Shadowlands-Digital-Playbill-V4.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Shadowlands-Digital-Playbill-V4.Pdf Max McLean Founder & Artistic Director Presents SHADOWLANDS by William Nicholson Max McLean, Founder & Artistic Director Presents by William Nicholson Featuring Daniel Gerroll Robin Abramson John C. Vennema Sean Gormley Dan Kremer Stephanie Cozart Daryll Heysham Eddie Ray Martin Video Editor Original Music & Sound Design Voice & Dialect Casting Director Matthew Gurren John Gromada Claudia Hill-Sparks Carol Hanzel Technical Director Production Manager Sound Editor Casting Consultant Brandon Cheney Lew Mead Daniel Gonko Judy Henderson, C.S.A. Marketing General Management Assistant Director Company Manager Southside Entertainment Aruba Productions Dan DuPraw Tara Murphy Executive Producer Ken Denison Directed by Christa Scott-Reed This production made possible by arrangement with The Agency (London) Ltd. 24 Pottery Lane, London W11 4LZ, [email protected] CAST OF CHARACTERS (in order of appearance) C.S. Lewis ...................................................................................... Daniel Gerroll Dr. Maurice Oakley/Gregg/Clerk/Doctor/Priest/Waiter ......Daryll Heysham Christopher Riley ........................................................................Sean Gormley Rev. Harry Harrington ....................................................................Dan Kremer Major Warnie Lewis ............................................................ John C. Vennema Woman/Registrar/Nurse .................................................... Stephanie Cozart Joy Davidman .........................................................................Robin Abramson Douglas .................................................................................... Eddie Ray Martin The action takes place in Oxford, England, in the 1950s. 3 A NOTE FROM THE DIRECTOR Shadowlands lives at the intersec- joy, and thus into suffering too. tion of pain and joy. Shadowlands is a play that asks us When the play begins, we see to consider what we are willing to C.S. Lewis as a man confident in his give up in order to gain so much. studied ideas about the meaning of The line that should linger with suffering in the world. However, his audiences is, “The pain now is part settled middle-aged life is absent of the happiness then, that’s the both romantic love and the pain deal.” that such love risks. The Platonic idea of Then Joy walks in. And over the “Shadowlands” is explained this course of the play she upends way in the play: “This world that everything. She is the engine that seems to us so substantial is no makes him rethink more than the love, suffering and Shadowlands. faith. Suddenly his “The pain now is part Real life has not confident, intel- of the happiness then, begun yet.” As lectual ideas are that’s the deal.” death looms over tested by his new the characters experiences, and in this play they he becomes more speak of the con- alive. His suffering spurs doubt but trast between our imperfect, shad- also fuels an evolution that moves owed human world and the bright, him into a kind of peace with the unfathomable realness of the after- unanswerable. He steps further out life. But one also comes to feel that of the shadows. Lewis was in a shadowlands of his It takes courage to give up all your own until Joy illuminated his life. safety. Lewis learned to dive the In the play (and in life) Lewis summer he became a Christian. As examines the age-old question of the Lewis character says in BBC’s how God can allow suffering in the Through the Shadowlands, “You world. As we all struggle during a don’t have to do anything. All you pandemic, we may be asking the have to do is stop doing some- same question. May the words thing; you have to learn to stop of the play and Lewis’ own wis- trying to preserve yourself. Once dom and experience give us some you let yourself go