DOCSLIB.ORG

February 1913) James Francis Cooke

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
February 1913) James Francis Cooke Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 2-1-1913 Volume 31, Number 02 (February 1913) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 31, Number 02 (February 1913)." , (1913). https://digitalcommons.gardner-webb.edu/etude/588 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. W 11 w Wl I 11 THE ETUDE 81 REQU1SITESF0R New Publications MUSIC TEACHEP m Instructive Four Hand Mother Goose Duets thr latest and ben idea* uJ !.C0inPendluin of ruyuiai liumv iui/Mu. Four Hand Pianoforte Pieces for the pianoforte Album For Teacher and Pupil By THEODORA DUTTON *11 bu.lue« tnins.irted by M a”MONTHLY JOURNAL FOR THE MUSICIAN. THE Price, SO Cent* Melodious Duets for Teacher Price. 50 Cent* MUSIC STUDENT. AND ALL MUSIC LOVERS. o«f of the be«t collection! ever offered, and Pupil This novel volume will prove off Interest P»l!oOp.ErSdSo0.?nl,OOK’ Rr*C8IOe'etch, of ohm Mn* to the early or Intermediate to teachers making a specialty of ele¬ Edited by .TAMES FRANCIS COOKE —«nd all the pieces contained By A. SARTORIO mentary work. In each of these duets the Op. 996 Price, 50 Cents SBlMerlptlMi MeejhSJ Fjjr fiu.m,’Tumu'COly"'of Sh°nsh.l. *",7.*hout “ill be found admirably adapted pupil's part (Prime) Is founded upon a itsc0VECORD’ (« ■Mlw, 9 ghllllng,, 1. Fra.,., It for parlor plaring. Just such pieces as will There Is always a demand for teacher well-known nursery melody, accompanied by In rt“^a*J^i„^, ora.rW *ilotlinr r,„.ntrl«». *4.20 per year. the aveiage listener and prove and pupil duets. These new ones are par¬ text for singing iud lib. 1. The teacher's ^"ful to the Player. The pieces are all ticularly bright and melodious. Although part Is Interesting and beautifully hnrraon- e allowed for m ,Sd orlfflnal. not to be found In other the pupil’s part is always easy, the teacher's Txed. All the duets are pretty and attrac¬ “k™ *,ns collections They are printed from extra tive. There nre 1 • n number part Is so Interesting, and the duets are so UVIWITTANCES should be made by post-office or express well made that the combined effect Is most • registered pleasing. There are 20 duets In all, care¬ ton., upon which to Z,^1“d"** weekly money orders, bank check or draft, or registered fully arranged In progressive order, the Anthem Service tin*. wMI m ilrct'li0D* fotter United States postage stamps are always The Pennant first numbers being as easy as possible. A Coilection of Aalbems for General Use BILLS AND RECEIPTS. (Packs,* of 100.) IS5 .a sr, AN OPERETTA Price. 25 Cent* Lyrics by Trank M. Colville The most recent addition to our enor BLAsNK BILLS. (Urgastoe*,,^^ Music by Oscar J, Lehrer First and Second Grade mously successful series of anthem compila¬ Price, $1.00 tions : ’’Model Anthems.’’ "Anthem Reper¬ Pretty tunes, amusing situations, jvell toire.” "Anthem Worship." "Anthem Devo¬ issue!nsoCTHE^*ETUDE will be continued set up y-ung "inen, "bright "KirTs''to" smart Study Pieces tion," “Anthems of Prayer and. Praise." In with the understand Ins that you will re¬ frock*. i lance here and there, and a spirit For the Pianoforte ’’Anthem Service" will be feuud an entirely especially practice directions tothe pupil mit later at yonr convenience. A notice "go" Is the best description of new collection of numbers for church use, will be sent subscriber at tlie time of ex¬ r .-oiiant." This Is not one of the By E. PARLOW Prica, $1.00 well within the range of the average quartet C1100i«M^vr* leaves ruled^*,RM music°NY paper, TABLET. 