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Listen Carefully
1 Listen Carefully Ellen Foyn Bruun1 Norwegian University of Science and Technology NTNU, Drama and Theatre Studies Abstract Voice and sounding is an integrated element in dramatherapy, as in acting and life in general. In this article I reflect on voicework that focuses on the intimate relationship between breathing, sounding and an embodied sense of self. The notion of listen carefully emphasises the receptive aspect of arts practice and introversion as a foundation for authentic and healthy expression. I address ‘the presence of absence’ and our ability to listen with awareness to what is implicit and not yet made conscious. I have been inspired by feminist philosopher Adriana Cavarero who proposes a philosophy of voice that challenges logo-centric Western philosophical thinking. Her work underpins the relationship between voice and identity. I shall draw from my experience of three different approaches that integrate vocal somatic exploration and a holistic approach to life and health. These are the legacy of Roy Hart and Alfred Wolfsohn, Movement with touch and sound (Sesame), and Fitzmaurice Voicework®. This article caters for a broad professional community that is interested in the field of voice in drama and theatre practice for educational and therapeutic purposes. Key words: dramatherapy, voicework, healthy self-regulation, philosophy of voice, Roy Hart and Alfred Wolfsohn, Sesame approach, Fitzmaurice voicework® Introduction Each individual has their unique way of breathing which for most people enables sounding. As dramatherapists we relate to body, breathing and voice in many ways. This article will present how voicework has become a core field of interest for me as a drama practitioner, teacher, therapist and researcher. -
“Não Nos Calaremos, Somos a Sua Consciência Pesada; a Rosa Branca Não Os Deixará Em Paz”
UNIVERSIDADE FEDERAL DE MINAS GERAIS FACULDADE DE FILOSOFIA E CIÊNCIAS HUMANAS PROGRAMA DE PÓS-GRADUAÇÃO EM HISTÓRIA MARIA VISCONTI SALES “Não nos calaremos, somos a sua consciência pesada; a Rosa Branca não os deixará em paz” A Rosa Branca e sua resistência ao nazismo (1942-1943) Belo Horizonte 2017 MARIA VISCONTI SALES “Não nos calaremos, somos a sua consciência pesada; a Rosa Branca não os deixará em paz” A Rosa Branca e sua resistência ao nazismo (1942-1943) Dissertação de Mestrado apresentada ao Programa de Pós-graduação em História da Faculdade de Filosofia e Ciências Humanas da Universidade Federal de Minas Gerais como requisito parcial para a obtenção de título de Mestre em História. Área de concentração: História e Culturas Políticas. Orientadora: Prof.a Dr.a Heloísa Maria Murgel Starling Co-orientador: Prof. Dr. Newton Bignotto de Souza (Departamento de Filosofia- UFMG) Belo Horizonte 2017 943.60522 V826n 2017 Visconti, Maria “Não nos calaremos, somos a sua consciência pesada; a Rosa Branca não os deixará em paz” [manuscrito] : a Rosa Branca e sua resistência ao nazismo (1942-1943) / Maria Visconti Sales. - 2017. 270 f. Orientadora: Heloísa Maria Murgel Starling. Coorientador: Newton Bignotto de Souza. Dissertação (mestrado) - Universidade Federal de Minas Gerais, Faculdade de Filosofia e Ciências Humanas. Inclui bibliografia 1.História – Teses. 2.Nazismo - Teses. 3.Totalitarismo – Teses. 4. Folhetos - Teses.5.Alemanha – História, 1933-1945 -Teses I. Starling, Heloísa Maria Murgel. II. Bignotto, Newton. III. Universidade Federal de Minas Gerais. Faculdade de Filosofia e Ciências Humanas. IV .Título. AGRADECIMENTOS Onde você investe o seu amor, você investe a sua vida1 Estar plenamente em conformidade com a faculdade do juízo, de acordo com Hannah Arendt, significa ter a capacidade (e responsabilidade) de escolher, todos os dias, o outro que quero e suporto viver junto. -
THENEWYORKER.Pdf
