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State Composers and the Red Courtiers: Music, Ideology, and Politics in the Soviet 1930S
JYVÄSKYLÄ STUDIES IN HUMANITIES 78 Simo Mikkonen State Composers and the Red Courtiers Music, Ideology, and Politics in the Soviet 1930s JYVÄSKYLÄN YLIOPISTO JYVÄSKYLÄ STUDIES IN HUMANITIES 78 Simo Mikkonen State Composers and the Red Courtiers Music, Ideology, and Politics in the Soviet 1930s Esitetään Jyväskylän yliopiston humanistisen tiedekunnan suostumuksella julkisesti tarkastettavaksi yliopiston Villa Ranan Blomstedtin salissa marraskuun 24. päivänä 2007 kello 12. Academic dissertation to be publicly discussed, by permission of the Faculty of Humanities of the University of Jyväskylä, in the Building Villa Rana, Blomstedt Hall, on November 24, 2007 at 12 o'clock noon. UNIVERSITY OF JYVÄSKYLÄ JYVÄSKYLÄ 2007 State Composers and the Red Courtiers Music, Ideology, and Politics in the Soviet 1930s JYVÄSKYLÄ STUDIES IN HUMANITIES 78 Simo Mikkonen State Composers and the Red Courtiers Music, Ideology, and Politics in the Soviet 1930s UNIVERSITY OF JYVÄSKYLÄ JYVÄSKYLÄ 2007 Editors Seppo Zetterberg Department of History and Ethnology, University of Jyväskylä Irene Ylönen, Marja-Leena Tynkkynen Publishing Unit, University Library of Jyväskylä Jyväskylä Studies in Humanities Editorial Board Editor in Chief Heikki Hanka, Department of Art and Culture Studies, University of Jyväskylä Petri Karonen, Department of History and Ethnology, University of Jyväskylä Matti Rahkonen, Department of Languages, University of Jyväskylä Petri Toiviainen, Department of Music, University of Jyväskylä Minna-Riitta Luukka, Centre for Applied Language Studies, University of Jyväskylä Raimo Salokangas, Department of Communication, University of Jyväskylä URN:ISBN:9789513930158 ISBN 978-951-39-3015-8 (PDF) ISBN 978-951-39-2990-9 (nid.) ISSN 1459-4331 Copyright ©2007 , by University of Jyväskylä Jyväskylä University Printing House, Jyväskylä 2007 ABSTRACT Mikkonen, Simo State composers and the red courtiers. -
Television and Politics in the Soviet Union by Ellen Mickiewicz TELEVISION and AMERICA's CHILDREN a Crisis of Neglect by Edward L
SPLIT SIGNALS COMMUNICATION AND SOCIETY edited by George Gerbner and Marsha Seifert IMAGE ETHICS The Moral Rights of Subjects in Photographs, Film, and Television Edited by Larry Gross, John Stuart Katz, and Jay Ruby CENSORSHIP The Knot That Binds Power and Knowledge By Sue Curry Jansen SPLIT SIGNALS Television and Politics in the Soviet Union By Ellen Mickiewicz TELEVISION AND AMERICA'S CHILDREN A Crisis of Neglect By Edward L. Palmer SPLIT SIGNALS Television and Politics in the Soviet Union ELLEN MICKIEWICZ New York Oxford OXFORD UNIVERSITY PRESS 1988 Oxford University Press Oxford New York Toronto Delhi Bombay Calcutta Madras Karachi Petaling Jaya Singapore Hong Kong Tokyo Nairobi Dar es Salaam Cape Town Melbourne Auckland and associated companies in Berlin Ibadan Copyright © 1988 by Oxford University Press, Inc. Published by Oxford University Press, Inc., 200 Madison Avenue, New York, New York 10016 Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior permission of Oxford University Press. Mickiewicz, Ellen Propper. Split signals : television and politics in the Soviet Union / Ellen Mickiewicz. p. cm. Includes index. ISBN 0-19-505463-6 1. Television broadcasting of news—Soviet Union. 2. Television broadcasting—Social aspects—Soviet Union. 3. Television broadcasting—Political aspects—Soviet Union. 4. Soviet Union— Politics and government—1982- I. Title. PN5277.T4M53 1988 302.2'345'0947—dc!9 88-4200 CIP 1098 7654321 Printed in the United States of America on acid-free paper Preface In television terminology, broadcast signals are split when they are divided and sent to two or more locations simultaneously. -
Audio Media in the Service of the Totalitarian State? 2010
Repositorium für die Medienwissenschaft Dmitri Zakharine Audio Media in the Service of the Totalitarian State? 2010 https://doi.org/10.25969/mediarep/12405 Veröffentlichungsversion / published version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: Zakharine, Dmitri: Audio Media in the Service of the Totalitarian State?. In: Kirill Postoutenko (Hg.): Totalitarian Communication – Hierarchies, Codes and Messages. Bielefeld: transcript 2010, S. 157– 176. DOI: https://doi.org/10.25969/mediarep/12405. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.14361/transcript.9783839413937.157 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0 Attribution - Non Commercial - No Derivatives 4.0 License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0 Audio Media in the Service of the Totalitarian State? DMITRI ZAKHARINE State Totalitarianism or Media Totalitarianism? The question concerning the logical relationship between the structures and media of totalitarianism has been treated controversially in contem- porary scholarship. A large part of the relevant publications (represented by Hannah Arendt and Leonard Schapiro)1 defines totalitarian power primarily as the power of a charismatic leader over the unwilling major- ity and, following Aristotle’s concept of tyranny, sees the latter as rooted in structures of political order.2 A second corpus of research increas- ingly interprets totalitarianism as technological power and associates 1 | See: Hannah Arendt (1951: 465): “[. ] totalitarian government in its initial stages must behave like a tyranny and raze the boundaries of man-made law”. -
