DOCSLIB.ORG

Japan Content Showcase2016 Exhibitor List As of 2016/10/5 Exhibition Market Country Company Name 社名 TIFFCOM/TIAF Japan 1-10HOLDINGS, Inc

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Japan Content Showcase2016 Exhibitor List As of 2016/10/5 Exhibition Market Country Company Name 社名 TIFFCOM/TIAF Japan 1-10HOLDINGS, Inc Japan Content Showcase2016 Exhibitor List as of 2016/10/5 Exhibition Market Country Company Name 社名 TIFFCOM/TIAF Japan 1-10HOLDINGS, Inc. 1-10group ワン・トゥー・テン・グループ TIMM Japan 1st PLACE Co., Ltd. １st PLACE株式会社 TIFFCOM/TIAF Japan 1st PLACE Co., Ltd. １st PLACE株式会社 TIFFCOM/TIAF Japan a Co.,Ltd 株式会社 a TIFFCOM Japan ABC ANIMATION, INC. 株式会社ABCアニメーション TIFFCOM/TIAF Japan ABC International Inc. 株式会社ABCインターナショナル TIFFCOM/TIAF Japan CBC TELEVISION CO.,LTD. 株式会社CBCテレビ TIFFCOM/TIAF Japan Creative Engine J.O.E.（Japan) Creative Engine J.O.E.（Japan) TIFFCOM/TIAF Japan CRUNCHYROLL, INC CRUNCHYROLL, INC TIFFCOM/TIAF Japan ENBU Seminar Co., ltd. 株式会社ENBUゼミナール TIFFCOM/TIAF Japan GEEK PICTURES GEEK PICTURES TIFFCOM/TIAF Japan GETA FILMS Geta Films TIFFCOM/TIAF Japan IMAGICA Corp. 株式会社IMAGICA TIFFCOM/TIAF Japan Journal Entertainment Tribute 株式会社Journal Entertaiment Tribute TIMM Japan JVCKENWOOD Victor Entertainment Corp. 株式会社JVCケンウッド・ビクターエンタテインメント TIFFCOM/TIAF Japan KADOKAWA CORPORATION 株式会社KADOKAWA TIMM Japan LIVE ASIA LIVE ASIA TIMM Japan MAGES., Inc./5pb.Records 株式会社MAGES./5pb.Records TIFFCOM/TIAF Japan MAPPA Co., LTD 株式会社MAPPA TIFFCOM/TIAF Japan NBCUniversal Entertainment Japan LLC NBCユニバーサル・エンターテイメントジャパン合同会社 TIMM Japan NePt Japan Co. Ltd. NePt Japan TIFFCOM/TIAF Japan NHK ENTERPRISES, INC. 株式会社NHK エンタープライズ TIFFCOM/TIAF Japan Nippon Television Network Corporation NNS日本テレビネットワーク TIFFCOM/TIAF Japan NPO Entertainment Lawyers Network NPO法人エンターティメント・ロイヤーズ・ネットワーク TIFFCOM Japan P.A.WORKS Co.,Ltd. 株式会社P.A.WORKS TIFFCOM/TIAF Japan RKB MAINICHI BROADCASTING CORP. RKB毎日放送株式会社 TIMM Japan JAPAN EXPO SEFA EVENT TIFFCOM/TIAF Japan SHO-CHU Project SHO-CHU プロジェクト TIFFCOM/TIAF Japan TBS Service, Inc. 株式会社TBSサービス TIFFCOM/TIAF Japan TBS-Tokyo Broadcasting System Television, Inc. 株式会社TBSテレビ TIFFCOM/TIAF Japan Kazuhide Miyasaka "The BERICH" The BERICH TIMM Japan Tokyo Dance Music Event 2016 Tokyo Dance Music Event 2016 TIMM Japan TYCompany LLC.Inc TYCompany 合同会社 TIFFCOM Japan Underdog FIlms, Inc. UNDERDOG FILMS TIFFCOM/TIAF Japan WOWOW INC. 株式会社WOWOW TIFFCOM Japan ARK Entertainment, Inc. アークエンタテインメント株式会社 TIFFCOM/TIAF Japan Akatsuki Co., Ltd. 株式会社暁 TIFFCOM/TIAF Japan ASATSU-DK INC. 株式会社アサツー ディ・ケイ TIFFCOM/TIAF Japan Asahi Broadcasting Corporation 朝日放送株式会社 TIFFCOM/TIAF Japan Asmik Ace, Inc. アスミック・エース株式会社 TIMM Japan ASSOSIA Co., Ltd. 株式会社アソジア TIMM Japan ASOBI SYSTEM アソビシステム株式会社 TIMM Japan attendcom Inc. 