A 1940 self-portrait of Salomon (1917-1943), whose autobiographical work “Life? or Theatre?” is an early example of the graphic novel. Courtesy the Jewish Historical Museum © Charlotte Salomon Foundation n February, 1943, eight months before she was murdered in Auschwitz, the I German painter Charlotte Salomon killed her grandfather. Salomon’s grandparents, like many Jews, had !ed Germany in the mid-nineteen-thirties, with a stash of “morphine, opium, and Veronal” to use “when their money ran out.” But Salomon’s crime that morning was not a mercy killing to save the old man from the Nazis; this was entirely personal. It was Herr Doktor Lüdwig Grünwald, not “Herr Hitler,” who, Salomon wrote, “symbolized for me the people I had to resist.” And resist she did. She documented the event in real time, in a thirty-"ve-page letter, most of which has only recently come to light. “I knew where the poison was,” Salomon wrote. “It is acting as I write. Perhaps he is already dead now. Forgive me.” Salomon also describes how she drew a portrait of her grandfather as he expired in front of her, from the “Veronal omelette” she had cooked for him. The ink drawing of a distinguished, wizened man—his head slumped inside the collar of his bathrobe, his eyes closed, his mouth a thin slit nesting inside his voluminous beard—survives. Salomon’s letter is addressed, repeatedly, to her “beloved” Alfred Wolfsohn, for whom she created her work. He never received the missive. Nineteen pages of Salomon’s “confession,” as she called it, were concealed by her family for more than sixty years, the murder excised. -
Why Do Singers Sing in the Way They
Why do singers sing in the way they do? Why, for example, is western classical singing so different from pop singing? How is it that Freddie Mercury and Montserrat Caballe could sing together? These are the kinds of questions which John Potter, a singer of international repute and himself the master of many styles, poses in this fascinating book, which is effectively a history of singing style. He finds the reasons to be primarily ideological rather than specifically musical. His book identifies particular historical 'moments of change' in singing technique and style, and relates these to a three-stage theory of style based on the relationship of singing to text. There is a substantial section on meaning in singing, and a discussion of how the transmission of meaning is enabled or inhibited by different varieties of style or technique. VOCAL AUTHORITY VOCAL AUTHORITY Singing style and ideology JOHN POTTER CAMBRIDGE UNIVERSITY PRESS PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge CB2 IRP, United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, Cambridge CB2 2RU, United Kingdom 40 West 20th Street, New York, NY 10011-4211, USA 10 Stamford Road, Oakleigh, Melbourne 3166, Australia © Cambridge University Press 1998 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 1998 Typeset in Baskerville 11 /12^ pt [ c E] A catalogue record for this book is available from the British Library library of Congress cataloguing in publication data Potter, John, tenor. -
JANUAR UND FEBRUAR 2019 02|03 Aktuell EXPLORE DANCE: LUCIA GLASS’ POPUP-STÜCK AUFFÜHRUNGEN | PROJEKTE 06.02
JANUAR UND FEBRUAR 2019 02|03 aktuell EXPLORE DANCE: LUCIA GLASS’ POPUP-STÜCK AUFFÜHRUNGEN | PROJEKTE 06.02. PROBEBÜHNE EINS S. 05 Ab Januar arbeitet die Hamburger Choreographin Lucia Glass im Rahmen von explore dance – Tanzpakt Stadt-Land-Bund als Artist in Residence an der Stadtteilschule MOVING HEADS S. 08 Blankenese. Dort entwickelt sie ihr mobiles und an verschiedensten Orten spielbares 14.01. HANS-JÖRG KAPP | EVA RESCH EXZESSIVE KLANGREDUKTION S. 06 25.01. OMAR RAJEH ZEITGENÖSSISCHER TANZ IM LIBANON PopUp-Stück Die Choreographie der Dinge und Geräusche (AT). Gemeinsam mit S. 10 28.01. ESSENTIALS TRANSITIONPROZESSE IN DER TANZKARRIERE Schüler*innen verschiedener Jahrgangstufen erforscht sie die Wirkung von Gegen- S. 09 11.02. RALF PETERS DIE EXTREME STIMME ständen und ihren Geräuschen auf unsere Bewegung und erprobt die Verbindung S. 07 19.02. ROUND TABLE TANZ MIT SCHULE zwischen zeitgenössischem Tanz, somatischer Körperpraxis und der eigenen Wirk- samkeit auf der Bühne. Premiere wird die Arbeit voraussichtlich Ende April feiern, WORKSHOPS S. 11 17.01. - 23.03. VHS-KURS TANZ IM GESPRÄCH S. 12 pünktlich zu unserem Festival explore dance - Tanz für junges Publikum (Save the 25.01. MASTERCLASS TANZTHEATER WUPPERTAL PINA BAUSCH S. 10 date: 30.04. - 04.05.2019). 29.01. CAROLIN ECKERT TRANSITIONBERATUNG S. 12 EMPOWERING DANCE 01.02. LEHRER*INNENWORKSHOP MOVING GENDER PROFITRAINING S. 13 Vom 09. bis 11.01. findet am K3 das erste intensive Arbeitstreffen des in dieser Spielzeit 14.12.18 - 06.01.19 TRAININGSPAUSE neu im Rahmen des EU-Programmbereichs Erasmus+ gestarteten Forschungsprojekts 07. - 10.01. RAKESH SUKESH PAYATT INTRANSIT Empowering Dance – Developing Soft Skills statt. -
