North Shore Literary Walks
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Sea Change the Birth of a New Marine Institute
ET LABORE MAGAZINE OF THE UNIVERSITY OF AUCKLAND SPRING 2004 SEA CHANGE THE BIRTH OF A NEW MARINE INSTITUTE SELLING OUR EXPERTISE TOP TERTIARY TEACHERS MAINTAINING THE BRAIN WHAT DRIVES OUR DONORS? Be in to win an objet d’art with your new home loan. And a trip around the world to find it. Buying a home is one of the most exciting purchases you will ever make but it can also be one of the most overwhelming. Fixed or floating, one year or two? There are so many decisions to make and so many choices – how do you know what is best for your personal circumstances? At HSBC we draw on our worldwide resources and local knowledge to help you choose the right home loan for you. We recognise that everyone is different and therefore offer a flexible choice of options at extremely competitive rates that can be tailored to your individual needs. To celebrate your individuality we’re offering you the chance to enter a draw to choose an objet d’art that’s uniquely you and a trip around the world to find it – when you select your new home loan and draw it down by 28 February 2005. For a competition entry form and more details - HSB 2827 Visit your nearest branch 0800 88 86 86 www.hsbc.co.nz Issued by The Hongkong and Shanghai Banking Corporation Limited, incorporated in Hong Kong, New Zealand branch. Lending criteria and terms and conditions apply to all our home loans (including a minimum home loan value). Lenders Mortgage Insurance or an application fee may apply where you are borrowing more than 80% of a property’s value. -
A Survey of Recent New Zealand Writing TREVOR REEVES
A Survey of Recent New Zealand Writing TREVOR REEVES O achieve any depth or spread in an article attempt• ing to cover the whole gamut of New Zealand writing * must be deemed to be a New Zealand madman's dream, but I wonder if it would be so difficult for people overseas, particularly in other parts of the Commonwealth. It would appear to them, perhaps, that two or three rather good poets have emerged from these islands. So good, in fact, that their appearance in any anthology of Common• wealth poetry would make for a matter of rather pleasurable comment and would certainly not lower the general stand• ard of the book. I'll come back to these two or three poets presently, but let us first consider the question of New Zealand's prose writers. Ah yes, we have, or had, Kath• erine Mansfield, who died exactly fifty years ago. Her work is legendary — her Collected Stories (Constable) goes from reprint to reprint, and indeed, pirate printings are being shovelled off to the priting mills now that her fifty year copyright protection has run out. But Katherine Mansfield never was a "New Zealand writer" as such. She left early in the piece. But how did later writers fare, internationally speaking? It was Janet Frame who first wrote the long awaited "New Zealand Novel." Owls Do Cry was published in 1957. A rather cruel but incisive novel, about herself (everyone has one good novel in them), it centred on her own childhood experiences in Oamaru, a small town eighty miles north of Dunedin -— a town in which rough farmers drove sheep-shit-smelling American V-8 jalopies inexpertly down the main drag — where the local "bikies" as they are now called, grouped in vociferous RECENT NEW ZEALAND WRITING 17 bunches outside the corner milk bar. -
Read Witi's Lecture
First published in 2015 by the New Zealand Book Council 156/158 Victoria Street, Te Aro, Wellington 6011 © Witi Ihimaera, 2015 A catalogue record for this book is available from the National Library of New Zealand. ISBN 978-0-473-33516-8 This book is copyright. Apart from any fair dealing for the purpose of private study, research, criticism or review, as permitted under the Copyright Act, no part may be reproduced by any process without the permission of the publisher. Cover design Kalee Jackson Cover photo © Siobhan Harvey, 2012 Internal design and typesetting Emma Bryson Printed by Printlink This book was taken from manuscript to bookshelf by students of the Whitireia New Zealand publishing programme, who worked on editing, production