The 2016 President's Report
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Pick Your Date for Valentines Day!
Help Generations, help kids Call (514) 933-8585 FEBRUARY 2008 VOL.XXIIN O 4 CELEBRATING 21 YEARS OF BRINGING YOU THE ISSUES! Mainline presents... Peace, p. 3 anyone? p. 16 PICK YOUR DATE FOR ALENTINES AY Butterfly V D ! Man Cuba Si! p. 16 p. 4 Annual Guaranteed Income With Growth Potential Minimum $25,000 Editorial Canada should phase out combat role in Afghanistan There used to be a cynical term in journalism called Canadian diplomat Harry Sterling reported that last The main problem with our combat role is that “Afghanistanism”– the notion you could say just about year 147 teachers and students were murdered and 590 NATO partners are not interested in sharing burden anything in an editorial about a far away country that schools closed. The warlords and drug kings continue and risking more casualties. And with good reason: has little impact on our lives. But in the global village, to rule with impunity. Poppy cultivation flourishes with today’s enemies are as vicious as they are determined. as our soldiers continue to die – 78, including a diplo- the connivance of corrupt officials. A student journalist, The Taliban is an evil organization allied with the most mat, we grapple with the deteriorating situation as we Pervaz Kambaksh, 23, faces the death penalty for saying regressive forces of militant Islam. While there are attempt to impart our liberal democratic values to a there is opposition to women getting an education. informal talks between them and the government of country living in sadly medieval social conditions. With Canada in a combat role in dangerous Kanda- Hamid Karzai, accommodation and compromise are a The challenge is huge: the average life expectancy for har province, are we doing the right thing in abandon- long way off. -
Rue Atones Torill Kove Reinvents Her Grandmother's Life in Oslo During World War II, Combining Anecdotes, History, Fantasy and Humour
rue orve An irreverent collection of funny films about serious questions. and ^* % My Grandmother Ironed the King's Shirts makes its b and quirky video debut alongside award-winning NFB classics My Grandmother Ironed the King's Shirts rue Atones Torill Kove reinvents her grandmother's life in Oslo during World War II, combining anecdotes, history, fantasy and humour. (10 min, 35 sec) Director: Torill Kove Producers: Marcy Page (NFB), Lars Tommerbakke (Studio Magica, Norway) The Family that Dwelt Apart A tall tale by E.B. White v about a family living happily on a small island until word gets out that they are in distress. (7 min, 55 sec) Director: Yvon Mallette Producer: Wolf Koenig The House that Jack Built Pokes fun at ambition, the rat race and consumerism. (8 min, 2 sec) Director: Ron Tunis Producers: Wolf Koenig, Jim Mackay Arkelope A seriously funny look at nature documentaries. (5 min, 17 sec) Director: Roslyn Schwartz Producer: Marcy Page Traditional folklore takes a wry turn in Spinnolio, the tale of a carved wooden puppet that lacks mobility and human consciousness. (9 min, 51 sec) Director: John Weldon Producer: Wolf Koenig Total running time: 41 min 16 sec TO ORDER NFB VIDEOS, CALL TODAY! 1-800-267-7710 (Canada) 1-800-542-2164 (USA) www.nfb.ca © 1999 A licence is required for any reproduction, television broadcast, sale, rental or public screening. Only educational institutions or non-profit organizations who have obtained this video directly from the NFB have the right to show this video free of charge to the public. -
Short Film Programme
