Creative Thinking at Its Finest
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The 2016 President's Report
BIG THINKING ACROSS DISCIPLINES BIG THINKING FOR THE NEXT GENERATION CREATIVE. URBAN. BOLD. ENGAGED. MOVING IN NEW 2 DIRECTIONS t’s with pleasure and pride that I invite you to A diverse atmosphere. Community leadership. read this year’s report on the momentum we Alumni engagement. Strong and growing pride. continue to build at Concordia. All these Concordia hallmarks continue to help Concordians make a difference in the world. As we cap off our best year ever for research funding and for university rankings in Canada and around the To share your ideas with me or learn how you can globe, like all universities, we face big questions about help Concordia and our growing network of partners the role of higher education in the 21st century. achieve our mission, I would love to hear from you at [email protected]. Are we here to provide qualifications or a broad MESSAGE FROM THE PRESIDENT education? What’s the best way to deliver Bonne lecture! instruction? How should we engage with our 3 local community? The international community? Our planet’s biggest problems? All of those questions informed our Strategic Directions planning process. After consulting with Alan Shepard faculty, students, staff, alumni and outside experts, President we boiled their inspired input down to nine directions Concordia University succinct enough to print on a coffee cup. As you can see in this report, these Directions chart our future while honouring our past. Top research and scholars. Hands-on experiential learning. OUR NINE 4 STRATEGIC DIRECTIONS THE NINE DIRECTIONS: DOUBLE OUR RESEARCH: Pursue bold goals in research that reflect our talents and our ambition to tackle big challenges. -
Pick Your Date for Valentines Day!
Help Generations, help kids Call (514) 933-8585 FEBRUARY 2008 VOL.XXIIN O 4 CELEBRATING 21 YEARS OF BRINGING YOU THE ISSUES! Mainline presents... Peace, p. 3 anyone? p. 16 PICK YOUR DATE FOR ALENTINES AY Butterfly V D ! Man Cuba Si! p. 16 p. 4 Annual Guaranteed Income With Growth Potential Minimum $25,000 Editorial Canada should phase out combat role in Afghanistan There used to be a cynical term in journalism called Canadian diplomat Harry Sterling reported that last The main problem with our combat role is that “Afghanistanism”– the notion you could say just about year 147 teachers and students were murdered and 590 NATO partners are not interested in sharing burden anything in an editorial about a far away country that schools closed. The warlords and drug kings continue and risking more casualties. And with good reason: has little impact on our lives. But in the global village, to rule with impunity. Poppy cultivation flourishes with today’s enemies are as vicious as they are determined. as our soldiers continue to die – 78, including a diplo- the connivance of corrupt officials. A student journalist, The Taliban is an evil organization allied with the most mat, we grapple with the deteriorating situation as we Pervaz Kambaksh, 23, faces the death penalty for saying regressive forces of militant Islam. While there are attempt to impart our liberal democratic values to a there is opposition to women getting an education. informal talks between them and the government of country living in sadly medieval social conditions. With Canada in a combat role in dangerous Kanda- Hamid Karzai, accommodation and compromise are a The challenge is huge: the average life expectancy for har province, are we doing the right thing in abandon- long way off. -
Rue Atones Torill Kove Reinvents Her Grandmother's Life in Oslo During World War II, Combining Anecdotes, History, Fantasy and Humour
