DOCSLIB.ORG

Māori and Aboriginal Women in the Public Eye

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

MĀORI AND ABORIGINAL WOMEN IN THE PUBLIC EYE REPRESENTING DIFFERENCE, 1950–2000 MĀORI AND ABORIGINAL WOMEN IN THE PUBLIC EYE REPRESENTING DIFFERENCE, 1950–2000 KAREN FOX THE AUSTRALIAN NATIONAL UNIVERSITY E PRESS E PRESS Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Fox, Karen. Title: Māori and Aboriginal women in the public eye : representing difference, 1950-2000 / Karen Fox. ISBN: 9781921862618 (pbk.) 9781921862625 (ebook) Notes: Includes bibliographical references and index. Subjects: Women, Māori--New Zealand--History. Women, Aboriginal Australian--Australia--History. Women, Māori--New Zealand--Social conditions. Women, Aboriginal Australian--Australia--Social conditions. Indigenous women--New Zealand--Public opinion. Indigenous women--Australia--Public opinion. Women in popular culture--New Zealand. Women in popular culture--Australia. Indigenous peoples in popular culture--New Zealand. Indigenous peoples in popular culture--Australia. Dewey Number: 305.4880099442 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover image: ‘Maori guide Rangi at Whakarewarewa, New Zealand, 1935’, PIC/8725/635 LOC Album 1056/D. National Library of Australia, Canberra. Cover design and layout by ANU E Press Printed by Griffin Press This edition © 2011 ANU E Press Contents Acknowledgements . vii Abbreviations . ix Illustrations . xi Glossary of Māori Words . xiii Note on Usage . xv Introduction . 1 Chapter One . 25 Chapter Two . 49 Chapter Three . 77 Chapter Four . 105 Chapter Five . 137 Chapter Six . 173 Conclusion . 205 Select Bibliography . 213 Index . 243 v Acknowledgements This book began its life as a PhD thesis, undertaken at The Australian National University. I wish to gratefully thank my supervisory panel. Ann McGrath was enthusiastic about the topic from the first time I broached it to her, and her perceptive suggestions influenced me throughout the research and writing process. Bronwen Douglas’ warm and generous support, her incisive and often challenging insights, and her intellectual rigour continually assisted and inspired me. Tom Griffiths taught me much about writing and performing history, and was always a source of encouragement and inspiration. I greatly appreciated Barbara Brookes’ support, and our discussions shaped my thinking in important ways. I thank my colleagues and friends at the Australian Dictionary of Biography and the National Centre for Biography, the Australian Centre for Indigenous History, the School of History, and the Division of Pacific and Asian History at the ANU. In researching and writing this book I benefitted greatly from discussions, workshops, seminars, postgraduate events, social occasions and talks over coffee. For their intellectual input and support, I especially thank Chris Ballard, Nick Brown, Paul D’Arcy, Desley Deacon, Barry Higman, Pat Jalland, Shino Konishi, Melanie Nolan, Peter Read, Tim Rowse, Carolyn Strange and Angela Woollacott. I also thank Karen Smith and Karen Ciuffetelli, whose administrative support was much appreciated. Thank you to my fellow students and friends, past and present, with whom I shared the delights and stresses of a PhD. Special thanks are due to Hilary Howes, for her encouragement and companionship over cups of coffee in cafes around the campus, drinks in Fellows Garden and cocktails on the beach, and to Keri Mills, for wonderful wandering conversations when we were supposed to be practicing our te reo Māori skills. I wish also to gratefully acknowledge the help of staff at the following institutions: the National Library of Australia, the National Library of New Zealand, the Alexander Turnbull Library, the State Library of Queensland, the Macmillan Brown Library at the University of Canterbury, and the library of the Australian Institute of Aboriginal and Torres Strait Islander Studies. The staff of the newspaper reading room at the National Library of Australia were particularly helpful, graciously processing my many requests for bulky and awkward newspapers held off-site. Permissions to reproduce material were kindly granted by Melanie Collins, Christian Heinegg, Mihi Rurawhe, the National Library of Australia, the Alexander Turnbull Library and the Northern Territory Library. I offer my apologies to any copyright holders I have been unable to identify and vii Māori and Aboriginal Women in the Public Eye locate. Financially, I was assisted in producing this book by an APA scholarship, by the History Program in the Research School of Social Sciences, and by a publication subsidy granted by The Australian National University. I would like to