Five New Zealand Poets

Total Page:16

File Type:pdf, Size:1020Kb

Five New Zealand Poets EXTRACTS FROM PRELIMINARY CHECKLIST OF WORKS RELATING TO NEW ZEALAND POETRY" Supplementary Material Accompanying a Thesis Presented for the of Doctor of Philosophy in English Literature in the University of Canterbury by JOHN E, \'Il'EIR Harth, 1974. , I INTRODUCTION This supplement lists the published works of the five Ne'Vl Zealand whose are in my thesis "Five Ne~l Zealand A Bib and Critical Account of The entries begin with a list of the lished works of each poet. This is followed by his journal contributions and by items about him. Journal contributions are subdivided into poetry, fictional prose, non-fiction prose, drama (if applicable), reviews, and correspondence. Under each section the items are arranged alphabetically. Items about writers are from several sources: dictionaries) monographs, journal items~ reviews and theses. These are not separated in any way, and are simply alphabetically by the author of each critical item. reviews are interfiled alphabetically title. It has already been said that this is merely an extract from a much more extensive bibliography, now completed, a project on which I have been working for the last five years, The fuller bibliography begins with items about New Zealand literature. The second section is more fical concerned with New Zealand poetry. These two sections have been divided into monographs and theses, and journal articles. Under each section, items are alphabetically by author, or in the case of anonymous items, by title. It also contains a list of the one hundred and journals viewed ly it was intended that the should be comprehensive within Australia and Zealand but discovered references to overseas j were followed up included. items have been omitted entries " from the ) were included Olive Johnson's Fairburn Other material covered by the Bibliography includes Title Index to the poetry, a list of pseudonyms used by the poets and some supplementa,ry material ~ an index for the ..::;;;;;=:;;.;;;;.,;;;.;:;;,;;;;;,;;;.;;;.=;...;:;.=;...(1927-31), and Baxter I s contributions to the and the ~~~~~.=~~~ ~~~~~~~~~- The covered the full Bibl are: Fleur Adcock~ James K. Baxter, Ursula Bethell, Charles Brasch, Alistair Campbell, D' Arcy Cresswell, Allen C:urnow, Ruth Dallas ~ Basil Dowling, Eileen Duggan, A.R.D. Fairburn, Denis Glover, W. Hart-Smith, J.R. Hervey, Robin Hyde, Louis Johnson, H.K. R.A.K. Mason, W.H. Oliver, Keith Sinclair, Kendrick Smithyman, Charles Spear, Mary Stanley, Pat Wilson, Hubert Witheford. This project would never have been completed were it not for the generous labours of my Research Assistant, Miss Barbara Lyon) who has laboured over it quite cheerfully during the past two years. 4. 1. BETHELL. MARY URSULA 1874 - 1945 L Christchurch, Caxton Press~ From a garden in the Antipod~, by Evelyn Hayes (pseud.) London, Sid~lick and Jackson, 1929. 64 p. Rev. in Christchurch press, 12 Sept:. 