DOCSLIB.ORG

Volume 43, Number 6: September 30, 2005 University of North Dakota

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Volume 43, Number 6: September 30, 2005 University of North Dakota University of North Dakota UND Scholarly Commons Elwyn B. Robinson Department of Special University Letter Archive Collections 9-30-2005 Volume 43, Number 6: September 30, 2005 University of North Dakota Follow this and additional works at: https://commons.und.edu/u-letter Recommended Citation University of North Dakota, "Volume 43, Number 6: September 30, 2005" (2005). University Letter Archive. 274. https://commons.und.edu/u-letter/274 This Newsletter is brought to you for free and open access by the Elwyn B. Robinson Department of Special Collections at UND Scholarly Commons. It has been accepted for inclusion in University Letter Archive by an authorized administrator of UND Scholarly Commons. For more information, please contact [email protected]. University of North Dakota | University Letter: DATE Skip to main content. University Letter Home Submit Article Search Archive Subscribe Unsubscribe UND Home University Relations University Letter DATE Friday, March 27, 49636 ISSUE: Volume 43, Number 6: September 30, 2005 TOP STORIES University will hold two winter commencement ceremonies Dec. 16 Joan Hawthorne named assistant provost President Kupchella delivers “State of the University” address Oct. 18 UND experts concerned about aftermath of Hurricanes Katrina, Rita EVENTS TO NOTE Biology seminar will focus on reptiles Speaker on American Indian health to deliver nursing Homecoming lecture Farewell coffee will honor Vorland, Penwarden Physics colloquium will focus on biopolymers Alumni Association will host open house Centennial All-School Gala set for Sept. 30 Chamber music recital set for Sept. 30 Rummage sale will benefit hurricane survivors Greater Grand Forks Symphony opens “Season of Five Batons” “Barn Dance” features traditional steps Mozart piano quartet to perform at Museum Open forum set for prevention specialist candidate Agenda listed for Oct. 3 graduate committee meeting Dual exhibitions by Sefcovic opens Oct. 3 Celebrate Uruguay Monday night Profs to broadcast Oct. 3 solar eclipse Global Visions film series begins third year Reception will honor Nancy Krogh Transportation offers large passenger van training Leadership series continues UND’s UNICEF will host “Hope Across Borders” Counseling center sponsors mental health screenings Grant and contract training session offered Christus Rex hosts book study Agenda listed for University Senate meeting Beyond Boundaries registration early bird deadline is Sept. 28 Peace Congress will honor Janet Kelly Moen Law students hold run/walk Lecture series marks 100th anniversary of theory of relativity Career Fair set for Oct. 12 Participants sought for charity ride, walk/run https://apps.und.edu/uletterarchive/uletterOld/09302005.html[7/26/2019 11:46:39 AM] University of North Dakota | University Letter: DATE BORDERS presents training in Minot U2 lists workshops ANNOUNCEMENTS University may charge for open records requests NIH/IdeA COBRE calls for white papers Nominations for faculty awards accepted through Nov. 4 Proposals sought for Wenstrom research scholars SPSS licenses available Student webmaster position available at Union “Mouths of Ash” exhibition extended Please fill out bookstore survey Employee door prize winners named Fall into fitness by walking Studio One lists features Media donations sought Wear green and white Friday to benefit Y University will hold two winter commencement ceremonies Dec. 16 Because of the increasing number of graduates receiving degrees in December, the University will hold two winter commencement ceremonies Friday, Dec. 16, at the Chester Fritz Auditorium. All candidates receiving graduate degrees will participate in a ceremony at 10 a.m. Undergraduate degrees will be awarded at 2 p.m. This change will better accommodate the University’s growing number of winter graduates and their guests. The current single-ceremony format will be retained for commencements in the spring and summer. We hope that this change will encourage even greater participation by our December graduates and create a more comfortable, welcoming environment for guests. – Charles Kupchella, president Joan Hawthorne named assistant provost The vice president for academic affairs and provost is pleased to announce that Joan Hawthorne has been appointed assistant provost for assessment of student learning, a position previously held by Kenneth Ruit. Dr. Hawthorne will continue to serve half-time as writing across the curriculum writing center coordinator, a position she has held full-time since 1997. Duties in her new position include providing leadership in developing and implementing UND’s institution- wide assessment program with its goal of continuous improvement of student learning outcomes. – Greg Weisenstein, provost President Kupchella delivers “State of the University” address Oct. 18 President Kupchella will deliver his annual State of the University address Tuesday, Oct. 18, at 3:30 p.m. in the Memorial Union Ballroom. Everyone is welcome. UND