express my appreciation to the staff of ANU E Press, and to Melanie Nolan, the editor of the ANU.Lives series, for encouragement and support as this book was in preparation. I am also grateful to the reviewers of the manuscript, whose thoughtful comments helped to improve the work. An earlier version of Chapter Two appeared in the Melbourne Historical Journal vol. 35, pp. 35-49, as ‘An Encounter With the White World of Wimbledon: Evonne Goolagong and Representations of Race and Gender in Australia’. A version of Chapter Five is forthcoming in Intersections: Gender and Sexuality in Asia and the Pacific, issue 28 (December 2011), as ‘Matriarchs, Moderates and Militants: Press Representations of Indigenous Women in Australia and New Zealand’, online at http://intersections.anu.edu.au/issue28/fox.htm. Parts of Chapter Three were originally published as ‘Rosalie Kunoth Monks and the Making of Jedda’, in Aboriginal History vol. 33 (2009), pp. 77-95. Chapter Four draws on a paper published as ‘Oodgeroo Noonuccal: Media Snapshots of a Controversial Life’ in Indigenous Biography and Autobiography, Aboriginal History monograph no. 17 (2008), pp. 57-68. Last, but certainly not least, I offer thanks to my friends and family who have listened to my ideas, provided support, and helped to distract me when necessary. In particular, my mother, Ngaire, has always supported me in my intellectual life. Most of all, I thank Jamie. His love and faith in me seem boundless, beyond anything I could have imagined. viii Abbreviations ABC Australian Broadcasting Commission/Corporation AC Companion of the Order of Australia AFL Australian Football League AM Member of the Order of Australia APA Aboriginal Progressive Association ATSIC Aboriginal and Torres Strait Islander Commission CBE Commander of the Order of the British Empire DBE Dame Commander of the Order of the British Empire FCAA Federal Council for Aboriginal Advancement FCAATSI Federal Council for the Advancement of Aborigines and Torres Strait Islanders MBE Member of the Order of the British Empire MMP Mixed Member Proportional MP Member of Parliament MWWL Māori Women’s Welfare League NSW New South Wales OAM Medal of the Order of Australia OBE Officer of the Order of the British Empire ONZ Order of New Zealand QCAATSI Queensland Council for the Advancement of Aborigines and Torres Strait Islanders QSM Queen’s Service Medal RCES Royal Commission on the Electoral System USLTA United States Lawn Tennis Association WCTU Women’s Christian Temperance Union ix Illustrations Figure 1: ‘Portrait of Truganini’, Charles Woolley. Photograph. nla.pic- 3 an23795214-v. National Library of Australia, Canberra. Figure 2: ‘Princess Te Kirihaehae Te Puea Hērangi’, ca. 1938. 7 Photograph. PAColl-5584-58. Alexander Turnbull Library, Wellington. Figure 3: ‘Evonne Goolagong Relaxes at Kooyong Between 51 Tournament Matches’, 1 February 1971, Eric Wadsworth. Australian Information Service. Photograph. nla.pic-vn3050389. National Library of Australia, Canberra. Figure 4: ‘Cathy Freeman, Commonwealth Games, Victoria, British 72 Columbia, Canada, 1994’, Melanie Collins. Photograph. nla.pic- an22839269. National Library of Australia, Canberra. Figure 5: ‘Kiri Te Kanawa, Wearing a Concert Gown of White Crepe’, 81 Evening Post staff photographer. Photograph. EP/1966/0479-F. Alexander Turnbull Library, Wellington. Figure 6: ‘Rosalie Kunoth-Monks’, Steve Lorman. Photograph. 89 PH0141/0169. Northern Territory Library, Darwin. Figure 7: ‘Portrait of Oodgeroo Noonuccal’, Australian Overseas 107 Information Service. Photograph. nla.pic-an11618802. National Library of Australia, Canberra. Figure 8: ‘Photograph of Whina Cooper in Hamilton During the Māori 138 Land March’, 25 September 1975, Christian Heinegg. Photograph. PA7-15-18. Alexander Turnbull Library, Wellington. Figure 9: ‘Miss Lois O’Donoghue, Australian of the Year’, Michael 148 Jensen. Photograph. nla.pic-an24188590. National Library of Australia, Canberra. Figure 10: ‘Portrait of Pat O’Shane Taken at the Constitutional 150 Convention, Canberra, 2-13 February 1998’, Loui Seselja. Photograph. nla.pic-an20168637. National Library of Australia, Canberra. Figure 11: ‘Iriaka Matiu Rātana’, c. 1949. Tesla Studios. Mitchell- 182 Anyon. Photograph. F-55126–1/2. Alexander Turnbull Library, Wellington. Figure 12: ‘Whetū Tirikātene-Sullivan’, 1984. Dominion Post 184 Collection. Photograph. EP-Portraits of New Zealanders-Tirikātene- Sullivan, Whetū-02. Alexander Turnbull Library, Wellington. xi Glossary of Māori Words aroha affection or sympathy haka traditional dance hapū sub-tribe
Recommended publications
  • Benevolent Colonizers in Nineteenth-Century Australia Quaker Lives and Ideals

