Christos Hatzis CURRICULUM VITAE
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Howard Dyck Reflects on Glenn Gould's The
“What you intended to say”: Howard Dyck Reflects on Glenn Gould’s The Quiet in the Land Doreen Helen Klassen The Quiet in the Land is a radio documentary by Canadian pianist and composer Glenn Gould (1932-82) that features the voices of nine Mennonite musicians and theologians who reflect on their Mennonite identity as a people that are in the world yet separate from it. Like the other radio compositions in his The Solitude Trilogy—“The Idea of North” (1967) and “The Latecomers” (1969)—this work focuses on those who, either through geography, history, or ideology, engage in a “deliberate withdrawal from the world.”1 Based on Gould’s interviews in Winnipeg in July 1971, The Quiet in the Land was released by the Canadian Broadcasting Corporation (CBC) only in 1977, as Gould awaited changes in technology that would allow him to weave together snatches of these interviews thematically. His five primary themes were separateness, dealing with an increasingly urban and cosmopolitan lifestyle, the balance between evangelism and isolation, concern with others’ well-being in relation to the historic peace position, and maintaining Mennonite unity in the midst of fissions.2 He contextualized the documentary ideologically and sonically by placing it within the soundscape of a church service recorded at Waterloo-Kitchener United Mennonite Church in Waterloo, Ontario.3 Knowing that the work had received controversial responses from Mennonites upon its release, I framed my questions to former CBC radio producer Howard Dyck,4 one of Gould’s interviewees and later one of his 1 Bradley Lehman, “Review of Glenn Gould’s ‘The Quiet in the Land,’” www. -
Core 1..48 Committee (PRISM::Advent3b2 10.50)
House of Commons CANADA Standing Committee on Canadian Heritage CHPC Ï NUMBER 033 Ï 2nd SESSION Ï 39th PARLIAMENT EVIDENCE Tuesday, June 3, 2008 Chair Mr. Gary Schellenberger Also available on the Parliament of Canada Web Site at the following address: http://www.parl.gc.ca 1 Standing Committee on Canadian Heritage Tuesday, June 3, 2008 Ï (1535) year, the concert was aired for the first time on Radio 2's Canada [English] Live as a result of the opening up of broadcast opportunities for more than classical music. We welcome that change. The Chair (Mr. Gary Schellenberger (Perth—Wellington, CPC)): Good afternoon, everyone. Welcome to meeting number 33 of the Standing Committee on Canadian Heritage. ln 1988, CBC Radio producers of the now defunct The Entertainers approached me, in my role as artistic director of Pursuant to Standing Order 108(2), we are undertaking a study on Toronto's Harbourfront Centre summer concert season, regarding an the dismantling of the CBC Radio Orchestra, on CBC/Radio- opportunity to record elements of the then-just-Iaunched WOMAD Canada's commitment to classical music, and the changes to CBC —Worlds of Music Arts and Dance—festival. It was a revelation. Radio 2. The partnership involved a model whereby a $25,000 blanket fee I welcome all our witnesses here today. Our witnesses are Derek would give CBC the right to record performances. Thirty-three Andrews, president of the Toronto Blues Society; Dominic Lloyd, concerts were recorded that year, and thus began a partnership that artistic director of the West End Cultural Centre; Katherine Carleton, involved many further concert recordings over the years. -
The Canadian Broadcasting Corporation's Annual Report For
ANNUAL REPORT 2001-2002 Valuable Canadian Innovative Complete Creative Invigorating Trusted Complete Distinctive Relevant News People Trust Arts Sports Innovative Efficient Canadian Complete Excellence People Creative Inv Sports Efficient Culture Complete Efficien Efficient Creative Relevant Canadian Arts Renewed Excellence Relevant Peopl Canadian Culture Complete Valuable Complete Trusted Arts Excellence Culture CBC/RADIO-CANADA ANNUAL REPORT 2001-2002 2001-2002 at a Glance CONNECTING CANADIANS DISTINCTIVELY CANADIAN CBC/Radio-Canada reflects Canada to CBC/Radio-Canada informs, enlightens Canadians by bringing diverse regional and entertains Canadians with unique, and cultural perspectives into their daily high-impact programming BY, FOR and lives, in English and French, on Television, ABOUT Canadians. Radio and the Internet. • Almost 90 per cent of prime time This past year, • CBC English Television has been programming on our English and French transformed to enhance distinctiveness Television networks was Canadian. Our CBC/Radio-Canada continued and reinforce regional presence and CBC Newsworld and RDI schedules were reflection. Our audience successes over 95 per cent Canadian. to set the standard for show we have re-connected with • The monumental Canada: A People’s Canadians – almost two-thirds watched broadcasting excellence History / Le Canada : Une histoire CBC English Television each week, populaire enthralled 15 million Canadian delivering 9.4 per cent of prime time in Canada, while innovating viewers, nearly half Canada’s population. and 7.6 per cent share of all-day viewing. and taking risks to deliver • The Last Chapter / Le Dernier chapitre • Through programming renewal, we have reached close to 5 million viewers for its even greater value to reinforced CBC French Television’s role first episode. -
Michael Schade at a Special Release of His New Hyperion Recording “Of Ladies and Love...”
