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Home , A Grief Observed, Boxen (C. S. Lewis), Joy Davidman, Out of the Silent Planet, Spirits in Bondage, The Allegory of Love

Volume 22 Number 2 Article 10

1998

A C.S. Lewis Related Cumulative Index of Mythlore, Issues 1-84

Glen GoodKnight

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Recommended Citation GoodKnight, Glen (1998) "A C.S. Lewis Related Cumulative Index of Mythlore, Issues 1-84," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 22 : No. 2 , Article 10. Available at: https://dc.swosu.edu/mythlore/vol22/iss2/10

This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm

Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm

Abstract Author and subject index to articles, reviews, and letters in Mythlore 1–84.

Additional Keywords Lewis, C.S.—Bibliography; Mythlore—Indexes

This article is available in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: https://dc.swosu.edu/mythlore/vol22/iss2/10 MYTHLORE I s s u e 8 4 Sum m er 1998 P a g e 5 9

A C.S. Lewis Related Cumulative I n d e x o f M y th lo r e , Issues 1-84 P r e p a r e d b y G l e n G o o d K n i g h t

This is an author and subject index primarily to articles, Aslan's Country; Maps of 43.10, 43.13, 43.16 reviews, and letters in Mythlore related to C.S. Lewis, cov­ Astrology; in C. S. Lewis' Deep Space Trilogy 25.19; in the ering all issues from the first to the present issue. This is Narnian Chronicles 25.19, 26.13; in done to mark the Lewis Centenary and to show how 25.19 Mythlore has contributed to Lewis studies, as well as to Atomic thinking; Mis-application of 13.7 provide a further research tool for ongoing and future Lewis study. It is built on Lewis-related items from "An Index to Mythlore, Issues 1 to 50" (published in Mythlore B Baynes, Pauline; 56.62 51) and the "Subject Index to Mythlore, Issues 51-60" (pub­ Baby and the Bird 70.48 lished in Mythlore 61) both compiled by Trevor Reynolds. BBC; 50.30, 55.59 Bailey, Mark; The Honour and Glory of a Mouse: Reepicheep of Reviews are listed under the reviewer and the Narnia 18.35 author/editor of the book being reviewed. All other items Barfield, Owen; 14.31; A Barfield Sampler: Poetry and Fiction are indexed by subject and author. Letters referring to items by Owen Barfield 79.57; Friendship with C. S. Lewis in previous issues are listed immediately after the author 13.25; Lectures by 4.8, 9.21, 24.42; An Interview with reference to that article as well as under the appropriate Owen Barfield 78.14; The Silver Trumpet 2.45,47.44; Some subject. References to books are given under the author. The Reflections on of C. S. Lewis 13.7; Owen Inklings Bibliography has not been indexed in detail. The Barfield and C.S. Lewis 64.51 extensive Lewis-related artwork is not indexed here. Barratt, David; C.S. Lewis and His World 52.44 References are given to whole number and page, for ex­ Battles, Sharon 61.35 ample 11.10 refers to issue 11 page 10.. References to letters Bergwall, Ake; A M yth Retold: C. S. Lewis' Till We Have Faces are in italics; reviews in bold italics. 39.5 Beversluis, John; C. S. Lewis and the Search for Rational Relig­ Nearly all the back issues of Mythlore are available and ion 43.42 there is a tremendous amount of good writing. Good Blaisdell, Heather L.;".. .And There shall the Lilith Repose" 54.4 Hunting! Boenig, Robert E; C. S. Lewis' Great Divorce and the Medieval Dream Vision 36.31; Lewis' Time Machine and his Trip to A Aeschllm an, M ichael J; The Restitution of Man 40.54 the Moon 24.6, 25.16 Age; in Narnia 41.52 Bond, Brian C; The Unity of Word: Language in Lewis' Trilogy Alchemy; in C. S. Lewis' 41.17 8.13 ; in C. S. Lewis' Narnian Chronicles 26.23 Borhek, Mary : Fact or Fiction? 62.4 Andersen, Hans Christian; comparison with C. S. Lewis' Boucher, Anthony; Influence of C. S. Lewis on 7.25 The Lion the Witch and the Wardrobe 28.23 Branson, David A. Arthurian Elements in That Hideous Angels and Inklings 72.57 Strength 74.20 Anima Figures; in the Narnian Chronicles 22.20; in That Bratm an, David; BBC Shadowlands 50.30; Jeanne Clayton Hideous Strength 21.6; Types of 21.26 Hunter and Thomas Kranidas, eds. A Barfield Sampler: Animal pain 71.46 Poetry and Fiction by Owen Barfield 79.57; Lee D Rossi Animal rights 71.46 The Politics of Fantasy 47.44; Kathryn Lindskoog, The Anstey, F; Vice Versa, or A Lesson to Fathers, on the origin of C.S. Lewis Hoax 57.46 Mr. Bultltude 38.48 Braude, Nan; 2.51, 4.28; Sion and Parnassus: Three Ap­ Apuleius, Lucius, The Metamorphoses, comparison with proaches to M yth 1.6, 2.51 C.S. Lewis' Till We Have Faces 56.33, comparison with Brown, Judith The Pilgrimage from Deep Space 15.13 parallels 56.33 Bultitude, Mr, Origin of 38.48 Argument in narrative form 70.15, 72.42 Arthurian Elements in 74.20 C Calabria, Don Giovanni; Letters: A Study in Friendship 59.44 Arnott, Anne; The Secret Country o f C. S. Lewis 13.30 Carnell, Corbin S; C. S. Lewis. An Appraisal 4.18; Photo­ Aslan, Harry I; Installation as president of Lions Interna­ graph of 15.22; Ransom In : Jungian Hero 28.9 tional 15.27 Carpenter, Humphrey; 31.23; 20.34; P a g e 6 0 Issue 8 4 Sum m er 1998 MYTHLORE