    Benevolent Colonizers in Nineteenth-Century Australia Quaker Lives and Ideals

    Benevolent Colonizers in Nineteenth-Century Australia Quaker Lives and Ideals Eva Bischoff Cambridge Imperial and Post-Colonial Studies Series Series Editors Richard Drayton Department of History King’s College London London, UK Saul Dubow Magdalene College University of Cambridge Cambridge, UK The Cambridge Imperial and Post-Colonial Studies series is a collection of studies on empires in world history and on the societies and cultures which emerged from colonialism. It includes both transnational, comparative and connective studies, and studies which address where particular regions or nations participate in global phenomena. While in the past the series focused on the British Empire and Commonwealth, in its current incarna- tion there is no imperial system, period of human history or part of the world which lies outside of its compass. While we particularly welcome the first monographs of young researchers, we also seek major studies by more senior scholars, and welcome collections of essays with a strong thematic focus. The series includes work on politics, economics, culture, literature, science, art, medicine, and war. Our aim is to collect the most exciting new scholarship on world history with an imperial theme. More information about this series at http://www.palgrave.com/gp/series/13937 Eva Bischoff Benevolent Colonizers in Nineteenth-­ Century Australia Quaker Lives and Ideals Eva Bischoff Department of International History Trier University Trier, Germany Cambridge Imperial and Post-Colonial Studies Series ISBN 978-3-030-32666-1 ISBN 978-3-030-32667-8 (eBook) https://doi.org/10.1007/978-3-030-32667-8 © The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerland AG 2020 This work is subject to copyright.
  • REFEREES the Following Are Amongst Those Who Have Acted As Referees During the Production of Volumes 1 to 25 of the New Zealand Journal of Forestry Science

    REFEREES the Following Are Amongst Those Who Have Acted As Referees During the Production of Volumes 1 to 25 of the New Zealand Journal of Forestry Science

    105 REFEREES The following are amongst those who have acted as referees during the production of Volumes 1 to 25 of the New Zealand Journal of Forestry Science. Unfortunately, there are no records listing those who assisted with the first few volumes. Aber, J. (University of Wisconsin, Madison) AboEl-Nil, M. (King Feisal University, Saudi Arabia) Adams, J.A. (Lincoln University, Canterbury) Adams, M. (University of Melbourne, Victoria) Agren, G. (Swedish University of Agricultural Science, Uppsala) Aitken-Christie, J. (NZ FRI, Rotorua) Allbrook, R. (University of Waikato, Hamilton) Allen, J.D. (University of Canterbury, Christchurch) Allen, R. (NZ FRI, Christchurch) Allison, B.J. (Tokoroa) Allison, R.W. (NZ FRI, Rotorua) Alma, P.J. (NZ FRI, Rotorua) Amerson, H.V. (North Carolina State University, Raleigh) Anderson, J.A. (NZ FRI, Rotorua) Andrew, LA. (NZ FRI, Rotorua) Andrew, LA. (Telstra, Brisbane) Armitage, I. (NZ Forest Service) Attiwill, P.M. (University of Melbourne, Victoria) Bachelor, C.L. (NZ FRI, Christchurch) Bacon, G. (Queensland Dept of Forestry, Brisbane) Bagnall, R. (NZ Forest Service, Nelson) Bain, J. (NZ FRI, Rotorua) Baker, T.G. (University of Melbourne, Victoria) Ball, P.R. (Palmerston North) Ballard, R. (NZ FRI, Rotorua) Bannister, M.H. (NZ FRI, Rotorua) Baradat, Ph. (Bordeaux) Barr, C. (Ministry of Forestry, Rotorua) Bartram, D, (Ministry of Forestry, Kaikohe) Bassett, C. (Ngaio, Wellington) Bassett, C. (NZ FRI, Rotorua) Bathgate, J.L. (Ministry of Forestry, Rotorua) Bathgate, J.L. (NZ Forest Service, Wellington) Baxter, R. (Sittingbourne Research Centre, Kent) Beath, T. (ANM Ltd, Tumut) Beauregard, R. (NZ FRI, Rotorua) New Zealand Journal of Forestry Science 28(1): 105-119 (1998) 106 New Zealand Journal of Forestry Science 28(1) Beekhuis, J.
  • Pacific Brands

