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Out of This World
TURANGALÎLA OPERA’S MESSIAEN’S ANTIHERO THE AGE OF ADÈS MASTERPIECE DON GIOVANNI’S DISCOVERING COMES TO NEW RELEVANCE BOLD NEW MUSICAL AUCKLAND I N 2019 HORIZONS SUMMER 2019 VOL.42 NO.1 your free copy OUT OF THIS WORLD APO CONCERTMASTER ANDREW BEER PREPARES TO PUSH THE LIMITS OF VIRTUOSITY We’re taking you behind the headlines Get the inside story from our journalists bringing you all the news that matters. Watch now at nzherald.co.nz/journalists apo.co.nz 3 UPFRONT WITH BARBARA GLASER 15 Bach and Beyond 4 APO NEWS Swedish conductor Sofi Jeannin talks about the demands of a unique Easter concert 7 Auckland Philharmonia Redefining Nature Orchestra 16 PO Box 7083 The orchestra takes you up close Wellesley St to the Animal Kingdom Antihero for the Ages Auckland 1141 ‘The opera of all operas’ in 2019 Phone (09) 638 6266 APO Ticketing (09) 623 1052 [email protected] 18 apo.co.nz aporchestra Chauffeur to the Stars @aporchestra Tony Waring drives APO guests aporchestra in style Patrons Dame Kiri Te Kanawa, DBE, ONZ Dame Catherine Tizard, GCMG, GCVO, DBE, ONZ, QSO 8 19 Sir James Wallace, KNZM, ONZM Dame Rosanne Meo, DNZM The Nature of Love Vice Patron Sonic Riches Composer Ken Young discusses Dame Jenny Gibbs, DNZM, OBE A deep dive into Messiaen’s his new collaboration with Witi Auckland Philharmonia masterpiece Turangalîla Ihimaera Orchestra Board Geraint A. Martin (Chair) Symphony Leigh Auton DEVELOPMENT NEWS Richard Ebbett 20 Lope Ginnen CONTENTS Pare Keiha 11 21 CONNECTING NEWS Kieran Raftery QC Eric Renick Soloist on a High-Wire Julian Smith -
The Writing Life Twelve New Zealand Authors DEBORAH SHEPARD
Intelligent, relevant books for intelligent, inquiring readers The Writing Life Twelve New Zealand Authors DEBORAH SHEPARD CANDID CONVERSATIONS WITH 12 WRITERS WHO HELPED SHAPE NEW ZEALAND LITERATURE A unique, candid and intimate survey of the life and work of 12 of our most acclaimed writers: Patricia Grace, Tessa Duder, Owen Marshall, Philip Temple, David Hill, Joy Cowley, Vincent O’Sullivan, Albert Wendt, Marilyn Duckworth, Chris Else, Fiona Kidman and Witi Ihimaera. Constructed as Q&As with experienced oral historian Deborah Shepard, they offer a marvellous insight into their careers. As a group they are now the ‘elders’ of New Zealand literature; they forged the path for the current generation. Together the authors trace their publishing and literary history from 1959 to 2018, through what might now be viewed as a golden era of publishing into the more unsettled climate of today. They address universal themes: the death of parents and loved ones, the good things that come with ageing, the components of a satisfying life, and much more. And they give advice on writing. The book has an historical continuity, showing fruitful and fascinating links $49.99 between individuals who have negotiated the same literary terrain for more than sixty years. To further honour them are magnificent photo portraits by CATEGORY: New Zealand Non Fiction distinguished photographer John McDermott, commissioned by the publisher ISBN: 978-0-9951095-3-7 for this project. eISBN: n/a ABOUT THE AUTHOR BIC: BGL, DSK, 1MBN BISAC: LCO020000, BIO007000 Deborah Shepard is an author, teacher of memoir, oral historian and film PUBLISHER: Massey University Press and art historian. -
Classical Myth and Margaret Mahy’S Young Adult
CORE Metadata, citation and similar papers at core.ac.uk Provided by ResearchArchive at Victoria University of Wellington 1 Classical Myth and Margaret Mahy’s Young Adult Fiction By Michael Pohl A thesis Submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in English Literature Victoria University of Wellington 2010 2 Contents Acknowledgements…………………………………………………………………...iii Abstract……………………………………………………………………………….iv Introduction……………………………………………………………………………1 I. Other-worlds and Under-worlds I: Dangerous Spaces …………..............11 II. Other-worlds and Under-worlds II: The Changeover ……………………20 III. Dionysian Imagery in The Tricksters …………………………………….33 IV. Myth, Fiction and