Carter, M argaret L; The Cosmic Gospel: herns and L’Engle Downing, David C. Planets in Peril: A Critical Study o f C. S. 30.10; A Note on Moral Concepts In Lewis' Fiction 17.35; Per­ Lewis's Ransom Trilogy 76.38 petual Winter in C.S. Lewis and Patricia McKillip 59.35, Joy Dracula as a source for That Hideous Strength 73.16 and Memory: Wordsworth as Illuminated by C.S. Lewis 63.9 Dragons; and C. S. Lewis 39.53 Catholicism; and C. S. Lewis 37.50,38.45,38.46,39.40,41.37 Dreams; Vision in C. S. Lewis' The Great Divorce 36.3 Celtic; Elements, in the works of the Inklings 35.5 Duriez, Colin The C. S. Lewis Handbook 70.46; Tolkien and the Chance, Jane, editor "Medievalism: Inklings and Others"7236 Other Inklings 80.360 Chapman, Edgar L; 16.32, 21.11; Anima Figures In a De­ Dwarfs of Narnia; Source of 16.38 monic Comedy In the Lewis Tradition: E E Y Hales' Chariot E of Fire 21.19; Images of the Numinous In T H White and C. Eagle and Child, The, ; Photographs of 16.23,16.24 S. Lewis 16.3; Toward a Sacramental Ecology 12.11 Ecology; in C. S. Lewis' Deep Space Trilogy 12.11 Chard, Jean Marie; Some Elements of Myth and Mysticism in Edgestow; Maps of 6.8,29.3 C. S. Lewis' Novel Till We Have Faces 15.15 Edwards, Bruce L.; A Rhetoric of Reading 51.48; The Taste of Children's Literature 74.4 the Pineapple 58.53 Childishness 74.4 Elves; in C. S. Lewis' The Queen of Drum 31.11; in C. S. Christensen, Michael J; C. S. Lewis on Scripture 24.31 Lewis' 31.11 Christian Art; and Fantasy 53.34 Emeth; Meaning of 31.23 Christian Metaphor; Wardrobe as 51.25 Etymology; of Emeth 31.23; of Narnia 12.27, 24.29,28.40 ; in C. S. Lewis' Deep Space Trilogy 30.10; and Evil; Symbolism of in C. S. Lewis' Other Worlds 30.10; and Till We Have Faces 23.31 43.47; in the Works of C. S. Lewis 13.25; in C.S. Lewis' C hristopher, Joe R; C.S. Lewis' Linguistic Myth 79.41; The Lion, the Witch and the Wardrobe 59.35 Climbing Jacob's Ladder: a Hierarchical approach to Imag- Exchange; in the Works of C. S. Lewis 34.14 istic Mysticism 11.10; An Introduction to Narnia 6.23 (er­ rata 7.27), 7.12,8.17,9.20,9.12, 10.32 C. S. Lewis 50.27; C. F S. Lewis, An Annotated Checklist of Writings about him Fairy Stories; the Namian Chronicles as 8.17 and his Works 17.29; In the C. S. Lewis Tradition: Two Father Christm as, in C. S. Lewis' The Lion, the Witch, and the Short Stories by Anthony Boucher 7.25; Three Poems Wardrobe 50.41 from Inside a Wardrobe 27.3; J.R.R. Tolkien, Narnian Ex­ Festival; in That Hideous Strength 29.7 ile 55.37, 56.17, 5751, 57.52, 57.53; Lost Tales of Narnia Filmer, Kath; The Fiction of C. S. Lewis: Mask and Mirror 73.52; 58.59 From Belbury to Bernt-arse 52.18; Neither Here Nor There 59.9 Chronological Snobbery; 4.8,4.56, 5.22, 6.26 Fisher, Matt; Maskull and Ransom: The DarkNight of the Soul 52.30 Chronologies; of N arnia 6.23 Fisher-King, The; in C. S. Lewis' That Hideous Strength Class; and C.S. Lewis 53.34 34.30; Origin of 7.26, 8.27, 8.30 Closed Universe theme 81.7 Freedom; in Perelandra 29.38 Cobb, Lawrence; in The Allegory 51.43,52.4,56.61 © Cochran, Dixie; The Lion Behind the Wardrobe 52.63 Gardens; as a Motif in the Novels of The Inklings 30.3 Cohen, Michael The Man Who Created Narnia 79.56 Geography; of Narnia 7.12, 43.9 Com o, Jam es T; C. S. Lewis at the Breakfast Table and other Gibson, Even K; C. S. Lewis, Spinner of Tales 28.17 Reminiscences 22.26; Photograph of 15.22 Gilman, Charlotte Perkins; Herland, comparison with C. S. Cosmic Geography; of The Narnian Chronicles 43.9 Lewis' Out of the Silent Planet 48.51 Cosmic Myth: in That Hideous Strength 6.7 Girls; in Narnia 49.15 Cosmological Geography: 3.18 Glaspey, Terry W. Not a Tame Lion: The Spiritual Legacy of Com puter Analyses; of C.S. Lewis' The Dark Tower 57.11 C.S. Lewis 83.65 Courtly Love; In C.S. Lewis' 51.43 Glover, D onald E; C. S. Lewis, The Art of Enchantment 33.37 C.S. Lewis' Deep Space Trilogy 57.11 Glyer, Diana Pavlac. Lewis: Author, Editor and Cupid; in C.S. Lewis' Till We Have Faces 56.33 Collaborator 84.10; W alter H ooper C.S. Lewis: Compan­ Cutsinger, James Angels and Inklings 72.57 ion and Guide 83.60 D ; in Till We Have Faces 26.18 Joy Davidman; Joy Davidman Lewis: Author, Editor and Goffar, Janice C.S.Lewis Index: Rumors From the Sculptor's Collaborator 84.10 Shop 83.64 Devils; C. S. Lewis' belief in 15.26 GoodKnight, Glen H.; Owen Barfield in Southern Califor­ Diener, Astrid An Interview with Owen Barfield 78.14 nia (2) 24.42, 27.35; Chronicles of Narnia 78.56; A Com­ Dobbs. David Llewellyn, "Gareth Knight" The Magical parison of Cosmological Geography 3.18,4.30,4.36,5.21; World of the Inklings 67.57 An Enlargement of Being 1 1 .9 ,12.28; Fantasy and Per­ Dorsett, Lyle W; And Came In 3735 sonal Involvement 21.13; Going On in the Great Dance 17.25; Is Children's Literature Childish? 74.4 C. S. Kilby MYTHLORE I s s u e 84 S u m m e r 1998 P a g e 61

