Russia 2015 Human Rights Report
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Organized Crime 1.1 Gaizer’S Criminal Group
INTRODUCTION ......................................................................................................... 4 CHAPTER I. ORGANIZED CRIME 1.1 Gaizer’s Criminal Group ..................................................................................6 1.2 Bandits in St. Petersburg ............................................................................ 10 1.3 The Tsapok Gang .......................................................................................... 14 Chapter II.CThe Corrupt Officials 2.1 «I Fell in Love with a Criminal» ................................................................20 2.2 Female Thief with a Birkin Bag ...............................................................24 2.3 «Moscow Crime Boss».................................................................................29 CONTENTS CHAPTER III. THE BRibE-TAKERS 3.1 Governor Khoroshavin’s medal «THE CRIMINAL RUSSIA PARTY», AN INDEPENDENT EXPERT REPORT «For Merit to the Fatherland» ..................................................................32 PUBLISHED IN MOSCOW, AUGUST 2016 3.2 The Astrakhan Brigade ...............................................................................36 AUTHOR: ILYA YASHIN 3.3 A Character from the 1990s ......................................................................39 MATERiaL COMPILING: VERONIKA SHULGINA HAPTER HE ROOKS TRANSLATION: C 4. T C EVGENia KARA-MURZA 4.1 Governor Nicknamed Hans .......................................................................42 GRAPHICS: PavEL YELIZAROV 4.2 The Party -
Social Media and Civil Society in the Russian Protests, December 2011
Department of Informatics and Media Social Science – major in Media and Communication Studies Fall 2013 Master Two Years Thesis Social Media and Civil Society in the Russian Protests, December 2011 The role of social media in engagement of people in the protests and their self- identification with civil society Daria Dmitrieva Fall 2013 Supervisor: Dr. Gregory Simons Researcher at Uppsala Centre for Russian and Eurasian Studies 1 2 ABSTRACT The study examines the phenomenon of the December protests in Russia when thousands of citizens were involved in the protest movement after the frauds during the Parliamentary elections. There was a popular opinion in the Internet media that at that moment Russia experienced establishment of civil society, since so many people were ready to express their discontent publically for the first time in 20 years. The focus of this study is made on the analysis of the roles that social media played in the protest movement. As it could be observed at the first glance, recruiting and mobilising individuals to participation in the rallies were mainly conducted via social media. The research analyses the concept of civil society and its relevance to the protest rhetoric and investigates, whether there was a phenomenon of civil society indeed and how it was connected to individuals‘ motivation for joining the protest. The concept of civil society is discussed through the social capital, social and political trust, e- democracy and mediatisation frameworks. The study provides a comprehensive description of the events, based on mainstream and new media sources, in order to depict the nature and the development of the movement. -
CTC Media Investor Presentation
CTC Media, Inc. Investor Presentation May 2014 A Leading Independent Broadcasting and Content Company in Russia From Private TV Network to Public Media Holding Launch of CTC- international in Germany, North America and the Baltics Development of in- house creative Telcrest Investments production center Limited acquired a 25% CTC Media was stake in СTС Media Launch of Peretz from Alfa Group founded as Story International in Modern Times Group First Initial Public Offering Belarus became a shareholder Launch of Domashniy.ru Communications on NASDAQ Launch of CTC- of CTC Media international in women’s portal USA 1989 1994 2002 2005 2006 2008 2009 2010 2011 2012 2013 2014 