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A Survey of Recent New Zealand Writing TREVOR REEVES
A Survey of Recent New Zealand Writing TREVOR REEVES O achieve any depth or spread in an article attempt• ing to cover the whole gamut of New Zealand writing * must be deemed to be a New Zealand madman's dream, but I wonder if it would be so difficult for people overseas, particularly in other parts of the Commonwealth. It would appear to them, perhaps, that two or three rather good poets have emerged from these islands. So good, in fact, that their appearance in any anthology of Common• wealth poetry would make for a matter of rather pleasurable comment and would certainly not lower the general stand• ard of the book. I'll come back to these two or three poets presently, but let us first consider the question of New Zealand's prose writers. Ah yes, we have, or had, Kath• erine Mansfield, who died exactly fifty years ago. Her work is legendary — her Collected Stories (Constable) goes from reprint to reprint, and indeed, pirate printings are being shovelled off to the priting mills now that her fifty year copyright protection has run out. But Katherine Mansfield never was a "New Zealand writer" as such. She left early in the piece. But how did later writers fare, internationally speaking? It was Janet Frame who first wrote the long awaited "New Zealand Novel." Owls Do Cry was published in 1957. A rather cruel but incisive novel, about herself (everyone has one good novel in them), it centred on her own childhood experiences in Oamaru, a small town eighty miles north of Dunedin -— a town in which rough farmers drove sheep-shit-smelling American V-8 jalopies inexpertly down the main drag — where the local "bikies" as they are now called, grouped in vociferous RECENT NEW ZEALAND WRITING 17 bunches outside the corner milk bar. -
Read Witi's Lecture
First published in 2015 by the New Zealand Book Council 156/158 Victoria Street, Te Aro, Wellington 6011 © Witi Ihimaera, 2015 A catalogue record for this book is available from the National Library of New Zealand. ISBN 978-0-473-33516-8 This book is copyright. Apart from any fair dealing for the purpose of private study, research, criticism or review, as permitted under the Copyright Act, no part may be reproduced by any process without the permission of the publisher. Cover design Kalee Jackson Cover photo © Siobhan Harvey, 2012 Internal design and typesetting Emma Bryson Printed by Printlink This book was taken from manuscript to bookshelf by students of the Whitireia New Zealand publishing programme, who worked on editing, production and design. For more information about our editing and publishing training, visit www.whitireiapublishing.co.nz FOREWORD Kia ora tātou The New Zealand Book Council Lecture has become a prominent part of the literary landscape in Aotearoa New Zealand and provides an opportunity for one of our country’s leading writers to discuss an aspect of literature close to their heart. The 2015 lecture was significant for three reasons: firstly, it was a key part of the wonderful Dunedin Writers and Readers Festival – one of Australasia’s stellar festival events. Secondly, the lecture took place at Dunedin’s first literary festival as a UNESCO City of Literature, which is well-deserved recognition of the city’s past and present as an extraordinary place of words and writers. Last – but certainly not least – we were privileged to have Witi Ihimaera deliver the lecture, one of Aotearoa New Zealand’s most acclaimed writers. -
On Monday 3 December 2007 I Drove Down to Kaka Point to Talk with Hone Tuwhare About Bill Person