in Southern California 1.27; The Letter 61.39; Myth's Loss Howard, Thomas; 50.35; The Achievement of C. S. Lewis 2633 and the Remythologisers 23.40, 24.21; Search for Spring Hunter, Jeanne Clayton and Thomas Kranidas, eds. A Bar- 78.4; Shadowlands 76.41; The Social History of the Inklings field Sampler: Poetry and Fiction by Owen Barfield 79.57 5.7; The Voice ofTash 7.3; C.N. Manlove, C.S. Lewis: His Hyles, Vernon; 50.32; On the Nature of Evil 50.9 Literary Achievement 53.55; George Sayer, JACK: C. S.. I Lewis and His Times 55.32; The Land of Nar­ Images of Spirit; in C.S. Lewis' fiction 52.32 nia 64.55 Imagination; in C. S. Lewis 19.43 Great Dance, The; The Mythopoeic Society and 17.25 Individual, The; and Reality, in Lewis' Deep Space Trilogy 5230 Green, Roger Lancelyn; C. S. Lewis 27.31; Death 52.3; Initiation; in C. S. Lewis' Out of the Silent Planet 41.17 Obituary 56.55 Inklings, The; and Angels 72.57; Celtic elements in 35.5; Green, William H; Green Witch; in. Lewis' 40.37 Christianity and the 11.9; Cosmological Geography Gresham, Douglas H.; Lenten Lands: M y Childhood with Joy 3.18; Dance in the works of 45.4; Definition of 37.3; Dif­ Davidman and C.S. Lewis 57.44 ferences 2.50, Garden Motif in their novels 30 3; Influ­ Griffin, William; Clive Staples Lewis: A Dramatic Life 49.42 ence on Gracia Fay Ellwood 33.38; Lilith figure in 31.3; H and the Nature of Evil 50.9; Relationships between 4.8, Hague, Michael; The Lion, the Witch, and the Wardrobe, illus­ 45.48, 80.360; Dorothy L Sayers and 13.8, 16.21; Social trator 39.35 History of, 1939-1945 5.7; Unifying aspects 1.6 Hall, Lawrence Mack; C. S. Lewis' Spirits In Bondage 39.35 Inklings - Gesellschaft; 47.46 Hamilton, Clive; Spirits In Bondage, themes in 28.26 Inklings: Jahrbuch fur Literatur und Ästhetick; 47.46, 49.45 Handwriting; of C.S. Lewis 60.60 Irony; C. S. Lewis and 20.17 Hannay, Margaret; 15.28, 17.20, 25.15; Arthurian & Cosmic J Myth in That Hideous Strength 6.7: C. S. Lewis' Theory of Joy; in the works of C. S. Lewis 4.36, 63.9 Mythology 1.11; The Mythology of Out of the Silent Planet Jung; Jungian Heros in C. S. Lewis' Deep Space Trilogy 28.9 4.11, 76.20; The M ythology of Perelandra 5 .14; Orual: The Justice; in Till We Have Faces 7.5 Search for Justice 7.5; Photograph of 15.21; "Surprised by K Joy'': C. S. Lewis' Changing A ttitudes Toward Women Karkainen, Paul A; Narnia Explored 24.32, 27.31 13.15, 15.27, 15.28,16.32, 16.35,17.20 Kawano, Roland M; C. S. Lewis end the Transcendence of Harries, Richard; C.S. Lewis: The Man and His God 54.17 Irony 20.17; C. S. Lewis: The Public Poet 33.20 Harwood, Cecil; Photographs of 12.3, 12.4; A Toast to the Kilby, Clyde S; 1.47, 2.51; Brothers and Friends 33.33; Death M emory of C. S. Lewis 12.3 of 48.8; Images of Salvation In the Fiction of C. S. Lewis Hebrew; Names, in C. S. Lewis' Perelandra 49.46 21.15; Lectures by 1.27; A Mind Awake: An Anthology of Heroes; Jungian, in C. S. Lewis' Deep Space Trilogy 28.9; C. S. Lewis 1.35; The Outer Dimension of Myth 38.28; in Narnia 18.35 Photographs of 12.4, 1420, 38.28, 38.30; Retirement Jim Herrick C. S. Lewis and Narrative Argument in Out of the 27.15; Seventieth birthday 9.31 Silent Planet 70.15 King, Don; The Childlike in George MacDonald and C. S. Lewis Hill, Darci, Mark Studdock's Heroism 84.22 46.17; Narnia and the Seven Deadly Sins 38.14; The Rhetori­ Hillegas, Mark R.; Shadows of Imagination 23.24 cal Similarities of C.S. Lewis and Bertrand Russell 55.28, Hnau; in C. S. Lewis' Out of the Silent Planet 47.37 57.52,57.53; The Wardrobe as Christian Metaphor 51.25 Holbrook, David; The Problem o f C. S. Lewis 10.31,12.27 Kirk,Tim; Map of Edgestow 6.28; Map of Narnia 7.15 Holmer, Paul L; C. S. Lewis, The Shape of His Faith and "Gareth Knight" The Magical World of the Inklings 67.57 Thought 16.26 Kotzin, Michael C; C. S. Lewis and George MacDonald: The Hopkins, Lisa Female Authority Figures in the Works of Silver Chair and The Princess Books 27.5; M rs Moore as The Tolkien, C.S. Lewis and Charles Williams 80.364 Queen of Underland 21.46, 22.41 Hood, Gweny th; Husbands and Gods as Shadowbrutes 56.33 Kreeft, Peter; 4.34; Between Heaven and Hell 36.42 Hooper, Walter; 6.26; Academic integrity 21.11, 22.41, Kuhl, Randall; Owen Barfield in Southern Callifomia 4.8 25.13; Academic Standing, 58.38, 58.39, 59.54, 59.56, 59.57; 43.39; The Dark Tower and Other Stories L 19.32; C.S. Lewis: Companion and Guide 83.60, 84.49; Lane, Dorothy F. Resurrecting the 'Ancient Unities': The In­ 34.41; Past Watchful Dragons: The carnation of Myth and the Legend of Logres in C. S. Lewis' Narnian Chronicles of C. S. Lewis 23.28,27.31; Photo­ That Hideous Strength 61.9, 62.32 graphs of 12.3, 12.7; Present Concerns 49.41; Reminis­ Language; in C. S. Lewis' Deep Space trilogy 8.13; in C. S. cence 12.5; They Stand Together, 23.29, 25.13, ethics of Lewis' The Lion the Wi tch and the Wardrobe 46.43; in C. S. 23.14 Lewis 17.37 Horror; in That Hideous Strength 29.7 John Laurent C. S. Lewis and Animal Rights 71.46, 73.33 Howard, Andrew; Photograph of 14.21; Till We Have Faces Law of Nature, in That Hideous Strength 71.9 and Its Mythological and Literary Precursors 15.30 P a g e 6 2 I s s u e 8 4 Sum m er 1998 MYTHLORE