Launch of CTC Launch of CTC- Love Channel on international in cable and satellite Launch of CTC Launch of Israel Acquisition of DTV Launch of CTC- Network Domashny Network Launch of Peretz (rebranded to Peretz international in Establishment of International in in 2011) Kazakhstan, Kyrgyzstan, CTC Media’s Kyrgystan Armenia, Georgia, internal advertising Acquisition of Azerbaijan, Thailand and sales house Launch of Sweet Channel 31 in uplink to HOT BIRD ‘Everest Sales’ me brand together Kazakhstan and a TV with KupiVip company in Moldova CTC and Domashny Launch of received digital licenses Videomore.ru online content portal 2 We Fully Capture the Value Chain by Being Integrated TV Broadcaster CTC – target audience All 10-45 BROADCASTING ( RUSSIA) Domashny – target audience Females 25-59 Peretz – target audience All 25-49 CTC Love – target audience All 11-34 Kazakhstan Channel -
Presents a Film by Lise Birk Pedersen
presents A Film by Lise Birk Pedersen 2011 / Denmark-Russia / 85 min. / Color / Russian with English subtitles A Kino Lorber Release from Kino Lorber, Inc. 333 West 39 St., Suite 503 New York, NY 10018 Publicity Contact: Rodrigo Brandao Director of Publicity Kino Lorber, Inc. [email protected] (212) 629-6880 ext. 12 CREDITS Special thanks to Maria Drokova & Oleg Kashin Director Lise Birk Pedersen Producer Helle Faber Cinematographer Lars Skree Editors Janus Billeskov Jansen Steen Johannessen Sound design Peter Albrechtsen Music Tobias Hylander Production managers (Copenhagen) Mathilde Hvid Lippmann, Nanna Van Elk Production manager (Moscow) Sergey Brovkin Local assistants (Moscow) Maria Pistunova, Yana Lebedikhina, Dmitry Saltykovsky Translations Sergey Brovkin Maria Pistunova Yana Lebedikhina Graphics Kasper Soderlund/Electric Parc Colorgrading Lasse Marcussen/Cameo Film Technical coordinator Adam Bendixen Jonas Abildgaard Produced by Monday Production in association with made in copenhagen in co-production with DR2/Mette Hoffmann Meyer & ITVS International/EP Sally Jo Fifer with the support from The Danish Film Institute/Jesper Jack Media Slatefunding Nordic Film & TV Fund/Karolina Ledin Danish Ministry of Education NRK UR YLE DBS/YES VPRO A Kino Lorber Release SYNOPSIS Nashi is an increasingly popular political youth organization with direct ties to the Kremlin. Officially, its goal is to support the current political system by creating a future elite among the brightest and most loyal Russian teenagers. But their agenda is also to keep the political opposition from spreading their views among the Russians. We meet 19-year-old Masha, a Nashi commissar and spokesperson. Masha is a middle class girl and her family lives, like any other average Russian, in a small flat in the outskirts of Moscow. -
Beaten up for Speaking
BEATEN UP FOR SPEAKING OUT AttAcks oN hUmAN RIghts dEfENdERs IN thE RUssIAN fEdERAtIoN Amnesty International is a global movement of more than 3 million supporters, members and activists in more than 150 countries and territories who campaign to end grave abuses of human rights. Our vision is for every person to enjoy all the rights enshrined in the Universal declaration of human Rights and other international human rights standards. We are independent of any government, political ideology, economic interest or religion and are funded mainly by our membership and public donations. First published in 2011 by Amnesty International Ltd Peter Benenson house 1 Easton Street London Wc1X 0dW United Kingdom © Amnesty International 2011 Index: EUR 46/038/2011 English Original language: English Printed by Amnesty International, International Secretariat, United Kingdom All rights reserved. This publication is copyright, but may be reproduced by any method without fee for advocacy, campaigning and teaching purposes, but not for resale. The copyright holders request that all such use be registered with them for impact assessment purposes. For copying in any other circumstances, or for reuse in other publications, or for translation or adaptation, prior written permission must be obtained from the publishers, and a fee may be payable. To request permission, or for any other inquiries, please contact [email protected] Cover photo : People hold portraits of journalist and environmental activist mikhail Beketov as they take part in a protest against a November 2008 attack in Khimki by unknown assailants in which he was severely beaten and left for dead. he spent three weeks in a coma, had one leg amputated and lost his ability to speak. -