7x10, 25c. Pad piration. little pieces that smack of the can- This Is an excellent work to supplement or chorus choir, and well worth singing by RENEWAL.—No receipt is renewals, hen they are really designed to be r to accompany an Instruction book or any choir. This work will prove one of STUDENT'S HARMONY TABLET. Pad of On the wrapper of tlie next issue "* >■* er the footlights. It Is a real, prac- graded course. It offers pleasing, as well the best of the aeries. All the anthems are ,5 leave, ruled music paper, 7x7. 1 Sc deal■I piece for a short cast, easily re¬ will be printed tbe ilale on wlilelt yonr learned and easily produced. It may be as Instructive material for the young melodious and interesting, yet truly devo¬ BLANK MUSIC COPY BOOKS. subscription Is paid np, which serve* aa a idapted to suit slmost any college locality, pianist la the first two grades. The pieces tional and churchly. Prloss, 1 Oo to 35c. receipt for yonr subscription. are all new and original, abort and char¬ ■LANK MUSIC PAPER. 12, It or 16 line* MANUSCRIPTS_Manuscripts should be addressed to acteristic; very tuneful and Interesting. THE ETUDE. Write on one side of the sheet only. Only the keys of C, F and G and their Standard Opera Album xgh'&Lf* inch“’per «*• Contributions on muslc-teaehlng and music-study ate relative minors are used. The volume Is solicited. Although every possible care is taken the Beginner’s Book carefully graded in progressive order. For the Pianoforte BLANK MUSIC PAPER. 100 leaves 7x8% with wide epacin,. £UC, publishers are not responsible for manuscripts or School of the Pianoforte Price 50 Cent* photographs either while in their P08s®a8l9“. The melodies from the great operas, BLANK PROCRAM FORMS. For Concert. transit. Unavailable manuscripts will be returnea. By THEODORE PRESSER Technical Exercises in a transcribed for the pianoforte, are always or Pupil.’ Recital.. 60c par hundred. ADVERTISING RATES will be sent on application, Price, 75 Cents popular, either for home or.recital play¬ DIPLOMA FORM. 21x19. Prioa 15c, Parch- auvertlsements must reach this office not later than A real Beginner’s Book, suitable to ing This album contains some of the very ineut, 2 5c. the 5th of the month preceding date of issue to Kranich & Bach '■ken by a child Just out of the Klnu. Musical Setting finest numbers, arranged In the best possi¬ TEACHERS' CERTIFICATES. 11x8#. 6c. insure Insertion In the following Issue. jarteo or by the youngest student. The ble manner. The pieces are all of Inter¬ THEODORE PRESSER CO . ^ 1*.. Oral twenty-odd pages do not go be.vond the For the Pianoforte mediate difficulty, lying In the third grade, MUSICAL PRIZE CARD. 6|4x4% it flre-Anger positions In each hand. There are By CARL A. PREYER Price. $1.00 chiefly, and not going beyond the fourth lOo. Plenty of writing exercises and questions grade. The selections are all from stand¬ REWARD CARDS. Litho in Colon, a e Pressnt Co •nd answers to familiarize the pupil with An Important technical work, just such ard operas, numbers with which all should 15, 6O0. Ultra-Quality a book as more advanced students are look¬ PIANOS eeerylhlng that baa been presented. be familiar. MUSIC WRITINC PENS. Per dozen, I So. Musical facta are Introduced one at ing for. an amplification of the technical time. In the plalneat possible manner auu ideas of Plschna. A technical figure of PROFESSIONAL OR VISITING CARDS. »* propette* logically and surely. musical significance Is worked out through Vocal Studies' 50 lor 35o,1 00 for 