C.S. Lewis's Idea of Happiness Tracey Finck
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CS Lewis on Death
Volume 1 Issue 2 Article 4 January 1971 Farewell to Shadowlands: C.S. Lewis on Death Kathryn Lindskoog Follow this and additional works at: https://dc.swosu.edu/mythpro Part of the English Language and Literature Commons Recommended Citation Lindskoog, Kathryn (1971) "Farewell to Shadowlands: C.S. Lewis on Death," Mythcon Proceedings: Vol. 1 : Iss. 2 , Article 4. Available at: https://dc.swosu.edu/mythpro/vol1/iss2/4 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythcon Proceedings by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. Mythcon 51: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico • Postponed to: July 30 – August 2, 2021 Abstract Examines death as portrayed in many of Lewis’s fictional and apologetic writings, and particularly in the Chronicles of Narnia. Discusses Lewis’s attitudes toward his own impending death as expressed to friends and his brother Warren. Keywords Lewis, C.S.—Attitude toward death This article is available in Mythcon Proceedings: https://dc.swosu.edu/mythpro/vol1/iss2/4 Lindskoog: Farewell to Shadowlands: C.S. Lewis on Death suooestion has been made14 that the Nine corresponded to the nine 4. JJJ 383 planets. These would be Mercury, Venus, the Earth, the Hoon, S. III 456 Mars, Jupiter, Saturn, Uranus, Neptune. Pluto •as probably not 6. I 472 known to the astronomers of the Second AQe; Neptune is not 7. -
<I>Screwtape Letters</I> and <I>The Great Divorce
Volume 17 Number 1 Article 7 Fall 10-15-1990 Immortal Horrors and Everlasting Splendours: C.S. Lewis' Screwtape Letters and The Great Divorce Douglas Loney Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Loney, Douglas (1990) "Immortal Horrors and Everlasting Splendours: C.S. Lewis' Screwtape Letters and The Great Divorce," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 17 : No. 1 , Article 7. Available at: https://dc.swosu.edu/mythlore/vol17/iss1/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Sees Screwtape and The Great Divorce as constituting “something like a sub-genre within the Lewis canon.” Both have explicit religious intention, were written during WWII, and use a “rather informal, episodic structure.” Analyzes the different perspectives of each work, and their treatment of the themes of Body and Spirit, Time and Eternity, and Love. -
Surrounded! “C. S. LEWIS: SURPRISED by JOY!”
June 21, 2015 Surrounded! “C. S. LEWIS: SURPRISED BY JOY!” Rev. Gary Haller First United Methodist Church Birmingham, Michigan John 16:19-22 Jesus knew that they wanted to ask him, so he said to them, “Are you discussing among yourselves what I meant when I said, ‘A little while, and you will no longer see me, and again a little while, and you will see me’? Very truly, I tell you, you will weep and mourn, but the world will rejoice; you will have pain, but your pain will turn into joy. When a woman is in labor, she has pain, because her hour has come. But when her child is born, she no longer remembers the anguish because of the joy of having brought a human being into the world. So you have pain now; but I will see you again, and your hearts will rejoice, and no one will take your joy from you.” Matthew 13:44 “The kingdom of heaven is like treasure hidden in a field, which someone found and hid; then in his joy he goes and sells all that he has and buys that field.” “Once there were four children whose names were Peter, Susan, Edmund and Lucy. This story is about something that happened to them when they were sent away from London during the war because of the air-raids. They were sent to the house of an old Professor who lived in the heart of the country, ten miles from the nearest railway station and two miles from the nearest post office.” Peter, Susan, Edmund and Lucy soon realize that they have a lot of freedom due to the lack of supervision and decide to play a game of hide and seek in the house. -
SHADOWLANDS Introduction