1936. The glad returning and other poems by Evely~ Hayes (pseud.) London, A.H. Stockwell, 8 p. The haunted gallery. and other poems, by Evelyn (pseud.) London, A.H. Stockwell, 1932, 10 p. Time and 121acej poems by the author of from a garden in the Antipodes& Christchurch, Caxton Press, 1936" 36 p. Rev. in Tomorrow, 2 No. 33 (Oct. 1 ): 19-21 by W. DIA Cresswell; in Art in N Z., 9 No. 4, June~ 193'] : 219. 5. (2) Poems Ado in Stevens, J. (ed.) Contemporary verse ) : 278; also in School journal, Part 4 No.3, 1967 : 62. After dark Hogan, H.M., (1971) : 157. At the lighting of the lamps: I, II~ VI, in H.M. , ) By Burke's Pass in Stevens, J. verse (1952) : 289; ~45 (1945) : 70; (1951 A. Penguin book (1960) : 119. By the river Ashley, extract O'Sullivan, V. (1970) : 20; also in Curnow, A. Penguin book (1960) : 124. Canterbury river, in P.R. Smart, (1964) : 149 Catalogue, in Hogan, H.M., (1971) : 19S; Cloudy night, Marist messenger, 11 No. , November, 1940 : 13. Decoration~ O'Sullivan, V. (1970) 16; in Curnow, A, (1960) : 122 Detail, in Chapman, R. and .1. Bennett (1956) : 80; also in O'Sullivan, V. (1970) : 11; in School journal, Part ~No. 1, 1973 : 23. Dirge, in A book of N.Z, verse 1923~45 (1945) : 65 (1951 ed[ : 58); in Curnow; A. Penguin Book (1960) 1 Envoy!£ Time and place, in ~~~~;...".;""--;;.........;..;;; __ 1923-45 (1945) : 72; (1951 Erica, !!! 0' Sullivan, V, (1970) ; also in Curnow, A. Penguin Bo~ (1960) : 116. Evening walk in winter, O'Sullivan, V. (1970) Fall, O'Sullivan, V. (1970) : 12, Forest sleep, (1945) Fraicheur~ (1945) (1951 ed. : 6. Garden lion, Hogan, H.M., (1971) : 143. Grey day, in Hogan, H.:t-i.» (1971) : 160 In a hospital, in , H.M" sea (1971) : 56 Lever de (1970) also The long harbour, Akaroa~ in J.C, Reid (ed.) A boo~ of New Zealand (1964) : 89; also in Oliver~ W.H., Poetry in N.Z. (1960) : 7; in Chapman, R. and J. Bennett (1956) : 81; in A book of N.Z. verse 1923-45 (1945) : 67; (1951 ed. : 59); in 0' SuTHvan, v. (1970) : 14; in Curnow, A., Penguin bOok (1960) ; 117; in Hogan, H.M., Nowhere far from the sea (1971) : 74; in McKay, F. ,N.Z. poetry (1970) : 71; in O'Donnell, M.J., Antho1. of C'wealth verse (1963) : 281; Murdoch, P.W., Lines of life Bk .. .3 (1967) : 26-8, Looking down on Mesopotamia, in Chapman, R. and J. Bennett (1956) : 83. -- Midnight, O'Sullivan, V. (1970) 17. Morning walk~ in ~~~~~~~~~~~ __~ (1 ) : 72; (1951 ed. Night (1945) 75; 9th July, 1932, in A book of N.Z. verse 1923-45 (1945) : 79; (1951 ad. : 70) Nor'west evening, winter. N.Z. List. 1505, Aug. 9 1968 : 59; also in (1945) : 75; (1951 ""'::--~~~---.,;.::..--;;;..;....,-'--...;;....-- October morning, in A book of N.Z. verse 1923-45 (1945) 79; (19.51 ed. 70); in 0' Sullivan, ~V, (1970) : 18; in CUrnow, A., Peng~n book (1960) : 123. Pause, in Chapman, R. and J. Bennett (1956) : 79; in A book of N.Z. verse 1923-45 (1945) : 63; (1951 ed. : 56); in 0' Sullivan, V. (1970) : 10; School journa,l 1969, Part 4 No.3: 67. Response, in P.R. Smat't, (1964) : 117; in O'Sul Curno'Yl, A., 7. The small hours, .!n ;;;;;A~;;;.;;;,;~~.;;;;.::.:::;.::,~;;;.;::;.;;:;.;;;;...::.,;;. .;;;;;,;;;~,;;;~ (1945) : 78; (1951 ed. : 69); in Penguin book (1960) : 122. Soothsayer~ O'Sullivan, V. (1970) 11. J.e. Reid (ed.) also in R. Smart~ (1964) : 87; Stevens, J, Contemporary verse ) : N.Z. verse 1923-45 (1945) : 74; (1951 ~nnow~ A., Penguin book (1960) : 121; H.M., Nowhere far from the sea (1971) : in Murdoc~W., Lines of life Bk. 2 (1965) : 191. Spring on the plain, in A book of NeZ. verse 1923-45 (1945) : 72; (1951 ed. : 64). Spring snow and tui, in Chapman, R. and J. Bennett (1956) : 83. Time, in A book of NeZ. verse 1923-45 (1945) ; (1951 ad. : 56); in Curnow, A., Penguin book (1960) : 115; in McKay, F., (1970) : 73 Trance, in A book of NeZ. verse 1923-45 (1945) 65; (1951 ed--. : 57); in O'Sullivan, V. (1970) : 13. Warning of winter, in A book of N.Z. verse 1923-45 (1945) 69; (1951ed.: 62); in 0' Sullivan, V.~ (1970) : 15; Curnow, A., Peng'i:rln book (1960) : 120. Waves, in A book of N.Z. verse 1923-45 (1945) : 76; (1951 ed. -: 68). Weather, in Chapman, R. and J. Bennett (1956) 80. 8. (3) August, S.G. An Enzed gardener poet (NF) Aussie N.Z. sect. May 15, 1930 9. Baigent, Lawr~nce. The of Ursula Bethell Landfall 5 (1951) : 23-30. Brown, Denzil. The reI and the natural (NF). Student, Sept. 1948 : 7. Cresswell, D'Arcy. Ursula· Bethell Some persoo'e.l memories, Landfall 2 (1948) : 288. Cresswell, W.D'A. ~fuence cometh our strength (N.F) Tomorrow 2 No. 33, Oct. 14, 1936 : 19. Dowling, Basil. Extreme unction : in memoriam M.U.B. (p) Landfall 2 (1948) : 275. Dowling, Basil. Ursula Bethell as friend, as poet, by H.M. Cocks and B.C. Dowling (NF). Student. Oct. 194·5 : 3. Grave, S.A. The image of New Zealand in the poetry of Ursula Bethell (NF) Meanjin Q. 13: 381. Holcroft, M.H. Ursula Bethell : some personal memories Landfall 2 (1948) : 284. Lawlor. P.A. Bethell, Ursula Mary (1874-1945) his Books and bookmen (1954) : 181. Morton, Joyce M. Concerning Ursula Bethell (NF) Student. July, 1950 : 18. Morton, J .M. The poetry of Ursula Bethell. M.A. Thesis, University of New Zealand~ 1949. Notes. Landfall 1 (1947) : 7; 2 (1948) 244. Readings by Barbara Jefford (R), N.Z. List. 7315 July 17, 1953 : 7. Shaw, Helen. I am the dark; the poetry of Ursula. Bethell. Arachne, No • .3 : 25-29, December, 1951. Somerset, H.C.D. Ursula Bethell some personal memories (NF) Landfall 2 (1948):: 2 Summers, John. Ursula Bethell : some memories (NF) Landfall 2 (1948) : 290. 9. Walshe, J.W.B. Ursula Bethell. Adult Education Department [194-] 8 1. Whitehead, L.G. Ursula Bethell : some memories (NF) Landfall 2 (1948) : 294. Woollaston, M. T Reproduction of her in charcoal 1938. Landfall 2 948). 10. 2 DUGGAN. EILEEN MAY. 1894 - 1972 (1) (ed.) Hardy, Emmet. Blazing the trail in the Solomon~. Biographical note by Eileen Duggan pp. 11-13. Sydney, Rev T.J. Wade, St Patrick's Presbytery~ Church Hill~ 1935. 16 p. 24.7 x Issued on the Golden Jubilee of His Grace Archbishop Redwood. Unsigned. Cover ornamented in purple, red and gold with the Archbishop's crest. Centenary. Sisters of Mercy. Wellington% 1861-1961. 48 p. (intro.) Correspondence school book of verse. Wellington. Ptd. for the Education Dept.~ 1937. Introduction by Eileen Duggan. Episcopal diamond jubilee of His Grace Archbishop Redwood, S.M.