experts concerned about aftermath of Hurricanes Katrina, Rita https://apps.und.edu/uletterarchive/uletterOld/09302005.html[7/26/2019 11:46:39 AM] University of North Dakota | University Letter: DATE Several experts in the fields of disaster preparedness and recovery at the University are concerned about the aftermath of hurricanes Katrina and Rita along the Gulf Coast. Tracy Worsley is the program coordinator for BORDERS (Biochemical Organic Radiological Disaster Educational Response System) Alert and Ready, a federally-funded continuing education and training program at the School of Medicine and Health Sciences. The program is designed to improve the individual and collective ability of healthcare professional practitioners to prepare for and respond to disaster and acts of bioterrorism. “The problem is that there are not enough trained, professional emergency managers,” said Worsley, who has extensive background in disaster preparedness and recovery of six hurricanes and several other natural disasters including Hurricane Floyd in 1999 and the Grand Forks flood of 1997. “There are not enough programs out there to train people how to develop and implement disaster preparedness plans.” Worsley did stress, however, that being prepared is up to the communities, if that be a state, city, county or group of counties. They need to put together a plan that will work for their threats and with their resources and, if the need arises, follow that plan, he said. “You can have the most wonderful plan in the world,” said Worsley, “but it is no use if it is not exercised, revised to the situation and followed.” One of the toughest parts of reacting to a disaster is maintaining the community’s health care infrastructure. “The medical system will be overwhelmed for quite a while,” said James Hargreaves, an infectious disease specialist and associate professor of internal medicine and a clinical associate professor of community medicine at the medical school. “Routine illnesses still occur, despite disaster,” said Hargreaves. “People still have heart attacks and strokes. Then, on top of that you need to deal with illnesses and injuries related to the disaster. All with very limited resources. They have a major task ahead of them.” Hargreaves cites several issues that hospitals and clinics in the areas hit by Katrina will have to deal with to get the medical infrastructure back up and running, including securing clean water, new lab equipment and air conditioning and sterilization systems. “They should also be aware of some things that we saw after the flood of 1997 in Grand Forks,” said Hargreaves. “We saw a lot of carbon dioxide poisoning due to improper use of generators and injuries such as broken bones and hernias. We need to get the word out about the proper use of generators, that they need ventilation, and to not to do more than you can handle during clean up.” Jacque Gray, an assistant professor at the Center for Rural Health at the School of Medicine and Health Sciences, is concerned about the short- and long-term psychological issues that will arise in that area and here in Grand Forks. “Just because it didn’t happen here doesn’t mean people here won’t react to it,” said Gray, a clinical psychologist, whose online training, “Psychological Effects of Trauma,” is available on the BORDERS website, www.bordersalertandready.com. Gray says that watching a disaster like Katrina on the news can bring back memories and flashbacks for people who have suffered through disasters, such as the Grand Forks flood of 1997. “Recovering from something like that is long-term,” she said. “It doesn’t just go away over night.” What is important now for the people affected by Katrina is to find a social group to belong to, such as a spiritual group, and to tell their story. “Finding something to hold on to tends to be helpful,” she said. “People who go through something like this tend to tell and retell their story as a way to work through what happened. This is a very important process.” Donna Morris, an associate professor of nursing, understands that process. “As a recent immigrant from the Gulf Coast, I know what it is like to choose what is the most important to you to take with you,” Morris said. “These people are trying to deal with life events in the midst of a natural disaster that you don’t have any control over.” That’s true for working professionals, too, said Thomasine Heitkamp, chair of social work. “What was hard about New Orleans is that it was first responders and they need to take care of their families.” Professional service providers feel a deep need to respond to the needs of others, even though their own lives are in turmoil, said Heitkamp. She said it is important for professionals to respond “to the degrees possible,” but that they also need to watch out for themselves and their families. https://apps.und.edu/uletterarchive/uletterOld/09302005.html[7/26/2019 11:46:39 AM] University of North Dakota | University Letter: DATE And while there is much work for service providers to do now – “you start with the physical needs: food, clothing, shelter” — there will be much to be done for some time, said Heitkamp.