head first with- strength in these times. out worrying where you’re going to land…you’re a diver.” It’s this Christa Scott-Reed stepping away from self-preserva- tion that allows him to dive into 4 WHO’S WHO DANIEL GERROLL (C.S. Lewis) has ites include Tamara, The Electric appeared on Broadway in Plenty, Baby, Twelfth Night (Viola), When High Society and Enchanted April, the Rain Stops Falling, Orange and he has performed extensively Flower Water, You Say Tomato, I Off Broadway, in various region- Say Shut Up (Denver Center) and al theatres and on TV, film and Tammy Ryan’s FBI Girl. radio. Recent theatre roles include Benedict in Much Ado About SEAN GORMLEY (Christopher Nothing at the Guthrie Theatre, Riley) most recently appeared at Higgins in My Fair Lady, Salieri in the Rep in the world premiere of Amadeus, Intimacy at the New Kingfishers Catch Fire. NY Theatre includes The Weir, Rebel in the Group and various other roles Soul, Aristocrats, Da, Transport, at the Manhattan Theatre Club, Yeats Project, Shaughraun and Roundabout, Second Stage and Devil’s Disciple (Irish Rep Theatre); eight summers at the Bay Street Jonah and Otto (U.S. premiere), Theatre in Sag Harbor. Film and A Day by the Sea (dir. Austin TV include Chariots of Fire, Big Pendleton), Shadowlands (Theatre Business, The Namesake, The Row); The Good Thief (Solo per- Starter Wife, Code Black and The formance/Players Theatre); and Woman in White for the BBC Nora, Shadow of the Glen (Marvell Rep). Regional work includes the ROBIN ABRAMSON (Joy U.S. premiere of Sucker Punch at Davidman) starred as Joy Studio Theatre D.C. TV includes Davidman in FPA’s 2017 produc- The Blacklist (NBC), Person Of tion of Shadowlands Off Broadway Interest (CBS), Z: The Beginning on Theatre Row. Some regional of Everything (Amazon) and credits include If I Forget at Studio Treme (HBO). Film includes What Theatre in Washington D.C. (Helen Maisie Knew and Falling Apples. Hayes nomination); Ghostwriter Numerous voiceover credits. www. at Riverside Theatre, Othello and seangormley.com Simon Stephen’s Heisenberg at Pittsburgh Public Theatre. Pittsburgh JOHN C. VENNEMA (Major Warnie City Theatre; The Last Match by Lewis) has been seen on Broadway Anna Zeigler, Elemeno Pea, Hope in The Ride Down Mt. Morgan, The and Gravity, Tribes (Philadelphia Royal Family, Otherwise Engaged, Theatre Company), Time Stands The Elephant Man, Racing Demon Still, Blackbird, Mary’s Wedding, and Bells Are Ringing (Encores). He Maple and Vine and Outlying toured Ireland and England in the Islands. Additional regional favor- Druid Theater production of The 5 WHO’S WHO Cripple of Inishmaan, ending at Regional credits include Denver the Atlantic Theater (Drama Desk Center Theatre Company (25 award). Off Broadway includes productions), Barrington Stage, Linda, House and Garden, In Alabama Shakespeare Festival, Celebration, Terms of Endearment, Paper Mill Playhouse, Cincinnati many others. Film includes The Playhouse, Repertory Theatre of Cat’s Meow, City Hall, Die Hard St. Louis, Virginia Stage, Laguna With a Vengeance. Television Playhouse, Portland Stage and includes Boardwalk Empire, Lone Tree Arts Center. TV/Film Unbreakable Kimmy Schmidt and includes The Good Wife, Law and House Of Cards (recurring roles). Order: SVU and Reflection. MFA: National Theatre Conservatory DAN KREMER (Harry Harrington) (also served as adjunct faculty.) Off-Broadway credits include Stephanie’s audiobook narrations Richard II (Pearl) and Prozak and can be found on Audible.com. the Platypus (Beckett). Nationally, Kremer has appeared with reper- DARYLL HEYSHAM (Dr. Maurice tory theatres from coast to coast Oakley/Gregg/Clerk/Doctor/ including Shakespeare Theatre Priest/Waiter, u/s Riley/ Gregg/ Company: Caesar, Julius Caesar; Doctor) is delighted to be a Capulet, Romeo & Juliet; and part of this virtual production of Enobarbus, Antony & Cleopatra; Shadowlands, having appeared in