SHADOWLANDS Introduction ‘Shadowlands’ tells of the extraordinary love between C. S. Lewis, the famous writer and Christian academic and Joy Gresham, an American poet who came to know him first through his writing. She was to die shortly after their marriage. ‘Shadowlands’ was first a television and then a stage play and is now a film starring Anthony Hopkins and Debra Winger. This guide is for use before and after a viewing of Richard Attenborough’s film. It seeks to expand for class work the themes of love and bereavement, the risks of emotional involvement and the challenge to all faiths of pain and tragedy as well as discussing the way film tackles these difficult subjects. JACK AND JOY Olive Staples Lewis - known always as Jack - was born in 1898 in Belfast three years after the Lewis’s first son, Warren or “Warnie”. The brothers were very close, and spent much of their adult bachelor life living together near Oxford in a ramshackle house, The Kilns, known to their friends as The Midden (Old English for dung heap). What impressions do we first receive of the brothers? How does the film express briefly a little of their life “before” Joy? What do we learn during the course of the film of C. S. Lewis’s world? Apart from Joy, what other women do we “meet” in ‘Shadowlands’? How are they represented? Find out a little about Britain in the 1950s. Who was Prime Minister? When did rationing end? Why was Princess Margaret known as the “heartbreak princess”? As well as picture and library research, ask those who were alive at the time. -
Joy Davidman Lewis: Author, Editor and Collaborator
Volume 22 Number 2 Article 3 1998 Joy Davidman Lewis: Author, Editor and Collaborator Diana Pavlac Glyer Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Glyer, Diana Pavlac (1998) "Joy Davidman Lewis: Author, Editor and Collaborator," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 22 : No. 2 , Article 3. Available at: https://dc.swosu.edu/mythlore/vol22/iss2/3 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Biography of Joy Davidman Lewis and her influence on C.S. Lewis. Additional Keywords Davidman, Joy—Biography; Davidman, Joy—Criticism and interpretation; Davidman, Joy—Influence on C.S. Lewis; Davidman, Joy—Religion; Davidman, Joy. Smoke on the Mountain; Lewis, C.S.—Influence of Joy Davidman (Lewis); Lewis, C.S. -
The Mathematical Mind of C. S. Lewis
THE MATHEMATICAL MIND OF C. S. LEWIS THE MATHEMATICAL MIND OF C. S. LEWIS MATT D. LUNSFORD live Staples Lewis (1898-1963) was one of the intellectual giants of the 20th century and arguably the most influ- Cential Christian author of that period. Lewis was born in Belfast, educated at Oxford, and taught medieval and Renaissance literature at both Oxford and Cambridge. As a scholar, he made significant contributions to the areas of literary criticism, children’s literature, and fantasy literature. His conversion to Christianity is well documented in his autobiography Surprised by Joy, as is his personal struggle with learning mathematics. He admits that he “could never have gone very far in any science because on the path of every science the lion mathematics lies in wait for you.” In spite of his lack of success in mathematics, Lewis, through his writings, exhibited a deep appreciation of the discipline. More specifically, Lewis’ thinking, as expressed in his writings, reflects two essential tools of a mathematician’s mind: ratiocination and imagination. Ratiocination is the process of logical reasoning. Lewis enjoyed all mathematics that involved mere reasoning but was less fond of mathematical calculation. In his early training at Oldie’s School, Lewis claims only some geometry and grammar as accomplish- ments. In reflecting upon this time, he comments, “that though he [Oldie] taught geometry cruelly, he taught it well. He forced us to reason, and I have been the better for those geometry lessons all 57 RENEWING MINDS of my life.” His tutelage later under Kirk (Mr. Kirkpatrick), though not imbued with mathematics, proved indispensable for his ratio- cination skills. -
How Was Cs Lewis Influenced By
HOW WAS C.S. LEWIS INFLUENCED BY READING BOOKS? Jeremy Jernigan Fuller Theological Seminary ST 574: Theology of C.S. Lewis November 4, 2018 Thesis: Numerous influences shaped C.S. Lewis, but none more significant than the books he read. The effects of this influence emerge in his early life, the shaping of his identity, his conversion to Christianity, and ultimately to his theology. In many ways, C.S. Lewis experienced an unremarkable childhood. He endured a significant amount of pain in losing his mother at a young age and suffering the hardships of a boarding school that left its mark on him more than even his time in the war. He later concluded, “I will take part in battles but not read about them.”1 Lewis defended this strange argument by explaining that “A boy who is unhappy at school inevitably learns the habit