2010 Annual Report Cdsenp 4Ymedia APR 20Fl
11006198 media _\ t7 2010 Annual Report cdSEnp 4Ymedia APR 20fl Dear CTC Media Stockholders 2054 2010 was record year for CTC Media Our full-yeaTfeVemre-ec4eded the record levels we saw in 2008 before the financial crisis This is particularly noteworthy when you consider that 2008 was record year for the television advertising industry in Russia and that in 2010 the overall market remained 6% below the 2008 levels in ruble terms whereas our full-year 2010 revenues were 14% higher than in 2008 We maintained our national advertising market share at 19% in 2010 despite our significant market outperformance in 2009 and the blended power ratio for our Russian networks remained stable from 2009 to 2010 at 1.5 We operate in highly competitive market where more and more value is placed on the delivery of incremental reach among the most attractive audience groups Our channels have carefully segmented and complementary audience profiles and we are focused on further developing our programming grids and increasing our combined share of viewing In this context it is important to note that CTCs audience share in the most commercially attractive segment of 14 to 44 year olds was stable in 2010 We also substantially enhanced the technical penetration of all of our networks in Russia during 2010 CTCs penetration increased from 90.7% to 93.7% while Domashnys penetration was up from 76.4% to 81.6% and DTVs penetration was up from 68.4% to 72.5% We continued to deliver profitability levels that are high by European broadcasting industry standards with -
MRM: Russia, Ukraine and Poland, the Leading TV Markets in Eastern Europe Poland: Audience Share (July 15-21, 2013 % All 4+)
SPECIAL REPORT | TV MARKETS | EUROPE BY ARTEM VAKALYUK MRM: RUSSIA, UKRAINE AND POLAND, THE LEADING TV MARKETS IN EASTERN EUROPE POLAND: AUDIENCE SHARE (JULY 15-21, 2013 % ALL 4+) RUSSIA satellite communications complexes owned by rate reach 27%. after the analogue terrestrial switch off that is The Russian Federation is by far the largest the Russian Satellite Communications Company In 1H 013, 24% of the 53 million TV homes in planned for summer 2015. The number of digital country in the world, with an area of 17,075,400 at teleports which ensure the transmission of Russia were equipped for Direct-to-Home satellite terrestrial TV nets that will have national-wide km². With nearly 142 million people, it is ranked channels to all five time zones in Russia via the reception, making satellite the country’s leading coverage will increase to 32. the ninth largest in terms of population. The total space vehicles of RTRN. platform for digital television. The number of Private TV broadcasters owned by Ukrainian number of television households is 53 million The digitalization process in Russia can be satellite homes across Russia maintains a strong tycoons play the lead role on the local market. while it is estimated that there are 100 million broken down into two stages: the introduction dynamic, increasing by 25% between 2011 and There are four dominant TV Groups in Ukraine: television sets in use. of DVB-T and the transition to the DVB-T2 2013 from 8 million to 12.6 million. 10% of these StarLight Media (belongs to Viktor Pinchuk, Television is the most popular operates STB, ICTV, Novy Channel, M1, RUSSIA: AUDIENCE SHARE (AUGUST 19-25, 2013 % - ALL 4+) M2 and QTV channels), Inter Media Group medium in Russia, with 74% of Source: AGB Nielsen Media Research the population watching national (belongs to Dmitry Firtash, runs Inter, NTN, K1, K2, Mega, Enter-film, MTV Ukraine, television channels routinely and Russia. -
The End of the Putin Consensus Ben Judah and Andrew Wilson