Load more

Recommended publications
  • Turtles Can Fly Won Glass Bear and Peace Film Award at the Berlin International Film Festival and the Golden Shell at the San Sebastian International Film Festival
    Alice Hsu Agatha Pai Debby Lin Ellen Hsiao Jocelyn Lin Shirley Fang Tony Huang Xray Du Outline Introduction to the Director --Agatha Historical Background of the film –Ellen Main Argument Themes (4) The Mysterious Center (Debby), (1) Ironies (Tony), (2) US Invasion (Shirley) (3) Survival= Fly (Jocelyn) (5) Agrin Questions Agatha Pai Director Bahman Ghobadi ▸ Born on February 1, 1969 (age 42) in Baneh, Kurdistan Province. ▸ Receive a Bachelor of Arts in film directing from Iran Broadcasting College. ▸ Turtles Can Fly won Glass Bear and Peace Film Award at the Berlin International Film Festival and the Golden Shell at the San Sebastian International Film Festival. Turtles Can Fly ▸ Where did the story of the film come from and how did it take shape in your mind? ▸ With inexperienced children who had never acted before, how did you manage to write the dialogues? Ellen Hsiao Historical Background Kurdistan History: up to7th century ♦ c. 614 B.C.: Indo- European tribe came from Asia into the Iranian plateau ♦ 7th century: Conquered by Arabs many converted to Islam Kurdistan History: 7th – 19th ♦ Kurdistan is also occupied by: Seljuk Turks, the Mongols, the Safavid dynasty, and Ottoman Empire (13th century) ♦ 16th-19th: autonomous Kurdish principalities (ended with the collapse of Ottoman Empire) Kurdistan History: after WWI Treaty of Sevres (1920) ♦ It proposed an autonomous homeland for the Kurds ♦ Rich oil in Kurdistan Treaty of Sevres is rejected ♦ Oppression→ from the host countries Kurdish Inhabited Area Kurdish population mainly spread in: ♦ Turkey (12-14 million) ♦ Iran (7-10 million) ♦ Iraq (5-8 million) ♦ Syria (2-3 million) ♦ Armenia (50,000) Kurdistan ♦ Georgia (40,000) Operation Anfal (1986-1989) ♦ Genocide campaign against Kurdish people ♦ 4,500 villages destroyed ♦ 1.1 – 2.1 million death: 860,000 widows Greater number of orphans → → Halabja (Halabcheh) Massacre ♦ March 16, 1988: aka.