The Sophia Sun Newsletter of the Anthroposophical Society in North Carolina
The Sophia Sun Newsletter of the Anthroposophical Society in North Carolina June 2008 Volume I, Number 3 In This Issue: Calendar…………………3 - 4 Study Groups…….…………5 Rev. Dancey Visit……….18 St. John’s …………………...6 K. Morse Visit……..……..18 Archangel Uriel….…………7 News From China….…….20 Branch Meeting…………….8 African Aid………………...23 Conference Review………..9 On Media and Youth……..26 Poem by Eve Olive………..13 Anthroposophy’s White Natalie Tributes…..…….…15 Rose…………………………28 2 From the Editor: I would like to close this letter with a verse, Dear Friends: which was spoken at the John The theme of this June issue of The Sophia Alexandra Conference, which exemplifies Sun is very much aligned with the Mission the Urielic Spirit: of Uriel, the Archangel of Summer, who So long as Thou dost feel the pain admonishes us to awaken our conscience Which I am spared, and to shine the Light of Truth on all things. The Christ unrecognized We begin with our Festival of St. John, Is working in the World. whose guiding spirit was Uriel and whose For weak is still the Spirit personality and Mission John epitomized in While each is only capable of his incarnations as Elijah and as John. suffering Next is an article about the conference Through his own body. “From the Ashes of 9/11: Called to a New Rudolf Steiner Birth of Freedom”. The conference focused on an incident that should have been a The Sophia Sun will be on hiatus during Urielic awakening to conscience and for the summer months. In the meantime, have a many it was, but for our government, it restful summer. -
Sophie Scholl: the Final Days 120 Minutes – Biography/Drama/Crime – 24 February 2005 (Germany)
Friday 26th June 2015 - ĊAK, Birkirkara Sophie Scholl: The Final Days 120 minutes – Biography/Drama/Crime – 24 February 2005 (Germany) A dramatization of the final days of Sophie Scholl, one of the most famous members of the German World War II anti-Nazi resistance movement, The White Rose. Director: Marc Rothemund Writer: Fred Breinersdorfer. Music by: Reinhold Heil & Johnny Klimek Cast: Julia Jentsch ... Sophie Magdalena Scholl Alexander Held ... Robert Mohr Fabian Hinrichs ... Hans Scholl Johanna Gastdorf ... Else Gebel André Hennicke ... Richter Dr. Roland Freisler Anne Clausen ... Traute Lafrenz (voice) Florian Stetter ... Christoph Probst Maximilian Brückner ... Willi Graf Johannes Suhm ... Alexander Schmorell Lilli Jung ... Gisela Schertling Klaus Händl ... Lohner Petra Kelling ... Magdalena Scholl The story The Final Days is the true story of Germany's most famous anti-Nazi heroine brought to life. Sophie Scholl is the fearless activist of the underground student resistance group, The White Rose. Using historical records of her incarceration, the film re-creates the last six days of Sophie Scholl's life: a journey from arrest to interrogation, trial and sentence in 1943 Munich. Unwavering in her convictions and loyalty to her comrades, her cross- examination by the Gestapo quickly escalates into a searing test of wills as Scholl delivers a passionate call to freedom and personal responsibility that is both haunting and timeless. The White Rose The White Rose was a non-violent, intellectual resistance group in Nazi Germany, consisting of students from the University of Munich and their philosophy professor. The group became known for an anonymous leaflet and graffiti campaign, lasting from June 1942 until February 1943, that called for active opposition to dictator Adolf Hitler's regime. -
At the Heart of the White Rose: Letters and Diaries of Hans and Sophie
