Rue Atones Torill Kove Reinvents Her Grandmother's Life in Oslo During World War II, Combining Anecdotes, History, Fantasy and Humour

Total Page:16

File Type:pdf, Size:1020Kb

Rue Atones Torill Kove Reinvents Her Grandmother's Life in Oslo During World War II, Combining Anecdotes, History, Fantasy and Humour rue orve An irreverent collection of funny films about serious questions. and ^* % My Grandmother Ironed the King's Shirts makes its b and quirky video debut alongside award-winning NFB classics My Grandmother Ironed the King's Shirts rue Atones Torill Kove reinvents her grandmother's life in Oslo during World War II, combining anecdotes, history, fantasy and humour. (10 min, 35 sec) Director: Torill Kove Producers: Marcy Page (NFB), Lars Tommerbakke (Studio Magica, Norway) The Family that Dwelt Apart A tall tale by E.B. White v about a family living happily on a small island until word gets out that they are in distress. (7 min, 55 sec) Director: Yvon Mallette Producer: Wolf Koenig The House that Jack Built Pokes fun at ambition, the rat race and consumerism. (8 min, 2 sec) Director: Ron Tunis Producers: Wolf Koenig, Jim Mackay Arkelope A seriously funny look at nature documentaries. (5 min, 17 sec) Director: Roslyn Schwartz Producer: Marcy Page Traditional folklore takes a wry turn in Spinnolio, the tale of a carved wooden puppet that lacks mobility and human consciousness. (9 min, 51 sec) Director: John Weldon Producer: Wolf Koenig Total running time: 41 min 16 sec TO ORDER NFB VIDEOS, CALL TODAY! 1-800-267-7710 (Canada) 1-800-542-2164 (USA) www.nfb.ca © 1999 A licence is required for any reproduction, television broadcast, sale, rental or public screening. Only educational institutions or non-profit organizations who have obtained this video directly from the NFB have the right to show this video free of charge to the public. National Film Board of Canada P.O. Box 6100, Station Centre-Ville Montreal, Quebec H3C 3H5 VMS A National Film Board of Canada Release Printed in Canada C0199 172 Discussion questions for My Grandmother Ironed the King's Shirts For general viewers 1. Ask, was this a true story? Did the photos of actual people tucked into the ani- Tall mation influence your opinions? &n 2. Discuss hyperbole in storytelling, exploring which parts of the account might have been exaggerated for dramatic and comedic effect (for example, the unex- pected aside about Tonya Harding's skate laces and the 1994 Olympics). While resisting Nazi occupation with burnt shirts might be a bit much, does this not T illustrate how acts of resistance, no matter how small, can collectively win the day? This irreverent collection features five funny films about serious questions. 3. Ask the viewers for any accounts of older relatives who lived through WWII. My Grandmother Ironed the King's Shirts begins with an Gather stories about the home-front, as well as war stories, with an eye to what intriguing germ of truth from World War II Oslo, while the other award- both the men and women did in that time. winning NFB classics take their inspiration from fairy tales, nursery rhymes and nature documentaries. These short films cover big topics: For younger viewers 1. Ask the children if they think burning holes in the soldiers' uniforms was enough from life during wartime to ambition to extinction. With dry humour they to chase them back to Germany. Discuss the comic effect. explore - and sometimes explode - the power of storytelling, myth- making, gossip, hearsay and television. 2. Ask the children if their grandfather or grandmother was in military service. Do they know how their grandparents met? If not, encourage the children to Treating history as a fabric woven from personal stories, animator Torill make up a happy and silly story about these events. Kove picks up a thread of family history and embroiders it with playful twists along the way. In My Grandmother Ironed the King's 3. At the end of the film, the narrator says her grandfather told her that his ances- Shirts, she reinvents her grandmother's life and work in Oslo during tors were Portuguese gypsies who, to escape forced labour on Vasco da Gama's World War II, combining actual anecdotes with historical events, fantasy, ships, travelled by horse all the way from Lisbon to Oslo. Ask the children to tell and humour. a story about that prodigious ride. In preparation, use an atlas and trace the journey, listing what countries they might have gone through. What adventures The Family that Dwelt Apart is a timeless tall tale by E.B. White do the children imagine these ancestors had? For example, how did they get the about a family of seven fisherfolk who are living quite happily as the sole horses, how did they feed themselves, where did they sleep, how long did the inhabitants of a small island until word somehow gets to the mainland trip take, why did they choose to go to Norway? Ask, too, what might have that they are in distress. happened if they had stayed in Portugal and worked on Vasco da Gama's ships. Explain that Vasco da Gama was a Portuguese navigator and explorer A witty classic from the 1960s, The House that Jack Built pokes fun who opened up the sea route to Asia and who lived from 1460 to 1524. at ambition, the rat race and consumer culture. A seriously funny look at nature documentaries, Arkelope is a challenge 41 min 16 sec Related NFB videos and a warning to all couch potatoes. C0199 172 Village of Idiots Traditional folklore takes a wry turn in Spinnolio, the tale of a carved Best of the Best: Romantic Tales and Other Whimsical Relationships Best of the Best: Strange Tales of the Imagination wooden puppet that lacks mobility and human consciousness. John F. Weldon's Lighter Lunacy Tales from the Dark Side.
