May - June 2010

Total Page:16

File Type:pdf, Size:1020Kb

May - June 2010 News and information hotline: 416-421-0779 Web: www.cammac.ca Email: [email protected] April - May - June 2010 In this issue: Computer Resources for Amateur Musicians 1 Thanks to Soloists 7 Schedule of Readings 3 Toronto Region AGM, May 30 7 CAMMAC RPS; OMC & Friends Concert 3 Playing opportunities; Concert Listings 8 Chamber Music / Flute Workshop (reports) 4 Are you a CAMMAC Ambassador 10 Reading, Sunday April 18 (Beethoven) 5 Superb Sudoku 11 Reading, Sunday May 30 (Mozart) 6 Regional Committee members / contacts 12 Computer resources for amateur musicians – Part II By Blair Mackenzie An astonishing range of sheet music is now available to amateur musicians over the Internet. In this article we will look briefly into where you can find it. You can purchase music through a traditional print publisher of sheet music by finding and buying it online and having it delivered to you by mail. You can purchase music online which you download or which comes to you at once by e-mail. You can purchase, over the Internet, CDs containing large collections of sheet music. The CD comes by mail and you print what you need, as and when you need it. You can also find much good quality sheet music, some in recent scholarly editions, available for free. All of the websites discussed in this article (including the for - free sites) are or appear to be fully legitimate, copyright compliant sites. But the music is not all equally well edited, so buyer / user beware. All the traditional sheet music publishers have websites at which you can search their catalogues and buy music online for delivery to you by mail. Increasingly, you can view sample pages from the music you are considering purchasing. Sites of interest include www.barenreiter.com., www.edition-peters.com., www.fredrickharrismusic.com. and www.schott-music.com. Entire collections of sheet music can be purchased on CD from www.cdsheetmusic.com. This site offers a comprehensive selection of published scores and sheet music by composers from the baroque, classical, romantic and modern eras, including works for orchestra, chamber ensemble, piano, strings, winds, voice, and chorus. For example, one CD contains every work by Beethoven for solo piano, some 1500 pages of music in all, for US$19.95. Another contains over 100 arias for bass/ baritone from operas from the 18th to the 20th century, plus another 100 songs and arias from 17th c. Italian composers – 1300 pages or more of music, also for $19.95. For orchestral musicians, www.orchmusiclibrary.com is a useful site. All music at that site is in the public domain, and so the editions may not be as modern as those available at other sites in this category. (continued page 2) CAMMAC Toronto Region Newsletter April - May - June 2010 1 Sheet music can also be bought online for immediate download. A good site in this category is www.everynote.com. It claims to be the largest and most complete digital sheet music library with over 20,000 popular and hard-to-find music scores by over 1000 composers. Last year, Kathleen ordered printed music for a Dvorak quintet we wanted to play at CAMMAC. The day she ordered it, I went to EveryNote.com and downloaded our parts, which were from the same, modern, edition. The printed version arrived by mail three weeks later. The only difference was the undeniable advantage of the heavier, larger and bound pages of the professionally printed edition. Similar sites include www.classicalarchives.net., www.sheetmusicplus.com. and www.virtualsheetmusic.com. Some quite interesting music by contemporary composers can be sampled at, bought at and downloaded from www.sibelius.com by visiting the Music Store. If you are a string player, be sure to visit www.mymusicscores.com. This site is run by an affable Scots viola player, Paul Wood, who set up the site in order to share access to his growing library of music which he has arranged or transcribed for his students and the string orchestras he leads. For a very modest annual fee you have access to music for, or arranged for string duo, trio, quartet or string orchestra. For example, you will find here all the Corelli Op. 6 and Handel Op. 6 Concerti Grossi in very lightly edited editions. Some works are also available without charge. You are welcome to use any of this for non-commercial purposes, including performance in front of a paid audience by the typical non-profit community orchestras that so many of us belong to. And if you find a typo in one of the scores, Mr. Wood will fix it. There are many sites at which sheet music of interest to amateurs is available for free. An important site is http://imslp.org., home of the International