rue orve An irreverent collection of funny films about serious questions. and ^* % My Grandmother Ironed the King's Shirts makes its b and quirky video debut alongside award-winning NFB classics My Grandmother Ironed the King's Shirts rue Atones Torill Kove reinvents her grandmother's life in Oslo during World War II, combining anecdotes, history, fantasy and humour. (10 min, 35 sec) Director: Torill Kove Producers: Marcy Page (NFB), Lars Tommerbakke (Studio Magica, Norway) The Family that Dwelt Apart A tall tale by E.B. White v about a family living happily on a small island until word gets out that they are in distress. (7 min, 55 sec) Director: Yvon Mallette Producer: Wolf Koenig The House that Jack Built Pokes fun at ambition, the rat race and consumerism. (8 min, 2 sec) Director: Ron Tunis Producers: Wolf Koenig, Jim Mackay Arkelope A seriously funny look at nature documentaries. (5 min, 17 sec) Director: Roslyn Schwartz Producer: Marcy Page Traditional folklore takes a wry turn in Spinnolio, the tale of a carved wooden puppet that lacks mobility and human consciousness. (9 min, 51 sec) Director: John Weldon Producer: Wolf Koenig Total running time: 41 min 16 sec TO ORDER NFB VIDEOS, CALL TODAY! 1-800-267-7710 (Canada) 1-800-542-2164 (USA) www.nfb.ca © 1999 A licence is required for any reproduction, television broadcast, sale, rental or public screening. Only educational institutions or non-profit organizations who have obtained this video directly from the NFB have the right to show this video free of charge to the public. -
Filmfestival
9TH 9TH A NNU al A REELR TISTS FilmfeSTIVal feBRUarY 22-26, 2012, TORONTO canadianart.ca/raff 1 The Reel Artists Film Festival is presented by the Canadian Art Foundation. Our mission is to promote the understanding and appreciation of the visual arts in Canada by providing an informative, provocative and lively forum for audiences to engage with artists and their works. For more information about our programs, please visit canadianart.ca/foundation. Canadian Art Foundation Board of Directors Thank you to our Reel Artists Film Festival Opening Night Committee Kim Bozak, Co-chair Wendy Ingram Rui Amaral, Neisha Parekh, Jennen Phelan, Marlo Szellos, Co-chairs Margaret McNee, Co-chair Jane Irwin Amy Burstyn Fritz, Daniel Faria, Anouchka Freybe, Marcy Gerstein, Robin T. Anthony Robert Lamb Barr Gilmore, Rick Hiebert, Nancy Holland, Ashley Horowitz, James Eaton Desmond Lee Renée Hourigan, Natalie McFarlane, Pamela Meredith, Charlotte Mickie, Stacy Francis Peter Ross Ron Graham Eleanor Shen Tatiana Read, Elisa Salvatore, Brent Jordan Sherman, Joan Sternthal, Jane Humphreys Anne Ullman Emily Thring, Nella Walker, Steven Wilson, Carol Weinbaum, Moira Wright 2 Photo: Marlo Szellos Welcome to the Canadian Art Foundation’s ninth annual Reel Artists Film Festival. We are once again delighted to be at TIFF Bell Lightbox. Over the past year, we have sought out the very best documentaries on visual art and artists, including a selection of shorts that originated online, and are now being presented for the first time on the big screen. The festival continues to grow, with 20 films profiling Canadian and international artists who work in all media. -
Short Film Programme
SHORT FILM PROGRAMME If you’d like to see some of the incredible short films produced in Canada, please check out our description of the Short Film Programme on page 43, and contact us for advice and assistance. IM Indigenous-made films (written, directed or produced by Indigenous artists) Films produced by the National Film Board of Canada NFB CLASSIC ANIMATIONS BEGONE DULL CARE LA FAIM / HUNGER THE STREET Norman McLaren, Evelyn Lambart Peter Foldès 1973 11 min. Caroline Leaf 1976 10 min. 1949 8 min. Rapidly dissolving images form a An award-winning adaptation of a An innovative experimental film satire of self-indulgence in a world story by Canadian author Mordecai consisting of abstract shapes and plagued by hunger and poverty. This Richler about how families deal with colours shifting in sync with jazz Oscar-nominated film was among older relatives, and the emotions COSMIC ZOOM music performed by the Oscar the first to incorporate computer- surrounding a grandmother’s death. Peterson Trio. animation technology. THE SWEATER THE BIG SNIT THE LOG DRIVER’S WALTZ Sheldon Cohen 1980 10 min. Richard Condie 1985 10 min. John Weldon 1979 3 min. Iconic author Roch Carrier narrates A wonderfully wacky look at two Kate and Anna McGarrigle sing a mortifying boyhood experience conflicts — global nuclear war and a along to the tale of a young girl who in this animated adaptation of his domestic quarrel — and how each is loves to dance and chooses to marry beloved book The Hockey Sweater. resolved. Nominated for an Oscar. a dancing log driver over her more well-to-do suitors. -