of keeping the future in its place.”2 As a child, it was in reading books that Lewis found a way to feel he could control his future. This connection with books became the foundation on which he built everything else. “It is important to acquire early in life the power of reading sense wherever you happen to be.”3 He did not share a close relationship with his father, yet the strongest link between them was in the way Albert Lewis provided books and fostered a love of reading in his son. C.S. Lewis recalled how “My father bought all the books he read and never got rid of any of them.”4 One cannot help but wonder how Lewis might have developed differently without this availability of books in his home. -
Shadowlands-Digital-Playbill-V4.Pdf
Max McLean Founder & Artistic Director Presents SHADOWLANDS by William Nicholson Max McLean, Founder & Artistic Director Presents by William Nicholson Featuring Daniel Gerroll Robin Abramson John C. Vennema Sean Gormley Dan Kremer Stephanie Cozart Daryll Heysham Eddie Ray Martin Video Editor Original Music & Sound Design Voice & Dialect Casting Director Matthew Gurren John Gromada Claudia Hill-Sparks Carol Hanzel Technical Director Production Manager Sound Editor Casting Consultant Brandon Cheney Lew Mead Daniel Gonko Judy Henderson, C.S.A. Marketing General Management Assistant Director Company Manager Southside Entertainment Aruba Productions Dan DuPraw Tara Murphy Executive Producer Ken Denison Directed by Christa Scott-Reed This production made possible by arrangement with The Agency (London) Ltd. 24 Pottery Lane, London W11 4LZ, [email protected] CAST OF CHARACTERS (in order of appearance) C.S. Lewis ...................................................................................... Daniel Gerroll Dr. Maurice Oakley/Gregg/Clerk/Doctor/Priest/Waiter ......Daryll Heysham Christopher Riley ........................................................................Sean Gormley Rev. Harry Harrington ....................................................................Dan Kremer Major Warnie Lewis ............................................................ John C. Vennema Woman/Registrar/Nurse .................................................... Stephanie Cozart Joy Davidman .........................................................................Robin -
The Immanence of Heaven in the Fiction of CS Lewis and George
Shadows that Fall: The Immanence of Heaven in the Fiction of C. S. Lewis and George MacDonald David Manley Our life is no dream; but it ought to become one, and perhaps will. (Novalis) Solids whose shadow lay Across time, here (All subterfuge dispelled) Show hard and clear. (C.S. Lewis, “Emendation for the End of Goethe’s Faust”) .S. Lewis’s impressions of heaven, including the distinctive notions ofC Shadow-lands and Sehnsucht, were shaped by George MacDonald’s fiction.1 The vision of heaven Lewis and MacDonald share is central to their stories because it constitutes the telos of their main characters; for example, the quest for heaven is fundamental to both Lewis’s The Pilgrim’s Regress and MacDonald’s “The Golden Key.” Throughout their fiction, both writers reveal a world haunted by heaven and both relate rapturous human longing after the source of earthly glimpses; both show that the highest function of art is to initiate these visions of heaven; and both describe a heaven that swallows up Earth in an all-embracing finality. The play Shadowlands is aptly named; for Lewis, the greatest earthly joys were merely intimations of another world where beauty, in Hopkins’s words, is “kept / Far with fonder a care” (“The Golden Echo” lines 44-45). He was repeatedly “surprised by Joy,” overcome with flashes ofSehnsucht during which he felt he had “tasted Heaven” (Surprised 135). For Lewis, “. heaven remembering throws / Sweet influence still on earth . .” (“The Naked Seed” 19-20). This “sweet influence” is a desire, not satisfaction; in his words, it is a “hunger better than any other fullness” (“Preface” from Pilgrim 7). -
C. S. Lewis on Gender Ann Loades Introduction Riess a Well a Continuing to Work on Farms