Recommended publications
  • NATIONAL FILM BOARD of CANADA FEATURED at Moma
    The Museum off Modern Art 50th Anniversary NO. 16 ID FOR IMMEDIATE RELEASE March 3, 1981 DOCUMENTARY FILMS FROM THE NATIONAL FILM BOARD OF CANADA FEATURED AT MoMA NATIONAL FILM BOARD OF CANADA: A RETROSPECTIVE is a three-part tribute presented by The Museum of Modern Art in recog­ nition of NFBC's 41 years Of exceptional filmmaking. PART TWO: DOCUMENTARY FILMS, running from March 26 through May 12 in the Museum's Roy and Niuta Titus Auditorium, will trace the develop­ ment of the documentary form at NFBC, and will be highlighted by a selection of some of the finest films directed by Donald Brittain, whose work has won wide acclaim and numerous awards. PART TWO: DOCUMENTARY will get off to an auspicious start with twelve of Donald Brittain's powerful and unconventional portraits of exceptional individuals. Best known in this country for "Volcano: An Inquiry Into The Life and Death of Malcolm Lowry" (1976), Brittain brings his personal stamp of creative interpretation to such subjects as America's love affair with the automobile in "Henry Ford's America" (1976) ; the flamboyant Lord Thompson of Fleet Street (the newspaper baron who just sold the cornerstone of his empire, The London Times) in "Never A Backward Step" (1966); Norman Bethune, the Canadian poet/ doctor/revolutionary who became a great hero in China when he marched with Mao ("Bethune" 1964); and the phenomenal media hysteria sur­ rounding the famous quintuplets in "The Diorme Years" (1979) . "Memo­ randum" (1965) accompanies a Jewish glazier from Tcronto when he takes his son back to the concentration camp where he was interned, an emotion­ al and historical pilgrimage of strong impact and sensitivity.
    [Show full text]
  • The Ukrainian Weekly 1986
    Іі$Ье(і by the Ukrainian National Association Inc., a fraternal non-profit association! ШrainianWeekl v ; Vol. LIV No. 34 THE UKRAINIAN WEEKLY SUNDAY, AUGUST 24, 1986 25 cents Clandestine sources dispute Israel indirectly approaches USSR official Chornobyl information for help in Demjanjuk prosecution ELLICOTT CITY, Md. — The first For unexplained reasons, foreign JERSEY CITY, N.J. — Israeli offi- The card, which was used in the samvydav information has reached the radio broadcasts were difficult to pick cials have reportedly indirectly ap- United States by the Office of Special West about the accident at the Chor- up and understand within a 30-kilo- proached the Soviet Union for assis- Investigations in its proceedings against nobyl nuclear power plant in Ukraine in meter radius of the Chornobyl plant. tance in their case against John Dem- Mr. Demjanjuk, has been the subject of late April. This information disputes Thus, many listeners could not take ad- janjuk, the former Cleveland auto- much controversy. The Demjanjuk many pronouncements by the Soviet vantage of the news and advice broad- worker suspected of being "Ivan the defense contends it is a fraud and that government, reported Smoloskyp, a cast from abroad. Terrible," a guard at the Treblinka there is evidence the card was altered. quarterly published here. Although tens of thousands of death camp known for his brutality. In fact, Mark O'Connor, Mr. Dem- Following is Smoloskyp's story on school-age children were sent from Kiev The Jerusalem Post reported on janjuk's lawyer, had told The Weekly the new samvydav information. to camps on the Black Sea early, pre- August 18 that State Attorney Yona earlier this year that the original ID card According to these underground school children — who are most threat- Blattman had reportedly asked an was never examined by forensic experts.