Utah Shakespeare Festival as King its 2017-18 Off-Broadway run for Lear, Titus Andronicus and Horace FPA. Other Off-Broadway credits Vandergelder. In 14 seasons with include Much Ado About Nothing the Oregon Shakespeare Festival: and Tony ‘n’ Tina’s Wedding. He Undershaft, Major Barbara; appeared opposite George Peppard Prospero, The Tempest; Jaques, As and Susan Clark in The Lion in You Like It; and Lambert LeRoux, Winter and with Irene Worth in Pravda. www.dankremer.com The Odyssey, directed by Gregory Doran, Artistic Director of the Royal STEPHANIE COZART (Registrar/ Shakespeare Company. He has Nurse/Woman) Appeared with performed in Noel Coward’s The FPA in Shadowlands and directed Vortex at Philadelphia’s Walnut St. a staged reading of Animal Farm. Theatre; Superior Donuts and The Other Off-Broadway credits include Royal Family at Pittsburgh Public Communion (Urban Stages), Lost Theater; Three Sisters at Syracuse in Yonkers (TACT) and Seven Stage; Laughter on the 23rd Floor Rabbits on a Pole (Urban Stages). at St. Michael’s Playhouse; and 6 WHO’S WHO Lt. Shrank in West Side Story for Broadway, Off Broadway, National Florida’s Riverside Theatre, among Tours, Regional Theatre, Film and others. Originally from the UK, TV. She has performed in over 50 Daryll has called Manhattan home professional theatre productions in for the past 25 years. New York City and across the U.S. Christa’s most recent television EDDIE RAY MARTIN (Douglas credits include Madam Secretary, Gresham) is a 10-year-old actor The Loudest Voice and Elementary. from the UK, who loves to sing Christa is the Literary Manager for and dance. He is delighted to Fellowship for Performing Arts and be playing the role of Douglas a Part-Time Faculty Member at Gresham again. Theatre includes the School of Drama at the New Douglas Gresham in Shadowlands School. She is a proud member of (Chichester Festival Theatre); John SDC, AEA, and SAG-AFTRA. www. in Fun Home (Young Vic); and christascottreed.com Dick Whittington and Beauty and the Beast (LP Creatives). Television LEW MEAD (Production Manager) includes Anatomy of a Decision, Broadway engineering credits Crimewatch, Blindboy Undestroys include: A Chorus Line, Dream- the World and The Floogals (ani- girls, Bring Back Birdie. Broadway mation). Film includes Eddie’s Design credits include Onward appearing as a young C.S Lewis Victoria, Tom Sawyer, Urinetown, in the upcoming film of The Most The King and I and Wonderful Reluctant Convert. Eddie trains at Town.
Recommended publications
  • CS Lewis on Death
    Volume 1 Issue 2 Article 4 January 1971 Farewell to Shadowlands: C.S. Lewis on Death Kathryn Lindskoog Follow this and additional works at: https://dc.swosu.edu/mythpro Part of the English Language and Literature Commons Recommended Citation Lindskoog, Kathryn (1971) "Farewell to Shadowlands: C.S. Lewis on Death," Mythcon Proceedings: Vol. 1 : Iss. 2 , Article 4. Available at: https://dc.swosu.edu/mythpro/vol1/iss2/4 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythcon Proceedings by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. Mythcon 51: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico • Postponed to: July 30 – August 2, 2021 Abstract Examines death as portrayed in many of Lewis’s fictional and apologetic writings, and particularly in the Chronicles of Narnia. Discusses Lewis’s attitudes toward his own impending death as expressed to friends and his brother Warren. Keywords Lewis, C.S.—Attitude toward death This article is available in Mythcon Proceedings: https://dc.swosu.edu/mythpro/vol1/iss2/4 Lindskoog: Farewell to Shadowlands: C.S. Lewis on Death suooestion has been made14 that the Nine corresponded to the nine 4. JJJ 383 planets. These would be Mercury, Venus, the Earth, the Hoon, S. III 456 Mars, Jupiter, Saturn, Uranus, Neptune. Pluto •as probably not 6. I 472 known to the astronomers of the Second AQe; Neptune is not 7.