6O0,600 lor$1.26. CONTENTS All th« material l« fresh and pleasing, pre- the various keys In each exercise and both Neatly printed in the four moot popular style* and PLAYER-PIANOS MitMi in ■«» attractive -- hands receive equal attention throughout. By H. W. PETRIE Price. $1.00 of type. “THE ETUDE”—February, 1913. The central Idea Is to develop musicianship These studies are about as melodious and RUBBER STAMP AND INK PAD. One as well as technical proficiency at one and pleasing as it Is possible to find. They are Editorial . the same time. The author is a successful line 30o, two line* 40c, thrae line* 6O0. European Notes.. .'. .A. Elson ! These Superb instruments—the finest that hu¬ The Fairy Shoemaker Intended to be used for promoting style A handy article for putting name and address Saving Nerve Force. .. I!. E. Hipsher ' and flexibility and for Improving one’s ex¬ on orders to publishers, etc. It prevent, error.. Piano Study in Frauce. .Th. Lack ' man hands can fashion—make their appeal A School Operetta “ s» mts-jst“•*»■»- ecution. Each study has a characteristic The Slow Movement. _II. Antcliffc • “xt, so that it is possible to sing It as ROLL BLACKBOARDS. .Geo. Sand only to persons of fine tastes whose intelli¬ By A. H. HALL and T. J, HEWITT 2x3 ft., S1.80; 2Xx3%, S2.50| 3x4,83.20. Chopin's Characteristics. ■ song; otherwise the syllables or vowels .. P. V. Jervis ' Price. 50 Cent* Efficiency in l'iano Playing.. may be used. These studies nre extremely CHART PAPER RULED. Prlea 10c • Preparing the Hands. ./. Romeu gence impels them to This work Is one of the best of Its kind. Echoes from ChOdbood modern, and will no doubt be acceptable to cheat.
Load more

Recommended publications
  • UNIVERSITÄTSKONZERT Programmheft
    UNIVERSITÄTSKONZERT Programmheft Internetversion www.uni-hamburg.de/akamusik/programmheft_2008_1.pdf 1 Universitätskonzert vom 03.02.2008 Programmfolge ELINOR REMICK WARREN (1900 - 1991) The Legend of King Arthur (1939) A choral symphony, based upon "The Passing of King Arthur" from “Idylls of the King” by Alfred Lord Tennyson ▪ Pause ▪ HANS VON KOESSLER (1853 - 1926) Sylvesterglocken (1897) Ein weltliches Requiem, gedichtet von Max Kalbeck christiane laukemper, sopran christa bonhoff, alt dantes diwiak, tenor konstantin heintel, bariton chor und orchester der universität hamburg leitung: bruno de greeve Einführung in das Programm von Bruno de Greeve Ist es Zufall, Schicksal, Leistung oder Glück – oder doch, wie man heute so schön sagen kann: Serendipität? [Englisch "serendipity", wurde im 18. Jahrhundert von Horace Walpole geprägt. Er spielt damit auf ein persisches Märchen an, in welchem sich die drei Prinzen von Serendip (altpersisch für Sri Lanka) auf eine Reise begeben, bei der sie durch Zufall viele spannende Entdeckungen machen und mithilfe des Zufalls und ihrer Scharfsinnigkeit verschiedene Prüfungen bestehen. In der Grundbedeutung bezeichnet Serendipität, dass eine Entdeckung gemacht wird, ohne dass nach ihr absichtlich geforscht wurde. Viele bedeutende Entdeckungen verdanken wir allein diesem Phänomen.] Wie dem auch sei: Zwei Werke haben sich zusammenfinden lassen, wovon ich erstmal keine Ahnung hatte, dass es sie gäbe, und mir dann auch noch nicht vorstellen konnte, dass sie so wunderbar zusammenpassen würden. Immer bekamen unsere Programme einen besonderen Reiz, wenn wir Werke aufführen konnten, die auf einer literarischen Vorlage beruhen: Wenn sich schöne Texte mit schöner Musik verbinden, ist es wie ein Gleichgewicht zwischen Geist und Seele ... (oder zwischen Kopf und Herz).