ka mate ka ora: a new zealand journal of poetry and poetics Issue 8 September 2009 Hunt’s Baxter Francis McWhannell I didn’t know Then how short life is – how few The ones who really touch us (‘Words to Lay a Strong Ghost’, 1966) It is a little over 83 years since James Keir Baxter was born. Today, he is one of Aotearoa’s more familiar cultural personages (along with such figures as Janet Frame and Colin McCahon) and one of our few widely recognised poets, represented in the majority of twentieth century New Zealand verse anthologies and in many international English-language equivalents. Indeed, Baxter has in this country assumed the status of icon (with all the ambiguity that this implies). Had he not died in 1972, Baxter would no doubt have something to say about his present fame – he was an astute and prolific commentator, and an uncommonly self-conscious one. As it is, we-the-living are steadily turning out Baxter-based publications, James K. Baxter: Poems (Auckland University Press, 2009), selected and introduced by Sam Hunt, being just one recent example. I first learned of Hunt’s selection of Baxter when visiting a favourite Auckland bookshop. The handsome little publication was displayed in precisely the same spot as had been occupied some months before by another attractive hardback, Hunt’s own Doubtless: New & Selected Poems (Craig Potton, 2008). This latter I had purchased without hesitation. Despite wide popularity and saleability, Hunt’s poetry has of late been rather hard to get hold of. The demise of Hazard Press of Christchurch has effectively rendered Hunt’s Making Tracks: A Selected 50 Poems (1991) out of print, and second hand copies of his predominantly paperback collections are scarce, especially in good condition. -
Waikato-Tainui and Ngāi Tahu's Treaty Settlement Negotiations With
Balancing rangatiratanga and kawanatanga: Waikato-Tainui and Ngāi Tahu’s Treaty settlement negotiations with the Crown Martin Fisher A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy in History Victoria University of Wellington 2015 i ii Abstract Waikato-Tainui and Ngāi Tahu’s negotiations with the Crown produced the first two major iwi-based agreements of the modern era of Treaty settlements in New Zealand/Aotearoa. While the existing historiography has previously addressed the general parameters of each agreement, and some key players have briefly written about their involvement in the process, an analysis of both negotiations through the lens of the iwi (tribe) pursuit of rangatiratanga (or self-determination) and the Crown’s defence of its sovereignty and kawanatanga (or governance) increases our understanding of these precedent-setting Treaty settlements. Māori rangatiratanga and Crown sovereignty and governance were not the only factors that drove all parties in their negotiations, but they represented the dominant motivating force in terms of reaching agreements on very difficult issues. Through an investigation of Ngāi Tahu, Waikato-Tainui, Crown and public sources, this thesis identifies the balancing of iwi rangatiratanga and the Crown’s sovereignty and kawanatanga in four major areas of the process: the development of iwi governance systems post-settlement, the negotiation of the financial aspects of the settlement, the parameters surrounding the return of land, and the formulation of the historical accounts and Crown apologies. The political structures set by the Crown to govern the process influenced all aspects of the negotiation. -
The Three Worlds of James K Baxter
This is a Free Low Resolution edition see Publishing details for more information on the very first page MYTHOLOGYMYTHOLOGY ofof PLACEPLACE the three worlds of James K Baxter photographs - Lloyd Godman text - Lawrence Jones Design and layout copyright - © Photo-syn-thesis 2008 applicable text copyright © Larry Jones & Lloyd Godman Photographs copyright © Lloyd Godman Portrait of Lloyd Godman and Lawrence Jones - page 2 - © copyright Max Lowery All right reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or means, electronic, mechanical, photocopying, recording or otherwise, without prior permission of the publisher - please email for permission. Published by Photo-syn-thesis - 2008 www.lloydgodman.net [email protected] mob. 0448188899 Mythology of Place is published in three versions • Free version - down loadable PDF - this is a low resolution file which you can download the file and print at your own standards - while the version is free normal copyright rules apply. • High quality - while this is an open