Lying in The Catalogue of the Universe ……………..62 V. Heroes and Authors in The Other Side of Silence ………………………..74 Conclusion……………………………………………………………………………87 Works Cited…………………………………………………………………………..92 3 Acknowledgements First and foremost I would like to thank my supervisors, Geoff Miles and Kathryn Walls, without whose invaluable support and advice this thesis could never have been written. I would also like to thank other members of the English programme at Victoria University of Wellington for the help and support they have offered me, especially Heidi Thomson, whose tireless energy and enthusiasm never failed to re- ignite mine when I felt it flagging, and whose knowledge of the technical hoop- jumping required of thesis students helped me negotiate the Byzantine university bureaucracy. Among my friends I would especially like to thank Sylvia, who was kind enough to put in the time and effort to proofread the (nearly-)finished article for me, and innumerable other friends who commiserated with me or gave me a kick up the bum when I needed one. -
A Survey of Recent New Zealand Writing TREVOR REEVES
A Survey of Recent New Zealand Writing TREVOR REEVES O achieve any depth or spread in an article attempt• ing to cover the whole gamut of New Zealand writing * must be deemed to be a New Zealand madman's dream, but I wonder if it would be so difficult for people overseas, particularly in other parts of the Commonwealth. It would appear to them, perhaps, that two or three rather good poets have emerged from these islands. So good, in fact, that their appearance in any anthology of Common• wealth poetry would make for a matter of rather pleasurable comment and would certainly not lower the general stand• ard of the book. I'll come back to these two or three poets presently, but let us first consider the question of New Zealand's prose writers. Ah yes, we have, or had, Kath• erine Mansfield, who died exactly fifty years ago. Her work is legendary — her Collected Stories (Constable) goes from reprint to reprint, and indeed, pirate printings are being shovelled off to the priting mills now that her fifty year copyright protection has run out. But Katherine Mansfield never was a "New Zealand writer" as such. She left early in the piece. But how did later writers fare, internationally speaking? It was Janet Frame who first wrote the long awaited "New Zealand Novel." Owls Do Cry was published in 1957. A rather cruel but incisive novel, about herself (everyone has one good novel in them), it centred on her own childhood experiences in Oamaru, a small town eighty miles north of Dunedin -— a town in which rough farmers drove sheep-shit-smelling American V-8 jalopies inexpertly down the main drag — where the local "bikies" as they are now called, grouped in vociferous RECENT NEW ZEALAND WRITING 17 bunches outside the corner milk bar. -
Holiday Reading 2001
Holiday reading A selection of children’s and young adults’ books 10/01 G CH-128-B This list is only a small selection of the many books added to Christchurch City Libraries during 2001. We hope you will find some to interest you. Previous Holiday Reading lists can be found on the library’s web site at: http://library.christchurch.org.nz/Childrens/HolidayReading/index.asp Some recent award winning books are listed at the end of this publication while more award winners can be found on the library’s web site at: http://library.christchurch.org.nz/Guides/ LiteraryPrizes/Childrens/index.asp In Memoriam: Christchurch writers & illustrators Elsie Locke Gwenda Turner Douglas Adams Betty Cavanna Mirra Ginsberg Adrian Henri Tove Jannson Eloise McGraw Fred Marcellino Robert Kraus Catherine Storr This edition of Holiday Reading is dedicated to Alf Baker, a long-time supporter of children’s literature, literacy and libraries, who died during the year. Holiday reading page 1 Picture books Agee, Jon Milo’s hat trick In the busy city there are lots of people with hats, but only Milo the magician has a bear in his hat. Ahlberg, Allan The adventures of Bert Three very short stories, illustrated by Raymond Briggs. Ahlberg, Allan The snail house Grandma tells Michael, Hannah and their baby brother the story of three children who shrink to such a small size they move into a snail’s shell. Alborough, Jez Fix-It Duck Duck’s attempts to deal with various minor disasters only lead to more problems. Observant readers will notice in the initial pictures the clue to the first cause of the trouble. -