SHORT FILM PROGRAMME If you’d like to see some of the incredible short films produced in Canada, please check out our description of the Short Film Programme on page 43, and contact us for advice and assistance. IM Indigenous-made films (written, directed or produced by Indigenous artists) Films produced by the National Film Board of Canada NFB CLASSIC ANIMATIONS BEGONE DULL CARE LA FAIM / HUNGER THE STREET Norman McLaren, Evelyn Lambart Peter Foldès 1973 11 min. Caroline Leaf 1976 10 min. 1949 8 min. Rapidly dissolving images form a An award-winning adaptation of a An innovative experimental film satire of self-indulgence in a world story by Canadian author Mordecai consisting of abstract shapes and plagued by hunger and poverty. This Richler about how families deal with colours shifting in sync with jazz Oscar-nominated film was among older relatives, and the emotions COSMIC ZOOM music performed by the Oscar the first to incorporate computer- surrounding a grandmother’s death. Peterson Trio. animation technology. THE SWEATER THE BIG SNIT THE LOG DRIVER’S WALTZ Sheldon Cohen 1980 10 min. Richard Condie 1985 10 min. John Weldon 1979 3 min. Iconic author Roch Carrier narrates A wonderfully wacky look at two Kate and Anna McGarrigle sing a mortifying boyhood experience conflicts — global nuclear war and a along to the tale of a young girl who in this animated adaptation of his domestic quarrel — and how each is loves to dance and chooses to marry beloved book The Hockey Sweater. resolved. Nominated for an Oscar. a dancing log driver over her more well-to-do suitors. -
Programa I: Descubrimiento
Programa I: Descubrimiento Alike | Parecido Director: Daniel Martínez Lara, Rafa Cano Méndez País: España Año: 2015 Idioma: Sin diálogo Duración: 8’ Sinopsis: Dentro de una ajetreada vida citadina, Copi es un padre que intenta enseñar a su hijo Paste lo que es correcto, pero ¿qué es eso? Alike es un valioso recordatorio del papel de la familia al momento de mantener el vigor y el color en nuestra vida. Semblanza: Daniel M. Lara es director de diversos cortos de animación como W.C., Pepe y Changes, los cuales han recibido reconocimientos que incluyen el premio Animadrid y ArtFutura. Con más de 20 años de experiencia enseñando animación, Lara fundó en Barcelona la Pepe School Land, una escuela centrada en el modelado, la animación y la creación de cortometrajes 3D, área en la que él mismo fue autodidacta. Su cortometraje Alike fue ganador del premio Goya a Mejor cortometraje de animación y del Mejor cortometraje de animación digital en el 3DWire Festival, entre otros. www.ambulante.org T @Ambulante F GiradeDocumentalesAmbulante Rafa Cano Méndez es animador y concept artist. Ha trabajado en estudios como Nikodemo y Big Lazy Robot VFX e imparte clases de animación en la Pepe School Land. Festivales: Mundos Digitales 3DWire Festival Festival ENMUT Curtas Film Fest de Vilagarcía de Arousa Festival Cortada de Vitoria-Gasteiz Festival de Aguilar de Campoo ANIMAC Filmografía: Daniel M. Lara Changes Pepe W.C. Rafa Cano Méndez Tachaaan! www.ambulante.org T @Ambulante F GiradeDocumentalesAmbulante Novembre | Noviembre Director: Marjolaine Perreten País: Francia Año: 2015 Idioma: Sin diálogo Duración: 4’ Sinopsis: A la orilla de un río, pequeños animales se preparan para recibir al invierno de distintas–y muy curiosas–maneras. -
Rapport Annuel Annual Report
RAPPORT ANNUEL 2017-2018 2017-2018 RAPPORT ANNUEL DE L’ONF NFB ANNUAL REPORT 2017–2018 2017–2018 REPORT ANNUAL ANNUAL Published by: Strategic Planning and Government Relations P.O. Box 6100, Station Centre-ville Montreal, Quebec H3C 3H5 Internet: onf-nfb.gc.ca E-mail: [email protected] Cover page: THREE THOUSAND, Asinnajaq © 2018 National Film Board of Canada ISBN: 978-0-7722-1301-3 2nd Quarter 2018 Printed in Canada. TABLE OF CONTENTS 6 2017–2018 IN NUMBERS 9 MESSAGE FROM THE GOVERNMENT FILM COMMISSIONER 12 HIGHLIGHTS 13 THE NFB: A CENTRE FOR CREATIVITY AND EXCELLENCE 22 AN ORGANIZATION THAT REFLECTS THE RICHNESS AND DIVERSITY OF THE COUNTRY 27 WORKS THAT REACH LARGER AUDIENCES, RAISE QUESTIONS AND ENGAGE 32 AN ORGANIZATION THAT’S FOCUSED ON THE FUTURE 36 AWARDS AND HONOURS 47 GOVERNANCE 49 MANAGEMENT 50 SUMMARY OF ACTIVITIES 2017–2018 55 FINANCIAL STATEMENTS 74 ANNEX I: THE NFB ACROSS CANADA 77 ANNEX II: PRODUCTIONS 83 ANNEX III: INDEPENDANT FILM PROJECTS SUPPORTED BY ACIC AND FAP Return to the Table of Contents 1999 Samara Grace Chadwick Return to the Table of Contents August 20, 2018 The Honourable Pablo Rodriguez Minister of Canadian Heritage and Multiculturalism Ottawa, Ontario Minister: I have the honour of submitting to you, in accordance with the provisions of section 20(1) of the National Film Act, the Annual Report of the National Film Board of Canada for the period ended March 31, 2018. The report also provides highlights of noteworthy events of this fiscal year. Yours respectfully, Claude Joli-Coeur Government Film Commissioner -