    [Show full text]
  • 051115 News Copy
    Campus group to create video game | 6 An independent newspaper at the University of Oregon www.dailyemerald.com SINCE 1900 | Volume 107, Issue 59 | Tuesday, November 15, 2005 IRC explores Middle Eastern culture Councilor Week-long event, ‘Opening Windows on Middle East decides Cultures,’ increases awareness BY JOE BAILEY against NEWS REPORTER ssociate professor of geography Shaul Cohen challenged Americans Monday Ato better educate themselves about the re-election Middle East, kicking off a week of events cele- brating the region. After two terms of serving as city Cohen spoke at the opening ceremony of the councilor for Ward 3, David International Resource Center’s “Opening Win- dows on Middle East Cultures” week. The IRC Kelly decides to seek new projects will host programs and events through Friday in- tended to increase awareness of the people and BY CHRIS HAGAN cultures that compose the Middle East. NEWS REPORTER “So often in the United States, we have the Middle East reduced to a couple of conflicts and David Kelly, Eugene city councilor for the a couple of peoples in a couple of countries,” University area, announced Monday that he Cohen said. “We’re obligated to engage in will not seek a third term on the council. basic education about the Middle East.” Kelly has served as Ward 3 city councilor University President Dave Frohnmayer and Di- more we have to learn,” Frohnmayer said since 1998. rector of International Student and Scholarship Shirzadegan and Cohen both said an inten- Kelly said in a statement that during his Services Magid Shirzadegan, who spoke before sive media focus on terrorism in the Middle time on the council, he has “worked dili- Cohen, offered similar sentiments.
    [Show full text]
  • San Diego Public Library New Additions May 2009 [April 1, 2009 – May 14, 2009]
    San Diego Public Library New Additions May 2009 [April 1, 2009 – May 14, 2009] Adult Materials 000 - Computer Science and Generalities California Room 100 - Philosophy & Psychology CD-ROMs 200 - Religion Compact Discs 300 - Social Sciences DVD Videos/Videocassettes 400 - Language eAudiobooks, eBooks & eVideos 500 - Science Fiction 600 - Technology Foreign Languages 700 - Art Genealogy Room 800 - Literature Graphic Novels 900 - Geography & History Large Print Audiocassettes Newspaper Room Audiovisual Materials Biographies Fiction Call # Author Title FIC/AALBORG Aalborg, Gordon. The horse tamer's challenge : a romance of the old west FIC/ADAMS Adams, Will, 1963- The Alexander cipher FIC/ADDIEGO Addiego, John. The islands of divine music FIC/ADLER Adler, H. G. The journey : a novel FIC/AGEE Agee, James, 1909-1955. A death in the family FIC/AIDAN Aidan, Pamela. Duty and desire : a novel of Fitzwilliam Darcy, gentleman FIC/AIDAN Aidan, Pamela. These three remain : a novel of Fitzwilliam Darcy, gentleman FIC/AKPAN Akpan, Uwem. Say you're one of them [MYST] FIC/ALBERT Albert, Susan Wittig. The tale of Briar Bank : the cottage tales of Beatrix Potter [MYST] FIC/ALBERT Albert, Susan Wittig. Wormwood FIC/ALBOM Albom, Mitch, 1958- The five people you meet in heaven FIC/ALLEN Allen, Jeffery Renard, 1962- Holding pattern : stories [SCI-FI] FIC/ALLSTON Allston, Aaron. Star wars : legacy of the force : betrayal FIC/AMBLER Ambler, Eric, 1909-1998. A coffin for Dimitrios FIC/AMIS Amis, Kingsley. Lucky Jim FIC/ANAYA Anaya, Rudolfo A. Bless me, Ultima FIC/ANAYA Anaya, Rudolfo A. The man who could fly and other stories [SCI-FI] FIC/ANDERSON Anderson, Kevin J., 1962- The ashes of worlds FIC/ANDERSON Anderson, Sherwood, 1876-1941.