株式会社アテンドコム TIFFCOM/TIAF Japan Aniplex Inc. 株式会社アニプレックス TIMM Japan IDAVOLL INC 株式会社イザヴェル TIFFCOM/TIAF Japan Ibaraki Film Commission いばらきフィルムコミッション TIFFCOM/TIAF Japan INJESTAR.Inc 株式会社インジェスター TIMM Japan Independent Label Council Japan インディペンデント・レーベル協議会 TIFFCOM/TIAF Japan Village INC. 株式会社ヴィレッジ TIMM Japan avex group エイベックス・グループ・ホールディングス株式会社 TIMM Japan EXIT TUNES Inc. エグジットチューンズ株式会社 TIFFCOM/TIAF Japan SPO Entertainment Inc. 株式会社エスピーオー TIFFCOM/TIAF Japan EMUS INTERNATIONAL Co., Ltd. 株式会社エミュース・インターナショナル TIFFCOM/TIAF Japan M.SOFT CO.,LTD. 株式会社エム・ソフト TIMM Japan elements Ltd. 有限会社エレメンツ TIFFCOM/TIAF Japan Oita Asahi Broadcasting Co.,Ltd. 大分朝日放送株式会社 TIFFCOM/TIAF Japan OVERLAP, Inc. 株式会社オーバーラップ TIFFCOM/TIAF Japan Office Pri-on Co., Ltd. オフィスプリオン株式会社 TIFFCOM/TIAF Japan Kagoshima Broadcasting Corporation 株式会社⿅児島放送 TIFFCOM/TIAF Japan Kagoshima Yomiuri Television Corp. 株式会社⿅児島読売テレビ TIFFCOM/TIAF Japan Taka Kato 加藤 タカ Exhibition Market Country Company Name 社名 TIFFCOM/TIAF Japan ColorBird Inc. 株式会社カラーバード TIFFCOM/TIAF Japan Kansai Telecasting Corporation 関⻄テレビ放送株式会社 TIMM Japan Kitty Publishing Inc. 株式会社キティパブリッシング TIFFCOM/TIAF Japan GAGA Corporation ギャガ株式会社 TIFFCOM/TIAF Japan CHARACTER SHOWCASE（Quan Inc.） キャラクターショーケース（株式会社クオン） TIFFCOM/TIAF Japan CHARACTER SHOWCASE （TV Tokyo Communications） キャラクターショーケース（株式会社テレビ東京コミュニケーション TIFFCOM/TIAF Japan Kyushu Asahi Broadcasting Co., Ltd. 九州朝日放送株式会社 TIMM Japan King Record Co.,Ltd. キングレコード株式会社 TIFFCOM/TIAF Japan King Record Co.,Ltd. キングレコード株式会社 TIFFCOM/TIAF Japan Kumamoto Asahi Broadcasting Co.,Ltd. 熊本朝日放送株式会社 TIFFCOM/TIAF Japan Kumamoto Kenmin Television Corporation 株式会社熊本県⺠テレビ TIFFCOM/TIAF Japan GROOVE co., Ltd. 有限会社グルーヴ TIFFCOM/TIAF Japan CREi INC. 株式会社クレイ TIFFCOM/TIAF Japan GLOBAL ARROW, Inc. 株式会社グローバルアロー TIFFCOM/TIAF Japan KOCHI SUN SUN BROADCASTING, INC. 高知さんさんテレビ株式会社 TIFFCOM/TIAF Japan Kochi Broadcasting 株式会社高知放送 TIFFCOM/TIAF Japan Kobe Film Office 神⼾フィルムオフィス TIFFCOM/TIAF Japan COCOMARU ココロヲ・動かす・映画社○ TIMM Japan Columbia Marketing Co.,Ltd. コロムビア・マーケティング株式会社 TIMM Japan sign-pole records inc. サインポールレコーズ合資会社 TIFFCOM/TIAF Japan SAPPORO ELECTRONICS & INDUSTRIES CULTIVATION一般財団法人さっぽろ産業振興財団 FOUNDATION TIFFCOM/TIAF Japan GENCO,INC. 株式会社ジェンコ TIFFCOM/TIAF Japan Shizuoka Asahi Television Co., Ltd. 株式会社静岡朝日テレビ TIFFCOM/TIAF Japan Japan Film Commission 特定非営利活動法人 ジャパン・フィルムコミッション TIFFCOM/TIAF Japan Shochiku Broadcasting 松竹ブロードキャスティング TIFFCOM/TIAF Japan Short Shorts Film Festival & Asia ショートショート フィルムフェスティバル＆アジア TIFFCOM/TIAF Japan Shin-etsu Broadcasting Co., Ltd 信越放送株式会社 TIMM Japan Skybeat creation スカイビートクリエイション TIFFCOM/TIAF Japan Spirits Project Inc. 株式会社スピリッツ・プロジェクト TIMM Japan Sony Music Artists Inc 株式会社ソニー・ミュージックアーティスツ TIMM Japan Sony Music Entertainment (Japan) Inc. 