Annual Report
ANNUAL REPORT 2014–2015 © 2016 National Film Board of Canada Published by Strategic Planning and Government Relations P.O. Box 6100, Station Centre-ville Montreal, Quebec H3C 3H5 Internet : onf-nfb.gc.ca E-mail: [email protected] Cover page: MCLAREN MUR À MUR (McLaren Wall-to-Wall), Quartier des spectacles | NFB, Montreal ISBN 0-7722-1276-7 1st Quarter 2016 Printed in Canada TABLE OF CONTENTS IN NUMBERS GOVERNMENT FILM COMMISSIONER’S MESSAGE FOREWORD HIGHLIGHTS AWARDS GOVERNANCE MANAGEMENT SUMMARY OF ACTIVITIES FINANCIAL STATEMENTS Annex I: NFB ACROSS CANADA Annex II: PRODUCTIONS Annex III: INDEPENDENT FILM PROJECTS SUPPORTED BY ACIC AND FAP FRAME X FRAME: ANIMATED FILM AT THE NFB Exhibit at Musée de la civilisation, Quebec City Photo: Jessy Bernier, Perspective Photo, 0148_relv_0001 December 4, 2015 The Honourable Mélanie Joly Minister of Canadian Heritage Ottawa, Ontario Minister: I have the honour of submitting to you, in accordance with the provisions of sec- tion 20(1) of the National Film Act, the Annual Report of the National Film Board of Canada for the period ended March 31, 2015. The report also provides highlights of noteworthy events of this fiscal year. Yours respectfully, Claude Joli-Coeur Government Film Commissioner and Chairperson of the National Film Board of Canada IN NUMBERS CAMPUS, A POWERFUL TEACHING TOOL FOR THE 21ST-CENTURY CLASSROOM P.4 | 2014-2015 2014–2015 – IN NUMBERS 61 10 5 3 original NFB films interactive public applications and co-productions websites installations for tablets digital documents supporting -
ANNUAL REPORT 2018–2019 Published By: Strategic Planning and Government Relations P.O
ANNUAL REPORT 2018–2019 Published by: Strategic Planning and Government Relations P.O. Box 6100, Station Centre-ville Montreal, Quebec H3C 3H5 Internet: onf-nfb.gc.ca E-mail: [email protected] Cover page: Expo 67 Live immersive installation, Esplanade at Place des Arts, Montreal © 2019 National Film Board of Canada ISSN 2562-8569 Cat. No. NF1E-PDF 3rd Quarter 2019 Printed in Canada. TABLE OF CONTENTS 06 2018–2019 IN NUMBERS 09 MESSAGE FROM THE GOVERNMENT FILM COMMISSIONER 12 HIGHLIGHTS 13 1. THE NFB: A CENTRE FOR CREATIVE EXCELLENCE, INNOVATION AND CONVERSATION 22 2. DIVERSITY AND INCLUSION: AN INTEGRAL PART OF THE NFB’S DNA 27 3 . REACHING AND ENGAGING WITH AUDIENCES 32 4 . AN ORGANIZATION WITH AN EYE TO THE FUTURE 36 AWARDS AND HONOURS 47 GOVERNANCE 49 MANAGEMENT 50 SUMMARY OF ACTIVITIES 2018–2019 55 FINANCIAL STATEMENTS 75 ANNEX I: THE NFB ACROSS CANADA 78 ANNEX II: ORIGINAL PRODUCTIONS 85 ANNEX III: INDEPENDENT FILM PROJECTS SUPPORTED BY ACIC AND FAP TABLE OF CONTENTS BIIDAABAN: FIRST LIGHT virtual reality installation Nathan Phillips Square, Toronto Lisa Jackson TABLE OF CONTENTS November 28, 2019 The Honourable Steven Guilbeault Minister of Canadian Heritage 25 Eddy Street Gatineau, Quebec K1A 0M5 Minister: I have the honour of submitting to you, in accordance with the provisions of section 20(1) of the National Film Act, the Annual Report of the National Film Board of Canada for the period ended March 31, 2019. The report also provides highlights of noteworthy events of this fiscal year. Yours respectfully, Claude Joli-Coeur -
Creative Thinking at Its Finest