    [Show full text]
  • The Anxiety of Agrin in Bahman Ghobady's Turtles Can Fly (2005)
    THE ANXIETY OF AGRIN IN BAHMAN GHOBADY’S TURTLES CAN FLY (2005): A PSYCHOANALYTIC APPROACH RESEARCH PAPER Submitted as a Partial Fulfillment of the Requirements for Getting Bachelor Degree of Education English Department by YULIA NINGSIH A320 060 092 SCHOOL OF TEACHING TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2010 CHAPTER I INTRODUCTION A. Background of the Study Literature is the presentation of human life. Literary works as the process of reflection of the author’s imagination that shows the phenomenon in his life. It means that when the authors are making their literary works, they express the problems in relationship from the author’s point of view. Of course it gives influence in every works of an author. Literary works deal with human life, it is appropriate to use psychology as an approach in understanding human being from psychological point of view. With such social interaction, an understanding of literary work also has conspiracy with human being. “Since literature is the exposition of man’s mental life, it can be said that literature has a tight relationship to psychology. Literature and psychology have the same object of research that is human being” (Wellek and Warren, 1984: 91). “Anxiety is such a painful state that we are incapable of tolerating it very long anxiety is the key variable in almost all theories of personality. The result of conflict, which is an inevitable part of life, anxiety is often seen major component of dynamic personality. Freud’s analysis of anxiety in terms both normal and abnormal functioning had great impact on later theorist, and it has continued to influence many clinicians” (John and Pervin, 1997: 86 ).
    [Show full text]
  • Narrating Trauma in Contemporary Films About the Iraq War
    doi: https://doi.org/10.26262/exna.v1i2.6734 Cultural Hauntings: Narrating Trauma in Contemporary Films about the Iraq War Katalina Kopka University of Bremen, Germany. __________________________________________________________________________________________ Abstract Societies come to terms with the “unfinished business” of past wars through obsessive retellings of their traumatic histories (Bronfen 2012). Combat films therefore are a powerful cultural arena wherein collective memories are negotiated. While movies about twentieth-century wars have received much public attention as meaning-making cultural artefacts, Western academia has to date largely neglected films about a defining conflict of the twenty-first century: the Iraq War (2003-2011). This paper addresses how American and Iraqi films contribute to debates on war memory by depicting ‘Operation Iraqi Freedom’ as a harrowing and inconclusive conflict. Specifically, the article examines how Kathryn Bigelow’s The Hurt Locker (2008) and Mohamed Al-Daradji’s Son of Babylon (Syn Babilonu, 2009) incorporate the rhythms of traumatic memory into their narrative fabric. Drawing on Derrida’s concept of hauntology, I argue that the central structuring device of repetition compulsion creates complex trauma palimpsests which present war as a never-ending and ever-returning experience. Ultimately, this study’s examination of the interdependencies between film narrative, trauma, human precariousness and empathy sheds a new light on Iraq’s and America’s intricately intertwined histories of violence. Keywords: war film; Iraq War; trauma narrative; memory studies; empathy. _________________________________________________________________________________________ Introduction: The Iraq War as Unfinished Business According to literary scholar Elisabeth Bronfen, war always remains “unfinished business” (5). Societies compulsively return to previous conflicts in the hope of coming to terms with their traumatic past.
    [Show full text]
  • Stephanie Hemelryk Donald Is Distinguished Professor of Film at Th E University of Lincoln and Previous ARC Future Fellow at the University of New South Wales
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Lincoln Institutional Repository i Stephanie Hemelryk Donald is Distinguished Professor of Film at Th e University of Lincoln and previous ARC Future Fellow at the University of New South Wales. Her research covers fi lm, the media and children’s experiences in the Asia- Pacifi c region, with a particular focus on visual culture. She is co-editor of Inert Cities: Globalization, Mobility and Suspension in Visual Culture (I.B.Tauris, 2014) and Childhood and Nation in Contemporary World Cinema (2017), among other publications. 9781784534233_pi-262.indd i 31-Jan-18 4:09:15 PM ii Migrant Han girl, Xinjiang, © Tom Cliff . 9781784534233_pi-262.indd ii 31-Jan-18 4:09:15 PM iii Series Editors: Lúcia Nagib, Professor of Film at the University of Reading Julian Ross, Research Fellow at the University of Westminster Advisory Board: Laura Mulvey (UK), Robert Stam (USA), Ismail Xavier (Brazil), Dudley Andrew (USA) Th e Tauris World Cinema Series aims to reveal and celebrate the richness and com- plexity of fi lm art across the globe, exploring a wide variety of cinemas set within their own cultures and as they interconnect in a global context. Th e books in the series will represent innovative scholarship, in tune with the multicultural character of contemporary audiences. Drawing upon an international authorship, they will challenge outdated conceptions of world cinema, and provide new ways of under- standing a fi eld at the centre of fi lm studies in an era of transnational networks.