Recommended publications
  • Domain-Specific Pseudonymous Signatures Revisited
    Domain-Specific Pseudonymous Signatures Revisited Kamil Kluczniak Wroclaw University of Technology, Department of Computer Science [email protected] Abstract. Domain-Specific Pseudonymous Signature schemes were re- cently proposed for privacy preserving authentication of digital identity documents by the BSI, German Federal Office for Information Secu- rity. The crucial property of domain-specific pseudonymous signatures is that a signer may derive unique pseudonyms within a so called domain. Now, the signer's true identity is hidden behind his domain pseudonyms and these pseudonyms are unlinkable, i.e. it is infeasible to correlate two pseudonyms from distinct domains with the identity of a single signer. In this paper we take a critical look at the security definitions and construc- tions of domain-specific pseudonymous signatures proposed by far. We review two articles which propose \sound and clean" security definitions and point out some issues present in these models. Some of the issues we present may have a strong practical impact on constructions \provably secure" in this models. Additionally, we point out some worrisome facts about the proposed schemes and their security analysis. Key words: eID Documents, Privacy, Domain Signatures, Pseudonymity, Security Definition, Provable Security 1 Introduction Domain signature schemes are signature schemes where we have a set of users, an issuer and a set of domains. Each user obtains his secret keys in collaboration with the issuer and then may sign data with regards to his pseudonym. The crucial property of domain signatures is that each user may derive a pseudonym within a domain. Domain pseudonyms of a user are constant within a domain and a user should be unable to change his pseudonym within a domain, however, he may derive unique pseudonyms in each domain of the system.
    [Show full text]
  • A Survey of Recent New Zealand Writing TREVOR REEVES
    A Survey of Recent New Zealand Writing TREVOR REEVES O achieve any depth or spread in an article attempt• ing to cover the whole gamut of New Zealand writing * must be deemed to be a New Zealand madman's dream, but I wonder if it would be so difficult for people overseas, particularly in other parts of the Commonwealth. It would appear to them, perhaps, that two or three rather good poets have emerged from these islands. So good, in fact, that their appearance in any anthology of Common• wealth poetry would make for a matter of rather pleasurable comment and would certainly not lower the general stand• ard of the book. I'll come back to these two or three poets presently, but let us first consider the question of New Zealand's prose writers. Ah yes, we have, or had, Kath• erine Mansfield, who died exactly fifty years ago. Her work is legendary — her Collected Stories (Constable) goes from reprint to reprint, and indeed, pirate printings are being shovelled off to the priting mills now that her fifty year copyright protection has run out. But Katherine Mansfield never was a "New Zealand writer" as such. She left early in the piece. But how did later writers fare, internationally speaking? It was Janet Frame who first wrote the long awaited "New Zealand Novel." Owls Do Cry was published in 1957. A rather cruel but incisive novel, about herself (everyone has one good novel in them), it centred on her own childhood experiences in Oamaru, a small town eighty miles north of Dunedin -— a town in which rough farmers drove sheep-shit-smelling American V-8 jalopies inexpertly down the main drag — where the local "bikies" as they are now called, grouped in vociferous RECENT NEW ZEALAND WRITING 17 bunches outside the corner milk bar.