M P o e L M i CY The end of The o PuTin Consensus Ben Judah and Andrew Wilson Since December, Russia has been rocked by mass protests SU The “Putin consensus” of the 2000s is over. demanding clean elections and an end to the culture of Although Prime Minister Vladimir Putin is immunity on corruption. After a decade of over-control, certain to win a hollow victory in the Russian Russia is undergoing a process of re-politicisation. After presidential elections in March, the current the financial crisis exposed Russia’s chronic governance MMARY electoral cycle has weakened his authority and crisis and its dashed dreams of being a rising economic shown the fragility of his regime. Russia is undergoing a process of re-politicisation and is power, as ECFR argued in Dealing with a Post-BRIC entering a phase of “late Putinism” that is likely Russia, the “Putin consensus” has broken down and to be characterised by elite divisions, continued the “Putin majority” in society has decayed.1 However, protests and a gradual ebbing away of popular although Russia is restless, it is not yet revolutionary. support. The protest movement that erupted There is still a passive Putin plurality, largely drawn from after the falsified vote in the parliamentary the older, poorer and more provincial parts of society election in December has not yet challenged that are frightened of change and see no alternative to Putin’s grip on power but is nevertheless a symptom of an increasingly unstable Russia. Putin. The protest movement remains a minority, but it is concentrated in the country’s most dynamic demographics The European Union should see the current – particularly among Muscovites the new middle classes, crisis as a clear signal that the Putin system will the young and the cultural elites. -
Operating Expenses
CTC Media, Inc. Investor Presentation Fourth Quarter 2011 and Full Year 2011 Results A Leading Independent Broadcaster in Russia Doctor Zaytseva’s Diary – new sitcom, CTC Network (Doctor’s Dairy format) 2 We Fully Capture the Value Chain by Being a Vertically Integrated TV Broadcaster CTC – target audience All 6-54 Domashny – target audience Females 25-59 FREE-TO-AIR (RUSSIA) Peretz* – target audience All 25-59 Kazakhstan Channel 31 FREE-TO-AIR (CIS) Moldova СTС/TV Dixi channel CONTENT PRODUCTION Story First Production AD-SALES Internal advertising sales house Everest CTC-INTERNATIONAL (PAY-TV) International version of CTC channel Various digital projects NEW MEDIA Social TV Network Videomore.ru Women’s portal Note: (*) DTV Network operates under Peretz brand name & logo starting from October 2011 3 Group Highlights for the FY 2011 GROUP FINANCIAL HIGHLIGHTS . Consolidated revenues up 13% to $766.4 million . Adjusted OIBDA* of $246.7 million with margin of 32.2% . Adjusted net income* of $152.6 million, adjusted fully diluted EPS of $0.97 . Payment of $130 million of cash dividends in 2011 . Board of Directors intends to pay an aggregate cash dividend of $80 million in 2012 . Net cash position of $112.6 million at Dec 31, 2011 GROUP OPERATIONAL HIGHLIGHTS . Successful relauch of DTV Network under the “Peretz” brand name and logo in October . Significant increases in technical penetration of all Russian networks, acquisition of 14 regional TV stations in 12 Russian cities . Establishment of new unified content production company Story First Production (merge Costafilm and Soho Media platforms) . Launch of CTC-international in Germany, Baltics and North America . -
Sergey Shanovich
SERGEY SHANOVICH ARTIST GRAPHIC DESIGNER DIRECTOR PRODUCER FOUNDER AND CREATIVE DIRECTOR OF SHANDESIGN STUDIO AUTHOR OF THE ORIGINAL FONTS AND CYRILLIC VERSIONS OF LATIN TYPEFACES The Academician of the Russian Television Academy The Chairman of the Board of Television Designers and Promoters Eurasian Guild The Member of the International Association of TV designers and promoters «PromaxBda» The Member of the Documentary Film Guild The Curator of the Moscow International Biennale of Graphic Design «Golden Bee» The General partner of the International Typography Video Festival «TYPOMANIA» The Curator of TV design course at British Higher School of Art and