    [Show full text]
  • Northern Conference Film and Video Guide on Native and Northern Justice Issues
    DOCUMENT RESUME ED 287 653 RC 016 466 TITLE Northern Conference Film and Video Guide on Native and Northern Justice Issues. INSTITUTION Simon Fraser Univ., Burnaby (British Columbia). REPORT NO ISBN-0-86491-051-7 PUB DATE 85 NOTE 247p.; Prepared by the Northern Conference Resource Centre. AVAILABLE FROM Northern Conference Film Guide, Continuing Studies, Simon Fraser University, Burnaby, British Columbia, Canada V5A 1S6 ($25.00 Canadian, $18.00 U.S. Currency). PUB TYPE Reference Materials - Bibliographies (131) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Adolescent Development; *American Indians; *Canada Natives; Children; Civil Rights; Community Services; Correctional Rehabilitation; Cultural Differences; *Cultural Education; *Delinquency; Drug Abuse; Economic Development; Eskimo Aleut Languages; Family Life; Family Programs; *Films; French; Government Role; Juvenile Courts; Legal Aid; Minority Groups; Slides; Social Problems; Suicide; Tribal Sovereignty; Tribes; Videotape Recordings; Young Adults; Youth; *Youth Problems; Youth Programs IDENTIFIERS Canada ABSTRACT Intended for teacheLs and practitioners, this film and video guide contains 235 entries pertaining to the administration of justice, culture and lifestyle, am: education and services in northern Canada, it is divided into eight sections: Native lifestyle (97 items); economic development (28), rights and self-government (20); education and training (14); criminal justice system (26); family services (19); youth and children (10); and alcohol and drug abuse/suicide (21). Each entry includes: title, responsible person or organization, name and address of distributor, date (1960-1984), format (16mm film, videotape, slide-tape, etc.), presence of accompanying support materials, length, sound and color information, language (predominantly English, some also French and Inuit), rental/purchase fees and preview availability, suggested use, and a brief description.
    [Show full text]
  • A SALUTE to the NATIONAL FILM BOARD of CANADA Includes Sixteen Films Made Between
    he Museum of Modern Art 1^ 111 West 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart Mo, 38 FOR IMMEDIATE RELEASE Tuesday, April 25, 1967 On the occasion of The Canadian Centennial Week in New York, the Department of Film of The Museum of Modem Art will present A SALUTE TO THE NATIONAL FILM BOARD OF CANADA. Sixteen films produced by the National Film Board will be shown daily at the Museum from May U through May V->, except on Wednesdays. The program will be inaugu­ rated with a special screening for an invited audience on the evening of May 3j pre­ sented by The Consul General of Canada and The Canada Week Committee in association with the Museum. The National Film Board of Canada was established in 1939, with John Grierson, director of the British General Post Office film unit and leading documentary film producer, as Canada's first Government Film Commissioner, Its purpose is-to Jjiitdate and promote the production and distribution of films in the-uational int^rest^ \i\ par« ticular, films designed to interpret Canada to -Canadians and to other nations. Uniquely, each of its productions is available for showing in Canada as well as . abroad* Experimentation in all aspects of film-making has been actively continued and encouraged by the National Film Board. Funds are set aside for experiments, and all filmmakers are encouraged to attempt new techniques. Today the National Film Board of Canada produces more than 100 motion pictures each year with every film made in both English and French versions.