    [Show full text]
  • Towards Formal Definitions
    Covid Notions: Towards Formal Definitions – and Documented Understanding – of Privacy Goals and Claimed Protection in Proximity-Tracing Services Christiane Kuhn∗, Martin Becky, Thorsten Strufe∗z ∗ KIT Karlsruhe, fchristiane.kuhn, [email protected] y Huawei, [email protected] z Centre for Tactile Internet / TU Dresden April 17, 2020 Abstract—The recent SARS-CoV-2 pandemic gave rise to they are at risk, if they have been in proximity with another management approaches using mobile apps for contact tracing. individual that later tested positive for the disease), their The corresponding apps track individuals and their interactions, architecture (most protocols assume a server to participate in to facilitate alerting users of potential infections well before they become infectious themselves. Na¨ıve implementation obviously the service provision, c.f. PEPP-PT, [1], [2], [8]), and broadly jeopardizes the privacy of health conditions, location, activities, the fact that they assume some adversaries to aim at extracting and social interaction of its users. A number of protocol designs personal information from the service (sometimes also trolls for colocation tracking have already been developed, most of who could abuse, or try to sabotage the service or its users3). which claim to function in a privacy preserving manner. How- Most, if not all published proposals claim privacy, ever, despite claims such as “GDPR compliance”, “anonymity”, “pseudonymity” or other forms of “privacy”, the authors of these anonymity, or compliance with some data protection regu- designs usually neglect to precisely define what they (aim to) lations. However, none, to the best of our knowledge, has protect. actually formally defined threats, trust assumptions and ad- We make a first step towards formally defining the privacy versaries, or concrete protection goals.
    [Show full text]
  • Course Code : Course Title
    English Programme Faculty of Humanities and Social Sciences School of English, Film, Theatre, & Media Studies Te Kura Tānga Kōrero Ingarihi, Kiriata, Whakaari, Pāpāho ENGL 234 New Zealand Literature Trimester 2 2013 15 July to 17 November 2013 20 Points TRIMESTER DATES Teaching dates: 15 July to 18 October 2013 Mid-Trimester break: 26 August to 8 September 2013 Study week: 21 to 25 October 2013 Examination/Assessment period: 25 October to 16 November 2013 Note: Students who enrol in courses with examinations are expected to be able to attend an examination at the University at any time during the formal examination period. WITHDRAWAL DATES Refer to www.victoria.ac.nz/home/admisenrol/payments/withdrawalsrefunds If you cannot complete an assignment or sit a test or examination (aegrotats), refer to www.victoria.ac.nz/home/study/exams-and-assessments/aegrotat CLASS TIMES AND LOCATIONS Lectures Mon, Tue, Wed 10.00 – 10.50am Hugh Mackenzie LT105 Tutorials Tutorials begin in WEEK 2. Please register for tutorials via the ENGL 234 site on Blackboard: go to “Tutorials” and then follow the instructions under the “SCubed - Tutorial Enrolment Instructions” link. Please read the instructions carefully. Tutorial rooms will be listed on S-Cubed, Blackboard and on the bulletin board in the Level 3 corridor of the Hugh Mackenzie Building. NAMES AND CONTACT DETAILS Staff Email Phone Room Office Hours Mark Williams (MW) [email protected] 463 6810 vZ 911 Wed 11.00 Jane Stafford (JS) [email protected] 463 6816 vZ 901 TBA Tina Makereti (TM) [email protected] TBA TBA Lydia Wevers (LW) [email protected] 463 6334 Stout Centre COMMUNICATION OF ADDITIONAL INFORMATION This course uses Blackboard for all important information and announcements, as well as running a discussion board, and encourages you to check it regularly.
    [Show full text]
  • Read Witi's Lecture
    First published in 2015 by the New Zealand Book Council 156/158 Victoria Street, Te Aro, Wellington 6011 © Witi Ihimaera, 2015 A catalogue record for this book is available from the National Library of New Zealand. ISBN 978-0-473-33516-8 This book is copyright. Apart from any fair dealing for the purpose of private study, research, criticism or review, as permitted under the Copyright Act, no part may be reproduced by any process without the permission of the publisher. Cover design Kalee Jackson Cover photo © Siobhan Harvey, 2012 Internal design and typesetting Emma Bryson Printed by Printlink This book was taken from manuscript to bookshelf by students of the Whitireia New Zealand publishing programme, who worked on editing, production and design. For more information about our editing and publishing training, visit www.whitireiapublishing.co.nz FOREWORD Kia ora tātou The New Zealand Book Council Lecture has become a prominent part of the literary landscape in Aotearoa New Zealand and provides an opportunity for one of our country’s leading writers to discuss an aspect of literature close to their heart. The 2015 lecture was significant for three reasons: firstly, it was a key part of the wonderful Dunedin Writers and Readers Festival – one of Australasia’s stellar festival events. Secondly, the lecture took place at Dunedin’s first literary festival as a UNESCO City of Literature, which is well-deserved recognition of the city’s past and present as an extraordinary place of words and writers. Last – but certainly not least – we were privileged to have Witi Ihimaera deliver the lecture, one of Aotearoa New Zealand’s most acclaimed writers.