and design. For more information about our editing and publishing training, visit www.whitireiapublishing.co.nz FOREWORD Kia ora tātou The New Zealand Book Council Lecture has become a prominent part of the literary landscape in Aotearoa New Zealand and provides an opportunity for one of our country’s leading writers to discuss an aspect of literature close to their heart. The 2015 lecture was significant for three reasons: firstly, it was a key part of the wonderful Dunedin Writers and Readers Festival – one of Australasia’s stellar festival events. Secondly, the lecture took place at Dunedin’s first literary festival as a UNESCO City of Literature, which is well-deserved recognition of the city’s past and present as an extraordinary place of words and writers. Last – but certainly not least – we were privileged to have Witi Ihimaera deliver the lecture, one of Aotearoa New Zealand’s most acclaimed writers. -
2013 Annual Report
2013 ANNUAL REPORT PETER WALL INSTITUTE FOR ADVANCED STUDIES The Institute is committed foremost to excellence in research; its goal is to stimulate collaborative, creative, innovative interdisciplinary research that makes important advances in knowledge. A guiding principle is that excellence and truly innovative research are achieved in a highly collaborative international research environment at the University of British Columbia, where UBC scholars have sustained opportunity to exchange ideas with national and international scholars, to work together on innovative research, develop new thinking that is beyond disciplinary boundaries, and engage in intellectual risk-taking. The Institute respects diversity of perspectives and backgrounds, research embedded in the community and integration of multimodal and expressive arts as an important component of research across all disciplines. The Institute is committed to wise stewardship of its resources in continuing to build on its significant research accomplishments. TABLE OF CONTENTS 04 Message from the Director 06 UBIAS Conference INTERNATIONAL PROGRAMS 10 International Visiting Research Scholar 14 UBC Visiting Scholar Abroad 18 International Research Roundtables 28 International Distinguished Visiting Professors 32 International Partnerships 36 Major Thematic Grant 39 French Lecture Series 40 Exploratory Workshops NATIONAL PROGRAMS 44 Peter Wall Distinguished Professor 48 Distinguished Scholars in Residence 54 Early Career Scholars 64 The Wall Exchange 66 The Wall Hour 70 Associate Research Fora 74 Theme Development Workshop 76 Research Mentoring Program 78 Colloquia 79 Special Events PETER WALL SOLUTIONS INITIATIVE 80 Program Review and Highlights ABOUT THE INSTITUTE 84 Funding and Governance 86 Committies 88 The Institute 90 Director and Staff Director’s Message Excellence in research is the Institute’s primary goal, creating the environment for collaborative, creative, interdisciplinary research that makes important advances in knowledge. -
Get to Know: New Zealand New Zealand Is an Island Country in the Southwest Pacific Ocean Whose History Has Been Shaped by Two Distinct Groups of People
World Book Advanced Database* World Book® Online: The trusted, student-friendly online reference tool. Name: ____________________________________________________ Date:_________________ Get to Know: New Zealand New Zealand is an island country in the southwest Pacific Ocean whose history has been shaped by two distinct groups of people. How much do you know about this nation’s culture and history? Set off on a webquest to explore New Zealand and find out! First, go to www.worldbookonline.com Then, click on “Advanced.” If prompted, log on with your ID and Password. Find It! Find the answers to the questions below by using the “Search” tool to search key words. Since this activity is about New Zealand, you can start by searching the key words “New Zealand.” Write the answers on the lines provided or below the question. 1. New Zealand consists of two main islands, called the _______________________ and the _______________________, plus a number of smaller islands. 