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CANADIANART 30 YEARS 1 CANADIAN A RT • 30 YEARS canadianart.ca 1 Congratulations! Congratulations! Sponsored by SponsoredSPONSORED by BY chubbinsurance.com chubbinsurance.com 2 CANADIAN A RT • 30 YEARS canadianart.ca 2 Canadian Art 1.indd 1 14-07-14 3:22 PM Canadian Art 1.indd 1 14-07-14 3:22 PM CANADIANART 30 YEARS GENE RATION (S) THANK YOU Thirty years! Who would have predicted this kind of longevity for Canadian Art back in 1984, when it launched with a winsome photo of Winnipeg painter Wanda Koop on the cover of the first issue? The magazine had picked a hard niche to fill: a coffee-table magazine with top-notch production values that would bridge the widest range of art being made across Canada. Was the Canadian market big enough to support such a venture? Sometimes we wondered, especially when recession hit in the early 1990s. But we came RICHARD RHODES, through, thanks to our faithful readers and contributors and the Editor work of early editors such as Susan Walker, Jocelyn Laurence and Sarah Milroy—and thanks too to our committed advertisers from one end of the country to the other, who knew that they were (detail) (detail) representing remarkable Canadian art that would stand the test of time. Since those days, we’ve grown as an organization and moved Fireworks firmly into the digital world of the 21st century with our website and tablet editions. To celebrate our 30th anniversary, we’ve pulled together a collection of our covers to tell the story in images—and the designs of art directors Ken Rodmell, Georges Haroutiun, James Ireland, John Ormsby and Barbara Solowan. The covers are also on our website, canadianart.ca, where you will find online access to the COVER Sarah Anne Johnson 2010 © the artist Courtesy Stephen Bulger Gallery/ New York Julie Saul Gallery, compelling cover stories that now tell the tale of a generation. 3 CANADIAN A RT • 30 YEARS canadianart.ca 3 canadianart.ca 3 FALL 1994 WINTER 1994 In the beginning... Corin Sworn by Monika Szewczyk The Group of Seven in Wartime 1984from “Ten to Watch” by Ross King FALL 1984 WINTER 1984 Wanda Koop Ron Longstaffe by Robert Enright by Sean Rossiter 4 CANADIAN A RT • 30 YEARS canadianart.ca 5 SPRING 1985 SUMMER 1985 A.J. Casson John McEwen by Hubert de Santana by Gary Michael Dault FALL 1985 WINTER 1985 Carol Wainio in Personal Bests Christopher Pratt From a cross-country survey by Gary Michael Dault 4 CANADIAN A RT • 30 YEARS canadianart.ca 5 SPRING 1986 SUMMER 1986 Jessica Bradley and Diana Nemiroff Michael Snow by Peggy Gale by René Blouin FALL 1986 WINTER 1986 Evan Penny Frank Gehry by Gary Michael Dault by Adele Freedman 6 CANADIAN A RT • 30 YEARS canadianart.ca 7 SPRING 1987 SUMMER 1987 Joyce Wieland Jean-Paul Riopelle by Jay Scott by Lisa Rochon FALL 1987 WINTER 1987 Alex Colville Paterson Ewen by Hans Werner by Adele Freedman 6 CANADIAN A RT • 30 YEARS canadianart.ca 7 SPRING 1988 SUMMER 1988 Tony Hunt Shirley Thomson by Seán Virgo by Peter Day FALL 1988 WINTER 1988 Attila Richard Lukacs Eldon Garnet by Scott Watson by Donna Lypchuk 8 CANADIAN A RT • 30 YEARS canadianart.ca 9 SPRING 1989 SUMMER 1989 Jana Sterbak Gar Smith by Marni Jackson by Gary Michael Dault FALL 1989 WINTER 1989 Tom Dean A Canadian Art Portfolio by Sarah Milroy by Andrew Danson 8 CANADIAN A RT • 30 YEARS canadianart.ca 9 SPRING 1990 SUMMER 1990 Geneviève Cadieux Jeff Wall and Dan Graham by Peggy Gale by Nancy Spector FALL 1990 WINTER 1990 Communist Europe Water, Earth & Air by David Hlynsky by Jocelyn Laurence 10 CANADIAN A RT • 30 YEARS canadianart.ca 11 SPRING 1991 SUMMER 1991 Melvin Charney Images of War by Robert Fulford by Gary Michael Dault FALL 1991 WINTER 1991 Atom Egoyan Joanne Tod by