    [Show full text]
  • Christchurch Writers' Trail
    The Christch~rch Writers' Trail I The Christchurch c 3 mitersy&ai1 Page 1 Introduction 2 Writers Biographies Lady Barker e Canterbury Settlement, right from 1850, was notable for its exalted ideals. The @settlement's early colonists lugged ashore libraries, musical instruments, paints, Samuel Butler William Pember Reeves easels and plans for a grammar school and university. Within the first decade they Edith Grossmann started a newspaper, founded choral and orchestral societies, staged plays and Jessie Mackay started a public library. A surprising number of these pioneers were competent Arnold Wall writers. The published memoirs, letters, journals and poetry left by Charlotte Godley, Blanche Bau han Edward and Crosbie Ward, James FitzGerald, Henry Sewell, Sarah Courage, Laurence Johannes An 8ersen Kennaway, Lady Barker, Samuel Butler and other "pilgrims" established a robust Mary Ursula Bethell literary tradition in Canterbury, particularly in non-fiction and poetry. From the Alan Mulgan 1930s to the early 1950s, during Denis Glover's association with The Caxton Press, Esther Glen Oliver Duff Christchurch was indisputably the focal point of New Zealand's artistic life. The N~aioMarsh town's cultural and literary importance - about 280 writers are listed in this booklet D Arcy Cresswell in a record which is by no means definitive - continues to this day. Monte Holcroft James Courage The Canterbury Branch of the New Zealand Society of Authors has, with generous Allen Curnow assistance from The Community Trust, now laid 32 writers' plaques in various parts Essie Summers of Christchurch. It is hoped that the process begun in 1997 of thus honouring the Denis Glover literary talent of our town and province, will long continue.
    [Show full text]
  • Allegory in the Fiction of Janet Frame
    Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. ALLEGORY IN THE FICTION OF JANET FRAME A thesis in partial fulfIlment of the requirements for the degree of Doctor of Philosophy in English at Massey University. Judith Dell Panny 1991. i ABSTRACT This investigation considers some aspects of Janet Frame's fiction that have hitherto remained obscure. The study includes the eleven novels and the extended story "Snowman, Snowman". Answers to questions raised by the texts have been found within the works themselves by examining the significance of reiterated and contrasting motifs, and by exploring the most literal as well as the figurative meanings of the language. The study will disclose the deliberate patterning of Frame's work. It will be found that nine of the innovative and cryptic fictions are allegories. They belong within a genre that has emerged with fresh vigour in the second half of this century. All twelve works include allegorical features. Allegory provides access to much of Frame's irony, to hidden pathos and humour, and to some of the most significant questions raised by her work. By exposing the inhumanity of our age, Frame prompts questioning and reassessment of the goals and values of a materialist culture. Like all writers of allegory, she focuses upon the magic of language as the bearer of truth as well as the vehicle of deception.