2. Examine the map “New Zealand.” Identify the location of the city as the North Island or South Island. _____________________ a. Auckland _____________________ b. Christchurch _____________________ c. Dunedin _____________________ d. Hamilton _____________________ e. Wellington _____________________ f. Which island has both the country’s capital and largest city? *Users of the Advanced database can find extension activities at the end of this webquest. © 2017 World Book, Inc. Chicago, Illinois, U.S.A. All rights reserved. World Book and the globe device are trademarks or registered trademarks of World Book, Inc. This webquest may be reproduced without World Book’s permission provided that it is reproduced exactly as published by World Book and is reproduced for entirely non-commercial educational purposes. -
Allegory in the Fiction of Janet Frame
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. ALLEGORY IN THE FICTION OF JANET FRAME A thesis in partial fulfIlment of the requirements for the degree of Doctor of Philosophy in English at Massey University. Judith Dell Panny 1991. i ABSTRACT This investigation considers some aspects of Janet Frame's fiction that have hitherto remained obscure. The study includes the eleven novels and the extended story "Snowman, Snowman". Answers to questions raised by the texts have been found within the works themselves by examining the significance of reiterated and contrasting motifs, and by exploring the most literal as well as the figurative meanings of the language. The study will disclose the deliberate patterning of Frame's work. It will be found that nine of the innovative and cryptic fictions are allegories. They belong within a genre that has emerged with fresh vigour in the second half of this century. All twelve works include allegorical features. Allegory provides access to much of Frame's irony, to hidden pathos and humour, and to some of the most significant questions raised by her work. By exposing the inhumanity of our age, Frame prompts questioning and reassessment of the goals and values of a materialist culture. Like all writers of allegory, she focuses upon the magic of language as the bearer of truth as well as the vehicle of deception. -
The One Story and the Four Ways of Telling
The One Story and the Four Ways of Telling: The relationship between New Zealand literary autobiography and spiritual autobiography. A thesis submitted in partial fulfilment of the requirements for the Degree of Masters of Arts in English in the University of Canterbury DEPARTMENT OF ENGLISH UN!VEf,SITY OF c,wrrnmnw By CHRISTCHURCH, N.Z. Emily Jane Faith University of Canterbury 2001 ACKNOWLEDGEMENTS I would like to thank everyone who has given various forms of support during this two year production. Thanks especially to my Mum and Dad and my brother Nick, Dylan, my friends, and my office-mates in Room 320. Somewhere between lunch, afternoon tea, and the gym, it finally got done! A special mention is due to my supervisor Patrick Evans for his faith in me throughout. The first part of my title is based on Lawrence Jones' a1iicle 'The One Story, the Two Ways of Telling, and the Three Perspectives', in Ariel 16:4 (October 1985): 127-50. CONTENTS Abst1·act ................................................................................................................... 1 Introduction ........................................................................................................... 2 I. A brief history of a brief history: New Zealand literary autobiography (and biography) ................................................................................ 2 II. The aims and procedures of this thesis ................................................... 9 III. Spiritual autobiography: the epiphany ................................................. -
Towards 'Until the Walls Fall Down' an Intended History of New Zealand Literature 1932-1963