th La Scena Musicale cene English Canada Special Edition September - October 2002 Issue 01 Classical Music & Jazz Season Previews & Calendar Southern Ontario & Western Canada MichaelPerpetual Schade Motion Canada Post Publications Mail Sales Agreement n˚. 40025257 FREE TMS 1-01/colorpages 9/3/02 4:16 PM Page 2 Meet Michael Schade At a Special Release of his new Hyperion recording “Of ladies and love...” Thursday Sept.26 At L’Atelier Grigorian Toronto 70 Yorkville Ave. 5:30 - 7:30 pm Saturday Sept. 28 At L’Atelier Grigorian Oakville 210 Lakeshore Rd.E. 1:00 - 3:00 pm The World’s Finest Classical & Jazz Music Emporium L’Atelier Grigorian g Yorkville Avenue, U of T Bookstore, & Oakville GLENN GOULD A State of Wonder- The Complete Goldberg Variations (S3K 87703) The Goldberg Variations are Glenn Gould’s signature work. He recorded two versions of Bach’s great composition—once in 1955 and again in 1981. It is a testament to Gould’s genius that he could record the same piece of music twice—so differently, yet each version brilliant in its own way. Glenn Gould— A State Of Wonder brings together both of Gould’s legendary performances of The Goldberg Variations for the first time in a deluxe, digitally remastered, 3-CD set. Sony Classical celebrates the 70th anniversary of Glenn Gould's birth with a collection of limited edition CDs. This beautifully packaged collection contains the cornerstones of Gould’s career that marked him as a genius of our time. A supreme intrepreter of Bach, these recordings are an essential addition to every music collection. -
The Apostles Edward
C X A X H A C H P R P R I I S S T T I I C E C E H L H L O R A O R A • A X C H P R I S T I • C H E O R A L X X C A C H A H P R P R I I S S T T I I C E C E H L H L O R A O R A • A X C H P R I S Stephanie Martin April 29, 2017, 7:30 p.m. T I Artistic Director April 30, 2017, 3:00 p.m. • C H E O R A L Edward The Apostles Elgar Pax Christi Chorale and Orchestra with Meredith Hall, Krisztina Szabó, Brett Polegato, Lawrence Wiliford, Daniel Lichti, Michael Uloth, and the Etobicoke School of the Arts Chamber Choir Edward The Apostles Elgar Pax Christi Chorale and Orchestra Stephanie Martin, Artistic Director PART 1 1. The Calling of the Apostles 2. By the Wayside 3. By the Sea of Galilee INTERMISSION PART 2 4. The Betrayal 5. Golgotha 6. At the Sepulchre Please join us in the Parish Hall after today’s 7. The Ascension concert for a reception. Elgar’s oratorio tells a profoundly human story, recounting Christ’s teaching, crucifixion and resurrection through the eyes of his disciples — ordinary men who would lay the foundation of the Christian church. The Apostles was first performed in Birmingham in October 1903. BY STEPHEN JOHNSON MUSIC WRITER, BROADCASTER, AND COMPOSER Synopsis Edward Elgar PART ONE recitative sets up the opposition of Part One of the oratorio begins at the authorities to Jesus’ preaching. -
Student Composers Concert
FACULTY of Jv1USIC UNIVERSITY 'iOF TORONTO Thursday, January 31 , 2008 T:30 pm, Walter Hall Student Composers Concert Invocation and Fanfare Sean King Steve Arsenault, Michelle Wylie, trumpets Marina Krickler, horn Stuart Bremner, trombone Ian Feenstra, tuba Elevator Music Fiona Ryan Lynn Kuo, violin Trop Elisha Denburg Tim Crouch, flute Julia Stroud, clarinet Lance McMillan, bassoon Four Poems of Emily Dickinson Lee Parkin Allison Arends, soprano Emma Elkinson, flute Mohsin Bhujwalla, viola Angela Schwartzkoff, harp Samuel Lam, conductor INTERMISSION Calling Loons Avalon Rusk i. Calling Loons Ii. The Arrival iii. Singing With the Loons iv. The Loons Take Flight Lynn Kuo, violin Rhapsody No.2 Constantine Caravassilis Zhenya Yesmanovich, piano Dance of Dragons Kevin Lau Violin 1 - Mark Johnston Violin 2 - Elizabeth Loewen Andrews Violin 3 - Maia Broido Trumpet - Steve Arsenault, Marcel Sekine Trombone - Annemieke Vanderkraay, Stuart Bremner Bass Trombone - Nelson Garces Flute/Piccolo - Sara