edition, each copy is numbered and dated - printed from a high resolu- tion file on glossy paper stock and bound the edition has facing pages. • Superb limited edition of 10 copies - signed, numbered and dated - printed from the highest quality files on high quality paper stock - the images are printed with Epson Ultrachrome pigments on Hahnemule 308 g/m paper and the edition is bound. A collectors item. During 1993 to 1994 Lawrence Jones and Lloyd Godman worked collaboratively on the Mythology of Place. They retraced the words of one of New Zealand’s most acknowledged poets, James K Baxter, searching for ar- tifacts that referenced real places, places where the youthful Baxter’s naked feet once trod, places that remained with him until the bare foot days before his death. -
Māori and Aboriginal Women in the Public Eye
MĀORI AND ABORIGINAL WOMEN IN THE PUBLIC EYE REPRESENTING DIFFERENCE, 1950–2000 MĀORI AND ABORIGINAL WOMEN IN THE PUBLIC EYE REPRESENTING DIFFERENCE, 1950–2000 KAREN FOX THE AUSTRALIAN NATIONAL UNIVERSITY E PRESS E PRESS Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Fox, Karen. Title: Māori and Aboriginal women in the public eye : representing difference, 1950-2000 / Karen Fox. ISBN: 9781921862618 (pbk.) 9781921862625 (ebook) Notes: Includes bibliographical references and index. Subjects: Women, Māori--New Zealand--History. Women, Aboriginal Australian--Australia--History. Women, Māori--New Zealand--Social conditions. Women, Aboriginal Australian--Australia--Social conditions. Indigenous women--New Zealand--Public opinion. Indigenous women--Australia--Public opinion. Women in popular culture--New Zealand. Women in popular culture--Australia. Indigenous peoples in popular culture--New Zealand. Indigenous peoples in popular culture--Australia. Dewey Number: 305.4880099442 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover image: ‘Maori guide Rangi at Whakarewarewa, New Zealand, 1935’, PIC/8725/635 LOC Album 1056/D. National Library of Australia, Canberra. Cover design and layout by ANU E Press Printed by Griffin Press This edition © 2011 ANU E Press Contents Acknowledgements . vii Abbreviations . ix Illustrations . xi Glossary of Māori Words . xiii Note on Usage . xv Introduction . 1 Chapter One . -
Poetry Notes
. Poetry Notes Winter 2013 Volume 4, Issue 2 ISSN 1179-7681 Quarterly Newsletter of PANZA Elliott does not appear in any New Inside this Issue Welcome Zealand anthology that I’m aware of, but he is listed like a number of other Hello and welcome to issue 14 of New Zealand poets of this period in Welcome Poetry Notes, the newsletter of PANZA, New Zealand Literature Authors’ Week 1 the newly formed Poetry Archive of 1936: Annals of New Zealand Mark Pirie on James H New Zealand Aotearoa. Literature: being a List of New Zealand Elliott (1879-1955) Poetry Notes will be published quarterly Authors and their works with and will include information about introductory essays and verses, page 55: Classic New Zealand goings on at the Archive, articles on “Elliott, James Hawthorn [sic] Random poetry by John J Gallagher historical New Zealand poets of interest, Rhymes (v) 1924.” 4 occasional poems by invited poets and a The National Library of New Zealand’s Comment on W S Marris record of recently received donations to catalogue credits him with six books by Niel Wright 5 the Archive. from 1924-1950. The name James H Articles and poems are copyright in the Elliott does not appear in New Zealand Obituary: Sarah Broom names of the individual authors. Biographies at the National Library, but 6 The newsletter will be available for free there is a brief Obituary in the New A tribute to Helen download from the Poetry Archive’s Zealand Herald, 13 July 1955. Longford website: A Tapuhi search shows correspondence 8 from Elliott for J C Andersen’s Author’s http://poetryarchivenz.wordpress.com Comment on Angus Week 1936 bibliography. -
Māori Opposition to Fossil Fuel Extraction in Aotearoa New Zealand