Towards 'Until the walls fall down' An intended history of New Zealand Literature 1932-1963 LAWRENCE JONES Those inclusive dates point to two generations, and crucial to my intended history is the distinction Lawrence fones is Associate Professor of English at the Uni between them. The first is that of the self-appointed versity of Otago. He is the author of Barbed Wire and makers of a national literature, mostly born after 1900 Mirrors - Essays on New Zealand prose. The following and before World War I. They arrive in three waves. text was presented at a Stout Research Centre Wednesday First there is a small group beginning Seminar, on 5 October 1994. in Auckland in the mid- and late-1920s- Mason (born 1905), A.R.D. I would like first to look at the terms of my title. 'To Fairburn (1904), and, off to one side and associated wards' and 'intended' are the first operative terms. This by them with the maligned older generation, Robin seminar is given at the beginning of a process of inten Hyde (1906). Then come the Phoenix-Unicorn-Griffin sive research, and any writing beyond notes and an and the Tomorrow-Caxton groups in Auckland and outline is an intention at this point, and the outline is Christchurch, (and some of their outlying friends), something to work towards, modifying and filling in. arriving between 1932 and 1935, incorporating Fairburn Next there is 'New Zealand Literature, 1932-1963', and Mason, and including M.H . Holcroft (1902), Frank with those oddly specific dates. The first is probably Sargeson (1903), Roderick Finlayson (1904), Winston obvious enough, the publication of the Phoenix at the Rhodes (1905), E.H. -
Weekender, March 6, 2021
SATURDAY, MARCH 6, 2021 SUPPLY CHAIN BLUES Supply chain issues affecting imported goods are having a knock-on effect here, with delays to building supplies and electrical and gas appliances already noted. Andrew Ashton found out Gisborne businesses are working around the issue with some Kiwi ingenuity. lobal supply chain issues far congestion. and equipment in advance of when they are removed from Gisborne are The road freight transport industry has needed on site, ensuring we can deliver for Ghaving an impact here with delays been caught in the middle with importers our clients. on imported goods — but people reluctant to pay for weekend or after-hours “We have also made additional space are rising to the challenge. work, meaning containers are being stored available at our workshop to store materials In past months over half of all container for longer. and stock. In some cases certain products are ships arrived at Auckland late (often as a A global shipping container shortage in completely out of stock, which can lead to result of bad weather), causing congestion at China and an uptick in demand nationally, delays for a project and puts extra pressure Ports of Auckland and making it hard for the following the end of Covid-19 Level 4 on the team. port to staff the terminal properly, causing lockdown have contributed to the “perfect “Where products are not readily delays. storm”. available or have significant delays due to A shortage of labour in Auckland, which All of that has trickled down to Gisborne, international shipping we are proposing also affects the trucking industry, put more where people are doing their best to find WORKING HARD: Peter Stevens, managing alternative options that meet the client’s pressure on the port. -
Faculty of Humanities and Social Sciences Va'aomanū Pasifika Pacific Studies Pasi 101 the Pacific Heritage 20 Points Trimester 1 2016
FACULTY OF HUMANITIES AND SOCIAL SCIENCES VA’AOMANŪ PASIFIKA PACIFIC STUDIES PASI 101 THE PACIFIC HERITAGE 20 POINTS TRIMESTER 1 2016 Key dates Trimester dates: 29 February to 29 June 2016 Teaching dates: 29 February to 5 June 2016 Easter break: 24–30 March 2016 Mid-trimester break: 25 April to 1 May 2016 Study period: 6–9 June 2016 Examination/Assessment Period: 10–29 June 2016 Note: students who enrol in courses with examinations must be able to attend an examination at the University at any time during the scheduled examination period. Withdrawal dates: Refer to www.victoria.ac.nz/students/study/withdrawals-refunds. If you cannot complete an assignment or sit a test in the last three weeks of teaching, or an examination, it may instead be possible to apply for an aegrotat (refer to www.victoria.ac.nz/students/study/exams/aegrotats). Class times and locations Lectures: Mon 9am – 10am SUMT 228 (Student Union Building Memorial Theatre, Room 228), Thurs 9am – 10am MCLT 102 (Maclaurin Lecture Theatre, Room 102), Fri 9am – 10am COLT 122 (Cotton Lecture Theatre, Room 122) 