    [Show full text]
  • The One Story and the Four Ways of Telling
    The One Story and the Four Ways of Telling: The relationship between New Zealand literary autobiography and spiritual autobiography. A thesis submitted in partial fulfilment of the requirements for the Degree of Masters of Arts in English in the University of Canterbury DEPARTMENT OF ENGLISH UN!VEf,SITY OF c,wrrnmnw By CHRISTCHURCH, N.Z. Emily Jane Faith University of Canterbury 2001 ACKNOWLEDGEMENTS I would like to thank everyone who has given various forms of support during this two­ year production. Thanks especially to my Mum and Dad and my brother Nick, Dylan, my friends, and my office-mates in Room 320. Somewhere between lunch, afternoon tea, and the gym, it finally got done! A special mention is due to my supervisor Patrick Evans for his faith in me throughout. The first part of my title is based on Lawrence Jones' a1iicle 'The One Story, the Two Ways of Telling, and the Three Perspectives', in Ariel 16:4 (October 1985): 127-50. CONTENTS Abst1·act ................................................................................................................... 1 Introduction ........................................................................................................... 2 I. A brief history of a brief history: New Zealand literary autobiography (and biography) ................................................................................ 2 II. The aims and procedures of this thesis ................................................... 9 III. Spiritual autobiography: the epiphany .................................................
    [Show full text]
  • Towards 'Until the Walls Fall Down' an Intended History of New Zealand Literature 1932-1963
    Towards 'Until the walls fall down' An intended history of New Zealand Literature 1932-1963 LAWRENCE JONES Those inclusive dates point to two generations, and crucial to my intended history is the distinction Lawrence fones is Associate Professor of English at the Uni­ between them. The first is that of the self-appointed versity of Otago. He is the author of Barbed Wire and makers of a national literature, mostly born after 1900 Mirrors - Essays on New Zealand prose. The following and before World War I. They arrive in three waves. text was presented at a Stout Research Centre Wednesday First there is a small group beginning Seminar, on 5 October 1994. in Auckland in the mid- and late-1920s- Mason (born 1905), A.R.D. I would like first to look at the terms of my title. 'To­ Fairburn (1904), and, off to one side and associated wards' and 'intended' are the first operative terms. This by them with the maligned older generation, Robin seminar is given at the beginning of a process of inten­ Hyde (1906). Then come the Phoenix-Unicorn-Griffin sive research, and any writing beyond notes and an and the Tomorrow-Caxton groups in Auckland and outline is an intention at this point, and the outline is Christchurch, (and some of their outlying friends), something to work towards, modifying and filling in. arriving between 1932 and 1935, incorporating Fairburn Next there is 'New Zealand Literature, 1932-1963', and Mason, and including M.H . Holcroft (1902), Frank with those oddly specific dates. The first is probably Sargeson (1903), Roderick Finlayson (1904), Winston obvious enough, the publication of the Phoenix at the Rhodes (1905), E.H.
    [Show full text]
  • PNZ 47 Digital Version
    Poetry NZNEW ZEALAND 47 featuring the poetry of 1 Harry Ricketts comment by Jack Ross & Bill Sutton Poetry NZ Number 47, 2013 Two issues per year Editor: Alistair Paterson ONZM Submissions: Submit at any time with a stamped, self-addressed envelope (and an email address if available) to: Poetry NZ, 34B Methuen Road, Avondale, Auckland 0600, New Zealand or 1040 E. Paseo El Mirador, Palm Springs, CA 92262-4837, USA Please note that overseas submissions cannot be returned, and should include an email address for reply. Postal subscriptions: Poetry NZ, 37 Margot Street, Epsom, Auckland 1051, New Zealand or 1040 E. Paseo el Mirador, Palm Springs, CA 92262-4837, USA Postal subscription Rates: US Subscribers (by air) One year (2 issues) $30.00 $US24.00 Two years (4 issues) $55.00 $US45.00 Libraries: 1 year $32.00 $US25.00 Libraries: 2 years $60.00 $US46.00 Other countries One year (2 issues) $NZ36.00 Two years (4 issues) $NZ67.00 Online subscriptions: To take out a subscription go to www.poetrynz.net and click on ‘subscribe’. The online rates are listed on this site. When your subscription application is received it will be confi rmed by email, and your fi rst copy of the magazine will then be promptly posted out to you. 2 Poetry NZ 47 Alistair Paterson Editor Puriri Press & Brick Row Auckland, New Zealand Palm Springs, California, USA September 2013 3 ISSN 0114-5770 Copyright © 2013 Poetry NZ 37 Margot Street, Epsom, Auckland 1051, New Zealand All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photo copying, recording or otherwise without the written permission of the publisher.