Read Witi's Lecture
First published in 2015 by the New Zealand Book Council 156/158 Victoria Street, Te Aro, Wellington 6011 © Witi Ihimaera, 2015 A catalogue record for this book is available from the National Library of New Zealand. ISBN 978-0-473-33516-8 This book is copyright. Apart from any fair dealing for the purpose of private study, research, criticism or review, as permitted under the Copyright Act, no part may be reproduced by any process without the permission of the publisher. Cover design Kalee Jackson Cover photo © Siobhan Harvey, 2012 Internal design and typesetting Emma Bryson Printed by Printlink This book was taken from manuscript to bookshelf by students of the Whitireia New Zealand publishing programme, who worked on editing, production and design. For more information about our editing and publishing training, visit www.whitireiapublishing.co.nz FOREWORD Kia ora tātou The New Zealand Book Council Lecture has become a prominent part of the literary landscape in Aotearoa New Zealand and provides an opportunity for one of our country’s leading writers to discuss an aspect of literature close to their heart. The 2015 lecture was significant for three reasons: firstly, it was a key part of the wonderful Dunedin Writers and Readers Festival – one of Australasia’s stellar festival events. Secondly, the lecture took place at Dunedin’s first literary festival as a UNESCO City of Literature, which is well-deserved recognition of the city’s past and present as an extraordinary place of words and writers. Last – but certainly not least – we were privileged to have Witi Ihimaera deliver the lecture, one of Aotearoa New Zealand’s most acclaimed writers. -
Notable New Zealand Children's and Young Adult Books of 2007
Notable New Zealand Children's and Young Adult Books of 2007 Ten books in four categories have been selected, from the more than 150 books published during 2006. Storylines’ first Notable Books list was in 2000, containing 40 notable books published in 1999. The list reflects the wide-ranging achievements of New Zealand authors and illustrators. It appears in February each year. Notable Picture Books Books for children and/or young adults where the narrative is carried equally by pictures and story. Share Said the Rooster by Pamela Allen (Viking) A Present from the Past by Jennifer Beck, illustrated by Lindy Fisher. (Scholastic New Zealand) Riding the Waves: Four Māori Myths by Gavin Bishop. (Random House New Zealand) [Also available in te reo Māori as Te Re Whakaeke i ngā Ngaru: e Whā Tino Pūrākau translated by Kāterina Te Heikōkō Mataira]. Greedy Cat and the Sneeze by Joy Cowley, illustrated by Robyn Belton. (Scholastic New Zealand) Billy: A Lolly Leopold Story by Kate De Goldi, illustrated by Jacqui Colley. (Trapeze) Itiiti's Gift by Melanie Drewery, illustrated by Fifi Colston. (Reed) The Three Fishing Brothers Gruff by Ben Galbraith. (Hodder Children's Books) Matatuhi by Robyn Kahukiwa. (Puffin) [Also available in te reo Māori as Matatuhi translated by Kiwa Hammond.] Kiss! Kiss! Yuck! Yuck! by Kyle Mewburn, illustrated by Ali Teo & John O'Reilly. (Scholastic New Zealand) Barnaby Bennett by Hannah Rainforth, illustrated by Ali Teo. (Huia Publishers) The judging panel would like to make special mention of Down the Back of the Chair by Margaret Mahy, illustrated by Polly Dunbar (Frances Lincoln). -
Bruce Mason, James K. Baxter, Mervyn Thompson, Renée and Robert Lord, Five Playwrights