    [Show full text]
  • MAJOR-THESIS.Pdf (493.1Kb)
    Copyright by Anne Patrick Major 2012 The Thesis Committee for Anne Patrick Major Certifies that this is the approved version of the following thesis: Bahman Ghobadi’s Hyphenated Cinema An Analysis of Hybrid Authorial Strategies and Cinematic Aesthetics APPROVED BY SUPERVISING COMMITTEE: Supervisor: Shanti Kumar Charles Ramirez Berg Bahman Ghobadi’s Hyphenated Cinema An Analysis of Hybrid Authorial Strategies and Cinematic Aesthetics by Anne Patrick Major, B.A. Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2012 Dedication To Mom, Dad, and Denny. Thank you for always supporting me, believing in my abilities, and showing me how to work hard. For my sister – Laura. Thank you for introducing me to obscure foreign movies, and for always sharing your interests with me. I could not have achieved any of this without you. Acknowledgements I would like to thank my advisor, Shanti Kumar, for encouraging me, and for believing in my ideas and abilities. Also, I want to acknowledge my second reader, Charles Ramirez Berg, for dedicating time to help improve my thesis. Thank you to my fellow graduate students for offering friendship and guidance. Lastly, I want to thank Brittany Shelton for being willing to read and edit my drafts, for keeping me on track, and for supporting me throughout this process. v Abstract Bahman Ghobadi’s Hyphenated Cinema An Analysis of Hybrid Authorial Strategies and Cinematic Aesthetics Anne Patrick Major, M.A.
    [Show full text]
  • By Bahman Ghobadi Half Moon Cast
    HALF MOON BY BAHMAN GHOBADI HALF MOON CAST Mamo ISMAIL GHAFFARI Kako / Bus Driver ALLAH MORAD RASHTIANI Hesho / Singer HEDYE TEHRANI Border Policeman HASSAN POORSHIRAZI Niwemang GOLSHIFTEH FARAHANI Shouan SADIQ BEHZADPOOR SYNOPSIS HALF MOON BY BAHMAN GHOBADI Renowned old musician Mamo has been granted permission to perform a concert in Iraqi Kurdistan. His faithful friend Kako will drive a school bus and help gather together Mamo’s ten musical adult sons, scattered throughout Iranian Kurdistan. Mamo is determined to make this trip across the majestic landscape despite all ob- stacles. The old Kurdish musician has waited some 35 years for the chance to perform freely again in Iraqi Kurdistan. Mamo even ignores his son’s premonition that some- thing awful awaits him before the next full moon. Mamo is convinced that the essence of the upcoming performance is the celestial voice of a woman. He has chosen Hesho, who lives in a mountain retreat with 1334 other exiled female singers. Old Mamo must persuade reluctant Hesho to join them, because her self-confidence and voice have been weakened by oppression. Since women are forbidden to sing in front of men in public in Iran, Hesho must be carefully concealed in the bus. The journey of Mamo and his musical group is not without difficulties. But persistent Mamo guides everyone toward adventure, emotion and magic … COMMENTS WRITER AND DIRECTOR BAHMAN GHOBADI NIWEMANG MEANS HALF MOON Niwemang means half moon in Kurdish. The title refers to the film’s story as being about Kurdistan being half visible and half hidden. I hope the audience becomes tempted to reach the hidden part of Kurdistan while watching the film … Niwemang is also a rare Kurdish name, and the name of a surprise character in HALF MOON.