Music Score Library Project. Its aim is to create a virtual library of all public domain music scores. Because of copyright restrictions, the editions are generally rather old ones which may have been edited in a rather Romantic manner. But the range of materials currently available is impressive. For J.S. Bach alone you will find here sheet music for all the Brandenburgs, the orchestral suites, every cantata, the Magnificat, the Mass in B Minor, the Passions, the violin concerti, keyboard concerti and more. For a similar choral music site, see www.cpdl.org. There are sites offering free music for a wide range of interests. A range of early Canadian music is available at www.collectionscanada.gc.ca; follow the links to the online sheet music collection of the Public Archives. For 16th and 17th c. music, be sure to try www.baroquemusic.it, http://icking-music-archive.org and www.lysator.liu.se/~tuben/scores. These are particularly useful, well edited sites. Just how many sheet music sites are out there? Who knows! A random Google search for “schubert lieder sheet music” turned up 25,500 responses in 0.33 seconds. So turn on your computer and find out for yourself what a world of sheet music awaits you over the Internet! Please read and respect the terms of use, or licence terms, which apply to music which you download. Different sites take different approaches to this. For example, music purchased from www.cdsheetmusic.com is intended for use only in your home or in an ‘educational’ setting. By contrast, music downloaded from the Tufvesson site is marked ‘Non-commercial copying welcome’. Mr Tufvesson’s site makes it clear that any non-profit group is welcome to use his music in performance, and you may charge “as much as you can” as an admission fee. [email protected] CAMMAC Toronto Region Newsletter April - May - June 2010 2 SCHEDULE OF READINGS information please contact John Ferth at the Recorder 2009-2010 SEASON Centre, 984 Dovercourt Rd., or 416-534-7931. The fee is $80 per year for members of CAMMAC. All readings are in Elliott Hall, Christ Church Deer For those who prefer to pay per session, regular Park, 1570 Yonge Street, Toronto, from 2 p.m. sharp meetings are $10 for CAMMAC members and $12 to 4:30 p.m. on Sunday afternoons. Members $6 / for others, while coached sessions are $15 and $20 non-members $10. respectively. Please bring your own music stand. Also, bring your CAMMAC membership card with April 18: Errol Gay conducts Beethoven’s Missa you on your first visit, which is free for newcomers. Solemnis, for singers and instrumentalists. For further information, call Ricci Balogh at 416- 694-9266. Dates for the balance of the season: April May 30: Howard Dyck conducts Mozart’s Mass in 16; April 25 (Spring Workshop with Shannon C minor, for singers and instrumentalists. Purves-Smith); May 7; May 28. 2010 – 2011 SEASON MUSICAL CHAIRS Please note the following dates for Readings to be held in 2010-2011: Sept. 26; Oct. 17; Nov. 21; Jan. Are you looking for a music mate, someone with 23; Feb. 13 (singers only); Mar. 27; May 8; and whom to make some music? We keep a list of others May 29 (AGM). Watch for details in the next issue also looking! Please get in touch with our Musical of the Newsletter! Conductors confirmed so far: Chairs group (416-962-4847). Erna van Daele; Kevin Komisaruk; Claudio Vena. NOTE TO ASPIRING VOCAL SOLOISTS OMC AND FRIENDS CONCERTS Most of the pieces that we work on at our Sunday by Pat Agnew readings have vocal solo parts. Sometimes members of the choir sing these parts together. Sometimes the If you missed the most enjoyable OMC and Friends conductor invites his/her own soloists, and sometimes Concert on February 21, it was your loss…but you we find people to sing these parts at the readings. If have another opportunity to strut your stuff! Please you are an experienced singer and you’d like to give come and take part in the final OMC and Friends it a try, please contact the reading coordinator or Concert to be held on Sunday April 25. At least one Kathy Gallyas at least a month ahead of the reading member of each group must be a CAMMAC member date so this possibility can be discussed. and your selection/s must not exceed 8 minutes. The deadline for entries is April 11. Please register with me by e-mail to [email protected] or 416-694- 9848. Include the titles of the works, the composers, CAMMAC RECORDER PLAYERS’ accurate timing, the names of all performers and their SOCIETY instrument or voices. The concert will be held at Northern District Library, 40 Orchard View Blvd (1 The Recorder Players’ Society meets on intermittent block north of Eglinton and Yonge) from 2:30 to Friday evenings at the Church of the Transfiguration, 4:30.