Deborah Esch by Bruce Grenville 10 CANADIAN A RT • 30 YEARS canadianart.ca 11 SPRING 1992 SUMMER 1992 Ken Lum 19th-Century Quebec Painting by Scott Watson by François-Marc Gagnon FALL 1992 WINTER 1992 To Montreal Dennis Reid by Georges Bogardi by Sarah Milroy 12 CANADIAN A RT • 30 YEARS canadianart.ca 13 SPRING 1993 SUMMER 1993 Whose Nation? Greg Curnoe by Scott Watson by Douglas Fetherling FALL 1993 WINTER 1993 Ydessa Hendeles Emily Carr by Richard Rhodes by Robert Fulford 12 CANADIAN A RT • 30 YEARS canadianart.ca 13 SPRING 1994 SUMMER 1994 Michael Snow Mary Pratt by Adele Freedman by Robin Laurence FALL 1994 WINTER 1994 Michael Levine Stan Douglas by Urjo Kareda by Scott Watson 14 CANADIAN A RT • 30 YEARS canadianart.ca 15 SPRING 1995 SUMMER 1995 Carmen Lamanna Edward Poitras by Adele Freedman by Nancy Tousley FALL 1995 WINTER 1995 Charles Hill David Urban by Robert Fulford by John Bentley Mays 14 CANADIAN A RT • 30 YEARS canadianart.ca 15 SPRING 1996 SUMMER 1996 Jeff Wall Ozias Leduc by Adele Freedman by Robert Fulford FALL 1996 WINTER 1996 Paterson Ewen The Legacy of Herman Levy by Ron Graham by Sarah Hampson 16 CANADIAN A RT • 30 YEARS canadianart.ca 17 SPRING 1997 SUMMER 1997 The Artist as Explosive Device Rodney Graham by Robert Fulford by Peggy Gale FALL 1997 WINTER 1997 John Max Sandra Meigs by Steven Manford by Nancy Tousley 16 CANADIAN A RT • 30 YEARS canadianart.ca 17 SPRING 1998 SUMMER 1998 Alan Jarvis Clayoquot Protest by Douglas Ord by Ian Wallace FALL 1998 WINTER 1998 Betty Goodwin Vernacular Photography and Realism by Gerald Hannon by Roy Arden 18 CANADIAN A RT • 30 YEARS canadianart.ca 19 SPRING 1999 SUMMER 1999 Vid Ingelevics Tom Dean by Dot Tuer by Gerald Hannon FALL 1999 WINTER 1999 Martha Fleming Cornelius Krieghoff by Peter Goddard by Jerry Pethick 18 CANADIAN A RT • 30 YEARS canadianart.ca 19 SPRING 2000 SUMMER 2000 Wanda Koop Michael Snow by Robin Laurence by Bart Testa FALL 2000 WINTER 2000 Regarding Landscape After Photography by Gregory Salzman by Roy Arden 20 CANADIAN A RT • 30 YEARS canadianart.ca 21 SPRING 2001 SUMMER 2001 Max Dean Geoffrey Farmer by Lisa Gabrielle Mark by Reid Shier FALL 2001 WINTER 2001 The Art of Travel Graham Gillmore by Ian Carr-Harris by Richard Rhodes 20 CANADIAN A RT • 30 YEARS canadianart.ca 21 SPRING 2002 SUMMER 2002 eliza Griffiths Who Owns Art History? by R.M. Vaughan by Robert Linsley FALL 2002 WINTER 2002 Same Difference Rafael Lozano-Hemmer by John Bentley Mays by Randy Gladman 22 CANADIAN A RT • 30 YEARS canadianart.ca 23 SPRING 2003 SUMMER 2003 Edward Burtynsky Jana Sterbak by Gary Michael Dault by Jessica Bradley FALL 2003 WINTER 2003 Mark Lewis Vivid City by Bernard Fibicher by Bernard Lamarche 22 CANADIAN A RT • 30 YEARS canadianart.ca 23 SPRING 2004 SUMMER 2004 Rodney Graham Allyson Mitchell by Sarah Parsons by Sally McKay FALL 2004 WINTER 2004 Claude Gosselin Lori Blondeau by John Bentley Mays by Lynne Bell 24 CANADIAN A RT • 30 YEARS canadianart.ca 25 SPRING 2005 SUMMER 2005 Video 2005 Rebecca Belmore by Tom Sherman by Lee-Ann Martin FALL 2005 WINTER 2005 Steven Shearer On Calgary Time by Deborah Campbell by Richard Rhodes 24 CANADIAN A RT • 30 YEARS canadianart.ca 25 SPRING 2006 SUMMER 2006 Postmark Berlin Antwerp Diary by Sascha Hastings by R.M. Vaughan FALL 2006 WINTER 2006 Karin Davie Janice Kerbel by John Bentley Mays by Terence Dick 26 CANADIAN A RT • 30 YEARS canadianart.ca 27 SPRING 2007 SUMMER 2007 Biennale Beyond Borders David Altmejd by Christine Redfern by Christina Bagatavicius FALL 2007 WINTER 2007 Alain Paiement Stephen Andrews by Gary Michael Dault by Alexander Nagel 26 CANADIAN ART • 30 YEARS canadianart.ca 27 SPRING 2008 SUMMER 2008 Damian Moppett Ben Reeves by Nancy Tousley by David Jager FALL 