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Film I Västs Svenska Samproduktioner Med Premiärår 2012
2013-04-03 10:41 CEST Film i Västs svenska samproduktioner med premiärår 2012 Staffan Lindbergs film En gång i Phuket blev den stora publikfilmen bland Film i Västs svenska samproduktioner under 2012. En gång i Phuket Svensk biopremiär: 120203 Produktionsbolag: Stellanova Film Regissör: Staffan Lindberg Publik 2012: 400 000 Priser: Nominerad till Biopublikens pris, Guldbagge. Betyg: 2,42 Isdraken Svensk biopremiär: 120224 Produktionsbolag: Illusion Film & Television Regissör: Martin Högdahl Publik 2012: 17 000 Priser: Ett festivalpris i Malmö (BUFF), ett i Köln, två i Tel Aviv. Hedersomnämnanden i Lübeck och Buenos Aires. Guldbagge (Bästa visuella effekter). Betyg: 3,31 Avalon Svensk biopremiär: 120224 Produktionsbolag: Idyll Regissör: Axel Petersén Publik 2012: 20 000 Priser: Kritikerpriset i Toronto. Två festivalpris i Vologda. Två Guldbaggar (Bästa manliga huvudroll, Bästa manliga biroll) samt ytterligare en nominering. Betyg: 3,31 Cockpit Svensk biopremiär: 120713 Produktionsbolag: Garagefilm International Regissör: Mårten Klingberg Publik 2012: 272 000 Priser: - Betyg: 3,21 Snabba Cash II Svensk biopremiär: 120817 Produktionsbolag: Tre Vänner Regissör: Babak Najafi Publik 2012: 324 000 Priser: Guldbagge för Bästa mask/smink. Nominerad till tre övriga Guldbaggar. Betyg: 3,23 Palme Svensk biopremiär: 120914 Produktionsbolag: B-Reel Sweden Regissör: Kristina Lindström, Maud Nycander Publik 2012: 240 000 Priser: Två Guldbaggar (Bästa musik, Bästa klipp), en övrig nominering. Betyg: 4,08 Liten skär och alla små brokiga Svensk biopremiär: 120921 Produktionsbolag: L Edition Entertainment Film Regissör: Stina Wirsén Publik 2012: 21 000 Priser: - Betyg: 3,83 Äta sova dö Svensk biopremiär: 121005 Produktionsbolag: Anagram Produktion Regissör: Gabriela Pichler Publik 2012: 48 000 Priser: Publikens pris i Venedig. -
10.9 De Jesus Precarious Girlhood Dissertation Draft
! ! "#$%&#'()*!+'#,-((./!"#(0,$1&2'3'45!6$%(47'5)#$.!8#(9$*!(7!:$1'4'4$!;$<$,(91$42! '4!"(*2=>??@!6$%$**'(4&#A!B'4$1&! ! ! ;$*'#C$!.$!D$*)*! ! ! ! ! E!8-$*'*! F4!2-$!! G$,!H(99$4-$'1!I%-((,!(7!B'4$1&! ! ! ! ! "#$*$42$.!'4!"'&,!:),7',,1$42!(7!2-$!6$J)'#$1$42*! :(#!2-$!;$5#$$!(7! ;(%2(#!(7!"-',(*(9-A!K:',1!&4.!G(<'45!F1&5$!I2).'$*L! &2!B(4%(#.'&!M4'<$#*'2A! G(42#$&,N!O)$0$%N!B&4&.&! ! ! ! ! ! P%2(0$#!>?Q@! ! R!;$*'#C$!.$!D$*)*N!>?Q@ ! ! CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Desirée de Jesus Entitled: Precarious Girlhood: Problematizing Reconfigured Tropes of Feminine Development in Post-2009 Recessionary Cinema and submitted in partial fulfillment of the requirements for the degree of Film and Moving Image Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Lorrie Blair External Examiner Dr. Carrie Rentschler External to Program Dr. Gada Mahrouse Examiner Dr. Rosanna Maule Examiner Dr. Catherine Russell Thesis Supervisor Dr. Masha Salazkina Approved by Dr. Masha Salazkina Chair of Department or Graduate Program Director December 4, 2019 Dr. Rebecca Duclos Dean Faculty of Fine Arts ! ! "#$%&"'%! ()*+,)-./0!1-)23..45!().62*7,8-9-:;!&*+.:<-;/)*4!%).=*0!.<!>*7-:-:*!?*@*2.=7*:8!-:! (.08ABCCD!&*+*00-.:,)E!'-:*7,! ! ?*0-)F*!4*!G*0/0! '.:+.)4-,!H:-@*)0-8EI!BCJD! ! !"##"$%&'()*+(,--.(/#"01#(2+3+44%"&5()*+6+($14(1(4%'&%7%31&)(3*1&'+(%&()*+(3%&+81)%3(9+:%3)%"&( -
De 100 Mest Utlånade DVD-Filmerna 2014
