CS Lewis on Death
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<I>Screwtape Letters</I> and <I>The Great Divorce
Volume 17 Number 1 Article 7 Fall 10-15-1990 Immortal Horrors and Everlasting Splendours: C.S. Lewis' Screwtape Letters and The Great Divorce Douglas Loney Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Loney, Douglas (1990) "Immortal Horrors and Everlasting Splendours: C.S. Lewis' Screwtape Letters and The Great Divorce," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 17 : No. 1 , Article 7. Available at: https://dc.swosu.edu/mythlore/vol17/iss1/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Sees Screwtape and The Great Divorce as constituting “something like a sub-genre within the Lewis canon.” Both have explicit religious intention, were written during WWII, and use a “rather informal, episodic structure.” Analyzes the different perspectives of each work, and their treatment of the themes of Body and Spirit, Time and Eternity, and Love. -
SHADOWLANDS Introduction
SHADOWLANDS Introduction ‘Shadowlands’ tells of the extraordinary love between C. S. Lewis, the famous writer and Christian academic and Joy Gresham, an American poet who came to know him first through his writing. She was to die shortly after their marriage. ‘Shadowlands’ was first a television and then a stage play and is now a film starring Anthony Hopkins and Debra Winger. This guide is for use before and after a viewing of Richard Attenborough’s film. It seeks to expand for class work the themes of love and bereavement, the risks of emotional involvement and the challenge to all faiths of pain and tragedy as well as discussing the way film tackles these difficult subjects. JACK AND JOY Olive Staples Lewis - known always as Jack - was born in 1898 in Belfast three years after the Lewis’s first son, Warren or “Warnie”. The brothers were very close, and spent much of their adult bachelor life living together near Oxford in a ramshackle house, The Kilns, known to their friends as The Midden (Old English for dung heap). What impressions do we first receive of the brothers? How does the film express briefly a little of their life “before” Joy? What do we learn during the course of the film of C. S. Lewis’s world? Apart from Joy, what other women do we “meet” in ‘Shadowlands’? How are they represented? Find out a little about Britain in the 1950s. Who was Prime Minister? When did rationing end? Why was Princess Margaret known as the “heartbreak princess”? As well as picture and library research, ask those who were alive at the time. -
Joy Davidman Lewis: Author, Editor and Collaborator
Volume 22 Number 2 Article 3 1998 Joy Davidman Lewis: Author, Editor and Collaborator Diana Pavlac Glyer Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Glyer, Diana Pavlac (1998) "Joy Davidman Lewis: Author, Editor and Collaborator," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 22 : No. 2 , Article 3. Available at: https://dc.swosu.edu/mythlore/vol22/iss2/3 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Biography of Joy Davidman Lewis and her influence on C.S. Lewis. Additional Keywords Davidman, Joy—Biography; Davidman, Joy—Criticism and interpretation; Davidman, Joy—Influence on C.S. Lewis; Davidman, Joy—Religion; Davidman, Joy. Smoke on the Mountain; Lewis, C.S.—Influence of Joy Davidman (Lewis); Lewis, C.S. -
Gordon Giltrap BIOGRAPHY
Gordon Giltrap BIOGRAPHY Over the past forty years, Gordon Giltrap has graced the music business with his dedication to his craft and his affection for his audience. As one of the UK's most respected guitarists, he has consistently proved the adage that respect cannot be bought. It must be earned. Gordon was born on 6 April 1948, at the British Home for Mothers and Babies in Brenchley, Kent. The son of a labourer, he grew up in an austere but protective community of terraced houses in Deptford, south-east London. His obsession with stringed instruments began nine years later, when a friend turned up at the house with an out-of-tune Spanish guitar. Keen to encourage his new hobby, his parents bought him a plastic ukulele with a picture of Elvis on the headstock, then a Martin Coletti archtop jazz guitar with a sunburst finish and a brown canvas case. Without a teacher to guide him and just a set of pitch pipes and a book entitled “First Steps” he taught himself how to tune the instrument and finger basic chords. A familiar story I’m sure you have heard before from many of the guitar legends around today! Gordon joined his first band when barely in his teens, and relished the opportunity to play songs by his idols - Cliff Richard, The Shadows and The Everly Brothers. He set his sights on Art College, but bowed to his father's insistence that he learn "a trade", and grafted his way through a series of unrewarding jobs. Gordon unwittingly taught himself a hybrid technique of plectrum and little finger, but in doing so, created the individual sound that is still his trademark. -