Recommended publications
  • Howard Dyck Reflects on Glenn Gould's The
    “What you intended to say”: Howard Dyck Reflects on Glenn Gould’s The Quiet in the Land Doreen Helen Klassen The Quiet in the Land is a radio documentary by Canadian pianist and composer Glenn Gould (1932-82) that features the voices of nine Mennonite musicians and theologians who reflect on their Mennonite identity as a people that are in the world yet separate from it. Like the other radio compositions in his The Solitude Trilogy—“The Idea of North” (1967) and “The Latecomers” (1969)—this work focuses on those who, either through geography, history, or ideology, engage in a “deliberate withdrawal from the world.”1 Based on Gould’s interviews in Winnipeg in July 1971, The Quiet in the Land was released by the Canadian Broadcasting Corporation (CBC) only in 1977, as Gould awaited changes in technology that would allow him to weave together snatches of these interviews thematically. His five primary themes were separateness, dealing with an increasingly urban and cosmopolitan lifestyle, the balance between evangelism and isolation, concern with others’ well-being in relation to the historic peace position, and maintaining Mennonite unity in the midst of fissions.2 He contextualized the documentary ideologically and sonically by placing it within the soundscape of a church service recorded at Waterloo-Kitchener United Mennonite Church in Waterloo, Ontario.3 Knowing that the work had received controversial responses from Mennonites upon its release, I framed my questions to former CBC radio producer Howard Dyck,4 one of Gould’s interviewees and later one of his 1 Bradley Lehman, “Review of Glenn Gould’s ‘The Quiet in the Land,’” www.
    [Show full text]
  • The Apostles Edward
    C X A X H A C H P R P R I I S S T T I I C E C E H L H L O R A O R A • A X C H P R I S T I • C H E O R A L X X C A C H A H P R P R I I S S T T I I C E C E H L H L O R A O R A • A X C H P R I S Stephanie Martin April 29, 2017, 7:30 p.m. T I Artistic Director April 30, 2017, 3:00 p.m. • C H E O R A L Edward The Apostles Elgar Pax Christi Chorale and Orchestra with Meredith Hall, Krisztina Szabó, Brett Polegato, Lawrence Wiliford, Daniel Lichti, Michael Uloth, and the Etobicoke School of the Arts Chamber Choir Edward The Apostles Elgar Pax Christi Chorale and Orchestra Stephanie Martin, Artistic Director PART 1 1. The Calling of the Apostles 2. By the Wayside 3. By the Sea of Galilee INTERMISSION PART 2 4. The Betrayal 5. Golgotha 6. At the Sepulchre Please join us in the Parish Hall after today’s 7. The Ascension concert for a reception. Elgar’s oratorio tells a profoundly human story, recounting Christ’s teaching, crucifixion and resurrection through the eyes of his disciples — ordinary men who would lay the foundation of the Christian church. The Apostles was first performed in Birmingham in October 1903. BY STEPHEN JOHNSON MUSIC WRITER, BROADCASTER, AND COMPOSER Synopsis Edward Elgar PART ONE recitative sets up the opposition of Part One of the oratorio begins at the authorities to Jesus’ preaching.