De 100 mest utlånade DVD-filmerna 2014 1. Monica Z / manus: Peter Birro ; regi: Per Fly 2. Mig äger ingen / manus: Pia Gradvall ; regi: Kjell-Åke Andersson ; producent: Francy Suntin 3. Äta sova dö / manus av Gabriela Pichler; regi av Gabriela Pichler 4. Blue Jasmine / written and directed by Woody Allen 5. Återträffen / en film av Anna Odell 6. Känn ingen sorg / regi: Mårlind & Stein ; producerad av Malcolm Lidbeck & David Olsson ; ma 7. Call girl / manus av Marietta von Hausswolff von Baumgarten ; regi av Mikael Marcimain 8. The Master / Manus av Paul Thomas Anderson ; regisserad av Paul Thomas Anderson 9. Berättelsen om Pi = Life of Pi / Manus av David Magee ; regisserad av Ang Lee 10. 12 years a slave / Steve McQueen 11. Hundraåringen som klev ut genom fönstret och försvann / Manus & regi: Felix Herngren 12. Gravity / directed by Alfonso Cuarón ; produced by Alfonso Cuarón, David Heyman ; written b 13. En oväntad vänskap = Intouchables/ Manus av Olivier Nakache, Eric Toledano ; regisserad av 14. Django unchained / written and directed by Quentin Tarantino 15. World War Z = World War Z / directed by Marc Foster 16. Oblivion / Manus av Karl Gajdusek, Michael Arndt ; regisserad av Joseph Kosinski 17. The lone ranger / Manus av Justin Haythe, Ted Elliott ; regisserad av Gore Verbinski 18. Hotell / manus & regi: Lisa Langseth ; producerad av: Patrik Andersson, Frida Jonason 19. Hypnotisören / manus av Paolo Vacirca ; regi av Lasse Hallström 20. Små citroner gula / manus av Teresa Fabik ; regi av Teresa Fabik 21. The place beyond the pines / Derek Cianfrance 22. Anna Karenina / Manus av Tom Stoppard ; regisserad av Joe Wright 23. -
International Casting Directors Network Index
International Casting Directors Network Index 01 Welcome 02 About the ICDN 04 Index of Profiles 06 Profiles of Casting Directors 76 About European Film Promotion 78 Imprint 79 ICDN Membership Application form Gut instinct and hours of research “A great film can feel a lot like a fantastic dinner party. Actors mingle and clash in the best possible lighting, and conversation is fraught with wit and emotion. The director usually gets the bulk of the credit. But before he or she can play the consummate host, someone must carefully select the right guests, send out the invites, and keep track of the RSVPs”. ‘OSCARS: The Role Of Casting Director’ by Monica Corcoran Harel, The Deadline Team, December 6, 2012 Playing one of the key roles in creating that successful “dinner” is the Casting Director, but someone who is often over-looked in the recognition department. Everyone sees the actor at work, but very few people see the hours of research, the intrinsic skills, the gut instinct that the Casting Director puts into finding just the right person for just the right role. It’s a mix of routine and inspiration which brings the characters we come to love, and sometimes to hate, to the big screen. The Casting Director’s delicate work as liaison between director, actors, their agent/manager and the studio/network figures prominently in decisions which can make or break a project. It’s a job that can't garner an Oscar, but its mighty importance is always felt behind the scenes. In July 2013, the Academy of Motion Pictures of Arts and Sciences (AMPAS) created a new branch for Casting Directors, and we are thrilled that a number of members of the International Casting Directors Network are amongst the first Casting Directors invited into the Academy. -
ENG 4136: Basic Video Production; Fall 2018 Professor: Trevor Mowchun
1 ENG 4136: Basic Video Production; Fall 2018 Professor: Trevor Mowchun Class: ROL 115—Monday, period 4 (10:40am-11:30am); Wednesday, periods 4-5 (10:40am-12:35pm) Screening: ROL 115—Tuesday, periods 9-11 (4:05pm-7:05pm) Office hours (TUR 4356): Monday 12:15pm-1:45pm, and Thursday 2:30pm-4:00pm, or by appointment. Email: [email protected] Should you prefer to contact me via email please allow 24 hours for a response. Office phone number: 352-294-2855 Media Assistant: Zackary Erickson (TUR 4303) Availability: August 27-September 9 (Monday and Wednesday 9:35am-10:25am, Tuesday