    [Show full text]
  • Gesine Schröder
    Vorträge – Gesine Schröder [„Vom Nutzen und Nachteil metrischer Analysen für die musikalische Interpretation“, Symposium „Ist Musiktheorie praktisch?“, Wien, mdw, 14. April 2018] „Gestures of dodecaphonic music, exemplified through a symphony by Zhu Jian’er“, Symposium The Study of Serial Music Technology in China am Konservatorium Shanghai, 11. Januar 2018 „Les études et les ébauches compositionnelles de la jeune Fanny Mendelssohn. Un commentaire sur le contrepoint et les mélodies“, Sorbonne IV Paris, 14. Dezember 2017 (Französisch und Englisch) „Re-working / re-cycling: an attempt of their labelling via examples from Georg Friedrich Haas, and Johannes Schöllhorn“, Musikakademie Breslau, 13. Dezember 2017 „Sorrow of Time. Temporal Inharmoniousness in Recent European Contemporary Music (Notes on Georg Friedrich Haas, Johannes Schöllhorn and Marko Nikodijević)“, Vortrag beim Musiktheorieforum am Konservatorium Shanghai, 10. November 2017 „Seelengeschenke von Laien. Die Versprechen reformatorischer Musik“, im Rahmen des Symposiums 500 Jahre Reformation – 30 Jahre Perestroika“, veranstaltet vom Institut für Neue Musik des Tschaikowski- Konservatoriums Moskau in Zusammenarbeit mit dem Goethe-Institut Moskau, 14. April 2017 „Musikwissenschaft und Musiktheorie in deutschsprachigen Ländern heute – aktuelle Tendenzen“, Tschaikowski-Konservatorium Moskau, 13. April 2017 „Technique, film music, and socialism. Andrzej Markowski’s electronic sounds for the science-fiction film The Silent Star (1959/60)“, The Chinese University of Hong Kong, 1. April 2017 „Zeitgestalten – Zeit gestalten. Dramaturgie & Rhythmus in Musik & Musiktheorie seit 1945“, Hochschule der Künste Zürich, Meisterkurs Jänner 2016 „Technik, Filmmusik & Sozialismus. Andrzej Markovskis elektronische Klänge zu dem Science Fiction-Film ‚Der schweigende Stern’“, HMT Leipzig, 7. Januar 2017 „Theorist and teacher of theory. Carl Dahlhaus as a model for the classroom teaching of music theory at West- German conservatories“, AMS+SMT annual Conference, Vancouver 3.
    [Show full text]
  • Idioms-And-Expressions.Pdf
    Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context.
    [Show full text]
  • Music and Artistic Citizenship: in Search of a Swiss Identity
    253 Music and Artistic Citizenship: In Search of a Swiss Identity CARLO PICCARDI (Lugano) Although, for obvious reasons, one cannot speak of a “Swiss music” in terms of a unified, homogeneous culture or style, this does not mean there are no observable constants within the variety of its manifestations and its development over time. More than individual elaborations, historical con- ditions have had the greatest influence in determining the aesthetic prin- ciples which have imposed themselves; general behaviour and interests have outweighed particular interests, and the way the country has de- fined itself as a distinct community in relation to its neighbouring nations. This essay draws upon well-known studies to examine music, art and cul- ture from historical, social, civil and political perspectives in an attempt to critically re-examine the question. It will be shown how a certain Swiss musical identity is constituted with regard to its functional role in the country’s interests, as an expression of a collective dimension, as a regu- lating organisation of its integration within society, and as a permanent and recognised dialogue with the institutions. The fact that certain char- acteristics recur both in situations of conservative withdrawal and in those of opening to new influences, leads us to speak of a shared value in the diversity of attitudes. About the fact that Switzerland has been the location of choice for travellers and refugees from all over the continent, someone has said that this country has more often welcomed the people who have found com- fort and refuge here than it has welcomed the messages they have brought with them.