    [Show full text]
  • Preservings $10.00 No
    -being the Magazine/Journal of the Hanover Steinbach Historical Society Inc. Preservings $10.00 No. 15, December, 1999 “A people who have not the pride to record their own history will not long have the virtues to make their history worth recording; and no people who are indifferent to their past need hope to make their future great.” — Jan Gleysteen Happy Birthday - Hanover Steinbach - 1874-1999 125 Years Old The 1874 Trek The wagon train reenacting the trek of the Steinbach settlers September 10-12, 1999, leaves the landing site at the confluence of the Rat and Red River, turning east off P.R. 200 onto Crown Valley Road, as they start their two day journey. This photograph by Carillon reporter Tim Plett (Carillon News, Sept 13/99, page A9), is evocative of the spirit of the pioneers. For an entire weekend the wagon train captured the hearts and minds of adults and children alike as it made its way across the R. M. of Hanover, stopping for a lunch in Niverville, supper in New Bothwell, a worship service in Chortitz, lunch in Mitchell, and finally a parade down Steinbach’s Main Street escorted by Mounties, to be met and welcomed at the south end of Main Street, K. R. Barkman park (property once owned by the wealthy Franz Kroeker family), by a croud of over a 1000 people. Riding in the lead wagon are Henry and Trina Unrau, the second are Harold and Betty Unger, third is Jake Braun and fourth is Jake Spenst. Congratulations to Hanover Steinbach on the that “residents of Hanover Steinbach have good occasion of its 125th birthday, August 1, 1999, reason to step back and to celebrate....It would be orginally founded as the East Reserve in 1874.
    [Show full text]
  • Singing in ‘The Peg’: the Dynamics of Winnipeg Singing Cultures During the 20Th Century
    Singing in ‘The Peg’: The Dynamics of Winnipeg Singing Cultures During the 20th Century Muriel Louise Smith Doctor of Philosophy University of York Music September 2015 This thesis is dedicated to my parents, William Moore (1910-1982) Ann Moore (1916-2011) who inspired, demanded excellence, and loved me. 2 Abstract The research begins by establishing Winnipeg, as a city comprised of many different European immigrant communities where the dominant British-Canadian culture reflected the Canadian national consciousness of the early 20th century. After an outline of early musical life in the city, four case studies demonstrate how the solo vocal and choral culture in Winnipeg represents a realization of the constitutive, continuously forming and mutable relationships between peoples of differing identities. In all of these case studies, I investigate how this culture has been shaped by social and political actions through transnational connections over the 20th century. The first two case studies are underpinned by the theories of cultural capital and gender. The first focuses on the Women’s Musical Club of Winnipeg (1900-1920s), an elite group of Brito-Canadian women who shaped the reception of high art singing among their peers primarily through their American connections. The second investigates the Men’s Musical Club of Winnipeg (1920s-1950s), a dynamic group of businessmen and musicians who sought to reinforce Brito-Canadian cultural supremacy by developing a choral culture and establishing a music competition festival based on British models and enforced by British musical associations. The third and fourth case studies are examined through the lens of diaspora and identity, underpinned by social capital.
    [Show full text]
  • My Soul Doth Magnify the LORD Desktop
    December 1, 2003 Volume 7, Number 23 My soul doth magnify the LORD DeskTop A prayer during Sunday worship thanked God for the Happy birthday to MEDA “good news of credit, employment and enterprise.” Amen. his year’s MEDA convention celebrated 50 years of profitable service (see page 14). I always thought MCC This little Babe Twas the most practical manifestation of Mennonite hile preparing some readings for a performance of piety, but I was wrong. Benjamin Britten’s “Ceremony of Carols” this MEDA (Mennonite Economic Development Associates) W Advent season, I looked into the life of poet Robert deals in bottom-line reality with slogans like “Business Southwell (1561-1595). Britten used several of Southwell’s solutions for poverty” and “Putting our equity where our poems in his work, including the one featured on the back faith is.” In MCC you talk about “sustainable development.” cover, “This little Babe.” In MEDA you talk about “profits.” Southwell’s vision of the infant Christ is startling—the In a way, MEDA is a breath of fresh air. Here you can be a baby’s shivering vulnerability is quickly transposed into the capitalist and a Christian without apology. Here you can quaking of hell as the warrior babe mounts a fierce attack admit that you like to live well and want to help others against evil. Perhaps this militant vision resonated with make money so they can live well. The convention was very Britten—he composed the work in 1942 while crossing the different from church conventions I’m used to. There were submarine-infested Atlantic.