    [Show full text]
  • <I>Screwtape Letters</I> and <I>The Great Divorce
    Volume 17 Number 1 Article 7 Fall 10-15-1990 Immortal Horrors and Everlasting Splendours: C.S. Lewis' Screwtape Letters and The Great Divorce Douglas Loney Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Loney, Douglas (1990) "Immortal Horrors and Everlasting Splendours: C.S. Lewis' Screwtape Letters and The Great Divorce," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 17 : No. 1 , Article 7. Available at: https://dc.swosu.edu/mythlore/vol17/iss1/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Sees Screwtape and The Great Divorce as constituting “something like a sub-genre within the Lewis canon.” Both have explicit religious intention, were written during WWII, and use a “rather informal, episodic structure.” Analyzes the different perspectives of each work, and their treatment of the themes of Body and Spirit, Time and Eternity, and Love.
    [Show full text]
  • Draft Local Plan Consultation June-August 2016: Responses Summary
    Statement of Consultation - Appendix 15 Wycombe District Local Plan Draft Local Plan Summary of responses to consultation – June-August 2016 (March 2017) Draft Local Plan Core Policies Summary of responses to consultation – June-August 2016 Table of contents Introduction Sections............................................................................................................. 2 Visions and Strategic Objectives ........................................................................................... 4 Core Policy: CP1 – Sustainable Development....................................................................... 9 Core Policy: CP2 – Spatial Strategy .................................................................................... 11 Core Policy: CP3 – Settlement Hierarchy ............................................................................ 17 Core Policy: CP4 – Delivering homes ................................................................................. 20 Core Policy: CP5 – Delivering land for Business ................................................................. 33 Core Policy: CP6 – Securing vibrant and high quality Town Centres ................................... 36 Core Policy: CP7 – Delivering the infrastructure to support growth ..................................... 38 Core Policy: CP8 – Sense of Place ..................................................................................... 46 Core Policy: CP9 – Protecting the Green Belt ....................................................................
    [Show full text]
  • SHADOWLANDS Introduction
    SHADOWLANDS Introduction ‘Shadowlands’ tells of the extraordinary love between C. S. Lewis, the famous writer and Christian academic and Joy Gresham, an American poet who came to know him first through his writing. She was to die shortly after their marriage. ‘Shadowlands’ was first a television and then a stage play and is now a film starring Anthony Hopkins and Debra Winger. This guide is for use before and after a viewing of Richard Attenborough’s film. It seeks to expand for class work the themes of love and bereavement, the risks of emotional involvement and the challenge to all faiths of pain and tragedy as well as discussing the way film tackles these difficult subjects. JACK AND JOY Olive Staples Lewis - known always as Jack - was born in 1898 in Belfast three years after the Lewis’s first son, Warren or “Warnie”. The brothers were very close, and spent much of their adult bachelor life living together near Oxford in a ramshackle house, The Kilns, known to their friends as The Midden (Old English for dung heap). What impressions do we first receive of the brothers? How does the film express briefly a little of their life “before” Joy? What do we learn during the course of the film of C. S. Lewis’s world? Apart from Joy, what other women do we “meet” in ‘Shadowlands’? How are they represented? Find out a little about Britain in the 1950s. Who was Prime Minister? When did rationing end? Why was Princess Margaret known as the “heartbreak princess”? As well as picture and library research, ask those who were alive at the time.