    [Show full text]
  • Lita Ford and Doro Interviewed Inside Explores the Brightest Void and the Shadow Self
    COMES WITH 78 FREE SONGS AND BONUS INTERVIEWS! Issue 75 £5.99 SUMMER Jul-Sep 2016 9 771754 958015 75> EXPLORES THE BRIGHTEST VOID AND THE SHADOW SELF LITA FORD AND DORO INTERVIEWED INSIDE Plus: Blues Pills, Scorpion Child, Witness PAUL GILBERT F DARE F FROST* F JOE LYNN TURNER THE MUSIC IS OUT THERE... FIREWORKS MAGAZINE PRESENTS 78 FREE SONGS WITH ISSUE #75! GROUP ONE: MELODIC HARD 22. Maessorr Structorr - Lonely Mariner 42. Axon-Neuron - Erasure 61. Zark - Lord Rat ROCK/AOR From the album: Rise At Fall From the album: Metamorphosis From the album: Tales of the Expected www.maessorrstructorr.com www.axonneuron.com www.facebook.com/zarkbanduk 1. Lotta Lené - Souls From the single: Souls 23. 21st Century Fugitives - Losing Time 43. Dimh Project - Wolves In The 62. Dejanira - Birth of the www.lottalene.com From the album: Losing Time Streets Unconquerable Sun www.facebook. From the album: Victim & Maker From the album: Behind The Scenes 2. Tarja - No Bitter End com/21stCenturyFugitives www.facebook.com/dimhproject www.dejanira.org From the album: The Brightest Void www.tarjaturunen.com 24. Darkness Light - Long Ago 44. Mercutio - Shed Your Skin 63. Sfyrokalymnon - Son of Sin From the album: Living With The Danger From the album: Back To Nowhere From the album: The Sign Of Concrete 3. Grandhour - All In Or Nothing http://darknesslight.de Mercutio.me Creation From the album: Bombs & Bullets www.sfyrokalymnon.com www.grandhourband.com GROUP TWO: 70s RETRO ROCK/ 45. Medusa - Queima PSYCHEDELIC/BLUES/SOUTHERN From the album: Monstrologia (Lado A) 64. Chaosmic - Forever Feast 4.
    [Show full text]
  • Two American Jacobins Abroad, Joel Barlow and Thomas Paine, 1789
    Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1973 Two American Jacobins Abroad, Joel Barlow and Thomas Paine, 1789-1801 Ginger Grigg Faber Eastern Illinois University This research is a product of the graduate program in History at Eastern Illinois University. Find out more about the program. Recommended Citation Faber, Ginger Grigg, "Two American Jacobins Abroad, Joel Barlow and Thomas Paine, 1789-1801" (1973). Masters Theses. 3778. https://thekeep.eiu.edu/theses/3778 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. PAPER CERTIFICATE #2 TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking· permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. Cf.1973 Dale I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced because��- Date Author pdm Two American Jacobins Abroad Joel Barlow and Thomas Paine, 1789-1801 (TITLE) BY Ginger Grigg �aber THESIS SUBMITIED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY CHARLESTON, ILLINOIS 1973 YEAR I HEREBY RECOMMEND THIS THESIS BE ACCEPTED AS FULFILLING THIS PART OF THE GRADUATE DEGREE CITED ABOVE <,_ \l'fl.3 DATE I Affectionately Dedicated �o my Husband, Peter Faber, and our Children.