Moorhouse, Kaili Maimets Piano - Mark Andrews Taiko - Lance McMillan, Michelle Colton Percussion 1 - Greg Samek Percussion 2 - Tricia Mangat Conductor - Brian Current ." Invocation and Fanfare for Brass Quintet is a piece written in 2007 for the When writing music, he draws from a rich palette of sounds, combining Bloor Street Brass. The Invocation is full of space, and overlapping notes that elements of music from a variety of genres and cultures and weaving them come from nowhere and disappear into nothing. The horn comes in with a into something entirely new. Of key interest to Avalon is the combination brilliant and touching melody, which returns later. Parts of the Invocation are of electronic music and acoustic instruments and the incredible level of horn calls and marches and other sounds, the piece is still deciding what versatility and expressive power that it provides. -
Preservings $10.00 No
-being the Magazine/Journal of the Hanover Steinbach Historical Society Inc. Preservings $10.00 No. 15, December, 1999 “A people who have not the pride to record their own history will not long have the virtues to make their history worth recording; and no people who are indifferent to their past need hope to make their future great.” — Jan Gleysteen Happy Birthday - Hanover Steinbach - 1874-1999 125 Years Old The 1874 Trek The wagon train reenacting the trek of the Steinbach settlers September 10-12, 1999, leaves the landing site at the confluence of the Rat and Red River, turning east off P.R. 200 onto Crown Valley Road, as they start their two day journey. This photograph by Carillon reporter Tim Plett (Carillon News, Sept 13/99, page A9), is evocative of the spirit of the pioneers. For an entire weekend the wagon train captured the hearts and minds of adults and children alike as it made its way across the R. M. of Hanover, stopping for a lunch in Niverville, supper in New Bothwell, a worship service in Chortitz, lunch in Mitchell, and finally a parade down Steinbach’s Main Street escorted by Mounties, to be met and welcomed at the south end of Main Street, K. R. Barkman park (property once owned by the wealthy Franz Kroeker family), by a croud of over a 1000 people. Riding in the lead wagon are Henry and Trina Unrau, the second are Harold and Betty Unger, third is Jake Braun and fourth is Jake Spenst. Congratulations to Hanover Steinbach on the that “residents of Hanover Steinbach have good occasion of its 125th birthday, August 1, 1999, reason to step back and to celebrate....It would be orginally founded as the East Reserve in 1874. -
An Annotated Bibliography of Canadian Oboe Concertos
An Annotated Bibliography of Canadian Oboe Concertos Document Presented in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Oboe in the Performance Studies Division of the University of Cincinnati College-Conservatory of Music January 11, 2016 by Elizabeth E. Eccleston M02515809 B.M., Wilfrid Laurier University, 2004 M.M., University of Cincinnati, 2007 D.M.A. Candidacy: April 5, 2012 256 Major Street Toronto, Ontario M5S 2L6 Canada [email protected] ____________________________ Dr. Mark Ostoich, Advisor ____________________________ Dr. Glenn Price, Reader ____________________________ Professor Lee Fiser, Reader Copyright by Elizabeth E. Eccleston 2016 i Abstract: Post-World War II in Canada was a time during which major organizations were born to foster the need for a sense of Canadian cultural identity. The Canada Council for the Arts, the Canadian Broadcasting Corporation and the Canadian Music Centre led the initiative for commissioning, producing, and disseminating this Canadian musical legacy. Yet despite the wealth of repertoire created since then, the contemporary music of Canada is largely unknown both within and outside its borders. This annotated bibliography serves as a concise summary and evaluative resource into the breadth of concertos and solo works written for oboe, oboe d’amore, and English horn, accompanied by an ensemble. The document examines selected pieces of significance from the mid-twentieth century to present day. Entries discuss style and difficulty using the modified rating system developed by oboist Dr. Sarah J. Hamilton. In addition, details of duration, instrumentation, premiere/performance history, including dedications, commissions, program notes, reviews, publisher information and recordings are included wherever possible. -