    [Show full text]
  • The Life and Times of Stubbing Hill Sutton in Craven
    THE LIFE AND TIMES OF STUBBING HILL SUTTON IN CRAVEN Researched and compiled by Robin Longbottom THE SPENCERS OF STUBBING HILL William Spencer of Stubbing Hill m. Elizabeth ? _____________________|____________________________ | | | | Richard Spencer William Spencer Thomas Spencer Alice Spencer of Stubbing Hill 1581- 1587 1584 - ? 1590 - ? c. 1575 - 1644 m. Isabelle ? |____________________________________________ | | | | Mary Spencer William Spencer Elizabeth Spencer Richard Spencer 1615 - ? 1608 - ? of Stubbing Hill ? John Spencer 1618 - ? 1611 – 1648 Thomas Spencer 1621 - ? m. Elizabeth ? | | Mary Spencer of Stubbing Hill 1645 - 1725? m. Robert Heaton of Ponden Hall, Stanbury |______________________________ | | other issue Joseph Heaton of Stubbing Hill 1680? - 1758? m. Jane Barker of Crossmoor, Silsden SOLD Stubbing Hill 1741 to Thomas Driver THE DRIVER – HEATONS OF STUBBING HILL Thomas Driver of Browfoot (Longhouse), Sutton died 1714 ___________________|_______________________ | | John Driver Ann Driver | m. | Robert Heaton of Aden, Sutton | _____________________| | | | Thomas Driver Robert Heaton John Heaton of Stubbing Hill m. m. x 2 Mary Wilson | ___________________|______ died 1756 without issue | | Jonas Heaton John Heaton of Stubbing Hill of Aden m. Susannah Swaine m. Alice ? died 1786 without issue | _______________________________________| | | | Jonas Heaton John Driver Heaton Mary Heaton died in infancy of Stubbing Hill 1765 – 1820? m. Ann ? ________________________________|____________ | | Alice Heaton Thomas Driver Heaton 1785 - ? of Stubbing Hill 1787 – 1850? SOLD Stubbing Hill 1845 to Robert & John Clough LIFE AND TIMES OF STUBBING HILL, SUTTON Stubbing Hill lies to the south of Sutton, a short distance from West Lane as it leads out of the village. The origin of the place name stubbing is one of the few that is extremely well recorded.
    [Show full text]
  • Joy Davidman Lewis: Author, Editor and Collaborator
    Volume 22 Number 2 Article 3 1998 Joy Davidman Lewis: Author, Editor and Collaborator Diana Pavlac Glyer Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Glyer, Diana Pavlac (1998) "Joy Davidman Lewis: Author, Editor and Collaborator," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 22 : No. 2 , Article 3. Available at: https://dc.swosu.edu/mythlore/vol22/iss2/3 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Biography of Joy Davidman Lewis and her influence on C.S. Lewis. Additional Keywords Davidman, Joy—Biography; Davidman, Joy—Criticism and interpretation; Davidman, Joy—Influence on C.S. Lewis; Davidman, Joy—Religion; Davidman, Joy. Smoke on the Mountain; Lewis, C.S.—Influence of Joy Davidman (Lewis); Lewis, C.S.
    [Show full text]
  • A CS Lewis Related Cumulative Index of <I>Mythlore</I>
    Volume 22 Number 2 Article 10 1998 A C.S. Lewis Related Cumulative Index of Mythlore, Issues 1-84 Glen GoodKnight Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation GoodKnight, Glen (1998) "A C.S. Lewis Related Cumulative Index of Mythlore, Issues 1-84," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 22 : No. 2 , Article 10. Available at: https://dc.swosu.edu/mythlore/vol22/iss2/10 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Author and subject index to articles, reviews, and letters in Mythlore 1–84. Additional Keywords Lewis, C.S.—Bibliography; Mythlore—Indexes This article is available in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: https://dc.swosu.edu/mythlore/vol22/iss2/10 MYTHLORE I s s u e 8 4 Sum m er 1998 P a g e 5 9 A C.S.