    [Show full text]
  • Consciousness, Accessibility, and the Mesh Between Psychology and Neuroscience
    BEHAVIORAL AND BRAIN SCIENCES (2007) 30, 481–548 Printed in the United States of America doi: 10.1017/S0140525X07002786 Consciousness, accessibility, and the mesh between psychology and neuroscience Ned Block Department of Philosophy, New York University, New York, NY 10003 [email protected] Abstract: How can we disentangle the neural basis of phenomenal consciousness from the neural machinery of the cognitive access that underlies reports of phenomenal consciousness? We see the problem in stark form if we ask how we can tell whether representations inside a Fodorian module are phenomenally conscious. The methodology would seem straightforward: Find the neural natural kinds that are the basis of phenomenal consciousness in clear cases – when subjects are completely confident and we have no reason to doubt their authority – and look to see whether those neural natural kinds exist within Fodorian modules. But a puzzle arises: Do we include the machinery underlying reportability within the neural natural kinds of the clear cases? If the answer is “Yes,” then there can be no phenomenally conscious representations in Fodorian modules. But how can we know if the answer is “Yes”? The suggested methodology requires an answer to the question it was supposed to answer! This target article argues for an abstract solution to the problem and exhibits a source of empirical data that is relevant, data that show that in a certain sense phenomenal consciousness overflows cognitive accessibility. I argue that we can find a neural realizer of this overflow if we assume that the neural basis of phenomenal consciousness does not include the neural basis of cognitive accessibility and that this assumption is justified (other things being equal) by the explanations it allows.
    [Show full text]
  • The 2016 President's Report
    BIG THINKING ACROSS DISCIPLINES BIG THINKING FOR THE NEXT GENERATION CREATIVE. URBAN. BOLD. ENGAGED. MOVING IN NEW 2 DIRECTIONS t’s with pleasure and pride that I invite you to A diverse atmosphere. Community leadership. read this year’s report on the momentum we Alumni engagement. Strong and growing pride. continue to build at Concordia. All these Concordia hallmarks continue to help Concordians make a difference in the world. As we cap off our best year ever for research funding and for university rankings in Canada and around the To share your ideas with me or learn how you can globe, like all universities, we face big questions about help Concordia and our growing network of partners the role of higher education in the 21st century. achieve our mission, I would love to hear from you at [email protected]. Are we here to provide qualifications or a broad MESSAGE FROM THE PRESIDENT education? What’s the best way to deliver Bonne lecture! instruction? How should we engage with our 3 local community? The international community? Our planet’s biggest problems? All of those questions informed our Strategic Directions planning process. After consulting with Alan Shepard faculty, students, staff, alumni and outside experts, President we boiled their inspired input down to nine directions Concordia University succinct enough to print on a coffee cup. As you can see in this report, these Directions chart our future while honouring our past. Top research and scholars. Hands-on experiential learning. OUR NINE 4 STRATEGIC DIRECTIONS THE NINE DIRECTIONS: DOUBLE OUR RESEARCH: Pursue bold goals in research that reflect our talents and our ambition to tackle big challenges.
    [Show full text]
  • Ing Lonely Boy
    If the word documentary is synonymous with Canada, and the NFB is synonymous with Canadian documentary, it is impossible to consider the NFB, and particularly its fabled Unit B team, without one of its core members, Wolf Koenig. An integral part of the "dream team," he worked with, among others, Colin Low, Roman Kroitor, Terence Macartney-Filgate and unit head Tom Daly, as part of the NFB's most prolific and innovative ensemble. Koenig began his career as a splicer before moving on to animator, cameraman, director and producer, responsible for much of the output of the renowned Candid Eye series produced for CBC-TV between 1958 and 1961. Among Unit B's greatest achievements is Lonely Boy (1962), which bril- liantly captured the phenomenon of megastar mania before anyone else, and con- tinues to be screened worldwide. I had the opportunity to "speak" to Wolf Koenig in his first Internet interview, a fitting format for a self-professed tinkerer who made a career out of embracing the latest technologies. He reflects on his days as part of Unit B, what the term documentary means to him and the process of mak- ing Lonely Boy. What was your background before joining the NFB? One day, in early May 1948, my father got a call from a neighbour down the road — Mr. Merritt, the local agricultur- In 1937, my family fled Nazi Germany and came to Canada, al representative for the federal department of agriculture — just in the nick of time. After a couple of years of wonder- who asked if "the boy" could come over with the tractor to ing what he should do, my father decided that we should try out a new tree—planting machine.