    [Show full text]
  • Sammelsignatur Unter Einer Signatur Sind Mehrere Werke Verzeichnet (Siehe Kapitel III
    Anlage 3: Die in der Bibliothek des Landeskonservatoriums unter Verschluss gestellten Werke Legende: Sammelsignatur Unter einer Signatur sind mehrere Werke verzeichnet (siehe Kapitel III. 2. 3. 5. 5 und III. 2. 3. 5. 6) Normaler Schriftschnitt Musica practica Fettdruck Musica theoretica „N“ „Nichtarier“ R nachträgliche Rasur des Eintrags „N“ Vorbemerkung: Auch bei häufigen, nicht eindeutig nachweisbaren Namen sekretierte man bei Namensgleichheit aufgrund des Eintrags in Rock/Brück- ner (1936) offenbar das entsprechende Werk. Das betrifft O. Fischer 1, C. Goldmann2, M. Lewin3, A. Rose4, J. Sulzer5, B. Wolff 6, Ed. Wolff 7, I. Weiss8 und I. Weisz9. 1 Bei Rock/Brückner (1936, 74) heißt es: „Fischer Oskar, Musiker in Wien, Windmühlgasse 18. – P.“ 2 Ibid., (88) heißt es: „Goldmann Kurt, geb. 1870 zu Berlin. Komponist (u. a. Schlager, Tänze), Librettist, Konzertmeister und Chordirigent in Kleinsteinberg, Villenkolonie 9. […]“. 3 Ibid., (143) heißt es: „Lewin Michael, geb. 1890 zu Kiew. Komponist (u. a. jüd. Orchestermusik) in Kiew. – Nat. B.“ 4 Ibid., (188) heißt es: „Rose Alfred, geb. 1855 zu Paderborn, gest. 1919 zu Hannover. Leiter d. Synagogenchores, Komponist (u. a. jüd. Tempelmusik) und Musiklehrer am israel. Seminar in Hannover. – Nat. – B./Rie.“ 5 Ibid., (221) heißt es: „Sulzer Josef, Professor, geb. 1850 zu Wien, gest. 1926 zu Wien. Musiker, Chordirigent und Komponist (u. a. Lieder, jüd. Tempelmusik) in Wien. Sohn d. Salomon S. – Nat. B./Kohut.“ 6 Ibid., (236) heißt es: „Wolff Bernhard, Professor, Dr., geb. 1848 zu Halberstadt. Chordirigent, Musikdirektor und Musikschriftsteller in Bonn. – ABC I.“ 7 Bei Rock/Brückner (1936, 236) heißt es: „Wolff Edouard, geb. 1816 zu Warschau, gest.
    [Show full text]
  • Inhaltsverzeichnis
    Inhaltsverzeichnis Vorwort 9 1 Einleitung 11 1.1 Themenwahl....................................................................................... 11 1.2 Quellen............................................................................................... 14 1.3 Stand der Lendvai-Forschung............................................................ 17 1.4 Methodische Fragen.......................................................................... 18 2 Biographische Stationen 19 2.1 Kinder- und Jugendjahre in Budapest (1882-1901).......................... 19 2.2 Studienjahre in Budapest (1901-1905).............................................. 21 2.2.1 Bewerbung und Lehrplan....................................................... 21 2.2.2 Der Lehrer Hans (von) Koessler (1853-1926)......................... 27 2.2.3 Lendvais Reisestipendium nach Italien................................... 31 2.3 Berlin - Weimar - Jena (1906-1923)................................................. 32 2.3.1 Die ersten Jahre in Deutschland und erste Erfolge.............. 32 2.3.1.1 Elga (o. Op.): Zur Entstehungsgeschichte von Lendvais einziger Oper............................ 37 2.3.2 Die Bildungsanstalt für Musik und Rhythmus von Emile Jaques-Dalcroze..................................................................... 41 2.3.3 Bekanntschaften mit Mitgliedern des Bauhauses in Weimar . 42 2.3.4 Die kurze Anstellung am Klindworth-Scharwenka-Konserva- torium und weitere nicht genutzte Chancen.......................... 45 2.3.5 Erwin Lendvais Musikalische Handwerkslehre