株式会社ソニー・ミュージックエンタテインメント TIMM Japan Sony Music Communications 株式会社ソニー・ミュージックコミュニケーションズ TIMM Japan Sony Music Publishing (Japan) Inc. 株式会社ソニー・ミュージックパブリッシング TIFFCOM/TIAF Japan Turner Japan K.K. ターナージャパン株式会社 TIFFCOM/TIAF Japan Dandelion Animation Studio LLC. 合同会社ダンデライオンアニメーションスタジオ TIMM Japan DEARSTAGE Inc. 株式会社ディアステージ TIMM Japan DEARSTAGE inc. / LIVE ASIA Inc. 株式会社ディアステージ / 株式会社ライブエイジア TIFFCOM/TIAF Japan TI ComNet 有限会社ティーアイ・コムネット TIFFCOM/TIAF Japan T&Einc 株式会社ティーアンドイー TIFFCOM/TIAF Japan d-rights Inc. 株式会社ディーライツ TIMM Japan TEICHIKU ENTERTAINMENT,INC. 株式会社テイチクエンタテインメント TIFFCOM/TIAF Japan TAKEONE 株式会社テーク・ワン TIFFCOM/TIAF Japan Technology Seed Incubation Co.,Ltd. テクノロジーシードインキュベーション株式会社 TIFFCOM/TIAF Japan Digital-Contents Inc 有限会社デジタルコンテンツ TIFFCOM/TIAF Japan DIGITAL WORKS Entertainment Inc. 株式会社デジタルワークスエンターテイメント TIFFCOM/TIAF Japan Television Osaka, Inc. テレビ大阪株式会社 TIFFCOM/TIAF Japan Television Nishinippon Corporation 株式会社テレビ⻄日本 TIFFCOM/TIAF Japan Ehime Broadcasting Co,. Ltd. 株式会社テレビ愛媛 TIFFCOM/TIAF Japan TELEVISION IWATE CORP. 株式会社テレビ岩手 TIFFCOM/TIAF Japan Miyazaki Telecasting 株式会社テレビ宮崎 TIFFCOM/TIAF Japan Television Kanazawa Corp. 株式会社テレビ⾦沢 TIFFCOM/TIAF Japan Television Shinshu Broadcasting 株式会社テレビ信州 TIFFCOM/TIAF Japan Television Niigata Network Co., Ltd. 株式会社テレビ新潟放送網 TIFFCOM/TIAF Japan Television Kanagawa 株式会社テレビ神奈川 TIFFCOM/TIAF Japan Television Oita System Corp. 株式会社テレビ大分 TIFFCOM/TIAF Japan TV-Asahi Corporation 株式会社テレビ朝日 TIFFCOM/TIAF Japan TV TOKYO Corporation 株式会社テレビ東京 TIFFCOM/TIAF Japan Television Hokkaido Broadcasting Co.,LTD 株式会社テレビ北海道 TIFFCOM/TIAF Japan Tokai Television Broadcasting Co., Ltd. 東海テレビ放送株式会社 TIFFCOM/TIAF Japan TOHOKU BROADCASTING CO LTD 東北放送株式会社 TIFFCOM/TIAF Japan TMS ENTERTAINMENT CO.,LTD. 株式会社トムス・エンタテインメント TIFFCOM/TIAF Japan TOYAMA TELEVISION BROADCASTING Co.,ltd. 富山テレビ放送株式会社 Exhibition Market Country Company Name 社名 TIMM Japan Dreamusic Inc. 株式会社ドリーミュージック TIFFCOM/TIAF Japan Nagasaki International Television Broadcasting 株式会社⻑崎国際テレビ TIFFCOM/TIAF Japan Asahi Broadcasting Nagano ⻑野朝日放送株式会社 TIMM Japan Nagara production Co.,Ltd. 株式会社⻑良プロダクション TIFFCOM/TIAF Japan Nagoya Broadcasting Network Co.,Ltd.(Nagoya TV) 名古屋テレビ放送株式会社 TIMM Japan NANO MEDIA INC. 株式会社 ナノ・メディア TIFFCOM/TIAF Japan Niigata Television Network 21, Inc. 株式会社新潟テレビ21 TIFFCOM/TIAF Japan Broadcasting System of Niigata Inc. 株式会社新潟放送 TIMM Japan NIPPON CROWN Co.,Ltd. 日本クラウン株式会社 TIMM Japan Nippon Columbia Co., Ltd. 日本コロムビア株式会社 TIFFCOM/TIAF Japan Japan Broadcasting Corporation 日本放送協会 TIMM Japan Recording Industry Association of Japan 一般社団法人日本レコード協会 TIMM Japan Neodelight International 株式会社ネオディライトインターナショナル TIFFCOM/TIAF Japan NEONTETRA Ltd. 有限会社ネオンテトラ TIMM Japan noisix Entertainment Inc ノイジックス・エンタテインメント株式会社 TIMM Japan Heart Tree ハートツリー株式会社 TIFFCOM/TIAF Japan Hakuhodo DY music & pictures Inc. 