Dubious Means to Final Solutions: Extracting Light from the Darkness of Ein Führer and Brother Number One
Florida State University Law Review Volume 31 Issue 1 Article 5 2003 Dubious Means to Final Solutions: Extracting Light From the Darkness of Ein Führer and Brother Number One Román Ortega-Cowan [email protected] Follow this and additional works at: https://ir.law.fsu.edu/lr Part of the Law Commons Recommended Citation Román Ortega-Cowan, Dubious Means to Final Solutions: Extracting Light From the Darkness of Ein Führer and Brother Number One, 31 Fla. St. U. L. Rev. (2003) . https://ir.law.fsu.edu/lr/vol31/iss1/5 This Comment is brought to you for free and open access by Scholarship Repository. It has been accepted for inclusion in Florida State University Law Review by an authorized editor of Scholarship Repository. For more information, please contact [email protected]. FLORIDA STATE UNIVERSITY LAW REVIEW DUBIOUS MEANS TO FINAL SOLUTIONS: EXTRACTING LIGHT FROM THE DARKNESS OF EIN FÜHRER AND BROTHER NUMBER ONE Román Ortega-Cowan VOLUME 31 FALL 2003 NUMBER 1 Recommended citation: Román Ortega-Cowan, Dubious Means to Final Solutions: Extracting Light From the Darkness of Ein Führer and Brother Number One, 31 FLA. ST. U. L. REV. 163 (2003). DUBIOUS MEANS TO FINAL SOLUTIONS: EXTRACTING LIGHT FROM THE DARKNESS OF EIN FÜHRER AND BROTHER NUMBER ONE ROMÁN ORTEGA-COWAN* I. INTRODUCTION .................................................................................................. 164 II. TUNING THE PIANO ........................................................................................... 165 A. The Players: The German Nazis and Cambodian Khmer Rouge .............. 165 B. A Single Word, Eternal Dread: Genocide................................................... 166 1. Lemkin’s Quest..................................................................................... 166 2. Room for One More: Political Groups .................................................. 168 C. Turning Principles into Action: The Legal System ................................... -
Payment and Settlement Systems of the Bank for International Settlements and the International Organization of Securities Commissions
The Central Bank of the Russian Federation Payment and Settlement PSS Systems Analysis and Statistics No. 41 The National Payment System in 2012 2013 © The Central Bank of the Russian Federation, 2007 107016 Moscow, Neglinnaya St., 12 Prepared by the Bank of Russia National Payment System Department E-mail: [email protected] The survey was prepared for print by the Periodicals Division of the Bank of Russia Press Service The survey is available on the Bank of Russia website at: http://www.cbr.ru THE NATIONAL PAYMENT SYSTEM IN 2012 ANALYSIS AND STATISTICS – No. 41. 2013 Contents INTRODUCTION .............................................................................................................................7 CHAPTER I. PAYMENT SYSTEMS .....................................................................................................9 I.1. Payment systems registered by the Bank of Russia ............................................................10 Box 1. Payment systems’ importance criteria ........................................................10 Box 2. The National Settlement Depository ............................................................12 I.2. The Bank of Russia Payment System ................................................................................19 I.2.1. Functionality and services provided by the Bank of Russia .........................................19 I.2.2. Interaction with the Federal Treasury and other federal executive bodies ....................23 I.2.3. Quantitative and qualitative characteristics of -
ETD Template
The Anniversaries of the October Revolution, 1918-1927: Politics and Imagery by Susan M. Corbesero B.A., Pennsylvania State University, 1985 M.A., University of Pittsburgh, 1988 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2005 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Susan Marie Corbesero It was defended on November 18, 2005 and approved by William J. Chase Seymour Drescher Helena Goscilo Gregor Thum William J. Chase Dissertation Director ii The Anniversary of the October Revolution, 1918-1927: Politics and Imagery Susan M. Corbesero, PhD University of Pittsburgh, 2005 This dissertation explores the politics and imagery in the anniversary celebrations of the October Revolution in Moscow and Leningrad from 1918 to 1927. Central to Bolshevik efforts to take political and symbolic control of society, these early celebrations not only provided a vehicle for agitation on behalf of the Soviet regime, but also reflected changing popular and official perceptions of the meanings and goals of October. This study argues that politicians, cultural producers, and the urban public contributed to the design and meaning of the political anniversaries, engendering a negotiation of culture between the new Soviet state and its participants. Like the Revolution they sought to commemorate, the October celebrations unleashed and were shaped by both constructive and destructive forces. A combination of variable party and administrative controls, harsh economic realities, competing cultural strategies, and limitations of the existing mass media also influenced the Bolshevik commemorative projects. -