Shadowlands-Digital-Playbill-V4.Pdf
Max McLean Founder & Artistic Director Presents SHADOWLANDS by William Nicholson Max McLean, Founder & Artistic Director Presents by William Nicholson Featuring Daniel Gerroll Robin Abramson John C. Vennema Sean Gormley Dan Kremer Stephanie Cozart Daryll Heysham Eddie Ray Martin Video Editor Original Music & Sound Design Voice & Dialect Casting Director Matthew Gurren John Gromada Claudia Hill-Sparks Carol Hanzel Technical Director Production Manager Sound Editor Casting Consultant Brandon Cheney Lew Mead Daniel Gonko Judy Henderson, C.S.A. Marketing General Management Assistant Director Company Manager Southside Entertainment Aruba Productions Dan DuPraw Tara Murphy Executive Producer Ken Denison Directed by Christa Scott-Reed This production made possible by arrangement with The Agency (London) Ltd. 24 Pottery Lane, London W11 4LZ, [email protected] CAST OF CHARACTERS (in order of appearance) C.S. Lewis ...................................................................................... Daniel Gerroll Dr. Maurice Oakley/Gregg/Clerk/Doctor/Priest/Waiter ......Daryll Heysham Christopher Riley ........................................................................Sean Gormley Rev. Harry Harrington ....................................................................Dan Kremer Major Warnie Lewis ............................................................ John C. Vennema Woman/Registrar/Nurse .................................................... Stephanie Cozart Joy Davidman .........................................................................Robin -
Rd., Urbana, Ill. 61801 (Stock 37882; $1.50, Non-Member; $1.35, Member) JOURNAL CIT Arizona English Bulletin; V15 N1 Entire Issue October 1972
DOCUMENT RESUME ED 091 691 CS 201 266 AUTHOR Donelson, Ken, Ed. TITLE Science Fiction in the English Class. INSTITUTION Arizona English Teachers Association, Tempe. PUB DATE Oct 72 NOTE 124p. AVAILABLE FROMKen Donelson, Ed., Arizona English Bulletin, English Dept., Ariz. State Univ., Tempe, Ariz. 85281 ($1.50); National Council of Teachers of English, 1111 Kenyon Rd., Urbana, Ill. 61801 (Stock 37882; $1.50, non-member; $1.35, member) JOURNAL CIT Arizona English Bulletin; v15 n1 Entire Issue October 1972 EDRS PRICE MF-$0.75 HC-$5.40 PLUS POSTAGE DESCRIPTORS Booklists; Class Activities; *English Instruction; *Instructional Materials; Junior High Schools; Reading Materials; *Science Fiction; Secondary Education; Teaching Guides; *Teaching Techniques IDENTIFIERS Heinlein (Robert) ABSTRACT This volume contains suggestions, reading lists, and instructional materials designed for the classroom teacher planning a unit or course on science fiction. Topics covered include "The Study of Science Fiction: Is 'Future' Worth the Time?" "Yesterday and Tomorrow: A Study of the Utopian and Dystopian Vision," "Shaping Tomorrow, Today--A Rationale for the Teaching of Science Fiction," "Personalized Playmaking: A Contribution of Television to the Classroom," "Science Fiction Selection for Jr. High," "The Possible Gods: Religion in Science Fiction," "Science Fiction for Fun and Profit," "The Sexual Politics of Robert A. Heinlein," "Short Films and Science Fiction," "Of What Use: Science Fiction in the Junior High School," "Science Fiction and Films about the Future," "Three Monthly Escapes," "The Science Fiction Film," "Sociology in Adolescent Science Fiction," "Using Old Radio Programs to Teach Science Fiction," "'What's a Heaven for ?' or; Science Fiction in the Junior High School," "A Sampler of Science Fiction for Junior High," "Popular Literature: Matrix of Science Fiction," and "Out in Third Field with Robert A. -
Full Issue 2016 (Volume 10)