Design THE HEAD OF THE CREATIVE TEAM WORKING CREATIVE DIRECTOR OF TV PROJECTS: ON THE CREATION OF FOLLOWING CAMPAIGNS: Eurovision Song Contest Baku (EBU) 2012 Elections of the President of the Russian Federation *advertising campaign 2008 Dance show (TNT) 2014 Advertising campaigns for Gazprom OJSC: The Power of Siberia, National Treasure; Lukoil; THE HEAD OF THE CREATIVE TEAM, PRODUCER Rosneft; Transaero; Rusnano; Troika Dialog; SBERBANK; AND DIRECTOR WORKING ON THE CREATION Azerbaijan*state branding OF SPORTS PROMOTIONAL CAMPAIGNS: SPORT EVENTS MEDIA BRANDING Battle of champions (REN TV / RUSSIA 2) 2006 - 2011 An advertising campaign and branding for MATCH, TNT, NTV, CTC, DOMASHNIY, TVC, REN TV, World Combat Games Saint Petersburg 2013, media holding BRIDGE MEDIA and many others Opening Ceremony 2013 Fight Nights (REN TV / DTV / RUSSIA 2) 2010 - 2015 PRODUCER AND DIRECTOR OF TV PROJECTS: -
CTC Media Investor Presentation
CTC Media, Inc. Investor Presentation March 2014 We Fully Capture the Value Chain by Being Integrated Content Company CTC – target audience All 10-45 BROADCASTING ( RUSSIA) Domashny – target audience Females 25-59 Peretz – target audience All 25-49 CTC Love – target audience All 11-34 Kazakhstan Channel 31 FREE-TO-AIR (CIS) Moldova СTС Mega Free-to-air AD SALES InternalTV ad maket advertising growth sales1 house Everest International version of CTC channel CTC-INTERNATIONAL (PAY-TV) International version of PERETZ channel Ctc.ru, peretz.ru and various digital projects Transmedia Online video portal Videomore.ru Women’s portal Domashniy.ru 1 Key Operating Highlights . CTC channel the only channel in the Top-6 delivered growth in 2013 . Combined Russian national inventory 100% sold-out for Q4 and 99% sold-out for FY 2013 . Year-on-year increases in technical penetration: – CTC: from 95.1% to 95.3% – Domashny: from 88.5% to 90.1% – Peretz: from 83.8% to 85.5% . CTC Love launch in early 2014 . Established in-house creative production center in December . Partnered with KupiVIP.ru in December to introduce the first e-commerce project by a Russian TV company; launch scheduled for April 2014 . Upgrades of the Domashniy.ru and CTC.ru websites and launch of channel apps 2 Delivering on Strategic Priorities STRATEGIC GOAL: To become a leader in creation, management and distribution of content on all potentially monetizable platforms 1 2 3 4 Prioritize content Grow combined Expand digital Diversify revenue and synergies audience share offerings streams . Launched in-house . Launch of CTC Love to . -
CTC Media Investor Presentation
CTC Media, Inc. Investor Presentation Q2 & H1 2014 Transformation from TV Broadcaster to Content Company We Fully Capture the Value Chain by Being Integrated Content Company CTC – target audience All 10-45 BROADCASTING ( RUSSIA) Domashny – target audience Females 25-59 Peretz – target audience All 25-49 CTC Love – target audience All 11-34 Kazakhstan Channel 31 FREE-TO-AIR (CIS) Moldova СTС Dixi Free-to-air AD SALES InternalTV ad maket advertising growth sales1 house Everest International version of CTC channel CTC-INTERNATIONAL (PAY-TV) International version of PERETZ channel Ctc.ru, Domashniy.ru, Peretz.ru TRANSMEDIA Online video portal Videomore.ru Mobile, smart TV, second screen, transmedia projects 2 Transformation from TV Broadcaster to Content Company 1 2 3 4 Prioritize content Grow combined Expand digital Diversify revenue and synergies audience share offerings streams . Launched in-house . Launch of CTC Love to . Launch of the first e- . Digital media revenue up creative production center cover a further, commerce project by a TV 50% in RUB in H1 2014 and continues to grow . Centralized content complementary audience company in Russia purchases to secure segment . Channels' websites . Launch of Russian TV synergies, longer content . New Head of Domashny became full scale series in the US on the life span and sharing upgrades Channel’s platforms HULU subscription among platforms content and programming . New approach of service . Centralized programming monetization throw to avoid cannibalization partnerships . Further steps towards