    [Show full text]
  • Final Thesis Katie Lydiatt
    Placing the City: An Exploration of John Paskievich’s Photographs of Winnipeg’s North End as Visual Cartography By Katie Lydiatt A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master in Art History Carleton University Ottawa, Ontario © 2020 Katie Lydiatt ii Abstract Produced over a forty year span starting in 1976, John Paskievich’s photographs of the North End of Winnipeg occupy a distinct space in the photographic history of the city. Ranging from local streetscapes to portraits of community members, this diverse grouping of images take on qualities similar to the ‘New Documents,’ and use irony and the snap shot aesthetic to construct a renewed topography of his community. Taken during his many walks around the North End, these photographs are phenomenologically local. Drawing from Henri Lefebvre’s notion of “the social production of space,” and Ariella Azoulay’s framing of the photograph as an encounter, this thesis argues that these images engage in a practice of ‘placing.’ Considering the photograph as an active object with the capacity to both produce space and incite citizenship, this project aims to reframe how we conceptualize photography, urban space, and the agency of the spectator. iii Acknowledgments A year ago I couldn’t have pictured myself sitting down to write the final acknowledgements of this thesis project, let alone doing so in the midst of a global pandemic. To my supervisor, Carol Payne. Thank you for your continued support and guidance throughout this project. Your warmth, intelligence and encouragement kept me grounded through this process.
    [Show full text]
  • The Film Imagine an Angel Who Memorized All the Sights and Sounds of a City
    The film Imagine an angel who memorized all the sights and sounds of a city. Imagine them coming to life: busy streets full of people and vehicles, activity at the port, children playing in yards and lanes, lovers kissing in leafy parks. Then recall the musical accompaniment of the past: Charles Trenet, Raymond Lévesque, Dominique Michel, Paul Anka, Willie Lamothe. Groove to an Oscar Peterson boogie. Dream to the Symphony of Psalms by Stravinsky. That city is Montreal. That angel guarding the sights and sounds is the National Film Board of Canada. The combined result is The Memories of Angels, Luc Bourdon’s virtuoso assembly of clips from 120 NFB films of the ’50s and ’60s. The Memories of Angels will charm audiences of all ages. It’s a journey in time, a visit to the varied corners of Montreal, a tribute to the vitality of the city and a wonderful cinematic adventure. It recalls Wim Wenders’ Wings of Desire in which angels flew over and watched the citizens of Berlin. It has the same sense of ubiquity, the same flexibility, the sense of dreamlike freedom allowing us to fly from Place Ville- Marie under construction to the workers in a textile factory or firemen at work. Underpinning the film is Stravinsky’s music, representing love, hope and faith. A firefighter has died. The funeral procession makes its way up St. Laurent Boulevard. The Laudate Dominum of the 20th century’s greatest composer pays tribute to him. Without commentary, didacticism or ostentation, the film is a history lesson of the last century: the red light district, the eloquent Jean Drapeau, the young Queen Elizabeth greeting the crowd and Tex Lecor shouting “Aux armes Québécois !” Here are kids dreaming of hockey glory, here’s the Jacques-Cartier market bursting with fresh produce, and the department stores downtown thronged with Christmas shoppers.