Inklings Forever: Published Colloquium Proceedings 1997-2016 Volume 10 A Collection of Essays Presented at the Tenth Frances White Ewbank Colloquium on Article 54 C.S. Lewis & Friends 6-5-2016 Full Issue 2016 (Volume 10) Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation (2016) "Full Issue 2016 (Volume 10)," Inklings Forever: Published Colloquium Proceedings 1997-2016: Vol. 10 , Article 54. Available at: https://pillars.taylor.edu/inklings_forever/vol10/iss1/54 This Full Issue is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever: Published Colloquium Proceedings 1997-2016 by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. Full Issue 2016 (Volume 10) Cover Page Footnote This file is not paginated the same as the print journal. Contact [email protected] if you need additional pagination information. This full issue is available in Inklings Forever: Published Colloquium Proceedings 1997-2016: https://pillars.taylor.edu/inklings_forever/vol10/iss1/54 Inklings Forever, Volume X Proceedings from the Frances White Ewbank Colloquium on C. S. Lewis and Friends Joe Ricke and Rick Hill, Editors Copyright © 2017 Taylor University Winged Lion Press Hamden, CT All rights reserved. Except in the case of quotations embodied in critical articles or reviews, no part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval system, without written permission of the publisher. -
The Immanence of Heaven in the Fiction of CS Lewis and George
Shadows that Fall: The Immanence of Heaven in the Fiction of C. S. Lewis and George MacDonald David Manley Our life is no dream; but it ought to become one, and perhaps will. (Novalis) Solids whose shadow lay Across time, here (All subterfuge dispelled) Show hard and clear. (C.S. Lewis, “Emendation for the End of Goethe’s Faust”) .S. Lewis’s impressions of heaven, including the distinctive notions ofC Shadow-lands and Sehnsucht, were shaped by George MacDonald’s fiction.1 The vision of heaven Lewis and MacDonald share is central to their stories because it constitutes the telos of their main characters; for example, the quest for heaven is fundamental to both Lewis’s The Pilgrim’s Regress and MacDonald’s “The Golden Key.” Throughout their fiction, both writers reveal a world haunted by heaven and both relate rapturous human longing after the source of earthly glimpses; both show that the highest function of art is to initiate these visions of heaven; and both describe a heaven that swallows up Earth in an all-embracing finality. The play Shadowlands is aptly named; for Lewis, the greatest earthly joys were merely intimations of another world where beauty, in Hopkins’s words, is “kept / Far with fonder a care” (“The Golden Echo” lines 44-45). He was repeatedly “surprised by Joy,” overcome with flashes ofSehnsucht during which he felt he had “tasted Heaven” (Surprised 135). For Lewis, “. heaven remembering throws / Sweet influence still on earth . .” (“The Naked Seed” 19-20). This “sweet influence” is a desire, not satisfaction; in his words, it is a “hunger better than any other fullness” (“Preface” from Pilgrim 7). -
Custom Book List
Custom Book List School: Your District Name Goes Here MANAGEMENT BOOK AUTHOR LEXILE® POINTS WORD COUNT "A" Is for Abigail Cheney, Lynne 1030 3 2,655 10 Boldest Explorers, The Scholastic 1020 6 8,908 10 Coolest Wonders Of The Univ Samuel, Nigel 1020 6 8,662 10 Deadliest Sea Creatures, Th Scholastic 1010 6 6,976 10 Greatest 21st Century Innov Fielder, Scott 1070 6 7,718 10 Greatest Hoop Heroes, The Scholastic 1040 6 8,968 10 Greatest Movies From Books Scholastic 1010 6 8,503 10 Greatest Pop Stars, The Scholastic 1010 6 8,215 10 Greatest Spies, The Scholastic 1010 6 8,030 10 Greatest Sports Dynasties Katz, Ben 1060 6 8,111 10 Greatest Sports Showdowns Downey, Glen 1010 6 8,525 10 Greatest Threats To Earth, Reaume, Christopher 1080 6 8,974 10 Hottest Hollywood Cars, The Downey, Glen 1010 6 8,584 10 Mightiest Rivers, The Junyk, Myra 1040 6 8,703 10 Most Amazing Migrations, Th Booth, Jack 1010 6 8,630 10 Most Amazing Skyscrapers Scholastic 1100 6 8,263 10 Most Daring Escapes, The Derby, Katy 1030 6 8,134 10 Most Destructive Ecosystem Cheung, Lisa 1020 6 8,222 10 Most Endangered Animals, Th Winter, Barbara 1040 6 8,474 10 Most Enduring Fashion Trend Hurley, Trish 1010 6 7,761 10 Most Extraordinary Cities Koh, Frederick 1010 6 9,486 10 Most Extraordinary Medical Scholastic 1040 6 7,635 10 Most Extreme Fighting Style Scholastic 1010 6 7,710 10 Most Extreme Jobs, The Downey, Glen 1050 6 8,922 10 Most Fascinating Phenomena Scholastic 1090 6 8,434 10 Most Important Amendments Altobello, Albert 1030 6 8,795 10 Most Incredible Landforms Lambert, Mark -
Shadowlands Script