株式会社博報堂DYミュージック＆ピクチャーズ TIFFCOM/TIAF Japan Pacific Voice Inc. 株式会社パシフィックボイス TIMM Japan VAP INC. 株式会社バップ TIMM Japan ParadeAll Inc. パレードオール株式会社 TIFFCOM/TIAF Japan Hello Earth Inc. 株式会社ハローアース TIFFCOM/TIAF Japan BANDAI VISUAL CO., LTD. バンダイビジュアル株式会社 TIFFCOM/TIAF Japan Pierrot Co., Ltd. 株式会社ぴえろ TIFFCOM/TIAF Japan Higashi Nippon Broadcasting Co., Ltd. 株式会社東日本放送 TIFFCOM/TIAF Japan P.I.C.S. Co., Ltd. 株式会社ピクス TIMM Japan Victor Music Arts, Inc. ビクターミュージックアーツ株式会社 TIFFCOM Japan Bitters End, inc ビターズ・エンド TIFFCOM/TIAF Japan VIDEO WORKS OKINAWA LTD 株式会社ビデオワークス沖縄 TIFFCOM/TIAF Japan Beyond C. Co., Ltd. 株式会社美よんどしい（STUDIO4℃ Co., Ltd.） TIFFCOM/TIAF Japan BILIBILI CO.,LTD. 株式会社ビリビリ TIFFCOM/TIAF Japan Hiroshima Home Television Co.,Ltd. 株式会社広島ホームテレビ TIMM Japan FOR LIFE MUSIC ENTERTAINMENT,INC. 株式会社フォーライフミュージックエンタテイメント TIFFCOM/TIAF Japan Fukuoka Broadcasting System, Corp. 株式会社福岡放送 TIFFCOM/TIAF Japan Fuji Creative Corporation (FCC) 株式会社フジクリエイティブコーポレーション (FCC) TIFFCOM/TIAF Japan Fuji Television Network, Inc. 株式会社フジテレビジョン TIMM Japan Flagship Artists 株式会社フラッグシップ・アーティスツ TIFFCOM/TIAF Japan Production I.G 株式会社プロダクション・アイジー TIMM Japan Bellwood Records Co.,Ltd. ベルウッド・レコード株式会社 TIFFCOM/TIAF Japan HOKURIKU ASAHI BROADCASTING CO,. Ltd 北陸朝日放送株式会社 TIFFCOM/TIAF Japan HTB Hokkaido Television Broadcasting 北海道テレビ放送株式会社 TIFFCOM/TIAF Japan PONY CANYON INC. 株式会社ポニーキャニオン TIMM Japan PONYCANYON INC. 株式会社ポニーキャニオン TIFFCOM/TIAF Japan POLYGON MAGIC, INC. ポリゴンマジック株式会社 TIMM Japan White Lilly Co.,Ltd. 有限会社ホワイトリリー TIFFCOM/TIAF Japan Mainichi Broadcasting System,Inc. 株式会社毎日放送 TIMM Japan MOSHI MOSHI NIPPON produced by ASOBISYSTEM もしもしにっぽん TIFFCOM/TIAF Japan Yamagata TelevisionSystem Inc. 株式会社山形テレビ TIFFCOM/TIAF Japan
Load more

Recommended publications
  • The Recording Industry in Japan 2016 Contents
    RIAJ YEARBOOK 2016 Statistics Trends The Recording Industry in Japan 2016 Contents Overview of Production of Recordings and Digital Music Sales in 2015 ........................... 1 Statistics by Format (Unit Basis — Value Basis) ........................................................................ 4 1. Total Recorded Music — Production on Unit Basis.................................................................... 4 2. Total Audio Recordings — Production on Unit Basis .................................................................. 4 3. Total CDs — Production on Unit Basis ...................................................................................... 4 4. Total Recorded Music — Production on Value Basis ................................................................. 5 5. Total Audio Recordings — Production on Value Basis ............................................................... 