    [Show full text]
  • The Music Scene December 2002 — February 2003 Contents E N E C
    FREE www.scena.org December 2002 - February 2003 Issue 02 yo-yo Ma An Invitation to Explore Holidays Classical Music Calendar Southern Ontario & Western Canada AVE MARIA BEETHOVEN HANDEL MOZART Sacred Arias And Choruses Symphony No. 9 “Choral” The Messiah (Highlights) Requiem ORFF PETER AND THE WOLF RACHMANINOV TCHAIKOVSKY Carmina Burana Narrated by Piano Concerto No. 2 Nutcracker/Swan Lake Dame Edna Everage Bank/Sparks Ottawa Carrefour Laval Laval Cataraqui Town Centre Kingston Devonshire Mall Windsor Fairview Mall Willowdale First Canadian Place Toronto Halifax Halifax Laurier Ste-Foy Market Mall Calgary Mayfair Victoria Montreal Megastore Montréal Park Royal Vancouver Pointe-Claire Pointe- Claire Polo Park Winnipeg Portage Place Winnipeg Richmond Centre Richmond Rideau Ottawa Scarborough Town Centre Scarborough Sherway Gardens Etobicoke Square One Mississauga St Vital Winnipeg Stone Road Guelph TD Square Calgary Toronto Superstore Toronto Upper Canada Mall Newmarket West Edmonton Edmonton Yonge & Bloor Toronto Yonge & Eglinton Centre Toronto Yorkdale Toronto 3 CDs for $20 offer in effect at participating HMV locations only until December 24, 2002. Offer applies to specially stickered CD selections only. Individually priced at 7.99 each. HMV reserves the right to limit quantities and cease offer at any time. Offer valid only while quantities last. One HMV Coupon Booklet per transaction. HMV reserves the right to limit quantities. Minimum $40 purchase before taxes required. ATMAclassique Introducing the Pacific Baroque Orchestra recognized
    [Show full text]
  • The Cord Weekly (September 11, 1980)
    THECORDWEEKLY Wilfrid Laurier University Waterloo, Ontario Thursday September 11, 1980 Volume 21 Number 2 THE WLU BOOKSTORE: IT WAS GRRREAT! A RIPOFF OR A SERVICE? was Wednesday when 325 students by Carl Friesen store. by Mark Wigmore "There's no money to be made in roller-skated, 200 went pub- The high price oftext books is one In i some cases unsold books textbooks" she says, 'if we were just A week ofdances, bands, parties, crawling and 70 went golfing. In issue at most universities, cannot be returned to the publisher, recurrent a textbook store we would havegone food and fun left few unhappy total 595 students participated in Laurier is no exception. and in some only a certain and under long ago." people and fewer still who called Orientation in that one afternoon. Textbook percentage of the order can be WLU Bookstore Peter Venton, Vice-President Orientation something other than Manager, Kathy Galbraith, returned. Some companies have (Finance) says that the bookstore great. Orientation Co-ordinators, Other "big successes" mentioned confirms that prices have increased time limits after which they will no turned a of$8,000 on profit oversl Steve Wilkie and Jason Price by Jason Price and Steve Wilkie noticeably from last year. longer accept returns. New editions million of total sales, which works summed up the week by stating were the Cystic Fibrosis Shinerama, The bookstore here follows the may make the store's present stock out to 8/10ths of sales. 1% simply, "A lot of people met a lot of the Tamaie Casino Night and the common practise of selling at unsaleable, and the bookstore must The bookstore does make a slight other people." Two-pitch Baseball Tournament.