    [Show full text]
  • Midaq Alley Naguib Mahfouz
    Midaq Alley Naguib Mahfouz 1 Contents: The Story of Midaq Alley Characters of Midaq Alley About the Author Naguib Mahfouz An Introduction to Midaq Alley Translation Note 1 Many things combine to show that Midaq Alley is one of the gems of times gone by and that it once shone forth like a flashing star in the history of Cairo. Which Cairo do I mean? That of the Fatimids, the Mamlukes, or the Sultans? Only God and the archaeologists know the answer to that, but in any case, the alley is certainly an ancient relic and a precious one. How could it be otherwise with its stone-paved surface leading directly to the historic Sanadiqiya Street. And then there is its cafe known as Kirsha's. Its walls decorated with multicolored arabesques, now crumbling, give off strong odors from the medicines of olden times, smells which have now become the spices and folk cures of today and tomorrow . Although Midaq Alley lives in almost complete isolation from all surrounding activity, it clamors with a distinctive and personal life of its own. Fundamentally and basically, its roots connect with life as a whole and yet, at the same time, it retains a number of the secrets of a world now past. The sun began to set and Midaq Alley was veiled in the brown hues of the glow. The darkness was all the greater because it was enclosed like a trap between three walls. It rose unevenly from Sanadiqiya Street. One of its sides consisted of a shop, a cafe, and a bakery, the other of another shop and an office.
    [Show full text]
  • Excerpt from Navidad Nuestra [Nah-Vee-THAD Nooayss-Trah]; Music by Ariel Ramírez [Ah-Reeell Rah-MEE-Rehth] and Text by F
    La anunciacion C La anunciación C lah ah-noon-theeah-theeAWN C (excerpt from Navidad nuestra [nah-vee-THAD nooAYSS-trah]; music by Ariel Ramírez [ah-reeELL rah-MEE-rehth] and text by F. Luna [(F.) LOO-nah]) La barca C lah BAR-kah C (The Boat) C (excerpt from the suite Impresiones intimas [eem- prayss-YO-nayss een-TEE-mahss] — Intimate Impressions — by Federico Mompou [feh- theh-REE-ko mawm-POOO]) La barcheta C lah bar-KAY-tah C (The Little Boat) C (composition by Hahn [HAHN]) La bas dans le limousin C Là-bas dans le Limousin C lah-bah dah6 luh lee-môô-zeh6 C (excerpt from Chants d'Auvergne [shah6 doh-vehrny’] — Songs of the Auvergne [o-vehrny’], French folk songs collected by Joseph Canteloube [zho-zeff kah6-t’lôôb]) La bas vers leglise C Là-bas, vers l'église C lah-bah, vehr lay-gleez C (excerpt from Cinq mélodies populaires grecques [seh6k may-law-dee paw-pü-lehr greck] — Five Popular Greek Melodies — by Maurice Ravel [mo-reess rah-vell]) La belle helene C La belle Hélène C lah bell ay-lenn C (The Fair Helen) C (an opera, with music by Jacques Offenbach [ZHACK AWF-funn-bahk]; libretto by Henri Meilhac [ah6-ree meh-yack] and Ludovic Halévy [lü-daw-veek ah-lay-vee]) La belle isabeau conte pendant lorage C La belle Isabeau (Conte pendant l’orage) C lah bell ee- zah-bo (kaw6t pah6-dah6 law-rahzh) C (The Lovely Isabeau (Tale During a Storm)) C (poem by Alexandre Dumas [ah-leck-sah6-dr’ dü-mah] set to music by Hector Berlioz [eck-tawr behr-leeawz]) La belle se sied au pied de la tour C lah bell s’-seeeh o peeeh duh lah tôôr C (The Fair Maid
    [Show full text]
  • 4Th Force Kicks Off Toys for Tots Pfc