    Pacific Brands

    AGSM MBA Programs Pacific Brands Case No: AGSM-13-002 Authors: J. Peter Murmann and Chris Styles This case has been compiled from public sources solely for educational purposes and aims to promote discussion of issues that surround the management of change in organisations rather than to illustrate either effective or ineffective handling of an administrative situation. Copyright: AGSM MBA Programs prohibits any form of reproduction, storage or transmittal without its written permission. This material is not covered under authorization from AGSM or any reproduction rights organization. To order copies or request permission to reproduce materials contact Academic Director, AGSM MBA Programs, Australian School of Business, UNSW, Sydney, Australia, 2052. Phone: (+612) 9931 9400 Facsimile: (+612) 9931 9206 Part 1: Introduction Let’s start with a recruitment video in which the CEO, Sue Morphet, describes Pacific Brands. It will give you insight into the company’s operations, culture and leadership. To see video, hold CTRL key and click on picture above or go to: http://bit.ly/p1qG7c 2 Strategic Management 4 1a. Exercise Question: What impression does this give you about the company? What do you think of Sue Morphet as a CEO? ............................................................................................................................................................................................... ..............................................................................................................................................................................................
  • Intimacies of Violence in the Settler Colony Economies of Dispossession Around the Pacific Rim

    Intimacies of Violence in the Settler Colony Economies of Dispossession Around the Pacific Rim

    Cambridge Imperial & Post-Colonial Studies INTIMACIES OF VIOLENCE IN THE SETTLER COLONY ECONOMIES OF DISPOSSESSION AROUND THE PACIFIC RIM EDITED BY PENELOPE EDMONDS & AMANDA NETTELBECK Cambridge Imperial and Post-Colonial Studies Series Series Editors Richard Drayton Department of History King’s College London London, UK Saul Dubow Magdalene College University of Cambridge Cambridge, UK The Cambridge Imperial and Post-Colonial Studies series is a collection of studies on empires in world history and on the societies and cultures which emerged from colonialism. It includes both transnational, comparative and connective studies, and studies which address where particular regions or nations participate in global phenomena. While in the past the series focused on the British Empire and Commonwealth, in its current incarna- tion there is no imperial system, period of human history or part of the world which lies outside of its compass. While we particularly welcome the first monographs of young researchers, we also seek major studies by more senior scholars, and welcome collections of essays with a strong thematic focus. The series includes work on politics, economics, culture, literature, science, art, medicine, and war. Our aim is to collect the most exciting new scholarship on world history with an imperial theme. More information about this series at http://www.palgrave.com/gp/series/13937 Penelope Edmonds Amanda Nettelbeck Editors Intimacies of Violence in the Settler Colony Economies of Dispossession around the Pacific Rim Editors Penelope Edmonds Amanda Nettelbeck School of Humanities School of Humanities University of Tasmania University of Adelaide Hobart, TAS, Australia Adelaide, SA, Australia Cambridge Imperial and Post-Colonial Studies Series ISBN 978-3-319-76230-2 ISBN 978-3-319-76231-9 (eBook) https://doi.org/10.1007/978-3-319-76231-9 Library of Congress Control Number: 2018941557 © The Editor(s) (if applicable) and The Author(s) 2018 This work is subject to copyright.
  • New Zealand by Claire Bruell