and Thursday 12:50pm-2:45pm); September 10-end of semester (Tuesday and Thursday 12:50pm- 3:50pm). Zac will also be available the first Thursday of the class, August 23, between 12:50pm- 3:50pm. Email: [email protected] Basic Video Production: Process and Expression This course is a meditation on the creative process and an exploration of the unique and inexhaustible ways that the cinematic medium activates such processes and leads the imagination into free uncharted territory. We will begin with a survey of various creative principles, methods, tools and general philosophies of “making” as expressed by artists, teachers, critics and theorists from diverse backgrounds, with particular attention paid to the insights of independent and experimental filmmakers. The goal of this “study phase” is to open a window into the inner workings of the creative process, analyze films from the perspective of their own making, and ultimately enrich, stimulate and guide creativity throughout the entire filmmaking process from concept to screen. -
Sight & Sound Films of 2007
Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic -
Short Film Programme
SHORT FILM PROGRAMME If you’d like to see some of the incredible short films produced in Canada, please check out our description of the Short Film Programme on page 50, and contact us for advice and assistance. IM Indigenous-made films (written, directed or produced by Indigenous artists) Films produced by the National Film Board of Canada NFB CLASSIC ANIMATIONS BEGONE DULL CARE LA FAIM / HUNGER THE STREET Norman McLaren, Evelyn Lambart Peter Foldès 1973 11 min. Caroline Leaf 1976 10 min. 1949 8 min. Rapidly dissolving images form a An award-winning adaptation of a An innovative experimental film satire of self-indulgence in a world story by Canadian author Mordecai consisting of abstract shapes and plagued by hunger. This Oscar- Richler about how families deal with colours shifting in sync with jazz nominated film was among the first older relatives, and the emotions COSMIC ZOOM music performed by the Oscar to use computer animation. surrounding a grandmother’s death. Peterson Trio. THE LOG DRIVER’S WALTZ THE SWEATER THE BIG SNIT John Weldon 1979 3 min. Sheldon Cohen 1980 10 min. Richard Condie 1985 10 min. The McGarrigle sisters sing along to Iconic author Roch Carrier narrates A wonderfully wacky look at two the tale of a young girl who loves to a mortifying boyhood experience conflicts — global nuclear war and a dance and chooses to marry a log in this animated adaptation of his domestic quarrel — and how each is driver over more well-to-do suitors. beloved book The Hockey Sweater. resolved. Nominated for an Oscar. -
Cosmonauts of the Future: Texts from the Situationist
COSMONAUTS OF THE FUTURE Texts from The Situationist Movement in Scandinavia and Elsewhere Edited by Mikkel Bolt Rasmussen & Jakob Jakobsen 1 COSMONAUTS OF THE FUTURE 2 COSMONAUTS OF THE FUTURE Texts from the Situationist Movement in Scandinavia and Elsewhere 3 COSMONAUTS OF THE FUTURE TEXTS FROM THE SITUATIONIST MOVEMENT IN SCANDINAVIA AND ELSEWHERE Edited by Mikkel Bolt Rasmussen & Jakob Jakobsen COSMONAUTS OF THE FUTURE Published 2015 by Nebula in association with Autonomedia Nebula Autonomedia TEXTS FROM THE SITUATIONIST Læssøegade 3,4 PO Box 568, Williamsburgh Station DK-2200 Copenhagen Brooklyn, NY 11211-0568 Denmark USA MOVEMENT IN SCANDINAVIA www.nebulabooks.dk www.autonomedia.org [email protected] [email protected] AND ELSEWHERE Tel/Fax: 718-963-2603 ISBN 978-87-993651-8-0 ISBN 978-1-57027-304-9 Edited by Editors: Mikkel Bolt Rasmussen & Jakob Jakobsen | Translators: Peter Shield, James Manley, Anja Büchele, Matthew Hyland, Fabian Tompsett, Jakob Jakobsen | Copyeditor: Marina Mikkel Bolt