5 6. Total CDs — Production on Value Basis .................................................................................... 5 7. CD Singles — Production on Unit Basis .................................................................................... 6 8. 5" CD Albums — Production on Unit Basis ............................................................................... 6 9. Music Videos — Production on Unit Basis ................................................................................ 6 10. CD Singles — Production on Value Basis .................................................................................. 7 11. 5" CD
    [Show full text]
  • Nintendo Famicom
    Nintendo Famicom Last Updated on September 23, 2021 Title Publisher Qty Box Man Comments '89 Dennou Kyuusei Uranai Jingukan 10-Yard Fight Irem 100 Man Dollar Kid: Maboroshi no Teiou Hen Sofel 1942 Capcom 1943: The Battle of Valhalla Capcom 1943: The Battle of Valhalla: FamicomBox Nintendo 1999: Hore, Mitakotoka! Seikimatsu C*Dream 2010 Street Fighter Capcom 4 Nin uchi Mahjong Nintendo 8 Eyes Seta 8bit Music Power Final: Homebrew Columbus Circle A Ressha de Ikou Pony Canyon Aa Yakyuu Jinsei Icchokusen Sammy Abadox: Jigoku no Inner Wars Natsume Abarenbou Tengu Meldac Aces: Iron Eagle III Pack-In-Video Advanced Dungeons & Dragons: Dragons of Flame Pony Canyon Advanced Dungeons & Dragons: Heroes of the Lance Pony Canyon Advanced Dungeons & Dragons: Hillsfar Pony Canyon Advanced Dungeons & Dragons: Pool of Radiance Pony Canyon Adventures of Lolo HAL Laboratory Adventures of Lolo II HAL Laboratory After Burner Sunsoft Ai Sensei no Oshiete: Watashi no Hoshi Irem Aigiina no Yogen: From The Legend of Balubalouk VIC Tokai Air Fortress HAL Laboratory Airwolf Kyugo Boueki Akagawa Jirou no Yuurei Ressha KING Records Akira Taito Akuma Kun - Makai no Wana Bandai Akuma no Shoutaijou Kemco Akumajou Densetsu Konami Akumajou Dracula Konami Akumajou Special: Boku Dracula Kun! Konami Alien Syndrome Sunsoft America Daitouryou Senkyo Hector America Oudan Ultra Quiz: Shijou Saidai no Tatakai Tomy American Dream C*Dream Ankoku Shinwa - Yamato Takeru Densetsu Tokyo Shoseki Antarctic Adventure Konami Aoki Ookami to Shiroki Mejika: Genchou Hishi Koei Aoki Ookami to Shiroki Mejika: Genghis Khan Koei Arabian Dream Sherazaado Culture Brain Arctic Pony Canyon Argos no Senshi Tecmo Argus Jaleco Arkanoid Taito Arkanoid II Taito Armadillo IGS Artelius Nichibutsu Asmik-kun Land Asmik ASO: Armored Scrum Object SNK Astro Fang: Super Machine A-Wave Astro Robo SASA ASCII This checklist is generated using RF Generation's Database This checklist is updated daily, and it's completeness is dependent on the completeness of the database.