C. S. Lewis on Gender Ann Loades Introduction riess a well a continuing to work on farms. They worked in trans- port t and a the front, as well as at home as nurses and ambulance Cautious though one must be in thinking that one can entirely drivers,n i addition to all the other tasks they performed. It was understand someone in terms of their circumstances, C. S. Lewis not until February 6, 1918, that some women (those over thirty (CSL) virtually invites us to pay attention to his by the publica- years old, householders or wives thereof, occupiers of property tionfs o hi Surprised by Joy (1955).s Thi text, which we can now wortht a least five pounds per year, and university graduates)5 es - reads a a classic of “textual male intimacy” in religion,1 s fi one o cured the vote. Men simply had to be nineteen years or older and those resources particularly important when we try to grasp what ableo t supply an address. The age restriction for women dropped CSL meant and could not mean by “masculinity,” as will become to twenty-one in 1928. The time had come when women, married clear in the last part of this article. In addition, we need to attend or not, could no longer be regarded as legal nonentities, deprived to a whole range of his publications when we attempt to assess his of adequate education and economic resources, though much re- understanding of “femininity” and its relation to “masculinity.” mainedoe t b achieved in the twentieth century. -
The Liberal Arts, Antidote for Atheism a Partial Theological Justification for the Liberal Arts
LINGUACULTURE 2, 2014 THE LIBERAL ARTS, ANTIDOTE FOR ATHEISM A PARTIAL THEOLOGICAL JUSTIFICATION FOR THE LIBERAL ARTS DR. JOEL D. HECK Concordia University Texas Abstract C. S. Lewis once stated that the decline of classical learning was a contributory cause of atheism. This article explores why he made this very unusual statement, describing how Lewis saw the Classics as a literature full of gods and goddesses, providing hints of truth, giving us things to write about, and preparing for the Christian faith. Using some remarkable quotations from Virgil and Plato, Lewis demonstrated how those writers anticipated both the birth and the death of Christ. Lewis’s concept of myth, powerfully present in the Classics, shows how the Gospel story itself is a “true myth,” one with a pattern that is similar to many of the pagan myths. The personal story of Lewis himself demonstrates how the Classics, and, more broadly, the liberal arts were a testimony to the truth of God and how the Greek plays of Euripides, the philosophy of Samuel Alexander, the imagination of writer William Morris, the poetry of George Herbert, and the historical sensibility of G. K. Chesterton combined (with many other similar influences) to convince Lewis that the death and resurrection of Jesus Christ were especially a “true myth,” one that happened in history, demonstrating him to be the Son of God. Keywords: Atheism, classical learning, the Classics, conversion, patron saint, liberal arts, myth One of the most puzzling quotations from C. S. Lewis that I have ever come across is this statement, written by Lewis to his lifelong friend Arthur Greeves on Dec. -
Shadowlands Script
Shadowlands, A Summary of the Story in the Movie Pre-movie notes: comment on The Magician’s Nephew, Fred Paxford, and the Common Room. 90-minute version starts with High Table, Jack says, “Why am I so afraid? … shadows. Real life hasn’t begun.” 73-minute version starts with a BBC address by Lewis. Radio Voice: “The time is just coming up to ten minutes to 3. We are now broadcasting the sixth in a series of eight talks by the writer C. S. Lewis, best known for his imaginative fables The Lion, the Witch and the Wardrobe and The Screwtape Letters. This afternoon his theme is Christian marriage.” Jack: “I must begin by making it plain that I have never been married myself. However, the Christian idea of marriage is not based on the experience of individual men and women, but on the teaching of Christ, that is, that marriage is for life.” [laughter] Christopher: “And now the honorable professor plain Jack Lewis will make another very complicated question very simple. This week infanticide. Infanticide is a long word, isn’t it? Let me put it to you in the bluff common man’s language that has made me so popular among bluff common men.” Jack: “I don’t believe you heard a word of it.” Christopher: “A noble address, Jack. Judiciously navigated.” Jack: “Shouldn’t I have said that I’ve not been married?” Clergyman: “Not at all. The personal touch.” Jack: “Anyway I don’t see that it makes any difference. We don’t expect those who teach us sexual morality to be practicing fornicators.” Fellow: “I shouldn’t play that card too often.” Jack: Fellow: “The expert on marriage who’s never been married.