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. METAMORPHOSIS AT 'THE MARGIN': BRUCE MASON, JAMES K. BAXTER, MERVYN THOMPSON, RENtE AND ROBERT LORD, FIVE PLAYWRIGHTS WHO HAVE HELPED TO CHANGE THE FACE OF NEW ZEALAND DRAMA. A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy III English at Massey University [Palmerston North], New Zealand Susan Lillian Williams 2006 11 DEDICATION I dedicate this thesis to my grandfather and my mother, neither of whom had the privilege of gaining the education that they both so much deserved. I stand on their shoulders, just as my son, David, will stand on mine. The writing of this thesis, however, would not have been possible without the unstinting assistance of Ainslie Hewton. Finally, to my irreplaceable friend,Zeb, the puppy I wanted and never had as a child. Zeb nurtured me throughout this long project and then, in the last week of completion, was called by the black rabbit. Thank you for everything you taught me Zebedee. You and I will always be playing alongside your beloved riverbank. III ABSTRACT Drama has been the slowest of the arts to develop an authentic New Zealand 'voice.' This thesis focuses on the work of five playwrights: Bruce Mason, James K. Baxter, Mervyn Thompson, Renee and Robert Lord, all of whom have set out to identify such a 'voice' and in so doing have brought about a metamorphosis in the nature of New Zealand drama. -
New Zealand Candidate for the Hans Christian Andersen Award for Writers, 2018
JOY COWLEY New zealand Candidate for the Hans Christian Andersen Award for Writers, 2018 Nominated by the New Zealand National Section, IBBY NationalIBBY Section, the Zealand New Nominated by s t en t n co Nominated by the New Zealand National Section, IBBY FOREWORD . 2 Dossier prepared by the New Zealand National Section, IBBY 1 BIOGRAPHY . .3 Storylines Children’s Literature Charitable Trust of New Zealand PO Box 96094, Balmoral 1342, Auckland, New Zealand www.storylines.org.nz 2 PHOTOGRAPH . .5 February 2017 Storylines Children’s Literature Charitable Trust acknowledges 3 CONTRIBUTION TO LITERATURE FOR YOUNG PEOPLE . .6 the help of Gecko Press in the production of this document. 4 AWARDS . .8 5 BIBLIOGRAPHY . 12 6 FOREIGN LANGUAGES . 25 7 FIVE MOST IMPORTANT TITLES . 29 8 FIVE SELECTED TITLES . 35 9 ESSAYS, INTERVIEWS, ARTICLES . .36 10 REVIEWS . .40 d Y r H P wo practical book based on the workshops, Writing from In 1978, Joy and other School Journal contributors RA re Joy Cowley has been a Patron of JOY COWLEY, 1936– the Heart. Writing from the Heart, which has sold were invited to a weekend of workshops held by OG fo the Storylines Children’s Literature nationally and internationally, has provided guidance Joy Cowley, the eldest of five children, was born in Learning Media, the publication arm of the Department BI Charitable Trust of New Zealand since and encouragement for many aspiring writers. Levin, a small New Zealand market town, to an ailing of Education, to develop stories for emergent readers, father and a mother struggling with schizophrenia. extending the range of the successful ‘Ready to 1 its inception in 2004 and, prior to that, As a Patron of Storylines Joy has been active in The family moved house several times during her Read’ material. -
Self-Narrative, Feminist Theory and Writing Practice
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ResearchArchive at Victoria University of Wellington ON SHIFTING GROUND: Self-narrative, feminist theory and writing practice By Anne Else A thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy Victoria University of Wellington 2006 To Susan Moller Okin 1946-2004 Abstract This thesis centres on a problem that stands at the heart of feminist theory: how women may come to understand themselves as speaking subjects located within historically specific, discursive social structures, to question those structures aloud, and to seek to change them. It combines self-narrative, feminist theory and writing practice to make sense of a body of published work which I produced between 1984 and 1999, with a consistent focus on some form of gendered discourse, by setting it in its personal, historical, and theoretical contexts. Although the thesis is built around published work, it is not primarily about results or outcomes, but rather about a set of active historical processes. Taking the form of a spirally structured critical autobiography spanning five and a half decades, it traces how one voice of what I have termed feminist oppositional imagining has emerged and taken its own worded shape. First, it constructs a double story of coming to writing and coming to feminism, in order to explore the formation of a writing subject and show the critical importance of the connections between subjectivity and oppositional imagining, and to highlight the need to find ways of producing knowledge which do not rely on the notion of the detached observer. -