Lewis, C. S.; , emeth in 31.23; The Alle­ 4.18, comparison with Charlotte Perkins Gilman's H e rla n d gory of Love, courtly love in 51.43, 56.61; All My Road 48.51, comparison with H. G. Wells The First M en in the Before Me: The Diary o f C.S. Lewis 70.46; Animal Rights M o o n 24.6, hnau in 47.37, initiation in 41.17, mythology of in 71.46; Belief in devils 15.26; Boxen 43.39; and Catholi­ 4.11, narrative argument in 70.15, perspective in 60.14, rea­ cism 37.50,38.45,38.46,39.40,41.37; Celtic elem ents in 35.5; son in 47.37; Perelandra, comparison with H. G. Wells' T h e the Childlike in 46.17; Christian Reunion and Other Es­ First M en in the M oon 49.47, comparison with H. G. Wells' says 68.39; Christianity in the w orks of 4.35; Coinherence T h e T im e M a c h in e 49.47, d ev elo p m en t of Elw in R ansom in in 34.14; The Collected Poems of C. S. Lewis 78.60; Com­ 53.31, freedom in 29.38, Hebrew names in 49.46, mythol­ parison with George Orwell 53.54; Comparison with ogy in 5.14, nature in 29.38, operas 18.27, strategy in 33.19; Bertrand Russell 55.28; Dance in 45.4; Comparison with The Pilgrim's Regress 34.41, A Guidebook to 81.56; Poetry Modem Writers 50.14; The Dark Tower, authorship of and 33.20; Possible collaboration with J R R Tolkien on 59.54,59.56,59.57, 60.60, authenticity of 57.11; Comparison Language and Human Nature 10.29; Present Concerns w ith H G Wells' Time Machine 24.6; The Dark Tower and 49.41; Priestesses in the Church?, strength of 16.33; The Other Stories, 1932, publication 16.47; Death of 37.3; The Queen of Drum, elves in 31.11; Readings for Reflection and Deep Space Trilogy; 3.44, astrology in 25.19,Christianity Meditation 83.64; Reason in 19.43,19.44; Rhetoric, use of in 30.10, computer comparison with The Dark Tower 57.11. 55.25; and Science 7.27,15.27; The Screwtape Letters 25.36, ecology in 12.11, Jungian heroism 28.9, language in 8.13, 54.18,63.28; Symbolism of evil in 43.47; and Sex 23.18; The nature in 12.11, and the nature of evil 50.9, pilgrimage in Silver Chair, comparison with George MacDonald's Prin­ 15.13,50.15; reality and the individual in 52.30; technology cess Books 27.5, Closed Universe Theme in 81.7, the Green in 12.11, transcendence in 12.11; Dragons, 39.53; Eucharis­ Witch in 40.37, identification of Mrs Moore w ith The tic Motifs 84.28; Evil in the works of 13.26; Exchange in Queen of Underland 21.46, and Plato's Allegory of the 34.14; First and Second Things 47.45; and his Friends 4.8; Cave 66.12; Social class and 53 54; Spirit, images of in his friendship with Owen Barfield 13.25; Cosmic Trilogy fiction 52.32; Spirits in Bondage 39.35, Elves in 31.11, Style 63.45; Garden Motif in his novels 30.3; The Grand Miracle 6.27; Substitution in 34.14; That Hideous Strength, anim a and other Essays 47.45; The Great Divorce, atomic think­ figures in 21.6, Arthurian Elements in 74.20, comparison ing and 13.7, and the M edieval Dream Vision 36.31,61.35, w ith D ra cu la 73.16, comparison with George Orwell's compared to E.M. Forster's Celestial Onmibus 79.14, Horror Nineteen Eighty-Four 50.36, 82.39, festival in 29.7, The and Splendour in 63.28; A Grief Observed, as fiction 45.24, Fisher-King in 34.30, horror in 29.7, influence of JRR Tolk­ 62.4; Handwriting 60.60; Images of the North in his Fan­ ien 46.47, influence of Charles Williams 46.47, Logres in tasy 14.9; Imagination in 19.43; Influence on the works of An ­ 61.9, Mark Shaddock's Heroism 84.22, myth in 6.7, 61.9, thony Boucher 7.25; Irony and 20.17; The Joyful Christian Law of Nature in 71.9, rhetoric in 52.18, the Sacred Com­ 20.32; Die Last Battle, emeth in 31.23 Tash as figure of Sa­ munity in 47.8, Symbolic Spring 78.4, Jane Studdock in tan in 62.23; Lectures by 50.42; Letter on dust jacket of Ar­ 23.16, The Tutorial of Torture 82.39, visionaries in 21.6, th u r C Clarke's Childhood's End 31.26; Letter to Miss B wasteland in 52.18; and Sundar Singh 58.21; themes in 22.19; Letters: A Study in Friendship 59.44; Letters ofC.S. 28.26; Theories of Mythology 1.14; Thomas Traherne's Lewis, 82.55; Letters to Children 43.41; Library collec­ Centuries, as a source of his motifs 21.12; Till We Have tions, W heaton College 8.20; Lilith figure in 31.3,54.4; Lin­ Faces, astrology in 25.19, Christianity and 23.31, the coda in guistic Myth 79.41; The Lion, the Witch and the Wardrobe, 39.5, comparison with Apuleius' The Metamorphoses 56.33, 39.35,67.56, Christian metaphor in 51.25, comparison with com parison w ith parallels 56.33, Eros in 26.18, gods in 26.18, Patricia McKillip's The Harrowing of the Dragon of Hoars- the House of Ungit 82.4, justice in 7.5, mysticism in 18.15, breath 59.35, evil in 59.35, Forbidden Foods and Guilty m yth in 18.15,39.5, precursors of 15.30, The Priest of Essur's Pleasures in 84.18, wardrobes in 51.25, winter in 59.35; tale in 34.10, as a retelling of Cupid and Psyche 56.33, sacri­ Memories of 54.60; Mere Christianity 34.41; A Mind fice in 82.4, sexual imagery in 59.9, the spins of place in 59.9; A w a k e , an Anthology of C. S. Lewis 1.35; Moral concepts Timeless at Heart: Essays on Theology 53.55, 55.58; and in his fiction 17.35; The Namian Chronicles, allegory in Tolkien Tolkien and the Other Inklings 80.360; Unpublished 26.23, as allegory 55.13, anima figures in 22.20, archetype in works 6.26; Die Visionary Christian 31.26; The Voyage of 55.13, astrology in 25.19, 26.13, cosmic geography of 43.9, the Dawn Treader, inconsistencies in 12.29, 14.28; and as fairy-stories 5.17, Father Christmas in 50.41, girls in Women 12.18,13.15,15.27,15.28,17.20,40.37; W o r d a n d S to r y 49.15, literary classification of 9.12, memories of 12.3,12.5, in C. S. Lewis 66.52 non-human speech in 17.37, numinous images in 16.3. Lewis, Major W arren Hamilton; Brothers and Friends 33.33; primitivism in 55.13, and the sacraments 54.61, and the Letters of C.S. Lewis, rev. ed. W.H. Lewis, ed, Walter Seven Deadly Sins 38.14, sex in 12.27, J.RR. Tolkien's dis­ H o o p er. 8 2 .5 9 like of 55.37, 56 .1 7 ; inconsistencies in 14.28; language in Lillith, The; in C.S. Lewis' N arnian Chronicles 54.4 46.43, names in 46.43, as a parable 40.15, TV productions of Lilith Legend; in C. S. Lewis 31.3 19.29,20.22,20.35,24.15; symbols of time in the Chronicles Lindskoog, Kathryn Ann; Around the Year with C. S. Lewis 67.10; travel between worlds in 43.9, visionaries in 22.20; and His Friends 50.31; Finding the Landlord: A G u id e b o o k Out of the Silent Planet, alchemy in 41.17, an appraisal to C.S. Lewis' Pilgrim's Regress 81.56; The First Chronicle MYTHLORE I s s u e 8 4 S u m m e r 1 9 9 8 P a g e 6 3