Singing in ‘The Peg’: the Dynamics of Winnipeg Singing Cultures During the 20Th Century
Singing in ‘The Peg’: The Dynamics of Winnipeg Singing Cultures During the 20th Century Muriel Louise Smith Doctor of Philosophy University of York Music September 2015 This thesis is dedicated to my parents, William Moore (1910-1982) Ann Moore (1916-2011) who inspired, demanded excellence, and loved me. 2 Abstract The research begins by establishing Winnipeg, as a city comprised of many different European immigrant communities where the dominant British-Canadian culture reflected the Canadian national consciousness of the early 20th century. After an outline of early musical life in the city, four case studies demonstrate how the solo vocal and choral culture in Winnipeg represents a realization of the constitutive, continuously forming and mutable relationships between peoples of differing identities. In all of these case studies, I investigate how this culture has been shaped by social and political actions through transnational connections over the 20th century. The first two case studies are underpinned by the theories of cultural capital and gender. The first focuses on the Women’s Musical Club of Winnipeg (1900-1920s), an elite group of Brito-Canadian women who shaped the reception of high art singing among their peers primarily through their American connections. The second investigates the Men’s Musical Club of Winnipeg (1920s-1950s), a dynamic group of businessmen and musicians who sought to reinforce Brito-Canadian cultural supremacy by developing a choral culture and establishing a music competition festival based on British models and enforced by British musical associations. The third and fourth case studies are examined through the lens of diaspora and identity, underpinned by social capital. -
Hockey Night in Canada
16 Primary 17 Study Guide The Toronto Symphony Orchestra’s Student Concerts are generously supported by Mrs. Gert Wharton and an anonymous donor. Table of Contents Concert Overview Concert Preparation Program Notes 3 4 - 6 7 - 17 Lesson Plans Artist Biographies Musical Terms Glossary 18 - 27 28 - 29 30 - 31 Instruments in Musicians Teacher & Student the Orchestra of the TSO Evaluation Forms 32 - 43 44 - 47 48 - 49 The Toronto Symphony Orchestra gratefully acknowledges Robin Malach for preparing the lesson plans included in this guide Concert Overview The Hockey Sweater Primary: Suitable for students in grades K–4 Alain Trudel, conductor Roch Carrier, narrator Christopher Gongos, horn Abigail Richardson-Schulte, host The beloved Canadian story The Hockey Sweater is brought to life through music in the TSO co-commissioned work of the same name. Just in time for the 2017 Stanley Cup playoffs, this charming winter classic will be narrated by author Roch Carrier. Program to include excerpts from*: Abigail Richardson-Schulte The Hockey Sweater Howard Cable Regatta Day in St. John's André Jutras Suite Fantastique Howard Cable "Point Pelee" from Ontario Pictures Traditional , arr. Marc Bélanger Chicken Reel Douglas Schmidt Rush! Traditional, arr. Mitch Clarke Way Up the Yucletaw (Sing-Along) John Estacio Borealis Dolores Claman, arr. Howard Cable Hockey Night in Canada *Program subject to change 3 Concert Preparation Let's Get Ready! Your class is coming to Roy Thomson Hall to see and hear the Toronto Symphony Orchestra! Here are some suggestions -
ACWC Spring 2021 Journal Is Here!