Programa I: Descubrimiento
Programa I: Descubrimiento Alike | Parecido Director: Daniel Martínez Lara, Rafa Cano Méndez País: España Año: 2015 Idioma: Sin diálogo Duración: 8’ Sinopsis: Dentro de una ajetreada vida citadina, Copi es un padre que intenta enseñar a su hijo Paste lo que es correcto, pero ¿qué es eso? Alike es un valioso recordatorio del papel de la familia al momento de mantener el vigor y el color en nuestra vida. Semblanza: Daniel M. Lara es director de diversos cortos de animación como W.C., Pepe y Changes, los cuales han recibido reconocimientos que incluyen el premio Animadrid y ArtFutura. Con más de 20 años de experiencia enseñando animación, Lara fundó en Barcelona la Pepe School Land, una escuela centrada en el modelado, la animación y la creación de cortometrajes 3D, área en la que él mismo fue autodidacta. Su cortometraje Alike fue ganador del premio Goya a Mejor cortometraje de animación y del Mejor cortometraje de animación digital en el 3DWire Festival, entre otros. www.ambulante.org T @Ambulante F GiradeDocumentalesAmbulante Rafa Cano Méndez es animador y concept artist. Ha trabajado en estudios como Nikodemo y Big Lazy Robot VFX e imparte clases de animación en la Pepe School Land. Festivales: Mundos Digitales 3DWire Festival Festival ENMUT Curtas Film Fest de Vilagarcía de Arousa Festival Cortada de Vitoria-Gasteiz Festival de Aguilar de Campoo ANIMAC Filmografía: Daniel M. Lara Changes Pepe W.C. Rafa Cano Méndez Tachaaan! www.ambulante.org T @Ambulante F GiradeDocumentalesAmbulante Novembre | Noviembre Director: Marjolaine Perreten País: Francia Año: 2015 Idioma: Sin diálogo Duración: 4’ Sinopsis: A la orilla de un río, pequeños animales se preparan para recibir al invierno de distintas–y muy curiosas–maneras. -
Rapport Annuel Annual Report
RAPPORT ANNUEL 2017-2018 2017-2018 RAPPORT ANNUEL DE L’ONF NFB ANNUAL REPORT 2017–2018 2017–2018 REPORT ANNUAL ANNUAL Published by: Strategic Planning and Government Relations P.O. Box 6100, Station Centre-ville Montreal, Quebec H3C 3H5 Internet: onf-nfb.gc.ca E-mail: [email protected] Cover page: THREE THOUSAND, Asinnajaq © 2018 National Film Board of Canada ISBN: 978-0-7722-1301-3 2nd Quarter 2018 Printed in Canada. TABLE OF CONTENTS 6 2017–2018 IN NUMBERS 9 MESSAGE FROM THE GOVERNMENT FILM COMMISSIONER 12 HIGHLIGHTS 13 THE NFB: A CENTRE FOR CREATIVITY AND EXCELLENCE 22 AN ORGANIZATION THAT REFLECTS THE RICHNESS AND DIVERSITY OF THE COUNTRY 27 WORKS THAT REACH LARGER AUDIENCES, RAISE QUESTIONS AND ENGAGE 32 AN ORGANIZATION THAT’S FOCUSED ON THE FUTURE 36 AWARDS AND HONOURS 47 GOVERNANCE 49 MANAGEMENT 50 SUMMARY OF ACTIVITIES 2017–2018 55 FINANCIAL STATEMENTS 74 ANNEX I: THE NFB ACROSS CANADA 77 ANNEX II: PRODUCTIONS 83 ANNEX III: INDEPENDANT FILM PROJECTS SUPPORTED BY ACIC AND FAP Return to the Table of Contents 1999 Samara Grace Chadwick Return to the Table of Contents August 20, 2018 The Honourable Pablo Rodriguez Minister of Canadian Heritage and Multiculturalism Ottawa, Ontario Minister: I have the honour of submitting to you, in accordance with the provisions of section 20(1) of the National Film Act, the Annual Report of the National Film Board of Canada for the period ended March 31, 2018. The report also provides highlights of noteworthy events of this fiscal year. Yours respectfully, Claude Joli-Coeur Government Film Commissioner -
Annual Report