of Narnia: The Restoring of Names 46.43; Getting It To­ Metaphor; Dance as 45.4 gether: Lewis and the Two Hemispheres of Knowing 19.43; Metaphor, Christian, Wardrobes as 51.25 The Gift of Dreams, A Christian View 24.30; Golden Chain Miller, Daniel R. Mere Shadowlands 82.60 of Coincidence 58.21; The C.S. Lewis Hoax 57.46, 58.52, Milward, Peter; Perchance to Touch 22.31 58.53,58.38,58.39,59.54,59.56,59.57; The Screwtape Let­ Moynihan, Martin; The Latin Letters of C. S. Lewis 51.51, ters 25.36; C. S. Lewis: Mere Christian 35.41, 54.18,83.64; 55.59; Letters: A Study in Friendship 59.44 C. S. Lewis: Reactions from Women 12.18, 14.27, 14.31, Moore, Mrs; Identification with The Queen of Under land 15.25; The Lion of Judah In Never-Never Land 27.31; Some in The Silver Chair 21.46 Problems in C. S. Lewis Scholarship 21.11; Voyage to Nar­ Musacchlo, George; : The Pilgrimage Begins nia, publication problems 25.16 50.15; C. S. Lewis' A Grief Observed as Fiction 45.24, 49.37, Lions; Sightings in England 14.28 46.47; C.S. Lewis, Man and Writer: Essays and Reviews 82.58 Logan, Darlene; Battle Strategy In Perelandra: Beowulf Revis­ Myers, Doris T; Breaking Free: The Closed Universe Theme in ited 33.19 C.M.Forester, Owen Barfield and C.S. Lewis 81.7; C.S. Logres, in That Hideous Strength 61.9 Lewis in Context 79.57; Hrossa, Pigs, and Teddy Bears: the Loney, Douglas, C. S. Lewis' Debt to E.M. Forster's "The Ce­ Animal Kingdom according to C.S. Lewis 84.4; Law and lestial Omnibus" and Other Stories 79.14 ; H um pty Disorder: Two Settings in That Hideous Strength 71.9; C. S. Dumpty in the Heavens 60.14; Immortal Horrors and Ever­ Lewis' Passages 41.52; What Lewis Really did to The Time lasting Splendours; C. S. Lewis' Screwtape Letters and The Machine and The First Men In the Moon 49.47 Great Divorce 63.28 Mysticism; in Till We Have Faces 18.15 Love; Courtly, in C.S. Lewis' The Allegory of Love 51.43 Myth; Arthurian in That Hideous Strength 6.7 ; Cosmic in Lucy of Narnia; Hopkins, Lisa Female Authority Figures in That Hideous Strength 6.7; Dance as 45.4; Definition of the Works of Tolkien, C.S. Lewis and Charles Williams 10.15; the Essence of 16.3; 29.15; in Till We Have Faces 80.364 18.15, 39.5; incarnation of 61.9 M Mythology; in Perelandra 5.14; theories of C. S. Lewis 1.14 MacDonald, George; The Princess Books, comparison N w ith C. S. Lewis' The Silver Chair 27.5 Nam es; in The Lion the Witch, and the Wardrobe 46.43 Michael H. MacDonald and Andrew A Tadie, editors, The Narnia; Age in 41.52; Chronology of 6.23; Cosmology of 8.31; Riddle of Joy: G.K. Chesterton and C. S. Lewis 62.52 Geography of 7.12,43.9; Girls in 49.15; Heroes of 18.35; an McKillip, Patricia; The Harrowing of the Dragon of Hoars- Introduction to 6.23 (errata 7.27), 7.12, 8.17, 9.12, 64.55; breath, com parison w ith C.S. Lewis' The Lion, the Witch M aps of 7.15,3.20, 43.11, 43.12, 43.14,43.15,43.17, 43.18; and the Wardrobe 59.35 Origin of the name 12.27, 24.29, 28.40; Pattering in 79.55; McMurdo, Ian; The Lion of Judah 20.24 (errata 21.23) and the Seven Deadly Sins 38.14; Spiritual Development Maps; of Aslan's Country 43.10,43.13,43.16; Edgestow 6.8, in 41.52; as Toponym 84.52; Thoughts on 27.25 29.3; N arnia 3.20, 7.15 Narnia Conference; Report on 5.13 Madsen, Catherine; Light from an Invisible Lamp 53.43 N arnians 79.55 M anlove, C.N.; C.S. Lewis: His Literary Achievement 53.35, Nature; in C. S. Lewis' Deep Space Trilogy 12.11; in Perelan­ 57.45; Christian Fantasy: From 1200 to the Present 72.38; dra 29.38 : The Patterning of a Fantastic Neighbors, Jim; Once Queen Susan 36.29 World 79.55 Nelson, Marie; Non-Human Speech In the Fantasy of C. S, Maskull; Comparison with Ransom 52.30 Lewis, J.R.R. Tolkien and Richard Adams 17.37 Marshall, Cynthia Essays on C.S. Lewis and George MacDon­ Neuleib, Janice; Loves Alchemy: Jane In That Hideous ald: Truth, Fiction, and the Power of the Imagination. 79.58 Strength 23.16 Martindale, Wayne and Jerry Root The Quotable Lewis 82.59 New York C. S. Lewis Society; 6.29 M atheson, Sue; C.S. Lewis and the Lion 55.13 Nicholson, Daille; C. S. Lewis The Lion, the Witch, and the "Matter of Britain"; Treatment of 55.60 Wardrobe, TV production 20.35 Mead, Marjorie Lamp; Brothers and Friends 33.33; Letters to Nicholson, Mervyn Bram Stoker and C. S. Lewis: Dracula as a Children 43.41 Source for That Hideous Strength 73.16 Medieval Dream Vision, The; in C. S. Lewis' Great Divorce North, The; Images of, in C. S. Lewis' Fantasy 14.9 36.31 Numinous, The; Images of in C. S. Lewis 16.3 The Medieval Tradition of the Ordered Four 80.375 O Meilaender, Gilbert; The Taste for the Other — The Social and Orwell, George; Nineteen Eighty-Four, com parison w ith C. Ethical Thought o f C. S. Lewis 21.16 Memory, of Joy 63.9 S. Lewis' That Hideous Strength 50.36; Comparison with C.S. Lewis 53.54 Memories; of C.S. Lewis 54.60 Ostling, Joan K; C. S. Lewis, An Annotated Checklist of Writ­ M enuge, A ngus J.L. C.S. Lewis, Lightbearer in the Shadow- lands 84.50 ings about him and his Works 17.29 P a g e 6 4 I s s u e 8 4 Sum m er 1998 MYTHLORE