Rasmussen Vishmidt | Proofreading: Danny Hayward | Design: Åse Eg |Printed by: Naryana Press in 1,200 copies & Jakob Jakobsen Thanks to: Jacqueline de Jong, Lis Zwick, Ulla Borchenius, Fabian Tompsett, Howard Slater, Peter Shield, James Manley, Anja Büchele, Matthew Hyland, Danny Hayward, Marina Vishmidt, Stevphen Shukaitis, Jim Fleming, Mathias Kokholm, Lukas Haberkorn, Keith Towndrow, Åse Eg and Infopool (www.scansitu.antipool.org.uk) All texts by Jorn are © Donation Jorn, Silkeborg Asger Jorn: “Luck and Change”, “The Natural Order” and “Value and Economy”. Reprinted by permission of the publishers from The Natural Order and Other Texts translated by Peter Shield (Farnham: Ashgate, 2002), pp. 9-46, 121-146, 235-245, 248-263. -
Half a Century with the Swedish Film Institute
Swedish #2 2013 • A magazine from the Swedish Film Institute Film 50Half a century with the Swedish Film Institute CDirector Lisah Langsethe exploresc identityk issuesi nin Hotel g in www.sfi.se scp reklambyrå Photo: Simon Bordier Repro: F&B Repro: Factory. Bordier Simon Photo: reklambyrå scp One million reasons to join us in Göteborg. DRAGON AWARD BEST NORDIC FILM OF ONE MILLION SEK IS ONE OF THE LARGEST FILM AWARD PRIZES IN THE WORLD. GÖTEBORG INTERNATIONAL FILM FESTIVAL IS ALSO THE MAIN INDUSTRY WINDOW FOR NEW NORDIC FILM AND TALENT, FEATURING NORDIC FILM MARKET AND NORDIC FILM LAB. 1,000 SCREENINGS • 500 FILMS • 23 VENUES • 160,000 VISITS • WWW.GIFF.SE WELCOME Director, International Department Pia Lundberg Fifty and counting Phone +46 70 692 79 80 [email protected] 2013 marks the Swedish Film Institute’s various points in time. The films we support 50th anniversary. This gives us cause to look today are gradually added to history, giving back to 1963 and reflect on how society and that history a deeper understanding of the Festivals, features the world at large have changed since then. world we currently live in. Gunnar Almér Phone +46 70 640 46 56 Europe is in crisis, and in many quarters [email protected] arts funding is being cut to balance national IN THIS CONTEXT, international film festivals budgets. At the same time, film has a more have an important part to play. It is here that important role to play than ever before, we can learn both from and about each other. -
Information and Liaison Bulletin
INSTITUT KUDE RPARD IS E Information and liaison bulletin N°295 OCTOBER 2009 The publication of this Bulletin enjoys a subsidy from the French Ministry of Foreign Affairs (DGCID) aqnd the Fonds d’action et de soutien pour l’intégration et la lutte contre les discriminations (The Fund for action and support of integration and the struggle against discrimination) This bulletin is issued in French and English Price per issue : France: 6 € — Abroad : 7,5 € Annual subscribtion (12 issues) France : 60 € — Elsewhere : 75 € Monthly review Directeur de la publication : Mohamad HASSAN Numéro de la Commission Paritaire : 659 15 A.S. ISBN 0761 1285 INSTITUT KURDE, 106, rue La Fayette - 75010 PARIS Tel. : 01-48 24 64 64 - Fax : 01-48 24 64 66 www.fikp.org E-mail: [email protected] Bulletin 295 October 2009 Contents • IRBIL: THE NEW CABINET IS SWORN IN. • IRAQI KURDISTAN: A HISTORIC VISIT BY THE TURKISH FOREIGN MINISTER. • TURKEY: THE PKK’S SENDING OF “PEACE GROUPS” STIRS UP TURKISH PUBLIC OPINION. • IRAQI KURDISTAN: A VISIT BY MRS DANIELLE MITTERRAND, WHO OPENS TWO FRENCH LANGUAGE SCHOOLS. • CULTURE: KURDISH FILMS ARE BECOMING MORE VISIBLE ON THE INTERNATIONAL SCENE. IRBIL: THE NEW CABINET IS SWORN IN he new Cabinet of the Laws Commission presented a The fourth article confirmed the Regional Government Bill reorganising the Ministries. maintenance of the Ministry T of Kurdistan has been Culture and that of Sport, sworn in, led by Article 1 dissolved three approved by a majority vote, Barham Salih, former Ministries: Human Rights, Extra- while a fifth article amalgamated Deputy Prime Minister of the Regional Affairs and the the Ministries of Local Iraqi Government and a member Environment. -