Shadowlands, A Summary of the Story in the Movie Pre-movie notes: comment on The Magician’s Nephew, Fred Paxford, and the Common Room. 90-minute version starts with High Table, Jack says, “Why am I so afraid? … shadows. Real life hasn’t begun.” 73-minute version starts with a BBC address by Lewis. Radio Voice: “The time is just coming up to ten minutes to 3. We are now broadcasting the sixth in a series of eight talks by the writer C. S. Lewis, best known for his imaginative fables The Lion, the Witch and the Wardrobe and The Screwtape Letters. This afternoon his theme is Christian marriage.” Jack: “I must begin by making it plain that I have never been married myself. However, the Christian idea of marriage is not based on the experience of individual men and women, but on the teaching of Christ, that is, that marriage is for life.” [laughter] Christopher: “And now the honorable professor plain Jack Lewis will make another very complicated question very simple. This week infanticide. Infanticide is a long word, isn’t it? Let me put it to you in the bluff common man’s language that has made me so popular among bluff common men.” Jack: “I don’t believe you heard a word of it.” Christopher: “A noble address, Jack. Judiciously navigated.” Jack: “Shouldn’t I have said that I’ve not been married?” Clergyman: “Not at all. The personal touch.” Jack: “Anyway I don’t see that it makes any difference. We don’t expect those who teach us sexual morality to be practicing fornicators.” Fellow: “I shouldn’t play that card too often.” Jack: Fellow: “The expert on marriage who’s never been married. -
Production Begins Next Month for New C.S. Lewis Motion Picture Production Begins Next Month for New C.S
HOME > C.S. LEWIS > C.S. LEWIS MOVIES > Production Begins Next Month for New C.S. Lewis Motion Picture Production Begins Next Month for New C.S. Lewis Motion Picture August 30, 2020 • David Sutton • C.S. Lewis Movies Tomorrow Max McLean of Fellowship for Performing Arts will fly to the United Kingdom where he will begin shooting on location for the motion picture film adaptation of C.S. Lewis The Most Reluctant Convert. Fellowship for Performing Arts has amazed audiences with top notch C.S. Lewis stage productions The Screwtape Letters, The Great Divorce, Shadowlands, and C.S. Lewis The Most Reluctant Convert. The material that this movie is based upon is Max McLean’s one man stage play that chronicles the Narnia author’s journey from atheism to Christianity (NarniaFans.com 4 Shield Review). Although a filmed from the stage version of this production is already available on DVD, the new movie version will be entirely different with a full cast shoot- ing at historic locations from C.S. Lewis’s life. “The difference about this play is it’s going to be on location all over Oxford. We have full access to Maudlin College, The Kilns, the church, [and] various other places that are mentioned in the play. Instead of it being a one person show, it’s going to be a multi-actor show. I’ll play the older Lewis, we’ll have a boy Lewis, a young Lewis in his 20’s, cast his mother, his father, Tolkien, Barfield, Kirk, among others, and that is going to begin shortly.” – Max McLean In March 2020 the entire world of Fellowship for Performing Arts came to a complete standstill. -
Joy Davidman and C.S. Lewis - Cancer Returns
Joy Davidman and C.S. Lewis - Cancer Returns Who was Joy Davidman Gresham before she married C.S. Lewis? Among other things, she was an extremely intelligent woman who was a poet, a thinker, a teacher, a mother and ... a wife (although her marriage, to William “Bill” Lindsay Gresham, ended in divorce). She later wrote about what caused her to leave Bill (who had called her, one night, to say that he was having a nervous breakdown and couldn’t come home): By nightfall there was nothing left to do but wait and see if he turned up, alive or dead. I put the babies [her two sons with Gresham, David and Douglas] to sleep and waited. For the first time in my life I felt helpless; for the first time my pride was forced to admit that I was not, after all, “the master of my own fate” and “the captain of my soul.” All my defenses—the walls of arrogance and cocksureness and self-love behind which I hid from God—went down momentarily. And God came in. (From Out of My Bone: The Letters of Joy Davidman, edited by Don W. King, at page 128.) Several days later, Bill returned home ... and found another woman with whom he thought he'd make a life. Joy was on her own. With an apparently irreparable marriage, Joy left her two sons with a cousin (Renee) and sailed to England in 1952. She wanted to consult with a writer and thinker whom she greatly respected—C.S. Lewis. Staying with her friend, Phyllis Williams, Joy left London for a day-trip to Oxford.