    New Zealand by Claire Bruell

    New Zealand by Claire Bruell ew Zealand is composed of two islands, the North Island century. Its website* lists a VHS Nand the South Island. The capital is Wellington, at the video 16 minutes “A Guide for foot of the North Island; the largest city is Auckland in the north New Readers” (VHS) available for of the North Island. Christchurch and Dunedin are the two major NZ$35 published 1996. This is an centers in the South Island. introduction to the reference and European explorers first came to New Zealand at the end of research service at Archives New the 18th century and a steady stream of traders, whalers, sealers Zealand Head Office in Wellington. and missionaries followed in the early nineteenth century. Regional offices in Auckland, Christchurch and Dunedin British rule was formalized by the Treaty of Waitangi signed are repositories for government archives originating within by both the native Maori and representatives of the Queen of these geographical areas. The head office in Wellington holds England in 1840. At this time, an estimated 1,200 Europeans lived records for that region as well as some that originate in other in the North Island and 200 lived in the South Island. Most of areas. the main cities were founded in the 1840s. A large number of The publication (1990) “Family History at National Archives” people came in the 1850s and 1860s, when gold was discovered by Bridget Williams describing records held by Archives NZ is in Coromandel and Thames in the North Island, and in Nelson, now out of print.
  • A Diachronic Study of Unparliamentary Language in the New Zealand Parliament, 1890-1950

    A Diachronic Study of Unparliamentary Language in the New Zealand Parliament, 1890-1950

    WITHDRAW AND APOLOGISE: A DIACHRONIC STUDY OF UNPARLIAMENTARY LANGUAGE IN THE NEW ZEALAND PARLIAMENT, 1890-1950 BY RUTH GRAHAM A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy in Applied Linguistics Victoria University of Wellington 2016 ii “Parliament, after all, is not a Sunday school; it is a talking-shop; a place of debate”. (Barnard, 1943) iii Abstract This study presents a diachronic analysis of the language ruled to be unparliamentary in the New Zealand Parliament from 1890 to 1950. While unparliamentary language is sometimes referred to as ‘parliamentary insults’ (Ilie, 2001), this study has a wider definition: the language used in a legislative chamber is unparliamentary when it is ruled or signalled by the Speaker as out of order or likely to cause disorder. The user is required to articulate a statement of withdrawal and apology or risk further censure. The analysis uses the Communities of Practice theoretical framework, developed by Wenger (1998) and enhanced with linguistic impoliteness, as defined by Mills (2005) in order to contextualise the use of unparliamentary language within a highly regulated institutional setting. The study identifies and categorises the lexis of unparliamentary language, including a focus on examples that use New Zealand English or te reo Māori. Approximately 2600 examples of unparliamentary language, along with bibliographic, lexical, descriptive and contextual information, were entered into a custom designed relational database. The examples were categorised into three: ‘core concepts’, ‘personal reflections’ and the ‘political environment’, with a number of sub-categories. This revealed a previously unknown category of ‘situation dependent’ unparliamentary language and a creative use of ‘animal reflections’.
  • Māori and Aboriginal Women in the Public Eye

    Māori and Aboriginal Women in the Public Eye

    MĀORI AND ABORIGINAL WOMEN IN THE PUBLIC EYE REPRESENTING DIFFERENCE, 1950–2000 MĀORI AND ABORIGINAL WOMEN IN THE PUBLIC EYE REPRESENTING DIFFERENCE, 1950–2000 KAREN FOX THE AUSTRALIAN NATIONAL UNIVERSITY E PRESS E PRESS Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Fox, Karen. Title: Māori and Aboriginal women in the public eye : representing difference, 1950-2000 / Karen Fox. ISBN: 9781921862618 (pbk.) 9781921862625 (ebook) Notes: Includes bibliographical references and index. Subjects: Women, Māori--New Zealand--History. Women, Aboriginal Australian--Australia--History. Women, Māori--New Zealand--Social conditions. Women, Aboriginal Australian--Australia--Social conditions. Indigenous women--New Zealand--Public opinion. Indigenous women--Australia--Public opinion. Women in popular culture--New Zealand. Women in popular culture--Australia. Indigenous peoples in popular culture--New Zealand. Indigenous peoples in popular culture--Australia. Dewey Number: 305.4880099442 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover image: ‘Maori guide Rangi at Whakarewarewa, New Zealand, 1935’, PIC/8725/635 LOC Album 1056/D. National Library of Australia, Canberra. Cover design and layout by ANU E Press Printed by Griffin Press This edition © 2011 ANU E Press Contents Acknowledgements . vii Abbreviations . ix Illustrations . xi Glossary of Māori Words . xiii Note on Usage . xv Introduction . 1 Chapter One .
  • What Killed Australian Cinema & Why Is the Bloody Corpse Still Moving?