    [Show full text]
  • Eyewitness to Tsunami Journey to Peacemaking
    PM 40063104 R09613 January 24, 2005 Volume 9, Number 2 Eyewitness to tsunami page 4 Journey to peacemaking page 8 DeskTop I had never interacted with soldiers before. It was quite Journeys to peacemaking unsettling. I felt like their presence was a terrible lie, an wo different experiences deeply shaped my understand- insult to God, given what they would return to in Germany. ing of what it means to be a Mennonite peacemaker. How could these people turn from the most inhuman T I spent my first year away from home doing volun- activity, the taking of another’s life, to one of the most tary service at a Christian retreat centre in Austria. That human, worshipping God together? November, I spent several days in Belgium and northern The group graciously invited anyone working in the France visiting World War I memorial sites. community to their worship services. Deeply distrustful yet This was the part of Europe where the heaviest trench fascinated, I went. Over fighting happened. Trench warfare is a massacre moving in the course of those Here was the enemy—and I slow motion. Just counting Canadians, more than 66,000 evenings, I was yet more died at Vimy Ridge in France. The land around Hill 145 at unsettled. The worship was cleaning their toilets, was heartfelt. The Vimy has been preserved as it was, utterly shredded from making their beds and shelling and mines. I remember a touch of fear as I read the preaching was of the large warning signs and saw the barriers that keep visitors word of God.
    [Show full text]
  • The Cord Weekly, Thursday
    THECORD WEEKLY Wilfrid Laurier University Waterloo, Ontario Thursday, November 27, 1980 Volume 21 Number 12 COMMUNICATE! by Carl Friesen on the nature of the message) are Did yousay somethingreally rude also delivered personally to the to Security in the Turret last night recipient's door. Members of the but are now too embarrassed to go company said that given the words and apologise in person? Looking or the general idea they will make up for a really novel way to request an the lyrics and the tunes also if extension on an English essay? Or necessary. are justdying to ask out the guy you "The two that sing, study Vocal" sit next to in Biz 111but justcan'tget said CarsOn. "We're willing to sing up the nerve? anything, absolutely anything". the services offered by five She added that the group will do enterprising residents of Hickory traditional songs like Happy House. FUN ... WOW! "The Birthday. "For that one we tap Company" is willing to deliver a dance". Cookie-gram, Singing and/or For this service the charge is dancing telegram, or Flower-gram $3.00. to anyone within walkingdistanceof For Flower-grams, the customer the WLU campus. has a choice of a rose or carnation A Cookie-gram is a message "colour of your choice". The service ("any message you want — includes delivery of an attached absolutely anything") written in message, the cost also being $3.00. icing on a large chocolate chip Flqwers are bought from a flower Little House floor B-1 wins a "case of bubbly" and congrats from the Cord forits business-like cookie.
    [Show full text]
  • The Poetry Is in the Pity
    directed by Leonard Enns The Poetry is in the Pity with special guests CBC Radio network concert host, Eric Friesen KW Symphony first chair cellist, John Helmers and featuring the poetry of Wilfrid Owen music of protest, lament, and reflection Allegri Bach Tavener Britten Gorecki Penderecki this concert is an associated event of “Benjamin Britten: A Celebration” Saturday, November 15th, 2003 St. John the Evangelist Anglican Church, Kitchener Program ANTHEM FOR DOOMED YOUTH (OCTOBER 1917) – WILFRID OWEN (1893-1918) Sarabande from Cello Suite No. 2 in d minor – J.S. Bach (1685-1750) DULCE ET DECORUM EST – WILFRID OWEN Amen – Henryk Gorecki (bn. 1933) THE PARABLE OF THE OLD MAN AND THE YOUNG (JULY 1918) – WILFRID OWEN Miserere – Gregorio Allegri (1582-1652) Please hold applause until the end of the concert intermission Sarabande from Cello Suite No.5 in c minor – J.S. Bach AT A CALVARY NEAR THE ANCRE – WILFRID OWEN Agnus Dei – Kristof Penderecki (bn. 1933) FUTILITY – WILFRID OWEN Svyati – John Tavener (bn. 1944) STRANGE MEETING – WILFRID OWEN Immortal Bach (Komm, süsser Tod) – Knut Nystedt (arr.) (bn. 1915) NOTES & TEXTS (Program notes written by Leonard Enns except where indicated) Wilfrid Owen lived a short, troubled life, the victim of the machines of politics, war, and social custom, and the recipient of an amazing and compelling gift of language and poetry. Owen was killed in action, leading his troops in France, in the early morning of November 4th, 1918. The dreaded telegram arrived at his parent’s door in England a week later, on November 11th, as the Armistice bells were ringing.