CREATIVE THINKING AT ITS FINEST JOIN THE CONVERSATION #CUalumni concordia.ca/finearts Rising to new heights: Students from the Department of Contemporary Dance obtain the tools, training and mentoring to focus on their choreography and creative process. PAGE 2 | CONCORDIA.CA/FINEARTS FORWARD-THINKING, DISCIPLINED, DIVERSE Our faculty is among Canada’s foremost for the study and creation of visual and performing arts Right-brain or left-brain? Performance or Anchored in Montreal, our fine arts FINE ARTS AT GLANCE: creation? Art history or contemporary programs explore human connections dance? Over four decades, students, to our society and to our world. Our • 4 research centres professors and alumni from Concordia’s professors are at the forefront of innovative Faculty of Fine Arts have built a solid teaching while our research strengthens • Canada Research Chair reputation in all spheres of creative thinking. cultural knowledge. • 9 Concordia University Research Chairs Our community produces work that’s Some 3,700 undergraduate and graduate • other research chair/special research omnipresent in galleries, on stage, in students pursue their studies in our professorship libraries, on film, in media headlines, nine departments. We remain a top in traditional or digital formats and in choice for students; some 80 per cent of • 9 departments public spaces — locally, nationally and graduate applicants hold degrees from internationally. other institutions, and approximately • 58 programs 80 per cent of accepted undergraduate What we offer is unique. We feature applicants confirm their registration. • 3,700 students Canada’s widest range of fine arts disciplines in one faculty — 58 programs in the visual, Our curriculum is grounded in hands- • 3,200 undergraduates performing, design and digital arts. -
2008-2009 ANNUAL REPORT the World Changes Our Stories Live On
The World Changes Our Stories Live On 2008-2009 ANNUAL REPORT The World Changes Our Stories Live On © 2010 National Film Board of Canada PUBLISHED BY PHONE 514-283-9246 Communications Service FAX 514-283-8971 PO Box 6100, Station Centre-ville INTERNET onf-nfb.gc.ca Montreal, Quebec H3C 3H5 ISBN 0-7722-1265-1 1st quarter 2010 DESIGN Folio et Garetti Printed in Canada / Recycled paper Table of contents 1. Message from the Government Film Commissioner ............................ 05 2. About the National Film Board of Canada .............................................. 11 3. Highlights of the Year .............................................................................. 15 4. Progress Toward Our Strategic Goals .................................................... 21 5. Awards Highlights .................................................................................. 49 6. Governance .............................................................................................. 54 7. Senior Management ................................................................................ 55 8. Summary of Activities.............................................................................. 56 9. Financial Statements .............................................................................. 59 | 1 ANNEX I: NFB across Canada ANNEX II: Partner libraries in Canada ANNEX III: Awards ANNEX IV: Productions ANNEX V: Independent Film Projects supported by ACIC (Aide au cinéma indépendant – Canada) Independent Film Projects supported by FAP (Filmmaker -
A History of Women's Filmmaking at the National Film Board of Canada
A HISTORY OF WOMEN’S FILMMAKING AT THE NATIONAL FILM BOARD OF CANADA THE NATIONAL FILM BOARD But the NFB’s work with women moved rapidly into creative filmmakers also goes back to its roles. Perhaps the best-known OF CANADA INTRODUCED earliest days. among them were Canada’s A PIONEERING GENDER- first woman animator, Evelyn PARITY INITIATIVE IN 2016, When Canada entered WWII Lambart, who co-directed six in September 1939, the newly films with Norman McLaren and ENSURING THAT AT LEAST created public producer was also directed an acclaimed body HALF OF ITS PRODUCTIONS immediately tasked with of solo work; Jane Marsh, the making war-related propaganda. only woman to direct films for WILL BE DIRECTED BY With so many men engaged the legendary Canada Carries WOMEN AND HALF OF ALL in overseas conflict, women On series; and documentary PRODUCTION SPENDING WILL were entering the workforce filmmaker Gudrun Parker, in unprecedented numbers— who would go on to run the BE ALLOCATED TO FILMS and some would find work on NFB’s Education Unit. Besides