    [Show full text]
  • The Voice of CS Lewis
    Inklings Forever Volume 5 A Collection of Essays Presented at the Fifth Frances White Ewbank Colloquium on C.S. Lewis & Article 25 Friends 6-2006 The oiceV of C.S. Lewis Zan Bozzo Taylor University Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Bozzo, Zan (2006) "The oV ice of C.S. Lewis," Inklings Forever: Vol. 5 , Article 25. Available at: https://pillars.taylor.edu/inklings_forever/vol5/iss1/25 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. The oiceV of C.S. Lewis Cover Page Footnote Undergraduate Student Essay This essay is available in Inklings Forever: https://pillars.taylor.edu/inklings_forever/vol5/iss1/25 INKLINGS FOREVER, Volume V A Collection of Essays Presented at the Fifth FRANCES WHITE COLLOQUIUM on C.S. LEWIS & FRIENDS Taylor University 2006 Upland, Indiana The Voice of C.S. Lewis Zan Bozzo Bozzo, Zan. “The Voice of C.S. Lewis.” Inklings Forever 5 (2006) www.taylor.edu/cslewis The Voice of C.S. Lewis Zan Bozzo I have searched long and hard to find a specific something that no other creature in this world sentence that has always been at the forefront of my possesses. The Bible tells us that Reason and mind.
    [Show full text]
  • The Grand Miracle Daily Reflections for the Season of Advent
    The Grand Miracle Daily reflections for the season of advent Based on the writings of C. S. Lewis ✷ J. R. R. Tolkien ✷ Dorothy L. Sayers George MacDonald ✷ G. K. Chesterton Charles Williams ✷ Owen Barfield ✷ Joy Davidman snowy landscape. A beaming lamppost. A world where it is always winter and never Christmas. The opening scenes of C. S. Lewis’s The Lion, the Witch, Aand the Wardrobe set the stage, and readers young and old await Aslan’s return to Narnia, bringing with him the joy of Christmas. While Lewis doesn’t mention the birth of Christ specifically, he writes out of a deep sense of wonder and joy at the Incarnation as a world-transforming event: the Word becoming flesh (John 1:18). In one famous essay Lewis called it “The Grand Miracle.” You may be entering this Advent season with a sense of inadequacy. Perhaps your life is filled with great difficulty, the deep grief of loss, discouragement, finan- cial concerns, addiction, depression, or even a sense that God is far from you. The good news is that you are actually in a wonderful place to begin a meaning- ful Advent journey. For this season isn’t about what we must accomplish, but rather about what God has already done in the miracle of the Incarnation. In fact all we need to do is invite God into the authentic reality of our messy, broken, complicated Front cover by Douglas Johnson based on Edward Burne-Jones’s The Adoration (1904) lives—to be transparently present to him in the midst of our weakness.
    [Show full text]
  • 'Epic Theatre'
    Fellowship CircleSPRING 2017 COMMUNICATING THE MISSION OF FELLOWSHIP FOR PERFORMING ARTS Gifts from Fellowship Circle members provide FPA the means to produce compelling theatre from a Christian worldview that engages a diverse audience. WHAT’S INSIDE Stirring Imaginations FPA productions engage ‘ ’ audiences in New York EPIC THEATRE nd and London. – PAGE 2 FPA’s 2 New York Season Draws Spiritual Hunger Diverse Audiences and Opinions The Screwtape Letters strikes a chord in a secular society. .S. Lewis took to the stage in New York City as Fellowship for – PAGE 4 Performing Arts continues its second full season of shows in theatre’s world capital. It marked the New York premiere of a Crevamped C.S. Lewis Onstage: The Most Reluctant Convert. From the Desk of Max McLean “We made substantial enhancements in the production throughout The Enduring Relevance the past year to tell the story of C.S. Lewis’ extraordinary journey from of C.S. Lewis – PAGE 6 atheism to faith,” said FPA Artistic Director Max McLean, who tackles the role of Lewis. “We felt ready for a New York premiere after the extensive developmental process and regional productions.” SHOW SCHEDULE The Most Reluctant Convert had enjoyed a developmental production in New York in FPA’s first season; a regional premiere in Washington, D.C.; tour stops in LA, San Francisco, Cincinnati, Indy, Tulsa, Cleveland and a month-long run in Chicago. Continued on page 2 ON STAGE THE MOST RELUCTANT CONVERT “FPA OFFERS SOMETHING NEW YORK CITY Winter/Spring 2017 SORELY MISSING FROM THE NEW YORK THEATER SCENE FOR FAR TOO LONG: HIGH-QUALITY, CHALLENGING U.S.
