 1 400 Mb/s Predkość pobierania danych do 1 400 Mb/s Opłata aktywacyjna* 1PLN* / 199 PLN** Okres obowiązywania umowy 24 msc Limit pobierania danych brak Sieć niezależna od łącza telefonicznego w ramach pakietu Dzierżawa routera bezpłatnie Telewizja 2X2 TV HD Disney HD Food Network Novela HD 4Fun Dance Disney-Junior France 24 EN Nowa TV HD 4Fun Gold Hits Disney-XD France 24 FR nSport+ HD 4Fun TV Domo+ HD Gametoon HD Nuta.TV Adventure TV DuckTV-HD HGTV HD Nuta TV HD Adventure TV HD Eleven-Extra Investigation Discovery HD Paramount Channel AleKino+ HD Eleven-HD iTVRegion Planete+ HD Animal Planet HD Eleven-Sport-HD Kino Polska HD Polonia 1 ATM Rozrywka Eska Rock TV (Hip Hop TV) Kino Polska Muzyka Polo TV AXN HD Eska TV Extra HD Kino-TV Polsat 2 HD Belsat TV Eska TV HD Kuchnia+ HD Polsat Cafe HD Comedy-Central-HD ETV Mango 24 Polsat Doku HD Disco Polo Music Eurosport 1 HD Metro TV Polsat Film HD Discovery Channel HD Eurosport 2 HD Metro TV HD Polsat HD Discovery Historia Filmbox Extra HD MiniMini+ HD Polsat Jim Jam Discovery Life Filmbox Family MTV HD Polsat Music HD Discovery Science HD Filmbox Premium HD Nickelodeon Polsat News 2 Discovery Turbo Xtra HD Fokus TV HD Novela Polsat News HD DG-NET S.A. ul. Graniczna 34 41-300 Dąbrowa Górnicza NIP: 629 247 88 45 [email protected] Kosmiczna prędkość Pakiet Polsat Play HD TeleToon+ HD TVP 2 HD TVR HD Polsat Romans TLC HD TVP3 Białystok TVS HD Polsat Sport Extra -
Must-Carry Rules, and Access to Free-DTT
Access to TV platforms: must-carry rules, and access to free-DTT European Audiovisual Observatory for the European Commission - DG COMM Deirdre Kevin and Agnes Schneeberger European Audiovisual Observatory December 2015 1 | Page Table of Contents Introduction and context of study 7 Executive Summary 9 1 Must-carry 14 1.1 Universal Services Directive 14 1.2 Platforms referred to in must-carry rules 16 1.3 Must-carry channels and services 19 1.4 Other content access rules 28 1.5 Issues of cost in relation to must-carry 30 2 Digital Terrestrial Television 34 2.1 DTT licensing and obstacles to access 34 2.2 Public service broadcasters MUXs 37 2.3 Must-carry rules and digital terrestrial television 37 2.4 DTT across Europe 38 2.5 Channels on Free DTT services 45 Recent legal developments 50 Country Reports 52 3 AL - ALBANIA 53 3.1 Must-carry rules 53 3.2 Other access rules 54 3.3 DTT networks and platform operators 54 3.4 Summary and conclusion 54 4 AT – AUSTRIA 55 4.1 Must-carry rules 55 4.2 Other access rules 58 4.3 Access to free DTT 59 4.4 Conclusion and summary 60 5 BA – BOSNIA AND HERZEGOVINA 61 5.1 Must-carry rules 61 5.2 Other access rules 62 5.3 DTT development 62 5.4 Summary and conclusion 62 6 BE – BELGIUM 63 6.1 Must-carry rules 63 6.2 Other access rules 70 6.3 Access to free DTT 72 6.4 Conclusion and summary 73 7 BG – BULGARIA 75 2 | Page 7.1 Must-carry rules 75 7.2 Must offer 75 7.3 Access to free DTT 76 7.4 Summary and conclusion 76 8 CH – SWITZERLAND 77 8.1 Must-carry rules 77 8.2 Other access rules 79 8.3 Access to free DTT -
Computational Propaganda in Russia: the Origins of Digital Misinformation
Working Paper No. 2017.3 Computational Propaganda in Russia: The Origins of Digital Misinformation Sergey Sanovich, New York University 1 Table of Contents Abstract ............................................................................................................................................................... 3 Introduction.......................................................................................................................................................... 3 Domestic Origins of Russian Foreign Digital Propaganda ......................................................................... 5 Identifying Russian Bots on Twitter .............................................................................................................. 13 Conclusion ......................................................................................................................................................... 15 Author Acknowledgements ............................................................................................................................ 17 About the Author ............................................................................................................................................. 17 References ........................................................................................................................................................ 18 Citation ............................................................................................................................................................