“A compelling, heart-wrenching testament to courage and goodness in the face of evil.” –Kirkus Reviews AtWHITE the eart ROSEof the Letters and Diaries of Hans and Sophie Scholl Edited by Inge Jens This is a preview. Get the entire book here. At the Heart of the White Rose Letters and Diaries of Hans and Sophie Scholl Edited by Inge Jens Translated from the German by J. Maxwell Brownjohn Preface by Richard Gilman Plough Publishing House This is a preview. Get the entire book here. Published by Plough Publishing House Walden, New York Robertsbridge, England Elsmore, Australia www.plough.com PRINT ISBN: 978-087486-029-0 MOBI ISBN: 978-0-87486-034-4 PDF ISBN: 978-0-87486-035-1 EPUB ISBN: 978-0-87486-030-6 This is a preview. Get the entire book here. Contents Foreword vii Preface to the American Edition ix Hans Scholl 1937–1939 1 Sophie Scholl 1937–1939 24 Hans Scholl 1939–1940 46 Sophie Scholl 1939–1940 65 Hans Scholl 1940–1941 104 Sophie Scholl 1940–1941 130 Hans Scholl Summer–Fall 1941 165 Sophie Scholl Fall 1941 185 Hans Scholl Winter 1941–1942 198 Sophie Scholl Winter–Spring 1942 206 Hans Scholl Winter–Spring 1942 213 Sophie Scholl Summer 1942 221 Hans Scholl Russia: 1942 234 Sophie Scholl Autumn 1942 268 This is a preview. Get the entire book here. Hans Scholl December 1942 285 Sophie Scholl Winter 1942–1943 291 Hans Scholl Winter 1942–1943 297 Sophie Scholl Winter 1943 301 Hans Scholl February 16 309 Sophie Scholl February 17 311 Acknowledgments 314 Index 317 Notes 325 This is a preview. -
La Résistance Allemande Au Nazisme
La résistance allemande au nazisme Extrait du site An@rchisme et non-violence2 http://anarchismenonviolence2.org Jean-Marie Tixier La résistance allemande au nazisme - Dans le monde - Allemagne - Résistance allemande au nazisme - Date de mise en ligne : dimanche 11 novembre 2007 An@rchisme et non-violence2 Copyright © An@rchisme et non-violence2 Page 1/26 La résistance allemande au nazisme Mémoire(s) de la résistance allemande : Sophie Scholl, les derniers jours... de la plus qu'humaine ? Avec l'aimable autorisation du Festival international du Film d'histoire « J'ai appris le mensonge des maîtres, de Bergson à Barrès, qui rejetaient avec l'ennemi ce qui ne saurait être l'ennemi de la France : la pensée allemande, prisonnière de barbares comme la nôtre, et comme la nôtre chantant dans ses chaînes... Nous sommes, nous Français, en état de guerre avec l'Allemagne. Et il est nécessaire aux Français de se durcir, et de savoir même être injustes, et de haïr pour être aptes à résister... Et pourtant, il nous est facile de continuer à aimer l'Allemagne, qui n'est pas notre ennemie : l'Allemagne humaine et mélodieuse. Car, dans cette guerre, les Allemands ont tourné leurs premières armes contre leurs poètes, leurs musiciens, leurs philosophes, leurs peintres, leurs acteurs... Et ce n'est qu'en Fhttp://anarchismenonviolence2.org/ecrire/ ?exec=articles_edit&id_article=110&show_docs=55#imagesrance qu'on peut lire Heine, Schiller et Goethe sans trembler. Avant que la colère française n'ait ses égarements, et que la haine juste des hommes d'Hitler n'ait levé dans tous les coeurs français ce délire qui accompagne les batailles [...], je veux dire ma reconnaissance à la vraie Allemagne.. -
The Contemporary Rhetoric About Martin Luther King, Jr., and Malcolm X in the Post-Reagan Era
ABSTRACT THE CONTEMPORARY RHETORIC ABOUT MARTIN LUTHER KING, JR., AND MALCOLM X IN THE POST-REAGAN ERA by Cedric Dewayne Burrows This thesis explores the rhetoric about Martin Luther King, Jr., and Malcolm X in the late 1980s and early 1990s, specifically looking at how King is transformed into a messiah figure while Malcolm X is transformed into a figure suitable for the hip-hop generation. Among the works included in this analysis are the young adult biographies Martin Luther King: Civil Rights Leader and Malcolm X: Militant Black Leader, Episode 4 of Eyes on the Prize II: America at the Racial Crossroads, and Spike Lee’s 1992 film Malcolm X. THE CONTEMPORARY RHETORIC ABOUT MARTIN LUTHER KING, JR., AND MALCOLM X IN THE POST-REAGAN ERA A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of English by Cedric Dewayne Burrows Miami University Oxford, Ohio 2005 Advisor_____________________ Morris Young Reader_____________________ Cynthia Leweicki-Wison Reader_____________________ Cheryl L. Johnson © Cedric D. Burrows 2005 Table of Contents Introduction 1 Chapter One A Dead Man’s Dream: Martin Luther King’s Representation as a 10 Messiah and Prophet Figure in the Black American’s of Achievement Series and Eyes on the Prize II: America at the Racial Crossroads Chapter Two Do the Right Thing by Any Means Necessary: The Revival of Malcolm X 24 in the Reagan-Bush Era Conclusion 39 iii THE CONTEMPORARY RHETORIC ABOUT MARTIN LUTHER KING, JR., AND MALCOLM X IN THE POST-REAGAN ERA Introduction “What was Martin Luther King known for?” asked Mrs. -