2008 WINTER 2008 Marcel Dzama Eastside Westside by Joseph R. Wolin by Christina Bagatavicius 28 CANADIAN A RT • 30 YEARS canadianart.ca 29 SPRING 2009 SUMMER 2009 What Museums Are For Mark Lewis by Daniel Baird by Nancy Tousley FALL 2009 WINTER 2009 gallery hop auction special • TORONTO INTERNATIONAL ART FAIR PREVIEW SPECIAL SECTION ART SCHOOLS SMART GUIDE • JOHN DICKSON: AN EPIPHANY FALL 2009 CANADIANcanadianart.caART WINTER 2009 CANADIANARTcanadianart.ca 25th ANNIVERSARY ISSUE Fall 2009 canadianart.ca How We Make History EXCLUSIVE Ross King The Group of Seven Ten artists in Wartime setting the pace of contemporary art + YEARS Joe Battat’s playhouse • BEN WALMSLEY: FATHER GOOSE FERNAND LEDUC: AUTOMATISTE LEGEND GENERAL IDEA AND MYTHMAKING + THE MASKS OF ARTHUR RENWICK IRIS HÄUSSLER’S FICTIONAL WORLDS Corin Sworn The Group of Seven in Wartime by Monika Szewczyk by Ross King 28 CANADIAN A RT • 30 YEARS canadianart.ca 29 SPRING 2010 SUMMER 2010 CHRIS CRAN ON CALGARY’S JOHN WILL: ART-WORLD ICONOCLAST CANADIANARTcanadianart.ca SPRING 2010 Althea Thauberger in Afghanistan War artist Fall 2009 canadianart.ca VINCENT HONORÉ: THE TORONTO CONNECTION DAN GRAHAM’S SOCIAL ARCHITECTURE + IAN WALLACE’S WEST COAST CONCEPTUALISM Althea Thauberger Elizabeth McIntosh by Deborah Campbell by Adele Weder FALL 2010 WINTER 2010/11 Edward Burtynsky Old School, Cool School by Sarah Milroy by Leah Sandals 30 CANADIAN A RT • 30 YEARS canadianart.ca 31 SPRING 2011 SUMMER 2011 WANDA KOOP BRIAN JUNGEN JULIAN SCHNABEL THE AUTOMATISTES KATHLEEN BARTELS Big Plans for Vancouver • PLUG IN Winnipeg’s New Showcase A Film Documentary Vancouver Installation TIFF and the AGO Buffalo and Beyond CANADIANARTcanadianart.ca SUMMER 2 011 CANADIANARTcanadianart.ca SPRING 2011 MYFANWY MACLEOD PUBLIC Fall 2009 Fall 2009 ART canadianart.ca canadianart.ca LUIS JACOB BIG TIME + Conceptual Art Hero ALISON ROSSITER AN TE LIU A Cameraless Photography One-Man Bauhaus PAUL P.
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  • European Ways of Talking About the Art of Northwest Coast First Nations

    European Ways of Talking About the Art of Northwest Coast First Nations

    EUROPEAN WAYS OF TALKING ABOUT THE ART OF THE NORTHWEST COAST FIRST NATIONS F. Graeme Chalmers Department of Curriculum Studies Faculty of Education University of British Columbia Vancouver, British Columbia Canada, V6T 1Z4 Abstract / Resume The ways in which we, Aboriginal and non-Aboriginal people alike, view the Aboriginal art of the Northwest Coast, have been profoundly affected by European accounts of the art. For a long time Northwest Coast art was compared to European art and treated as a quaint variant of “real” art. In recent decades we have begun to view this work as art by itself, that is art which is inherently valuable. Les façons dont nous, les autochtones et les allogènes aussi, voyons l'art autochtone de la côte nord-ouest ont été profondément influencées par les exposés européens sur l'art. On compare, depuis longtemps, l'art de la côte nord-ouest avec l'art européen et considère le premier comme une variante bizarre du “vrai” art. Au cours des dernières décennies, on a commencé à considérer ce travail comme un art en soi, c'est-à-dire comme un art qui est de grande valeur profonde. 114 Graeme Chalmers In his book, Textual Spaces: Aboriginality and Cultural Studies, the Australian Stephen Muecke argued that European ways of talking about Aboriginal people limit ways of knowing what Aborigines might be (1992:20). Canadian and international views, as well as the understandings of Aboriginal peoples themselves, of First Nations art on the Northwest Pacific Coast have been profoundly and similarly colored by value-laden European accounts and definitions.