p Reflection and Meditation 83.64; The Screwtape Letters 54.18; Parables; The Lion, the Witch and the Wardrobe as 40.15 Timeless at Heart: Essays on Theology 53.55, 55.58; The Patterson, Nancy-Lou, "All Nerves and Nose" 54.13; Always Visionary Christian 31.28; C. S. Lewis & Don Calabria, Winter and Never Christmas: Symbols of Time in Lewis' Letters: A Study in Friendship 59.44; Brothers Chronicles of Narnia 67.10; Michael D Aeschliman The Res­ and Friends 33.33; Life of 22.41; Kathryn Lindskoog, titution of Man 40.54; Banquet at Belbury: Festival and Horror Around the Year with C. S. Lewis and his Friends 50.31, The in That Hideous Strength 29.7; Owen Barfield The Silver C.S. Lewis Hoax 58.52,59.55, Finding the Landlord: A Guide­ Trumpet 47.44, Owen Barfield and C.S. Lewis 64.51; David book to C.S. Lewis' Pilgrim's Regress 81.56, The Lion of Judah Barratt, C.S. Lewis and His World 52.44; John Beversluis In Never-Never Land 27.31, C. S. Lewis: Mere Christian 35.41, C. S. Lewis and the Search for Rational 43.42; The Bolt 54.18,83.64; MacDonald, Michael H. and Andrew A Ta- o f Tash: The Figure of Satan in C. S. Lewis' Horse and His Boy die, editors, The Riddle of Joy: G.K. Chesterton and C. S. Lewis and 62.23; Bright-Eyed Beauty 35.5; Hum ­ 62.52; Colin Manlove Christian Fantasy: From 1200 to the phrey Carpenter, The Inklings 20.34; Jane Chance, editor Present 72.38, The Chronicles of Narnia: The Patterning of a "Medievalism: Inklings and Others'' 72.36; Michael J Chris­ Fantastic World 79.55; Cynthia Marshall Essays on C.S. tensen C. S. Lewis on Scripture 24.31; Joe R Christopher C. Lewis and George MacDonald: Truth, Fiction, and the Power of S. Lewis 50.27; Joe R Christopher and Joan K Ostling C. S. the Imagination. 79.58; Wayne Martindale and Jerry Root Lewis, An Annotated Check list of Writings about him and his The Quotable Lewis 82.59; Gilbert Meilaender The Taste for Works 17.29; Michael Cohen The Man Who Created Narnia the Other — The Social and Ethical Thought of C.S. Lewis 79.56; Como C. S. Lewis at the Breakfast Table and Other 21.16; Menuge, Angus J.L. C.S. Lewis, Lightbearer in the Reminiscences 22.28; Christopher Derrick C. S. Lewis and Shadowlands 84.50; "Miraculous Bread... Miraculous Wine": the Church of Rome 33.37; Lyle W Dorsett And God Came In Euclmristic Motifs in the Fantasies of C.S. Lewis 84.28; Doris T 37.35; David C. Downing Planets in Peril: A Critical Study Myers, C.S. Lewis in Context 79.57; George Musacchio C.S. ofC. S. Lewis's Ransom Trilogy 76.38; Colin Duriez The C. S. Lewis, Man and Writer: Essays and Reviews 82.58; Narnia Lewis Handbook 70.46; Bruce L. Edwards, A Rhetoric of and the North: The Symbolism of Northernness in the Fantasies Reading 51.48, The Taste of the Pineapple 58.50; Kath Filmer of C. S. Lewis 16.9; James Patrick The Magdalen Metaphysi­ The Fiction of C. S. Lewis: Mask and Mirror 73.52 Paul F cals 45.57; Leanne Payne Real Presence, The Holy Spirit in Ford, Companion to Narnia 27.30, A Day in Narnia 35.43; the Works ofC. S. Lewis 23.26; John Peters C. S. Lewis: The Glaspey, Terry W. Not a Tame Lion: The Spiritual Legacy of Man and His Achievement 46.37, Simply C.S. Lewis: A Be­ C.S. Lewis 83.65; Donald E Glover C. S. Lewis, The Art of En­ ginners Guide to the Life and Works of C.S. Lewis 84.50 ; chantment 33.37; Goffar, Janice C.S. Lewis Index: Rumors Richard Purtlll, C. S. Lewis' Case for the Christian Faith From the Sculptor's Shop 83.64; C. S. 38.44; Martha C Sammons A Guide Through Narnia 22.26, Lewis 2731; Douglas H. Gresham, Lenten Lands: M y Child­ 27.31; George Sayer, JACK: C.S. Lewis and His Times 56.44; hood with Joy Davidman and C.S. Lewis 57.44; William Grif­ Peter J Schakel, The Longing for a Form, Essays on the Fiction fin Clive Staples Lewis: A Dramatic Life 49.42; Guardari Ben: of C. S. Lewis 18.32, Reading with the Heart: The Way Into The Visionary in C. S. Lewis' Chronicles of Narnia and That Narnia 24.34, 26.23,26.26,27.32, Reason and Imagination in Hideous Strength 21.6 , 22.20; Michael Hague The Lion, the C. S. Lewis 39.33; Peter Schakel and Charles Huttar, editors Witch, and the Wardrobe 39.35; Halfe Like A Serpent 40.37; C. Word and Story in C. S. Lewis 66.52; Stephen Schofield In S. Lewis 34.42; Richard Harries, C.S. Lewis The Man and Search of C. S. Lewis 39.34; VII 27.32,33.34,3537,3738,3936, His God 54.17; Dabney Adams Hart Through the Open Door 45.59.48.45,52.42; Brian Sibley Shadowlands 47.44, The Land 46.40, Mark R Hillegus Shadows of Imagination 23.24; Paul of Narnia 64.55; Robert Houston Smith Patches of Godlight: L Holmer C. S. Lewis, The Shape of His Faith and Thought The Pattern of Thought In C. S. Lewis 30.23; "Some Kind of 16.26; The Holy House of Ungit 82.4; , C.S. Company" 47.8 (errata 48.50); Catherine Swift C.S. Lewis Lewis, A Companion and Guide 84.49; Past Watchful Drag­ 71.52; Sheldon Vanauken A Severe Mercy 2032; Chad ons 23.28, 27.31, They Stand Together 23.29; The Host of Walsh The Literary Legacy of C. S. Lewis 22.30; John Ran­ Heaven: Astrological and Other Images in the Fantasies ofC. S. dolph Willis Pleasures Forevermore 43.42; Walker, Andrew Lewis 25.19, 26.13, 27.35; Thomas Howard The Achieve­ and James Patrick, editors A Christian for All Christians: ment of C. S. Lewis 26.33; Karkainen Narnia Explored Essays in Honour of C. S. Lewis 64.52; Wilson, A.N. C.S. 24.32,27.31; Clyde S Kilby, Images of Salvation in the Fic­ Lewis: A Biography 62.45; A Year with C. S. Lewis 35.42 tion of C. S. Lewis 21.15; Peter Kreeft Between Heaven and Paxson' Diana L; The Baby and the Bird 17.23; 70.48 Hell 36.42; Letters From Hell 43.47; C.S. Lewis, All M y Road Payne, Leanne; Real Presence, The Holy Spirit in the Works of Before Me: The Diary of C.S. Lewis 70.46, Boxen 43.39, The C. S. Lewis 23.26 Collected Poems of C. S. Lewis 78.60, Christian Reunion and Perspective; in C.S. Lewis’ Out of the Silent Planet 60.14 Other Essays 6839, The Dark Tower and Other Stories 1932, Peters, John; C. S. Lewis: The Man and His Achievement First and Second Things 47.45, The Grand Miracle and Other 46.37; Simply C.S. Lewis: A Beginners Guide to the Life and Essays 47.45, The Joyful Christian 20.32, Letters of C.S. Lewis Works of C.S. Lewis 84.50 82.55; Letters to Children, Mere Christianity 34.41, The Pilgrimage; in C. S. Lewis' Deep Space Trilogy 15.13,50.15; Pilgrim's Regress 34.41, Present Concerns 49.41, Readings for Place; The Spirit of, in C.S. Lewis' Till We Have Faces 59.9 MYTHLORE I s s u e 84 Sum m er 1998 P a g e 65