DIRECTED BY WOMEN. NFB founder John Grierson’s directing their own films, IN 2017, THE NFB DEEPENED THIS COMMITMENT TO ADDRESS THE GENDER IMBALANCE ACROSS A RANGE OF KEY CREATIVE POSITIONS IN FILM—IN SCREENWRITING, EDITING, SOUND MIXING AND CINEMATOGRAPHY—AS WELL AS ANIMATION AND IMMERSIVE/INTERACTIVE STORYTELLING ROLES SUCH AS ART DIRECTOR, ART EVELYN LAMBART DESIGNER AND CREATIVE TECHNOLOGIST. new team. A number of women Judith Crawley and Margaret These new commitments are the came with prior experience and Perry were the first two women latest for the NFB, a Canadian immediately started directing cinematographers to work at the film industry leader in gender films, including Evelyn Spice Film Board. -
Danger Zone Danger Zone
ALUMNI MAGAZINE FALL WINTER 2015 DOCTOR IN THE DANGER ZONE HOW JOANNE LIU LED THE FIGHT AGAINST THE EBOLA CRISIS MONTREAL MARVELS BY MCGILLIANS LE GÉANT SURDOUÉ FUTURISTIC FOOD PUBLICATIONS.MCGILL.CA/MCGILLNEWS Chart the best course for your life in the years ahead. Start with preferred insurance rates. Supporting you... On average, alumni and McGill University. who have home and auto Your needs will change as your life and career evolve. As a McGill University Alumni insurance with us Association member, you have access to the save $400.* TD Insurance Meloche Monnex program, which offers preferred insurance rates, other discounts and great protection, that is easily adapted to your changing needs. Plus, every year our program contributes to supporting your alumni association, so it’s a great way to save and show you care at the same time. Get a quote today! Our extended business hours make it easy. Monday to Friday: 8 a.m. to 8 p.m. Home and auto insurance program recommended by the Saturday: 9 a.m. to 4 p.m. HOME | AUTO | TRAVEL Ask for your quote today at 1-888-589-5656 or visit melochemonnex.com/mcgillalumni Average based on the home and auto premiums for active policies on July 31, 2014 of our Alberta clients who belong to a professional or alumni group that has an agreement with us when compared to the premiums they would have paid with the same insurer without the preferred insurance rate for groups and the multi-product discount. Savings are not guaranteed and may vary based on the client’s profile. -
The Nfb at the Rendez-Vous De La Francophonie: Eye-Opening Films for the Whole Family
THE NFB AT THE RENDEZ-VOUS DE LA FRANCOPHONIE: EYE-OPENING FILMS FOR THE WHOLE FAMILY The National Film Board of Canada (NFB) is very proud to be part of the Rendez-vous de la Francophonie for the 14th consecutive year, with a lineup of films offering unique, compelling stories and candid points of view. For this 21st edition of the RVF, we invite Canadian francophones and francophiles to enjoy these films on the theme of dialogue between cultures. The selection includes Luc Bourdon’s latest documentary, La part du diable (The Devil’s Share), along with recent award-winning animated films that have been screened at prestigious festivals around the world: Trois mille (Three Thousand) by Asinnajaq, Le sujet (The Subject) by Patrick Bouchard, Étreintes (Embraced) by Justine Vuylsteker, Rubans (Threads) by Torill Kove, Une tête disparaît (The Head Vanishes) by Franck Dion, MacPherson by Martine Chartrand and La pureté de l’enfance (Sweet Childhood) by Zviane. Two programs for children offer lively and colourful imagery for younger viewers. The first, Des histoires d’ici pour les petits (Tales from Here for Tots), is a collection of tales and legends drawn from Indigenous storytelling traditions. The second, Des animaux qui ont presque toujours le dernier mot (Animals Who (Almost) Always Get the Last Word) includes stories in which humans and animals, or animals themselves, find solutions to problems—such as the complex language challenges that are part of Canada’s cultural landscape. This diverse selection of titles is sure to appeal to a wide variety of audiences. The NFB recognizes the role it plays in fostering dialogue between cultures through the films it produces, from its documentaries to its animation.