    What Killed Australian Cinema & Why Is the Bloody Corpse Still Moving?

    What Killed Australian Cinema & Why is the Bloody Corpse Still Moving? A Thesis Submitted By Jacob Zvi for the Degree of Doctor of Philosophy at the Faculty of Health, Arts & Design, Swinburne University of Technology, Melbourne © Jacob Zvi 2019 Swinburne University of Technology All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. II Abstract In 2004, annual Australian viewership of Australian cinema, regularly averaging below 5%, reached an all-time low of 1.3%. Considering Australia ranks among the top nations in both screens and cinema attendance per capita, and that Australians’ biggest cultural consumption is screen products and multi-media equipment, suggests that Australians love cinema, but refrain from watching their own. Why? During its golden period, 1970-1988, Australian cinema was operating under combined private and government investment, and responsible for critical and commercial successes. However, over the past thirty years, 1988-2018, due to the detrimental role of government film agencies played in binding Australian cinema to government funding, Australian films are perceived as under-developed, low budget, and depressing. Out of hundreds of films produced, and investment of billions of dollars, only a dozen managed to recoup their budget. The thesis demonstrates how ‘Australian national cinema’ discourse helped funding bodies consolidate their power. Australian filmmaking is defined by three ongoing and unresolved frictions: one external and two internal. Friction I debates Australian cinema vs. Australian audience, rejecting Australian cinema’s output, resulting in Frictions II and III, which respectively debate two industry questions: what content is produced? arthouse vs.
  • Voices of Aboriginal Tasmania Ningina Tunapri Education

    Voices of Aboriginal Tasmania Ningina Tunapri Education

    voices of aboriginal tasmania ningenneh tunapry education guide Written by Andy Baird © Tasmanian Museum and Art Gallery 2008 voices of aboriginal tasmania ningenneh tunapry A guide for students and teachers visiting curricula guide ningenneh tunapry, the Tasmanian Aboriginal A separate document outlining the curricula links for exhibition at the Tasmanian Museum and the ningenneh tunapry exhibition and this guide is Art Gallery available online at www.tmag.tas.gov.au/education/ Suitable for middle and secondary school resources Years 5 to 10, (students aged 10–17) suggested focus areas across the The guide is ideal for teachers and students of History and Society, Science, English and the Arts, curricula: and encompasses many areas of the National Primary Statements of Learning for Civics and Citizenship, as well as the Tasmanian Curriculum. Oral Stories: past and present (Creation stories, contemporary poetry, music) Traditional Life Continuing Culture: necklace making, basket weaving, mutton-birding Secondary Historical perspectives Repatriation of Aboriginal remains Recognition: Stolen Generation stories: the apology, land rights Art: contemporary and traditional Indigenous land management Activities in this guide that can be done at school or as research are indicated as *classroom Activites based within the TMAG are indicated as *museum Above: Brendon ‘Buck’ Brown on the bark canoe 1 voices of aboriginal tasmania contents This guide, and the new ningenneh tunapry exhibition in the Tasmanian Museum and Art Gallery, looks at the following
  • Mckee, Alan (1996) Making Race Mean : the Limits of Interpretation in the Case of Australian Aboriginality in Films and Television Programs

    Mckee, Alan (1996) Making Race Mean : the Limits of Interpretation in the Case of Australian Aboriginality in Films and Television Programs

    McKee, Alan (1996) Making race mean : the limits of interpretation in the case of Australian Aboriginality in films and television programs. PhD thesis. http://theses.gla.ac.uk/4783/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Making Race Mean The limits of interpretation in the case of Australian Aboriginality in films and television programs by Alan McKee (M.A.Hons.) Dissertation presented to the Faculty of Arts of the University of Glasgow in fulfilment of the requirements for the Degree of Doctor of Philosophy University of Glasgow March 1996 Page 2 Abstract Academic work on Aboriginality in popular media has, understandably, been largely written in defensive registers. Aware of horrendous histories of Aboriginal murder, dispossession and pitying understanding at the hands of settlers, writers are worried about the effects of raced representation; and are always concerned to identify those texts which might be labelled racist. In order to make such a search meaningful, though, it is necessary to take as axiomatic certain propositions about the functioning of films: that they 'mean' in particular and stable ways, for example; and that sophisticated reading strategies can fully account for the possible ways a film interacts with audiences.
  • Critical Australian Indigenous Histories