Soviet Architecture in Central Asia, 1920S-1930S
“Soviet Architecture and its National Faces ”: Soviet Architecture in Central Asia, 1920s-1930s By Anna Pronina Submitted to Central European University Department of History In partial fulfillment of the requirements for the degree of Master of Arts in Comparative History Supervisor: Professor Charles Shaw Second Reader: Professor Marsha Siefert CEU eTD Collection Budapest, Hungary 2020 Copyright Notice Copyright in the text of this thesis rests with the Author. Copies by any process, either in full or part, may be made only in accordance with the instructions given by the Author and lodged in the Central European Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author. CEU eTD Collection ii Abstract The thesis “Soviet Architecture and its National Faces”: Soviet Architecture in Central Asia, 1920s-1930s is devoted to the various ways Soviet Central Asian architecture was imagined during the 1920s and the 1930s. Focusing on the discourses produced by different actors: architects, Soviet officials, and restorers, it examines their perception of Central Asia and the goals of Soviet architecture in the region. By taking into account the interdependence of national and architectural history, it shows a shift in perception from the united cultural region to a set of national republics with their own histories and traditions. The thesis proves that national architecture of the Soviet Union, and in Central Asia in particular, was a visible issue in public architectural discussions. Therefore, architecture played a significant role in forging national cultures in Soviet Central Asia. -
The Spectator and Dialogues of Power in Early Soviet Theater By
Directed Culture: The Spectator and Dialogues of Power in Early Soviet Theater By Howard Douglas Allen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Victoria E. Bonnell, Chair Professor Ann Swidler Professor Yuri Slezkine Fall 2013 Abstract Directed Culture: The Spectator and Dialogues of Power in Early Soviet Theater by Howard Douglas Allen Doctor of Philosophy in Sociology University of California, Berkeley Professor Victoria E. Bonnell, Chair The theater played an essential role in the making of the Soviet system. Its sociological interest not only lies in how it reflected contemporary society and politics: the theater was an integral part of society and politics. As a preeminent institution in the social and cultural life of Moscow, the theater was central to transforming public consciousness from the time of 1905 Revolution. The analysis of a selected set of theatrical premieres from the Bolshevik Revolution in 1917 to the end of Cultural Revolution in 1932 examines the values, beliefs, and attitudes that defined Soviet culture and the revolutionary ethos. The stage contributed to creating, reproducing, and transforming the institutions of Soviet power by bearing on contemporary experience. The power of the dramatic theater issued from artistic conventions, the emotional impact of theatrical productions, and the extensive intertextuality between theatrical performances, the press, propaganda, politics, and social life. Reception studies of the theatrical premieres address the complex issue of the spectator’s experience of meaning—and his role in the construction of meaning. -
Ukraine and Russia People, Politics, Propaganda and Perspectives
EDITED BY i AGNIESZKA PIKULICKA-WILCZEWSKA & RICHARD SAKWA Ukraine and Russia People, Politics, Propaganda and Perspectives This e-book is provided without charge via free download by E-International Relations (www.E-IR.info). It is not permitted to be sold in electronic format under any circumstances. If you enjoy our free e-books, please consider leaving a small donation to allow us to continue investing in open access publications: http://www.e-ir.info/about/donate/ i Ukraine and Russia People, Politics, Propaganda and Perspectives EDITED BY AGNIESZKA PIKULICKA-WILCZEWSKA & RICHARD SAKWA ii E-International Relations www.E-IR.info Bristol, England First published 2015 New version 2016 ISBN 978-1-910814-14-7 (Paperback) ISBN 978-1-910814-00-0 (e-book) This book is published under a Creative Commons CC BY-NC 4.0 license. You are free to: • Share — copy and redistribute the material in any medium or format • Adapt — remix, transform, and build upon the material Under the following terms: • Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. • NonCommercial — You may not use the material for commercial purposes. Any of the above conditions can be waived if you get permission. Please contact [email protected] for any such enquiries. Other than the license terms noted above, there are no restrictions placed on the use and dissemination of this book for student learning materials / scholarly use. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title From Truth to Time: Soviet Central Television, 1957-1985 Permalink https://escholarship.org/uc/item/2702x6wr Author Evans, Christine Elaine Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California From Truth to Time: Soviet Central Television, 1957-1985 By Christine Elaine Evans A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Yuri Slezkine, Chair Professor Victoria Frede Professor Olga Matich Spring 2010 From Truth to Time: Soviet Central Television, 1957-1985 © 2010 By Christine Elaine Evans Abstract From Truth to Time: Soviet Central Television, 1957-1985 by Christine Elaine Evans Doctor of Philosophy in History University of California, Berkeley Professor Yuri Slezkine, Chair The Brezhnev era (1964-1982) was also the era of television. The First Channel of Moscow’s Central Television Studio began to reach all eleven Soviet time zones in the same years, 1965-1970, that marked the beginning of a new political era, the period of decline, corruption, and cynicism, but also stability, relative prosperity, and vibrant popular culture, that came to be called, retrospectively, the “era of stagnation.” Nearly all of the iconic images and sounds of this period were mediated by television: Brezhnev’s slurred speech and corpselike appearance, the singing of Iosif Kobzon and Alla Pugacheva, the parades and funerals on Red Square, and Olympic figure skating, to name just a few. Quotations and jokes drawn from specific TV movies and shows are ubiquitous in post-Soviet memoirs and the press. -
RUSSIA in GLOBAL AFFAIRS
RUSSIA in GLOBAL AFFAIRS Vol. 4•No. 4•OCTOBER – DECEMBER•2006 Contents From Nationalism to Nation Fyodor Lukyanov 5 Russia – A Divided Nation? Kondopoga: A Warning Bell Alexander Dugin 8 The events that exploded to the surface in that small microcosm of Russian society reflect the country’s situation on the ethnic, professional and psy- chological plane. Kondopoga may blaze a trail into the abyss for all of us, as the road of interethnic tensions will only lead to Russia’s collapse, to a finale where it will lose its leading positions in global geopolitics. Non-Islamic Extremism in Today’s Russia Nikolai Mitrokhin 14 The Russian elite has made a choice in favor of a right-wing conservative and isolationist ideology and policy, which is reminiscent of the era of McCarthyism in the United States. The authorities and large national capi- tal defend their property and domestic market from strangers and occasion- ally expand, if need be. Islam, the Way We See It Alexei Malashenko 28 Russia’s attitude to Islam and Muslims also fits into the general context of xenophobia that in the first half of the 1990s was considered to be a hang- over of post-totalitarian thinking; 10 years later, however, it has turned into a core element of the public consciousness. The Conflict of Civilizations: What Is in Store for Russia? 42 Mikhail Demurin It would be better to avoid any more labor migrants, whose inflow has reached a scale likely to jeopardize the ethnic and cultural balance in Russia’s major cities and in the Russian Federation on the whole. -
Konstantin Vialov and the Search for a Modern Realism” by Alla Rosenfeld, Ph
Aleksandr Deineka, Portrait of the artist K.A. Vialov, 1942. Oil on canvas. National Museum “Kyiv Art Gallery,” Kyiv, Ukraine Published by the Merrill C. Berman Collection Concept and essay by Alla Rosenfeld, Ph. D. Edited by Brian Droitcour Design and production by Jolie Simpson Photography by Joelle Jensen and Jolie Simpson Research Assistant: Elena Emelyanova, Research Curator, Rare Books Department, Russian State Library, Moscow Printed and bound by www.blurb.com Plates © 2018 the Merrill C. Berman Collection Images courtesy of the Merrill C. Berman Collection unless otherwise noted. © 2018 The Merrill C. Berman Collection, Rye, New York Cover image: Poster for Dziga Vertov’s Film Shestaia chast’ mira (A Sixth Part of the World), 1926. Lithograph, 42 1/2 x 28 1/4” (107.9 x 71.7 cm) Plate XVII Note on transliteration: For this catalogue we have generally adopted the system of transliteration employed by the Library of Congress. However, for the names of artists, we have combined two methods. For their names according to the Library of Congress system even when more conventional English versions exist: e.g. , Aleksandr Rodchenko, not Alexander Rodchenko; Aleksandr Deineka, not Alexander Deineka; Vasilii Kandinsky, not Wassily Kandinsky. Surnames with an “-ii” ending are rendered with an ending of “-y.” But in the case of artists who emigrated to the West, we have used the spelling that the artist adopted or that has gained common usage. Soft signs are not used in artists’ names but are retained elsewhere. TABLE OF CONTENTS 7 - ‘A Glimpse of Tomorrow’: Konstantin Vialov and the Search for a Modern Realism” by Alla Rosenfeld, Ph.