    [Show full text]
  • NORMAN MCLAREN RETROSPECTIVE at Moma
    The Museum of Modern Art 50th Anniversary NO. 7 no FOR IMMEDIATE RELEASE NORMAN MCLAREN RETROSPECTIVE AT MoMA As part of NATIONAL FILM BOARD OF CANADA: A RETROSPECTIVE, Norman McLaren, master animator and founder of the Board's an­ imation unit in 1941, will be honored with a retrospective of virtually all the films he made at NFBC. Part One of MoMA's NFBC Retrospective, ANIMATION, runs from January 22 through February 16, and presents a survey of 150 animated films. Five programs of the extraordinary and influential work of Norman McLaren will be presented from February 12 through 16. "Animation came to the National Film Board of Canada in 1941 with the person of Norman McLaren. In 1943, after having recruited George Dunning, Jim MacKay and Grant Munro, it was McLaren who was put in charge of the first animation workshop. The earliest films were craftsmanlike, having a more utilitarian than aesthetic character. After the war the time of the artist came about. The spirit and goals of the animation unit changed; the styles and techniques became more and more refined leading to today's sophisticated animation." —Louise Beaudet, Head of Animation Department, Cinematheque quebecoise, Montreal "Norman McLaren (Stirling, Scotland, 1914) completed his first abstract films in 1933 while a student at the Glasgow School of Art, Here he attracted the attention of John Grierson, who invited the young man upon graduation to make promotional films for the General Post Office in London. McLaren worked for the GPO from 1936 until 1939 when, at the onset of war, he moved to New York.
    [Show full text]
  • A Novel Elysium by Evan Crichton Anderson a PROJECT Submitted To
    A Novel Elysium by Evan Crichton Anderson A PROJECT submitted to Oregon State University University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Arts in English (Honors Associate) Presented May 27, 2014 Commencement June 2014 1 AN ABSTRACT OF THE THESIS OF Evan Crichton Anderson for the degree of Honors Baccalaureate of Arts in English presented on May 27, 2014 . Title: A Novel Elysium . Abstract approved: ______________________________________________ Steven Kunert As a metafictional work of science fiction literature, A Novel Elysium explores the timelessness of both the human mind and its literary surroundings, comparing the self-awareness of its characters to the sometimes tragic or empowering metaphysical realizations of human beings. Within this framework, any concrete place or time is unimportant; temporal and physical locations are created by the relations of the characters to their world and also by the relations of the readers to this text. The subjects are art, intention, pleasure, perception, and existence, and each character comes to know these or become undone by them at the conclusion of A Novel Elysium , just as the reader comes to realize they are being directly addressed, rather than shown an unrelated fictional tale. Drawing on the full imaginative and mnemonic powers of its characters, the work abounds with references both to other literary classics and to itself, creating a semi-circular dialectic about the perceived relationships between past, present, future,
    [Show full text]
  • PDF (V. 89:11, January 8,1988)
    6'\\ O\~ t~~'t'~ ~'ftt Nt~ .. · ai ornifA to~\t VOLUME LXXXIX NUMBER 11 PASAD~NA, CALIFORNIA F~ IDAY 8 JANUARY 1988 Bee man Institute Displacement by David Lipin the Los Angeles Times and the Star Thirty-eight students were relo- News. Caltech has received be­ cated to other homes last month so tween 40 and 50 responses from in­ construction could begin on the terested parties, of whom they new $35 million Beckman Institute. estimate only 10 to 15 will have the The Beckman Institute will be proper qualifications. a new facility for biochemistry Even though the houses are research or, more specifically, in- free, acquiring the proper qualifi­ terdisciplinary research on the in- cations is rather expensive. To be terface between biology and qualified, the party must have a chemistry. The Institute's first plot of land for the house, proper Director will be Professor of moving permits, a professional Chemistry Harry Gray. relocation contractor, and an ar- Dedication of the Beckman In- chitect/engineer to oversee any stitute is scheduled for October, necessary disassembling and reas­ ~989, ~o groundwork is beginning sembling of the house. The party unmedmtely. One ofthe first stages must also sign a contract releasing of construction will be to remove Caltech from any liability involved the houses which currently occupy with the transaction. Houses not re­ the land on which the Institute will moved by April 1st will, however, be built. A total of 16 houses will be demolished. have to be removed: 5 on Con- Two houses will remain on the stance, 5 on Wilson, 4 on Lura, block being cleared for the Insti­ and 2 on Michigan.
    [Show full text]