    [Show full text]
  • Two Day Sale of Antiques and Collectables, 20Th Century Design and Paintings - Day 1 Tuesday 10 September 2013 10:00
    Two Day Sale of Antiques and Collectables, 20th Century Design and Paintings - Day 1 Tuesday 10 September 2013 10:00 Frank Marshall Marshall House Church Hill Frank Marshall (Two Day Sale of Antiques and Collectables, 20th Century Design and Paintings - Day 1) Catalogue - Downloaded from UKAuctioneers.com Knutsford WA16 6DH Frank Marshall (Two Day Sale of Antiques and Collectables, 20th Century Design and Paintings - Day 1) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 Lot: 9 A 19th century inlaid mahogany wheel barometer with a 8in A Victorian inlaid walnut dial clock with a 28 inch white dial, silver register signed Ecattanio, 66 Ranouer Street Liverpool Roman numerals, the two train movement striking on a gong, with an architectural pediment, the case inlaid with a flower octagonal hood with an undercut base inlaid with flowers and head and conch shell, 98cm (af) leaves, 77cm Estimate: £100.00 - £150.00 Estimate: £50.00 - £80.00 Lot: 2 Lot: 10 A 19th century wheel barometer with a 20 inch silver register A 19th century Vienna wall clock with walnut and ebonised with a hygrometer thermometer mirror and level, signed P. case, Roman numeral enamelled dial and stepped top case, Balarini York, the case with a swan neck cresting over and complete with pendulum, height 115cm, width 39cm (illustrated) inlaid with ebony boxwood line inlays, 97cm Estimate: £300.00 - £500.00 Estimate: £80.00 - £120.00 Lot: 11 Lot: 3 A Victorian walnut cased three train mantel clock with a 15cm A William IV rosewood wheel barometer, with a 25cm silvered
    [Show full text]
  • The Immanence of Heaven in the Fiction of CS Lewis and George
    Shadows that Fall: The Immanence of Heaven in the Fiction of C. S. Lewis and George MacDonald David Manley Our life is no dream; but it ought to become one, and perhaps will. (Novalis) Solids whose shadow lay Across time, here (All subterfuge dispelled) Show hard and clear. (C.S. Lewis, “Emendation for the End of Goethe’s Faust”) .S. Lewis’s impressions of heaven, including the distinctive notions ofC Shadow-lands and Sehnsucht, were shaped by George MacDonald’s fiction.1 The vision of heaven Lewis and MacDonald share is central to their stories because it constitutes the telos of their main characters; for example, the quest for heaven is fundamental to both Lewis’s The Pilgrim’s Regress and MacDonald’s “The Golden Key.” Throughout their fiction, both writers reveal a world haunted by heaven and both relate rapturous human longing after the source of earthly glimpses; both show that the highest function of art is to initiate these visions of heaven; and both describe a heaven that swallows up Earth in an all-embracing finality. The play Shadowlands is aptly named; for Lewis, the greatest earthly joys were merely intimations of another world where beauty, in Hopkins’s words, is “kept / Far with fonder a care” (“The Golden Echo” lines 44-45). He was repeatedly “surprised by Joy,” overcome with flashes ofSehnsucht during which he felt he had “tasted Heaven” (Surprised 135). For Lewis, “. heaven remembering throws / Sweet influence still on earth . .” (“The Naked Seed” 19-20). This “sweet influence” is a desire, not satisfaction; in his words, it is a “hunger better than any other fullness” (“Preface” from Pilgrim 7).
    [Show full text]