Plato's Allegory of the Cave in The Silver Chair 66.12 Simmons, Courtney Lynn Simmons and Joe Simmons The Poetry; C. S. Lewis and 33.20 Silver Chair and Plato's Allegory of the Cave 66.12 Price, M eredith; "All Shall Love Me and Despair": The Figure Sin; in Narnia 38.14 of Lilith In Tolkien, Lewis, Wiliams, & Sayers 31.3; Singh, Sundar; and C.S. Lewis 58.21; Price, Steven; Freedom and Nature in Perelandra 29.37 Smith, Robert Houston; Patches of Godlight: The Pattern of Primitivism; in C.S. Lewis' Narnian Chronicles 55.13 Thought in C. S. Lewis 30.23 Psyche; Comparison with Oedipus 41.37; in C.S. Lewis' Till Social Class; and C.S. Lewis 53.54 We Have Faces 56.33 Social History; The Inklings 5.7 Purtill, Richard L; C. S. Lewis' Case for the Christian Faith Speth, Lee; Christopher Derrick C. S. Lewis and the Church 38.44, H eaven and Other Perilous Realms 22.3 of Rome 36.41, 38.45, 35.46, 41.37 Q Spirit; Images of, in C.S. Lewis' fiction 52.32 Queen of Underland; Identification with Mrs Moore 21.46 Spirit of Place, The; in C.S. Lewis' Till We Have Faces 59.9; Spiritual Development; in Narnia 41.52 R Spivak, Charlotte; Images of Spirit in the Fiction of Clive Sta­ Ransom, Elwin; comparison with Maskull 52.30; Develop­ ples Lewis 52.32 ment of in C.S. Lewis' Perelandra 53.31 Strategy; in Perelandra 33.19 Rateliff, John D.; Katheryn Lindskoog, The C.S. Lewis Hoax Stoker, Bram and C. S. Lewis: 73.16 58.53, 59.54 Studdock, Jane, in That Hideous Strength 23.16 Rawls, Melanie Herland and Out of the Silent Planet 48.51, Studdock, Mark in That Hideous Strength 84.22 49.46; The Fisher King in That Hideous Strength 34.30 Substitution; in the Works of C. S. Lewis 34.14 Reason; in C. S. Lewis 19.43; in Lewis' Out of the Silent Planet 47.37 Sundar Singh; and C. S. Lewis 58.21 Reepicheep; as Hero 18.35 Swan, Donald; Perelandra opera 18.27 Reality; and the individual, in Lewis' Deep Space Trilogy 52.30 Swift, C atherine C.S. Lewis 71.52 Reid, Mindi M.; Lionlight 55.59 Symbolism; of Evil in Lewis' The 5crewtape Letters 43.47 Reilly, John R. The Tutorial of Torture: Finding Out the Aw­ ful Truth in That Hideous Strength and 1984 82.39 T Riordan, James compiler of test A BookofNamians 79.55 Tao; in That Hideous Strength 71.9 Rhetoric; Lewis' use of 55.28, in That Hideous Strength 52.18 Tash; as Satan figure 62.23 Rosetti, Christina "Goblin Market" 84.18 Technology; in C. S. Lewis' Deep Space Trilogy 12.11 Rossi, Lee D; The Politics of Fantasy 47.44 Television Productions; The Lion, the Witch, and the Ward­ Russell, Bertrand, Comparison with C.S. Lewis 55.28 robe 19.29, 20.22, 20.35, 24.15 Thorson, Stephen; Thematic Implications of C. S. Lewis' S Spirits in Bondage 28.26; Lewis and Barfield on Imagination Sacraments; the Seven, and C.S. Lewis’ Narnian Chroni­ 64.12 cles 54.61 Tolkien; Influence on C. S. Lewis 46.47; his dislike of C.S. Sacred Community, The; in That Hideous Strength 47.8 Lewis' Narnian Chronicles 55.37,56.17, 57.17; The Lord Sammons, Martha C; Christian Doctrines Transposed In C.S. of the Rings; possible collaboration with C. S. Lewis on Lewis' Till We Have Faces 23.31; A Guide Through Narnia Language and Human Nature 10.29 22.26, 27.31 Traherne, Thomas; Centuries, as a source of C. S. Lewis' Sayer, W illiam C.S. Lewis and the Toponym Narnia 84.52 Motifs 21.12 Sayers, Dorothy L; The Inklings and 13.8,16.21 Transcendence; in C. S. Lewis' Deep Space Trilogy 12.11 Sayer, George; JACK: C.S. Lewis and His Times 55.32, 56.44 Travel; Between Worlds, in The Narnian Chronicles 43.9 Schakel, Peter J; Biography 34.55; Dance as Metaphor and Myth In Lewis, Tolkien and Williams 45,4; The Longing for V a Form, Essays on the Fiction o f C. S. Lewis 18.32; Reading Visionaries; in the Narnian Chronicles 22.20, in That Hide­ With The Heart: The Way Into Narnia 24.34, 26.23, 26.26, ous Strength 21.6 27.32; Reason and Imagination in C. S. Lewis 39.33; A Re­ Visions; in C. S. Lewis' The Great Divorce 36.31 telling within A Myth Retold 34.10; "That Hideous W Strength" in Lewis and Orwell 50.36,53.54 Walker, Andrew and James Patrick, editors A Christian for Peter Schakel and Charles Huttar, editors Word and Story in All Christians: Essays in Honour ofC. S. Lewis 64.52 C. S. Lewis 66.52 Walsh, Chad; 3.41; The Literary Legacy ofC. S. Lewis 22.30, Scholfield, Stephen; In Search o f C. S. Lewis 39.34 The Visionary Christian 31.28 Science; C. S. Lewis and 7.27,15.27 Wardrobes, as Christian Metaphor 51.25 Seven Deadly Sins, The; and Narnia 38.14 Wasteland; in Lewis' That Hideous