    [Show full text]
  • Archiving Movements: Short Essays on Materials of Anime and Visual Media V.1
    Contents Exhibiting Anime: Archive, Public Display, and the Re-narration of Media History Gan Sheuo Hui ………… 2 Utilizing the Intermediate Materials of Anime: Royal Space Force: The Wings of Honnêamise Ishida Minori ………… 17 The Film through the Archive and the Archive through the Film: History, Technology and Progress in Royal Space Force: The Wings of Honnêamise Dario Lolli ………… 25 Interview with Yamaga Hiroyuki, Director of Royal Space Force: The Wings of Honnêamise What Do Archived Materials Tell Us about Anime? Kim Joon Yang ………… 31 Exhibiting Manga: Impulses to Gain from the Archiving/Unearthing Anime Project Jaqueline Berndt ………… 36 Analyzing “Regional Communities” with “Visual Media” and “Materials” Harada Ken’ichi ………… 41 About the Archive Center for Anime Studies in Niigata University ………… 45 Exhibiting Anime: Archive, Public Display, and the Re-narration of Media History Gan Sheuo Hui presumably, the majority are in various storage Background of the Project places after their production cycles. It is not The exhibition “A World is Born: The uncommon that they are forgotten, displaced or Emerg­­ing Arts and Designs in 1980s Japanese eventually discarded due to the expenses incurred Animation” (19-31 March 2018) hosted at DECK, for storage. In many ways, these materials an independent art space in Singapore, is encompass an often forgotten yet significant part of an ongoing research collaboration research resource essential for understanding between the researchers from Puttnam School key aspects of Japanese animation production of Film and Animation in Singapore and the cultures and practices. Archive Center for Anime Studies in Niigata “A World is Born” was an exhibition focusing University (ACASiN).
    [Show full text]
  • Protoculture Addicts #68
    Sample file CONTENTS 3 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ PROTOCULTURE ✾ PRESENTATION ........................................................................................................... 4 STAFF NEWS ANIME & MANGA NEWS: Japan / North America ............................................................... 5, 10 Claude J. Pelletier [CJP] — Publisher / Manager ANIME & MANGA RELEASES ................................................................................................. 6 Martin Ouellette [MO] — Editor-in-Chief PRODUCTS RELEASES ............................................................................................................ 8 Miyako Matsuda [MM] — Editor / Translator NEW RELEASES ..................................................................................................................... 11 Contributing Editors Aaron K. Dawe, Asaka Dawe, Keith Dawe REVIEWS Kevin Lillard, James S. Taylor MODELS: ....................................................................................................................... 33, 39 MANGA: ............................................................................................................................. 40 Layout FESTIVAL: Fantasia 2001 (Anime, Part 2) The Safe House Metropolis ...................................................................................................................... 42 Cover Millenium Actress ...........................................................................................................