Spring 2021 Journal eJournal ACWC/ACC Spring 2021 Table of Contents 3 Notes from the Chair Carol Ann Weaver 8 From the Editor Fiona Evison 9 40th Anniversary of ACWC / ACC Diane Berry 12 The ACWC/ACC 20th Anniversary: Then, Now, and Beyond... A Festival of Music by Women Janet Danielson 17 Spotlight on Our Archives Elma Miller 25 Pioneering Compositrices of Canada Elaine Keillor 31 Anniversary Interview: Brenda Muller: Canadian Challenges for Women Com- posers, and the History of the Ardeleana Trio Patricia Morehead 40 Anniversary Interview: Sylvia Rickard: My Composing Life and Memories of Jean Coulthard / Entrevue: Sylvia Rickard Patricia Morehead 48 Panel Reports: Soundscapes and More / Muses Too Carol Ann Weaver 50 New Member Profiles 52 Member Opportunities and News All writers in the Journal are ACWC members, unless otherwise indicated. 2 eJournal ACWC/ACC Spring 2021 Notes from the Chair In Celebration as ACWC/ACC Turns 40: Finding Our “Necessary” Voices Carol Ann Weaver An anniversary 40 years in the making – reason enough to celebrate! In 1981 when Carolyn Lomax met with Ann Southam, Mary Gardiner, and others to form what was to become ACWC, little did she and the other Toronto-based composers know that their work would expand to become an association of over 100 members spread across Canada from Vancouver Island to Newfoundland, and from the Northwest Territories to the US and Europe, incorporating musical forms from soundscape to jazz improvisation, song to symphony, largely centred on innovative Western classical styles – music necessary to compose. In the early 80’s when ACWC1 boasted a membership of some 15 – 35 members, few questioned its predominantly European-rooted membership. -
Jules Léger Prize | Prix Jules-Léger
Jules Léger Prize | Prix Jules-Léger Year/Année Laureates/Lauréats 2020 Kelly-Marie Murphy (Ottawa, ON) Coffee Will be Served in the Living Room (2018) 2019 Alec Hall (New York, NY) Vertigo (2018) 2018 Brian Current (Toronto, ON) Shout, Sisyphus, Flock 2017 Gabriel Turgeon-Dharmoo (Montréal, QC) Wanmansho 2016 Cassandra Miller (Victoria, BC) About Bach 2015 2015 Pierre Tremblay (Huddersfield, UK) Les pâleurs de la lune (2013-14) 2014 Thierry Tidrow (Ottawa, ON) Au fond du Cloître humide 2013 Nicole Lizée (Lachine, QC) White Label Experiment 2012 Zosha Di Castri (New York, NY) Cortège 2011 Cassandra Miller (Montréal, QC) Bel Canto 2010 Justin Christensen (Langley, BC) The Failures of Marsyas 2009 Jimmie LeBlanc (Brossard, QC) L’Espace intérieur du monde 2008 Analia Llugdar (Montréal, QC) Que sommes-nous 2007 Chris Paul Harman (Montréal, QC) Postludio a rovescio 2006 James Rolfe (Toronto, ON) raW 2005 Linda Catlin Smith (Toronto, ON) Garland 2004 Patrick Saint-Denis (Charlebourg, QC) Les dits de Victoire 2003 Éric Morin (Québec, QC) D’un château l’autre 2002 Yannick Plamondon, (Québec, QC) Autoportrait sur Times Square 2001 Chris Paul Harman (Toronto, ON) Amerika Canada Council for the Arts | Conseil des arts du Canada 1-800-263-5588 | canadacouncil.ca | conseildesarts.ca 2000 André Ristic (Montréal, QC) Catalogue 1 (bombes occidentales) 1999 Alexina Louie (Toronto, ON) Nightfall 1998 Michael Oesterle (Montréal, QC) Reprise 1997 Omar Daniel (Toronto, ON) Zwei Lieder nach Rilke 1996 Christos Hatzis (Toronto, ON) Erotikos Logos 1995 John Burke (Toronto, ON) String Quartet 1994 Peter Paul Koprowski (London, ON) Woodwind Quintet 1993 Bruce Mather (Montréal, QC) YQUEM 1992 John Rea (Outremont, QC) Objets perdus 1991 Donald Steven (Montréal, QC) In the Land of Pure Delight 1989 Peter Paul Koprowski (London, ON) Sonnet for Laura 1988 Michael Colgrass (Toronto, ON) Strangers: Irreconcilable Variations for Clarinet, Viola and Piano 1987 Denys Bouliane (Montréal, QC) À propos..