1 PASI 101 Course Outline Trimester One 2016 Va’aomanū Pasifika Tutorials: Mon 10am – 10.50am AM106 (Alan MacDiarmid Building, Room 106) Mon 12pm – 12.50pm 6KP/102 (6 Kelburn Parade, Room 102), Mon 3.10pm – 4pm 6KP/102 (6 Kelburn Parade, Room 102), Thurs 2pm – 3pm VZ107 (von Zedlitz Building, Room 107), Fri 10am – 11am 6KP/102 (6 Kelburn Parade, Room 102) Students may sign up for tutorials through Student Allocator https://student-sa.victoria.ac.nz/ Names and contact details Coordinator: Dr Teresia Teaiwa Administrator: Melissa Fiu Room 202, 6 Kelburn Parade Room 101, 6 Kelburn Parade Ph: 04 463 5110 Ph: 04 463 5830 E: [email protected] E: [email protected] Office Hrs: Immediately after class or by Office Hrs: Mon to Fri 9am – 3pm appointment Communication of additional information Additional information will be communicated in lectures and on Blackboard. -
Our Finest Illustrated Non-Fiction Award
Our Finest Illustrated Non-Fiction Award Crafting Aotearoa: Protest Tautohetohe: A Cultural History of Making Objects of Resistance, The New Zealand Book Awards Trust has immense in New Zealand and the Persistence and Defiance pleasure in presenting the 16 finalists in the 2020 Wider Moana Oceania Stephanie Gibson, Matariki Williams, Ockham New Zealand Book Awards, the country’s Puawai Cairns Karl Chitham, Kolokesa U Māhina-Tuai, Published by Te Papa Press most prestigious awards for literature. Damian Skinner Published by Te Papa Press Bringing together a variety of protest matter of national significance, both celebrated and Challenging the traditional categorisations The Trust is so grateful to the organisations that continue to share our previously disregarded, this ambitious book of art and craft, this significant book traverses builds a substantial history of protest and belief in the importance of literature to the cultural fabric of our society. the history of making in Aotearoa New Zealand activism within Aotearoa New Zealand. from an inclusive vantage. Māori, Pākehā and Creative New Zealand remains our stalwart cornerstone funder, and The design itself is rebellious in nature Moana Oceania knowledge and practices are and masterfully brings objects, song lyrics we salute the vision and passion of our naming rights sponsor, Ockham presented together, and artworks to Residential. This year we are delighted to reveal the donor behind the acknowledging the the centre of our influences, similarities enormously generous fiction prize as Jann Medlicott, and we treasure attention. Well and divergences of written, and with our ongoing relationships with the Acorn Foundation, Mary and Peter each. -
9 Shades of Fiction Good Reads Authors
Classics Prizewinner Your Choice Be adventurous and delve into 19th Century Man Booker books from other genres Jane Austen Pat Barker Chimamanda Adichie Listed are a selection of authors in each genre. 1775 - 1817 1995 Kate Atkinson The Ghost Road Use in the Author search to browse their titles Alexandre Dumas Margaret Atwood www.whangarei-libraries.com 1802 - 1870 Julian Barnes in the Library Catalogue Elizabeth Gaskell 2011 William Boyd 1810 - 1865 The Sense of an Ending T C Boyle New Zealand Crime or William Makepeace Kiran Desai Geraldine Brooks Fiction Romance Mystery Sci Fi Horror Sea Story Thackeray 2006 1811 - 1863 The Inheritance of Loss A S Byatt Peter Carey Alix Bosco Mary Balogh Nicholas Blake Douglas Adams L A Banks Broos Campbell Charles Dickens Thomas Keneally 1812 - 1870 1982 Justin Cartwright Deborah Challinor Suzanne Brockmann James Lee Burke Catherine Asaro Chaz Brenchley Clive Cussler Anthony Trollope Schindler’s Ark Louis De Bernières Barry Crump Christine Feehan Lee Child Isaac Asimov Poppy Z Brite David Donachie 1815 - 1882 Hilary Mantel Emma Donoghue Robyn Donald Julie Garwood Agatha Christie Ben Bova Clive Barker C S Forester Charlotte Bronte 2009 Jeffrey Eugenides Fiona Farrell Georgette Heyer Harlan Coben Ray Bradbury Ramsey Campbell Alexander Fullerton 1816 -1855 Wolf Hall Fyodor Dostoevsky Margaret Forster Laurence Fearnley Sherrilyn Kenyon Michael Connelly Orson Scott Card Francis Cottam Seth Hunter Yann Martel 1821 - 1881 2002 Amitav Ghosh Janet Frame Lisa Kleypas Colin Cotterill C J Cherryh Justin Cronin