MĀORI OPPOSITION TO FOSSIL FUEL DEVELOPMENT IN AOTEAROA NEW ZEALAND ZOLTÁN GROSSMAN The Evergreen State College, Olympia, Washington Opposition has intensified in the past five years in Aotearoa New Zealand to foreign corporate deep-sea oil exploration, which opponents view as a threat to fisheries, beaches, tourism, marine mammals, and climate stability. Opponents fear that an oil spill the scale of the Exxon or BP disasters would overwhelm the country’s economy and government’s capacity for clean-up. Despite interest in oil revenues from a few local Māori leaders, growing numbers of Māori are beginning to view oil drilling as a challenge to the Treaty of Waitangi, and proclaim that “Aotearoa is Not for Sale.” I visited Aotearoa for two months earlier this year, as part of my study abroad class “Native Decolonization in the Pacific Rim: From the Northwest to New Zealand,” which I have taught this past year (with my colleague Kristina Ackley) at The Evergreen State College in Olympia, Washington.1 We joined fifteen of our undergraduate students, half of them Indigenous and half non-Native, in the journey to visit Māori and Pasifika (Pacific Islander) communities throughout North Island, and to conduct research projects comparing Pacific Northwest treaty rights and tribal sovereignty to the Treaty of Waitangi and Māori self-determination. It was the second class we took to Aotearoa, building on previous exchanges of Indigenous artists through our campus Longhouse, and graduate students through our Tribal Master’s of Public Administration program. When the students were off doing their projects, and I was visiting with them, I conducted my own research on Māori alliances with Pākehā (European settlers) in the movement against oil drilling, as well as the political intersections between fossil fuel extraction and Māori decolonization. -
Four New Zealand Poets on the Road
Kunapipi Volume 2 Issue 2 Article 11 1980 Gypsies, city streets: Four New Zealand poets on the road Michael Sharkey Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Sharkey, Michael, Gypsies, city streets: Four New Zealand poets on the road, Kunapipi, 2(2), 1980. Available at:https://ro.uow.edu.au/kunapipi/vol2/iss2/11 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Gypsies, city streets: Four New Zealand poets on the road Abstract This brief review of four New Zealand 'road' poets suggests something of a phenomenon of the seventies, a hangover from an earlier 'beat' period, which infused New Zealand poetry with a new sense of mobility and openness that owed a deal to the social and political movements of the time as much as to consciously-d~rived literary models. This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol2/iss2/11 MICHAEL SHARKEY Gypsies, City Streets: Four New Zealand Poets on the Road This brief review of four New Zealand 'road' poets suggests something of a phenomenon of the seventies, a hangover from an earlier 'beat' period, which infused New Zealand poetry with a new sense of mobility and openness that owed a deal to the social and political movements of the time as much as to consciously-d~rived literary models. The work of 60 Gary McQormick, Sam Hunt, Peter Olds and Jon Benson is not uniformly concerned with travelling, but all these writers deal with images of transience, travel, or a trip, to infer relationships with persons, society and art. -
Janet Frame Lecture 2011
JANET FRAME LECTURE 2011 Warm Greetings: In this, the 2011 Janet Frame lecture, I wish to talk about the short but astonishingly successful history of children’s literature in this country; but before I do that, I’d like to thank the New Zealand Society of Authors for their generosity. As you may know, the Janet Frame lecture, is delivered by the Honorary President of the Society. I assure you I have done nothing to earn this title apart from being one of the oldest members of the NZSA. In the 1960s, we were part of the global PEN and we are still affiliated with PEN; and I was nominated for membership by Monte Holcroft, editor of the NZ Listener, on the strength of two short stories. The account of my first PEN meeting is recorded in the memoir Navigation, but I’ll mention it again here. I was a somewhat shy young woman, a farmers wife with four small children, and Mr Holcroft had said I should attend the December PEN meeting. I went by train from Palmerston North to Wellington, found The Terrace and the venue in Wakefield House, and hesitantly walked in. The room was full of voices and tobacco smoke, with most people around a bar at the other end. Mr Holcroft was not there. I knew no one and no one knew me. I stood in the middle of the room for perhaps a minute, feeling like a goldfish that had jumped her bowl, then decided to go back to the railway station and wait for a train home. -