Strength 52.18; Sex; and C. S. Lewis 23.18; in Lewis' N am ian Chronicles 12.27 Westbrook, Dee Ann; The Souls of Animals 53.10, 56.61 Sibley, Brian; Shadowlands: The Story of C. S. Lewis and Joy Weinig, Sister Mary Anthony; Evan K Gibson C. S. Lewis, Davldman 47.44; The Land of Narnia 63.44, 64.55 Spinner of Tales 28.17 P a g e 6 6 I s s u e 8 4 S u m m e r 1998 M y t h l o r e REVIEWS Wells, H G; The First Men In the Moon, comparison with C. S. Lewis’ Out of the Silent Planet 24.6,49.47; The Time continuedfrom page 50 Machine, comparison with C. S. Lewis' The Dark Tower enabled her, years later, to write, concerning the "ways of 24.6, com parison w ith C. S. Lewis' Perelandra 49.47 Affirmation and Rejection of Images," that while the Werner, Mary Forbidden Foods and Guilty Pleasures in C.S. " . . . follows primarily the Way of Af­ Lewis' Lion the Witch and the Wardrobe and Christina Ro- firmation, and the Society of Friends . . . has given institu­ setti's "Goblin Market" 84.18 tional form to the Way of Rejection . . . Both these institu­ Wheaton College; C. S. Lewis collection 8.20, 61.35 tions, while they accept the one way, contain and honor the Williams, and C. S. Lewis 30.3, 32.30; other way." (Shideler, The Theology of Romantic Love, p. 195) Williams, Charles; Influence on C. S. Lewis 46.47 Willis, John Randolph;: Pleasures Forevermore 43.42 But all this was yet to come, when, as she writes in The Wilson, A.N. C.S. Lewis: a Biography; 62.45, 62.46 Years of Confusion, she believed (wrongly) that "When his Wilson, Simone; 6.27; The Arthurian Myth In Modern Lit­ [her husband's] career was firmly established with my erature 1.30, 2.49 help, my turn would come, because 'Existence is equal,' W inter, in C.S. Lewis’ Lion, the Witch and the Wardrobe 59.35, wrote Charles Williams, meaning that all things are equal 67.10 in being creatures of -- created by -- God." (p. 118) When Women; C. S. Lewis and 12.18, 13.15, 15.27, 15.28, 17.20, she did at last encounter Williams there was no looking 80.364; in C.S. Lewis' The Silver Chair 40.37 back. "During the early winter of 1949, Dr. Mierow loaned Wood Between the Worlds; Map of 43.18 me an article that had appeared in the November issue of Wordsworth, William, and C. S. Lewis 63.9 The Atlantic Monthly, having to do with an English writer, Y Charles Williams, who had been a friend of, and admired Yandel, Steven; "A Pattern Which Our Nature Cries Out by, two of my favorite authors, Dorothy L. Sayers and C.S. For”: The Medieval Tradition of the Ordered Four in the Fic­ Lewis," (p. 241) She quickly acquired All Hallows' Eve, and tion ofJ.R.R. Tolkien 80.375; Trans-cosmic Journeys in The then Descent Into Hell, and "was completely entranced . . Chronicles of Narnia 43.9 ; Wood Between the Worlds 41.4 Suddenly I saw the world around me with new eyes, Yates, Jessica; Roger Lancelyn Green 56.55 judged by new values, found new companions, glimpsed a new way of life." (p. 241) On May 12, 1953, she wrote to her mother: "Herewith a diagramming of Descent into Hell. I was curious to see if I could do it on one page." (p. 324) Again, on September 28, 1953, she comments to the same correspondent: "As you might know when opportunity offered to mention Charles Williams in connection with something else, I slipped it in — and to my astonished delight, Dr. Ferre considers Williams 'a first-class theologian', whereat my heart sang." (p. 328) In July 1954, her mother writes to her, about "the Williams opus," stating that "It is now my firm opinion that you should make every possible effort to get it published." (p. 335) Notably, in her last summing up of this whole volume, Ms. Shideler says, "It is significant that when I began writing the paper on Charles Williams, I did not share [with her husband] w hat I was doing. For me, it was intensely personal, and from past experience, I was sure that if I brought him into it, he would kill the project by treating it as an academic exercise rather than an intimate experience of me as a person." (p. 344) In the final sentence of this intriguing volume, she comments that soon afterwards, "a door opened." (p. 345) Since the next volume will be entitled A Door Opens, and is accompanied by a quote from Charles Williams: "Dante was created to do his business, to fulfill his function. Al- mighty God did not first create Dante and then find some­ thing for him to do;" readers who want to know what hap­ pened next will have something to which to look forward! — Nancy-Lou Patterson