ANNUAL REPORT 2014–2015 © 2016 National Film Board of Canada Published by Strategic Planning and Government Relations P.O. Box 6100, Station Centre-ville Montreal, Quebec H3C 3H5 Internet : onf-nfb.gc.ca E-mail: [email protected] Cover page: MCLAREN MUR À MUR (McLaren Wall-to-Wall), Quartier des spectacles | NFB, Montreal ISBN 0-7722-1276-7 1st Quarter 2016 Printed in Canada TABLE OF CONTENTS IN NUMBERS GOVERNMENT FILM COMMISSIONER’S MESSAGE FOREWORD HIGHLIGHTS AWARDS GOVERNANCE MANAGEMENT SUMMARY OF ACTIVITIES FINANCIAL STATEMENTS Annex I: NFB ACROSS CANADA Annex II: PRODUCTIONS Annex III: INDEPENDENT FILM PROJECTS SUPPORTED BY ACIC AND FAP FRAME X FRAME: ANIMATED FILM AT THE NFB Exhibit at Musée de la civilisation, Quebec City Photo: Jessy Bernier, Perspective Photo, 0148_relv_0001 December 4, 2015 The Honourable Mélanie Joly Minister of Canadian Heritage Ottawa, Ontario Minister: I have the honour of submitting to you, in accordance with the provisions of sec- tion 20(1) of the National Film Act, the Annual Report of the National Film Board of Canada for the period ended March 31, 2015. The report also provides highlights of noteworthy events of this fiscal year. Yours respectfully, Claude Joli-Coeur Government Film Commissioner and Chairperson of the National Film Board of Canada IN NUMBERS CAMPUS, A POWERFUL TEACHING TOOL FOR THE 21ST-CENTURY CLASSROOM P.4 | 2014-2015 2014–2015 – IN NUMBERS 61 10 5 3 original NFB films interactive public applications and co-productions websites installations for tablets digital documents supporting -
MICHEL DE BROIN Né À Montréal, En 1970. Vit Et Travaille À Montréal. FORMATION ACADÉMIQUE 1997 MFA, Arts Visuels, UQAM, Mo
MICHEL DE BROIN Né à Montréal, en 1970. Vit et travaille à Montréal. FORMATION ACADÉMIQUE 1997 MFA, Arts Visuels, UQAM, Montréal, Canada 1995 BFA, Fine Arts, Concordia University, Montréal, Canada (*) Signale une publication. EXPOSITIONS INDIVIDUELLES 2019 Âjagemô art space, Canada Council for the Arts, Ottawa, Ontario (à venir) 2018 Affinités électives, Galerie Division, Montreal, QC, Canada 2017 Blowback, University of Waterloo art gallery, Waterloo, Canada 2016 This and That, Arsenal, Toronto Castles Made of Sand, BMO Project Space, Toronto, ON, Canada * 2015 Dissipation sur le virage, Galerie Eva Meyer, Paris, France Interception, Galerie Division, Montreal, QC, Canada FIAC Officielle, Galerie Eva Meyer, Paris, France 2013 Michel de Broin, Musée d’art contemporain de Montréal, QC, Canada * Tour de Force, Galerie Division, Montréal, QC, Canada Retooled Appliances, Bitforms, New York, NY, États-Unis 2012 Bright Matter, Jessica Bradley Art+Projects, Toronto, ON, Canada 2010 Cut in the Dark, Galeria Toni Tàpies, Barcelone, Espagne 2009 Confrontation, Le Cabinet, Paris, France Disruption from Within, Plug In, Winnipeg, MB, Canada * Episode 3/4 : 54% de Temerity, (avec Vincent Gavinet), La Box, France * 2008 Énergie Réciproque, Musée d’art contemporain du Val-de-Marne, Vitry-sur-Seine, France * Commodité, Espace à Vendre, Nice, France 2007 Shared Propulsion Car, Mercer Union, Toronto, ON, Canada * 2006 Michel de Broin; Machinations, Musée national des beaux-arts du Québec, Québec, QC, Canada ; Galerie de l'UQAM, Montréal, QC, Canada* Reverse Entropy, Künstlerhaus Bethanien, Berlin, Allemagne * Réparations, Galerie Isabella Bortolozzi, Berlin, Allemagne * 2005 Tenir sans servir c’est résister, La BF15, Lyon, France * Objets Perdus, Pierre-François Ouellette Art Contemporain, Montréal, QC, Canada 2004 Made in France, L’Oeil de poisson, Québec City, QC, Canada ; La Vitrine, Paris, France* 2003 Honeymoons, (with Eve K. -
Monuments Aux Victimes De La Liberté
Entrepreneurs du commun Monuments aux victimes de la liberté Cette publication rend compte des activités d’expositions, de symposium et de marche urbaine organisées autour du projet Monuments aux victimes de la liberté. Menées par le collectif Entrepreneurs du commun en partenariat avec la galerie AXENÉO7 et la Galerie UQO, ainsi que par des professeurs et étudiants de l’UQO, de l'Uni versité Carleton et de l’Université d’Ottawa, ces activités ont eu lieu à Gatineau et Ottawa du 24 au 30 septembre 2015. This publication revisits a series of exhibitions, symposium and urban walk events organized around the project Monuments to the Victims of Liberty. Steered by the collective Entrepreneurs du commun in partner ship with AXENÉO7 gallery, UQO Gallery, as well as by professors and students from UQO, Carleton Univer sity and the University of Ottawa, the activities took place in Gatineau and Ottawa from September 24 to 30, 2015. Entrepreneurs du commun Monuments aux victimes de la liberté Genèse du projet 009 Introduction Entrepreneurs du commun 017 Monuments massue et monuments miroir Nathalie Casemajor 029 Monuments aux victimes de la liberté Mélanie Boucher Stefan StLaurent 051 S’endormir près du monument pendant la révolution Contre-monumentalité MarieHélène Leblanc et post-communisme 063 Bojan Fajfrić 147 Sites postcommunistes 067 Milutin Gubash de contremémoire 071 Guillermo Trejo Andrew Herscher 075 Perspectives sur le commun, 159 Milutin Gubash la contremonumentalité 165 PROJET EVA et la décolonisation de la liberté (Étienne -