    Critical Australian Indigenous Histories

    Transgressions critical Australian Indigenous histories Transgressions critical Australian Indigenous histories Ingereth Macfarlane and Mark Hannah (editors) Published by ANU E Press and Aboriginal History Incorporated Aboriginal History Monograph 16 National Library of Australia Cataloguing-in-Publication entry Title: Transgressions [electronic resource] : critical Australian Indigenous histories / editors, Ingereth Macfarlane ; Mark Hannah. Publisher: Acton, A.C.T. : ANU E Press, 2007. ISBN: 9781921313448 (pbk.) 9781921313431 (online) Series: Aboriginal history monograph Notes: Bibliography. Subjects: Indigenous peoples–Australia–History. Aboriginal Australians, Treatment of–History. Colonies in literature. Australia–Colonization–History. Australia–Historiography. Other Authors: Macfarlane, Ingereth. Hannah, Mark. Dewey Number: 994 Aboriginal History is administered by an Editorial Board which is responsible for all unsigned material. Views and opinions expressed by the author are not necessarily shared by Board members. The Committee of Management and the Editorial Board Peter Read (Chair), Rob Paton (Treasurer/Public Officer), Ingereth Macfarlane (Secretary/ Managing Editor), Richard Baker, Gordon Briscoe, Ann Curthoys, Brian Egloff, Geoff Gray, Niel Gunson, Christine Hansen, Luise Hercus, David Johnston, Steven Kinnane, Harold Koch, Isabel McBryde, Ann McGrath, Frances Peters- Little, Kaye Price, Deborah Bird Rose, Peter Radoll, Tiffany Shellam Editors Ingereth Macfarlane and Mark Hannah Copy Editors Geoff Hunt and Bernadette Hince Contacting Aboriginal History All correspondence should be addressed to Aboriginal History, Box 2837 GPO Canberra, 2601, Australia. Sales and orders for journals and monographs, and journal subscriptions: T Boekel, email: [email protected], tel or fax: +61 2 6230 7054 www.aboriginalhistory.org ANU E Press All correspondence should be addressed to: ANU E Press, The Australian National University, Canberra ACT 0200, Australia Email: [email protected], http://epress.anu.edu.au Aboriginal History Inc.
  • Whatever Happened to Poor Mr Yate?

    Whatever Happened to Poor Mr Yate?

    Whatever Happened to Poor Mr Yate? AN EXERCISE IN VOYEURISM FROM the beginning there were those who were prepared to state openly that the missionary William Yate was the victim of a conspiracy 'black as hell'.1 Since then, the ambiguities surrounding Yate's dismissal in 1837 from the Church Missionary Society have continued to capture the imagination of some of New Zealand's major writers and recently pro- voked some spurious sword play in the pages of Landfall.2 The absence of decisive material in the CMS archives, combined with the problem that Yate, like Oscar Wilde, was accused of a crime considered hardly best suited for drawing-room conversation, contributed to the continuing uncertainty about the whole matter. It was complicated by the fact that Yate himself waged a long and unsuccessful campaign in England to have the allegations against him formally investigated. The CMS refused to. reopen his case, thereby adding to a rapidly swelling list of sympathizers with Yate. His friends believed him innocent and even those with no preconceived views thought that he had been unjustly deprived of an inquiry to which he was entitled. Moreover, he had been cast as yet another victim of Samuel Marsden's inflexible vindictiveness: 'I had no doubt of his Guilt from the first moment I was informed of his Conduct — and no one could Change my mind'.3 Because of the allegations, Yate found himself in an intolerable position: he was not faced with any legal charges, but was for many years prohibited by the Bishop of London from practising in a permanent capacity as a clergyman.4 It was not until 1846, under powerful patronage, that he was able to take up employment as a chaplain to an abandoned chapel for The portrait of the Reverend William Yate (opposite) was painted by C.