Christchurch Writers' Trail
The Christch~rch Writers' Trail I The Christchurch c 3 mitersy&ai1 Page 1 Introduction 2 Writers Biographies Lady Barker e Canterbury Settlement, right from 1850, was notable for its exalted ideals. The @settlement's early colonists lugged ashore libraries, musical instruments, paints, Samuel Butler William Pember Reeves easels and plans for a grammar school and university. Within the first decade they Edith Grossmann started a newspaper, founded choral and orchestral societies, staged plays and Jessie Mackay started a public library. A surprising number of these pioneers were competent Arnold Wall writers. The published memoirs, letters, journals and poetry left by Charlotte Godley, Blanche Bau han Edward and Crosbie Ward, James FitzGerald, Henry Sewell, Sarah Courage, Laurence Johannes An 8ersen Kennaway, Lady Barker, Samuel Butler and other "pilgrims" established a robust Mary Ursula Bethell literary tradition in Canterbury, particularly in non-fiction and poetry. From the Alan Mulgan 1930s to the early 1950s, during Denis Glover's association with The Caxton Press, Esther Glen Oliver Duff Christchurch was indisputably the focal point of New Zealand's artistic life. The N~aioMarsh town's cultural and literary importance - about 280 writers are listed in this booklet D Arcy Cresswell in a record which is by no means definitive - continues to this day. Monte Holcroft James Courage The Canterbury Branch of the New Zealand Society of Authors has, with generous Allen Curnow assistance from The Community Trust, now laid 32 writers' plaques in various parts Essie Summers of Christchurch. It is hoped that the process begun in 1997 of thus honouring the Denis Glover literary talent of our town and province, will long continue. -
Towards 'Until the Walls Fall Down' an Intended History of New Zealand Literature 1932-1963
Towards 'Until the walls fall down' An intended history of New Zealand Literature 1932-1963 LAWRENCE JONES Those inclusive dates point to two generations, and crucial to my intended history is the distinction Lawrence fones is Associate Professor of English at the Uni between them. The first is that of the self-appointed versity of Otago. He is the author of Barbed Wire and makers of a national literature, mostly born after 1900 Mirrors - Essays on New Zealand prose. The following and before World War I. They arrive in three waves. text was presented at a Stout Research Centre Wednesday First there is a small group beginning Seminar, on 5 October 1994. in Auckland in the mid- and late-1920s- Mason (born 1905), A.R.D. I would like first to look at the terms of my title. 'To Fairburn (1904), and, off to one side and associated wards' and 'intended' are the first operative terms. This by them with the maligned older generation, Robin seminar is given at the beginning of a process of inten Hyde (1906). Then come the Phoenix-Unicorn-Griffin sive research, and any writing beyond notes and an and the Tomorrow-Caxton groups in Auckland and outline is an intention at this point, and the outline is Christchurch, (and some of their outlying friends), something to work towards, modifying and filling in. arriving between 1932 and 1935, incorporating Fairburn Next there is 'New Zealand Literature, 1932-1963', and Mason, and including M.H . Holcroft (1902), Frank with those oddly specific dates. The first is probably Sargeson (1903), Roderick Finlayson (1904), Winston obvious enough, the publication of the Phoenix at the Rhodes (1905), E.H.