    [Show full text]
  • The MHSA Chronicle Official Publication of the Mennonite Historical Society of Alberta
    The MHSA Chronicle Official Publication of the Mennonite Historical Society of Alberta Volume XXII Number 3 October 2019 Coaldale Centennial Mennonite Pilot Homecoming by Gerry Regehr by Dave Quapp I, Gerhard (Gerry) Regehr, joined the Royal Known Canadian Air Force on February 12, 1951 at the as The Gem age of 19. I had seen recruitment posters and of the West, found them appealing to my sense of adventure. Coaldale As I was being signed up, the recruiting officer was incor- asked me if I spoke a foreign language, and I porated as a answered, “Yes. German." Then the officer village in asked, “How fluent?" I replied, “Fluent." Ten 1919 and as years later this would send me to Germany as a a town in personal assistant to the base commander, a 1952. Its post I held for four years. centennial After joining up, I spent two years working homecoming Dave Quapp as an airman on Sabre aircraft. Then I entered a celebration, pilot training program. In November 1952, I Gerhard Regehr August 3-4, 2019, attracted former went before the Pilot Selection Board in Lon- 1951 Age 19 Coaldalites from all of western Can- don, Ontario. Of the 180 men present from all across Canada, I was one of ada, with a large segment consisting five who were already in the Air Force. Following a battery of tests, 100 of 2nd generation Mennonites. This were sent home, 37 were selected for pilot training, 17 graduated, and sev- event afforded a great opportunity en became career pilots. Two, Larry Rodewolt of St Albert and I, are still to renew acquaintances for chats alive.
    [Show full text]
  • The Cord Weekly (February 6, 1992)
    A WILFRID LAURIER UNIVERSITY STUDENT PUBLICATION VOLUME XXXII, ISSUE 20 THURSDAY, FEBRUARY 6,1992 THE CORD Bylaw violated by Election Council PAT BRETHOUR ecutive officers like Bowden are is wrong - the decision was ap- advice on the bylaws. tificate or degree granted by the The Cord members of the corporation, and pealed to the Dean's Advisory Kendall refused to comment University and having paid the can run for office. Council. The student spoke to the on whether the Election Council appropriate student fees." The Election Council has broken Michael Reed doesn't agree. Cord on condition of anonymity. had broken Students' Union Section five states, in part, Students' Union bylaws, said cor- "That section of the bylaw is The DAC, which has final bylaws since an appeal had been that "The affairs of the Corpora- porate lawyer Michael Reed. not talking about running for jurisdiction in student matters, is made to the DAC. tion shall be managed by a Board During a Friday morning election, it's talking about scheduled to hear the appeal on The bylaws in question are of Directors composed of the meeting, the Council ruled that qualifications to hold office," he Wednesday evening. The out- section five and 32 of bylaw 11. President, Vice-President Univer- Jeff Bowden, this year's VP Uni- said. come is not known at press time. Section 32 defines a member of sity Affairs, and fifteen directors, versity Affairs, and a part-time "One of those qualifications is John Kendall, the lawyer for the corporation as "individuals each of whom at the time of student, would be allowed to that they must be a member of the the Students' Union and Student that are duly registered in a full- his/her election, and throughout stand for election as Students' Students' Union.
    [Show full text]