UME Frederick County Master Gardener FREE 2017 Spring Seminars by Devra G
VOLUME 2, NO. 9 • www.woodsborotimes.com • sePtember 2014 VOLUME 5, NO. 4 • WWW.WOODSBOROTIMES.COM • APRIL 2017 tear on the rubber surface. A child swing suspended off the NewNew President playground and CEO comingCounty rejectsground anddeveloper pushed by an adult can be built. “Swings where kids drag their of Woodsboro Bank The playground structure is for newapplication barbecue grills, volleyball feet will only tear the surface children ages 5 to 12. courts,Michele and Kettner benches at the park up andSome create of the a councilmaintenance members Stephen K. Heine has joined in the Frederick community After soliciting design and - items the town had not origi- problem,”were concerned he said. that the“A applicationmerry- Woodsboro Bank as President where he serves as the YMCA of pricing proposals from sev- nallyThe asked Frederick for. County Council go-roundwas brought where kidsto themrun in asthe one and CEO, effective immediately, Frederick County, Chair-elect; eral recreation design compa- voted“I asked against them the Urbana not to rezoning leave samedocument circle pushing instead ofit threewill wearseparate following the announcement St. Katherine Drexel Catholic nies, town commissioners vot- anyapplication money onwhich the table,”would Rithave- andpieces. be a “It’smaintenance not the problemapplications of the retirement of C. Richard Church, Corporator; and the ed unanimously at their Aug. telmeyeradded 75 said. townhouses to the as andwell.” the merits of the application; Miller, Jr. late last year. Mr. Rotary Club of Carroll Creek. 12 meeting to hire playground MarketThe company District ofhas Urbana. constructed it Commissioneris the combining Ken of allKellar three of Heine has 35 years of banking He is on the Alfred University Specialists Inc., of Thurmont. -
The White Rose in Cooperation With: Bayerische Landeszentrale Für Politische Bildungsarbeit the White Rose
The White Rose In cooperation with: Bayerische Landeszentrale für Politische Bildungsarbeit The White Rose The Student Resistance against Hitler Munich 1942/43 The Name 'White Rose' The Origin of the White Rose The Activities of the White Rose The Third Reich Young People in the Third Reich A City in the Third Reich Munich – Capital of the Movement Munich – Capital of German Art The University of Munich Orientations Willi Graf Professor Kurt Huber Hans Leipelt Christoph Probst Alexander Schmorell Hans Scholl Sophie Scholl Ulm Senior Year Eugen Grimminger Saarbrücken Group Falk Harnack 'Uncle Emil' Group Service at the Front in Russia The Leaflets of the White Rose NS Justice The Trials against the White Rose Epilogue 1 The Name Weiße Rose (White Rose) "To get back to my pamphlet 'Die Weiße Rose', I would like to answer the question 'Why did I give the leaflet this title and no other?' by explaining the following: The name 'Die Weiße Rose' was cho- sen arbitrarily. I proceeded from the assumption that powerful propaganda has to contain certain phrases which do not necessarily mean anything, which sound good, but which still stand for a programme. I may have chosen the name intuitively since at that time I was directly under the influence of the Span- ish romances 'Rosa Blanca' by Brentano. There is no connection with the 'White Rose' in English history." Hans Scholl, interrogation protocol of the Gestapo, 20.2.1943 The Origin of the White Rose The White Rose originated from individual friend- ships growing into circles of friends. Christoph Probst and Alexander Schmorell had been friends since their school days.