    INSIDE Sgt. Mars Corner A-2 4th Force jumps A-3 Rad Bn. Shooten A4 1/3 'Mortar Fire A-5 11th .M.F11 A-8 Santa's Village B-1 MCCS 11-2 Football Pool 13-3 Basketball 13-4 IMAX Feature 11-5 Volume 29, N timber 49 www.nwhh, HMI-111%M I November 30, 2(100 minommommiumminisommook 4th Force kicks off Toys for Tots Pfc. I,ain A. Schnaible it of giving at the Toys for Tots kick- Combat Correspondent off as Marines of 4th Force Reconnaissance Company from WAIKIKI The music of local MCB Hawaii, Kaneohe Bay, began bands and the joyous shouts of chil- an a:JO to make sure every child dren filled the air during the kickoff has a joyous Holiday Season. of the annual Marine Corps Reserve The Toys for Tots drive is an Toys for Tots drive at Ala 'Mona annual drive put on nationwide each Shopping Center here Saturday. year by the United States Marine Throngs of people flocked to the Corps Reserve. stage to hear the sounds of local This is the 53rd year the USMCR bands Ewa Zone, the Ka.hala Boys, has held this event. Mana Ohana and more. With the aid of various social ser- Marines in their dress blue delta vice agencies, Toys for Tots finds uniforms lined the stage area to deserving children and provides show support. The festivities were all in the spir- See TOYS, A-7 MMEA visits base Pfc, lain A. Schnaible Combat Correspondent Marine Corps Base Hawaii hosted a visit from the Manpower Management Enlisted Assignment branch this week aboard MCB Hawaii, Kaneohe Bay and Camp 1-1.M.
    [Show full text]
  • JC MIX Programm Weiden 2017 Kopie.Pages
    1 Jugendchor und Mixtura Cantorum des Fränkischen Sängerbundes e.V. Benefizkonzert Weiden, Samstag, 18. März 2017 Pfarrkirche Herz Jesu - 20 Uhr Gefördert durch das Bayerische Staatsministerium für Bildung und Kultus, Wissenschaft qund Kunst. q 2 Der Jugendchor des FSB bietet musikalisch interessierten Jugendlichen Chorarbeit auf hohem Niveau. Der Chor kommt circa vier- bis sechs Mal im Jahr zusammen, wobei die Proben und die Auführungen zeitlich kompakt stattfinden. Das gesamte Jahresprogramm und die Termine werden immer ein Jahr vorher festgelegt. Interessenten können sich an Johannes Walbrunn (Organisation) wenden. E-Mail: [email protected] Weitere Informationen fnden sie unter: http://www.jugendchor.org Förderverein Jugendchor e.V. Am 18. März 2008 hat sich in Ensdorf der Förderverein des Jugendchores des Fränkischen Sänger- bundes (FSB) e.V. gegründet. Eine chorische Gemeinschafsleistung auf hohem Niveau ist nur durch weitsichtige, langfristige und ausdauernde Arbeit zu erreichen. Der Förderverein unterstützt die Arbeit und die Projekte des Jugendchores des FSB, um jungen Menschen die vorbildliche Auführungspraxis geistlicher und weltlicher Chormusik zu er- möglichen. Dies ist nur auf einer breiten fnanziellen Basis möglich, damit interessierten und talen- tierten Jugendlichen und jungen Erwachsenen der Zugang zur Chormusik nicht schon aus f- nanziellen Gründen verwehrt bleiben muss. Wenn Ihnen unser Konzert gefallen hat und auch Sie unsere Arbeit fnanziell unterstützen möcht- en, freuen wir uns über einer Spende an den Förderverein. Sie erhalten dann selbstverständlich eine Spendenquittung. Wenn Sie ein Mitglied des Fördervereins werden wollen, senden wir Ihnen die Satzung und die Beitrittserklärung zu. Vorstand: Toni Benker, Rechtsanwalt (01 73) 9 49 34 12 Informationen unter: http://www.foerderverein-jugendchor.org Mixtura Cantorum bietet am Singen interessierten Menschen Chorarbeit auf hohem Niveau.
    [Show full text]