Hitchcock/ Truffaut
January / February 2016 Canadian & International Features The Heart of Madame Sabali NEW WORLD DOCUMENTARIES special events SHORTS & ARTIST TALKS Hitchcock/ Cabin Fever: Vinylside Chat Truffaut Free Films for Kids! with Alan Zweig www.winnipegcinematheque.com January/February Staff Picks the art direction and costumes in the film, which are both colourful and creative. The most refreshing element of McKenna’s film is the complexity of his characters, more specifically Marie Brassard who was amazing as Jeannette. This middle-aged woman was given more power and freedom to explore all types of relationships within the film, unlike films where we would normally see a woman of this age for a blink of a second. McKenna’s choice of casting such a strong lead pays off with depth to the plot and this film will not disappoint. Another screening that is not to be missed is Moving Perspectives (Feb 13) ↑ Left to right: A customer (Kristy Muckosky), Dave Barber, Eric Peterson, Cecilia Araneda, Heidi curated by Leslie Supnet. I feel like this is a Phillips, Kaitlyn McBurney, Jaimz Asmundson. Photo by Leif Norman. program that, while promising to put form over content, will not fail to entertain. I asked For 12 years now, January and February luck to you in your future endeavours! I’ll Supnet for a sneak peak and I can promise at Cinematheque have meant one very miss your goofy laugh. — Jaimz Asmundson, dancing, which is rare for program that special event: Cabin Fever! Every Sunday Cinematheque Programming Director focuses on personal cinema.— Heidi Phillips, at 2 pm, this free admission series offers Cinematheque Head Projectionist a variety of family friendly classics with The touring Canada’s Top Ten Film Festival made-in-Manitoba shorts. -
Downloaded Consensus on an Active Reform Include the Growing Number Underlying Existing Patterns from Our Website
ISSN: 1462–6535 Kurdish Human Rights Project newsline Newsline 2, Summer 2009, Issue 46 KHRP Mission Investigates Human Director’s Letter Rights Situation in Southeast Turkey A KHRP fact-finding mission travelled to southeast Turkey in early May to investigate the hu- man rights situation there, with a particular focus on women’s access to justice, impunity for state agents, issues affecting the work of human rights de- Dear Friends, fenders and the human rights We at KHRP have pursued impact of ‘high security zones’. all aspects of our work with Beginning on 2 May, the the same commitment and mission met with interviewees dedication as always over including local mayors, human the past few months, with rights activists, lawyers and particular successes in our journalists in the provinces of training, fact-finding and Diyarbakır, Mardin, Siirt and awareness-raising activities. Şırnak. Mission members also KHRP mission members Edel Hughes and Saniye Karakaş with representatives of women’s In early May we dis- visited villages that were forci- rights organisations in Diyarbakır. patched representatives to bly evacuated during the con- on the part of state officials to must prove that they have no the Kurdish regions of Tur- flict in the region in the 1990s. convince women who make income in order to access le- key to gather information The mission found that complaints that they ought to gal aid. The mission heard that on the human rights situ- women in the areas visited had drop the issue and return to it takes almost three weeks to ation there. Focusing their little or no access to justice, their homes.