    [Show full text]
  • PUBLISHED VERSION Nicholas Jose Geoffrey Dutton
    PUBLISHED VERSION Nicholas Jose Geoffrey Dutton: little Adelaide and New York Nowhere Adelaide: a literary city, 2013 / Buttress, P. (ed./s), Ch.10, pp.183-198 © 2013 The Authors This work, with the exception of the poem, New York Nowhere: Meditations and Celebrations, Neurology Ward, The New York Hospital by Geoffrey Dutton, is licenced under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) License. Published version https://doi.org/10.20851/adelaide-literary-10a PERMISSIONS http://creativecommons.org/licenses/by-nc-nd/4.0/ 14 December 2017 http://hdl.handle.net/2440/88615 Geoffrey Dutton: Little 10 Adelaide and New York 1 Nowhere 16 Nicholas Jose It ought to be impossible to talk about literary Adelaide without due mention of Geoffrey Dutton (1922-98). As a prime mover of Writers' Week and the Adelaide Festival of Arts, and founding co-editor of Australian Letters (1957–68) and Australian Book Review (1961- ), both magazines based in Adelaide, Dutton was central to the city's post-war cultural initiatives. He was associated with the University of Adelaide, where he studied for a year before enlisting (another magazine, Angry Penguins, appeared controversially there that same year, 1940) and later taught. He was one of the English Department's lively cohort of writers and scholars who were enthusiastic about Australian and other 'new' literatures. From Adelaide, Dutton played important national roles too, as editor at the newly formed Penguin Australia, co-founder of Sun Books, publisher at Macmillan and editor of the Bulletin's literary supplement. He served on 1 I am grateful to Tisi Dutton, Robin Lucas and John Thompson for help with this essay, and to Cheryl Hoskin, Special Collections Librarian, Barr Smith Library, the University of Adelaide.
    [Show full text]
  • The Graham Perkins Archive
    ka mate ka ora: a new zealand journal of poetry and poetics Issue 5 March 2008 The Kendrick Smithyman-Graham Perkins Archive 1942- 45: An Introduction Peter Simpson When Kendrick Smithyman was called up for military service with the New Zealand Army (1st Field regiment) in December 1941 he was 19 years old (born 9 October 1922), and had just completed two years’ teacher training at the Auckland Teachers College. Among his closest friends was Graham Perkins (born 1921), a fellow pupil at Point Chevalier Primary School (1931-34) and, later, at Seddon Memorial Technical College (1935-37); Smithyman had stayed on at high school for two more years (1938-39), before attending Teachers College in 1940-41. As school-boys, Smithyman and Perkins often went bike riding together, especially into the Waitakere Ranges a few kilometres further west from Point Chevalier, the suburb in West Auckland where they both lived. These bike rides are referred to in the well-known poem “Walk past those houses on a Sunday morning” (1943, Poem 2) one of Smithyman’s first-published and most often reprinted poems. He nostalgically recalls these innocent pre-war activities in some of his war-time letters to Perkins, as in that written from Levin in August 1943: Do you remember the holly trees & the paddock we used to play in behind your place? And walking to Avondale & through Mt Albert one Sunday night a few years back? The Sunday at Waiheke, and God knows how many Sundays in the ranges, lying in the grass beside that stump where you tried a stunt photograph? The line of the Manukau heads, and the run down from Titirangi to New Lynn? Some day we’ll have that sort of thing again.
    [Show full text]