North Shore Literary Walks
Castor Bay Walk NORTH SHORE Lake Pupuke LITERARY Takapuna Walk WALKS North Shore City heritage trails Devonport Stanley Walk Bay Walk 0 1km 2km North Shore writers include: Antony Alpers*, Barbara Anderson*, Jean Bartlett, James Bertram*, Harry Bioletti, Hector Bolitho*, Dorothy Butler*, Sarah Campion*, John Reece Cole*, D’Arcy Cresswell*, Barry Crump*, Allen Curnow*, Lee Dowrick, Tessa Duder, Maurice Duggan*, Margaret Escott*, ARD Fairburn*, Janet Frame*, Maurice Gee, G.R.Gilbert, John Graham*, Sam Hunt*, Robin Hyde*, Kevin Ireland*, Anna Kavan, Sheridan Keith, Shonagh Koea*, Jack Lasenby*, Graeme Lay*, Michele Leggott*, Susie Mactier*, Bruce Mason*, RAK Mason*, Phoebe Meikle*, Rosemary Menzies, Ian Middleton, Isabel Peacocke, Joan Rosier-Jones, Anne Salmond*, William Satchell, Tina Shaw*, Keith Sinclair*, Frank Sargeson*, Kendrick Smithyman, CK Stead, Greville Texidor*, Paul Titchener, Arthur Saunders Thomson, Hone Tuwhare, Noel Virtue*, Virginia Were, Jess Whitworth, Wensley Willcox, Phillip Wilson,Karl Wolfskehl* *Writers featured in this booklet. Cover photo: Maurice Duggan, Greville Texidor (seated) and Barbara Duggan. Courtesy of Barbara Duggan. There is also the feeling that writers are appreciated here. As former Shore resident and children’s author Tessa Duder puts it, ‘The North Shore, through Frank Sargeson, Rex Fairburn, Kevin Ireland and others, values writers as eminent additions to the View of Devonport from Parnell, cultural identity of the Shore, and is proud of them.’ watercolour by Alfred Sharpe, 1877. Not all places take such pride. INTRODUCTION Long attracted to the area by its beaches, easy-going Some of New Zealand’s most enduring short stories, way of life and proximity to, but physical separation plays, poems and novels were written on, and at least from, the central city, the writers who have lived or to some extent inspired by, the North Shore. -
Ephemera/Sheet Music
CATALOGUE FOR POETRY ARCHIVE OF NZ/AOTEAROA Ephemera/Sheet Music Description A Nest of Singing Birds School Journal Exhibition brochure 2007 Alistair Te Ariki Campbell exhibition 15 April-1 May 2011 poster and flyers and poem ‘Alistair Te Ariki Campbell’ by L E Scott from Dominion Post, 21 April 2011 Alistair Te Ariki Campbell Maori Legends book cover (colour laser printout copy) Anonymous poem [initials S.A.R.M.?date 28/3/23 Hunterville: Bruce Park Ode “The Voice of the Bush” Argot broadsheets by various poets AUP Catalogue 2008 AUP Catalogue 2009 AUP Catalogue 2010 – 2 copies AUP Catalogue 2011 Alan Brunton memorial concert & launch of Fq programme 2002 Allen Curnow Landfall in Unknown Seas broadsheet Govt printer An anthology of Gay and Lesbian poetry flyers and order forms 1999 Awa Press Catalogue 2005 Awa Press – Harry Ricketts’ Book of NZ Sports Writing 2010 launch invite Bad Poetry Makes History – PANZA (Poetry Archive) article Capital Times 1999 Barry Southam – two poems The bride and The poet insideletter 2010 Basim Furat Here and There book launch invite 2004 Basim Furat & Lewis Scott An Afternoon of poetry & music flyer 23 February 2003 Bill Manhire and Norman Meehan Buddhist Rain jazz concerts flyer 2010 Bill Sewell Ballad of ’51 book launch invite 2003 Bill Sewell ‘Where Water Has Been’ postcard Bill Sewell 1951-29 January 2003 – funeral programme Blues for Sam Mark Pirie broadsheet Brian Gregory Lines for Lilburn broadsheet poem Brian Turner What It’s Like postcard National Poetry Day 2010 Caxton Press Anthology – NZ Poetry