ANNUAL REPORT 2018–2019 Published By: Strategic Planning and Government Relations P.O
ANNUAL REPORT 2018–2019 Published by: Strategic Planning and Government Relations P.O. Box 6100, Station Centre-ville Montreal, Quebec H3C 3H5 Internet: onf-nfb.gc.ca E-mail: [email protected] Cover page: Expo 67 Live immersive installation, Esplanade at Place des Arts, Montreal © 2019 National Film Board of Canada ISSN 2562-8569 Cat. No. NF1E-PDF 3rd Quarter 2019 Printed in Canada. TABLE OF CONTENTS 06 2018–2019 IN NUMBERS 09 MESSAGE FROM THE GOVERNMENT FILM COMMISSIONER 12 HIGHLIGHTS 13 1. THE NFB: A CENTRE FOR CREATIVE EXCELLENCE, INNOVATION AND CONVERSATION 22 2. DIVERSITY AND INCLUSION: AN INTEGRAL PART OF THE NFB’S DNA 27 3 . REACHING AND ENGAGING WITH AUDIENCES 32 4 . AN ORGANIZATION WITH AN EYE TO THE FUTURE 36 AWARDS AND HONOURS 47 GOVERNANCE 49 MANAGEMENT 50 SUMMARY OF ACTIVITIES 2018–2019 55 FINANCIAL STATEMENTS 75 ANNEX I: THE NFB ACROSS CANADA 78 ANNEX II: ORIGINAL PRODUCTIONS 85 ANNEX III: INDEPENDENT FILM PROJECTS SUPPORTED BY ACIC AND FAP TABLE OF CONTENTS BIIDAABAN: FIRST LIGHT virtual reality installation Nathan Phillips Square, Toronto Lisa Jackson TABLE OF CONTENTS November 28, 2019 The Honourable Steven Guilbeault Minister of Canadian Heritage 25 Eddy Street Gatineau, Quebec K1A 0M5 Minister: I have the honour of submitting to you, in accordance with the provisions of section 20(1) of the National Film Act, the Annual Report of the National Film Board of Canada for the period ended March 31, 2019. The report also provides highlights of noteworthy events of this fiscal year. Yours respectfully, Claude Joli-Coeur -
Dana Schutz Patrick Bernatchez Camille Henrot Michel De Broin
Dana Schutz Patrick Bernatchez Camille Henrot Michel de Broin Museomix Ragnar Kjartansson Musée’s New Exhibitions on Tour Musée Ball Magazine of the contemporain Musée d’art de Montréal Volume 26, Number 2 — Fall 2015 Number 26, 2 — Fall 2015 Volume editorial | 1 The Musée d’art contemporain de Montréal is a triumph of provocative multi-disciplinarity, with our three fall exhibitions by three extraordinary artists—Dana Schutz, Patrick Bernatchez and Camille Henrot—variously featuring painting, drawing, sculpture, sound and video. What may at first glance appear to be three unrelated propositions are shown, on closer inspection, to share a deep concern for mutation, metamorphosis and transformational cycles of destruction and regeneration. In her first Canadian survey exhibition, American painting sensation Dana Schutz forces us to imagine unthinkable situations and unspeakable acts, as the artist expertly conjures all manner of absurdly improbable scenarios in and through paint, running the gamut from com- edy and discomfort to pathology and disfiguration. The work of this internationally renowned Photo: John Londoño painter is informed by rereadings of early twentieth-century avant-gardes, principally cubism and expressionism, and almost every other movement and revival up to this day. It can be understood as a productive conversation with the history of painting and as a compelling tes- tament to painting’s complex and supposedly unending death throes. Every mark and gesture, every acid hue in Schutz’s sometimes disturbing work is willed from somewhere at once pri- mal and intelligent, surfacing as something inevitable and charged. Following the museum’s recent successful exhibitions of two great Montréal artists, David Altmejd and Jon Rafman, we’re delighted to turn our gaze now to another stunning Montrealer, Patrick Bernatchez, whose sensibility, poetics and fearless imagination dazzle in a wide-ranging body of work that explores notions of space, time and duration.