    [Show full text]
  • Neorealism, History, and the Children's Film: Vittorio De Sica's
    Neorealism, History, and The Children’s Film: Vittorio de Sica’s The Children Are Watching Us reconsidered BERT CARDULLO Yale University Abstract Vittorio De Sica used a child protagonist for the first time, not in his neorealist masterpiece Shoeshine (1946), but in his first truly serious film, The Children Are Watching Us (1943), which examines the impact on a young boy’s life of his mother’s extramarital affair with a family friend. The Children Are Watching Us proved to be a key work, thematically as well as stylistically, in De Sica’s directing career. In its thematic attempt to reveal the underside of Italy’s moral life, this film was indicative of a rising new vision in Italian cinema. And in exhibiting semi-documentary qualities by being shot partially on location, as well as by using nonprofessional actors in some roles, The Children Are Watching Us was a precursor of the neorealism that would issue forth after the liberation of occupied Rome. Keywords: Vittorio De Sica; The Children Are Watching Us; Italian neorealism; children’s films; Shoeshine; Bicycle Thieves. Where children are concerned, two myths predominate on film: that of the original innocence of children, an innocence that only becomes sullied by contact with the society of grown-ups; and that of the child-as-father-to-the-man, of childhood as a prelude to the main event of adulthood. Among films of the first kind, Jean Benoît- Levy’s La maternelle (1932), Louis Daquin’s Portrait of Innocence (1941), Kjell Grede’s Hugo and Josephine (1967), Jilali Ferhati’s Reed Dolls (1981), and Bahman Ghobadi’s Turtles Can Fly (2004) deserve special mention.
    [Show full text]
  • Donostiako 64. Zinemaldiaren Egunkaria Diario De La 64 Edición Del Festival
    DONOSTIAKO 64. ZINEMALDIAREN EGUNKARIA DIARIO DE LA 64 EDICIÓN DEL FESTIVAL www.sansebastianfestival.com Martes, 20 de septiembre de 2016 Nº 5 ZINEMALDIA 2 ARGAZKIAK Asteartea, 2016ko irailaren 20a FOTOS ZINEMALDIAREN EGUNKARIA PICTURES MONTSE G. CASTILLO Bigas Lunak nolabait ezagutzera eman zituen, Javier Bardem eta Jordi Mollá aktoreak, atzo iritsi ziren Donostiara zuzendaria omentzera. ALEX ABRIL ASIER GARMENDIA IRITSIERAK LLEGADAS ARRIVALS HOTEL MARÍA CRISTINA Sigourney Weaver 13:30 Juan Antonio Bayona 20:00 Hirokazu Kore-Eda 23:50 Kirin Kiki 23:50 HOTEL LONDRES Alejandro Sieveking 09:50 Emiliano Torres 11:00 Dave Johns 12:40 El controvertido cineasta Paul Verhoeven, trae al Hayley Squires 16:35 Festival su película de la mano de Isabelle Huppert. Nicolás Durán 19:10 Alejandro Goic 19:10 Takuji Masuda zuzendaria Bunker77 fi lma erakutsiko du Savage Sailean. GORKA ESTRADA El director estadounidense Miles Joris- Peyrafi tte, compite en la Sección Ofi cial con su película As you are. ASIER GARMENDIA MONTSE G. CASTILLO Nacho Vigalondok lehiaketaz kanpo, Anne Hathaway aktorea protagonista duen, Colossal fi lma aurkezten du. El jovencísimo actor Charlie Heaton, protagonista en As you are, muy simpático con prensa y público. 4 SAIL OFIZIALA Asteartea, 2016ko irailaren 20a SECCIÓN OFICIAL ZINEMALDIAREN EGUNKARIA OFFICIAL SECTION ALGUNAS ENSOÑACIONES Y EVASIONES EN PLENO FESTIVAL QUIM CASAS ll Ma vie de courgette, la delica- Kimi no Na wa / Your name da animación de Claude Barra; Ki- mi no Na wa/Your Name, un ani- me fantástico-musical, y La Tortue rouge, un filme del célebre estudio japonés Ghibli realizado por el ho- landés Michael Dudok De Witt (la primera vez que un europeo penetra Ma vie de courgette en los mágicos dominios de Hayao Miyazaki e Isao Takahata), consoli- dan el encanto que el Festival siente por el cine de dibujos animados; el huella indeleble en el Festival, la se- diló en el serial.
    [Show full text]
  • Rhino Season
    MARTIN SCORSESE PRESENTS RHINO SEASON A film by Bahman Ghobadi INTERNATIONAL SALES INTERNATIONAL PR Ingrid Hamilton - GAT Carole BARATON - [email protected] 36 Blue Jays Way Gary FARKAS - [email protected] Suite 929 Vincent MARAVAL - [email protected] Toronto, ON, CANADA, M5V 3T3 Gaël NOUAILLE - [email protected] cell: (+1) 416-731-3034 Silvia SIMONUTTI - [email protected] SYNOPSIS Based on the diaries of Kurdish-Iranian poet Sadegh Kamangar, RHINO SEASON tells the story of Kurdish-Iranian poet Sahel (Behrouz Vossoughi) and his wife Mina (Monica Bellucci), a couple unjustly incarcerated during Iran's Islamic Revolution. Having survived 30 terrible years in prison, Sahel is finally released, only to discover that Mina, believing him long dead, has left the country for Turkey, where she lives as an immigrant with her two children, still mourning the loss of her husband. A damaged ghost of his former self, Sahel sets out for Istanbul in search of the woman he loves. As he travels, his journey quickly reveals itself as an uncanny passage through the darkness of their history, the black shadow of the man who has kept them apart all these years re-emerges... A lyrical account of Sahel's past and present blurs all boundaries in the landscape of his experience. Woven together from his poems, the words that follow Sahel are both his curse and saviour. Will he find Mina? Will they learn to live again? CHARACTERS Sahel Sahel is an established Kurdish-Iranian poet whose life has been shattered during the Islamic Revolution of Iran. Sentenced to 30 years in prison on charges of blasphemous writing, he will learn to survive by clinging to the memory of his beautiful wife Mina, and creating a separate dimension to the four walls of his cell through his poems.
    [Show full text]
  • A List of Films on Children and Childhoods Child Labor, Street Children, Poverty, Children and Violence/Health, Children’S Rights
    A list of films on Children and Childhoods Child Labor, Street Children, Poverty, Children and Violence/Health, Children’s Rights Stolen Childhood Global and comparative with cases from Asia, Africa, South America and the US, discussion about causes and possible solutions Children Underground (Romania) Children of (Russia) Leningradsky Salaam Bombay (India) Pixote (Brazil) Born into Brothels India, poverty, stigma, empowerment and outsider "assistance", can spark a critical conversation about representation Children of Secret (Turkey) Waiting for Sunrise (Pakistan) Ali Zaoua (Morocco) City of God Street children and structural poverty, corruption and violence A Kind of Childhood Six years of a boy's life, who works with a rickshaw driver, and the many issues he struggles to overcome while working in the city, clearly demonstrates that merely offering free education is not enough http://directcinema.com/dcl/title.php?id=407 Sacrifice By Ellen Bruno (1998) concerns the trafficking of Burmese girls into Thailand for prostitution No Time for Play: Affinity Productions (2002) Working Children in Nicaragua Trilogia das Novas A trilogy of short stories about the lives of children affected by AIDS Familias (Trilogy of (about 7 minutes each) by Isabel Loronha. In Shangaan with Portuguese new families) subtitles. The 400 Blows This is one of four or five films by Francois Truffaut that deal explicitly with children in deeply moving and haunting ways. Themes include the importance of language, education, poverty, and empathy. Ulan Bator Street kids in Mongolia Children of Tibet: The Street kids Exile Generation Bus 174 (Onibus 174) A Brazilian documentary about a young man who hijacks a bus in Rio; teach about lives of street children and trace the relationships between structural and other forms of violence.
    [Show full text]