    [Show full text]
  • Jay Graydon Discography (Valid July 10, 2008)
    Jay Graydon Discography (valid July 10, 2008) Jay Graydon Discography - A (After The Love Has Gone) Adeline 2008 RCI Music Pro ??? Songwriter SHE'S SINGIN' HIS SONG (I Can Wait Forever) Producer 1984 258 720 Air Supply GHOSTBUSTERS (Original Movie Soundtrack) Arista Songwriter 1990 8246 Engineer (I Can Wait Forever) Producer 2005 Collectables 8436 Air Supply GHOSTBUSTERS (Original Movie Soundtrack - Reissue) Songwriter 2006 Arista/Legacy 75985 Engineer (I Can Wait Forever) Producer Air Supply DEFINITIVE COLLECTION 1999 ARISTA 14611 Songwriter (I Can Wait Forever) Producer Air Supply ULTIMATE COLLECTION: MILLENNIUM [IMPORT] 2002 Korea? ??? Songwriter (I Can Wait Forever) BMG Entertainment 97903 Producer Air Supply FOREVER LOVE 2003 BMG Entertainment, Argentina 74321979032 Songwriter (I Can Wait Forever) FOREVER LOVE - 36 GREATEST Producer Air Supply HITS 1980 - 2001 2003 BMG Victor BVCM-37408 Import (2 CDs) Songwriter (I Can Wait Forever) Producer Air Supply PLATINUM & GOLD COLLECTION 2004 BMG Heritage 59262 Songwriter (I Can Wait Forever) Producer Air Supply LOVE SONGS 2005 Arista 66934 Songwriter (I Can Wait Forever) Producer Air Supply 2006 Sony Bmg Music, UK 82876756722 COLLECTIONS Songwriter Air Supply (I Can Wait Forever) 2006 Arista 75985 Producer GHOSTBUSTERS - (bonus track) remastered UPC: 828767598529 Songwriter (I Can Wait Forever) Producer Air Supply 2007 ??? ??? GRANDI SUCCESSI (2 CD) Songwriter (I Can Wait Forever) ULTIMATE COLLECTION Producer Air Supply 2007 Sony/Bmg Import ??? [IMPORT] [EXPLICIT LYRICS] [ENHANCED] Songwriter (I Can Wait Forever) Producer Air Supply ??? ??? ??? BELOVED Songwriter (I Can Wait Forever) Producer Air Supply CF TOP 20 VOL.3 ??? ??? ??? Songwriter (Compilation by various artists) (I Can Wait Forever) Producer Air Supply COLLECTIONS TO EVELYN VOL.
    [Show full text]
  • Zest for Living in Disaster” –
    Developments of Tools to Survive the Disasters –CivilEmpowermentof“ZestforLivinginDisaster”– Survey Report: Developments of Tools to Survive the Disasters – Civil Empowerment of “Zest for Living in Disaster” – Shosuke Sato∗, Fumihiko Imamura∗, Mari Yasuda∗, Motoaki Sugiura∗,∗∗,andRuiNouchi∗,∗∗,∗∗∗ ∗International Research Institute of Disaster Science, Tohoku University Aoba, 468-1 Aramaki, Aoba-ku, Sendai 980-0845, Japan E-mail: [email protected] ∗∗Institute of Development, Aging and Cancer, Tohoku University, Sendai, Japan ∗∗∗Frontier Research Institute for Interdisciplinary Sciences, Tohoku University, Sendai, Japan [Received September 2, 2015; accepted January 4, 2016] This paper introduces practical efforts to reduce lo- plans and enlightening tools to acquire “zest for living.” cal disasters in the “Project on civil empowerment for To summarize those activities and discuss future devel- ‘zest for life during a disaster”’ undertaken by the au- opment, the project involved the “symposium for promot- thors and the three projects that have been developed ing the project on civil empowerment for ‘zest for life and implemented thus far: “Pocket Notebook and during a disaster”’ in the third UN World Congress on Handbook for Family’s Disaster Resilience (MINNA- Disaster Reduction in March 2015. This report describes NO-BOSAI TECHO),” “Pocket Notebook and Hand- “Pocket Notebook and Handbook for Family’s Disas- book for Boys and Girls Disaster Resilience (BOKU- ter Resilience (MINNA-NO-BOSAI TECHO),” “Pocket NO-WATASHI-NO-BOSAI TECHO),” and “SENDAI Notebook and Handbook for Boys and Girls Disaster Re- CAMP (BOSAI CAMP).” These activities were re- silience (BOKU-NO-WATASHI-NO-BOSAI TECHO),” ported on a public forum in the third UN World and “SENDAI CAMP (BOSAI CAMP)” that had been ac- Congress on Disaster Reduction, where the impor- tively undertaken in the project on civil empowerment for tance of involving all citizens in disaster reduction and ‘zest for life during a disaster.’ prevention through projects was recognized in a com- prehensive discussion.
    [Show full text]
  • RIAJ Yearbook 2018 1 Overview of Production of Recordings and Digital Music Sales in 2017
    Statistics RIAJ YEARBOOK Trends 2018 The Recording Industry in Japan 2018 Contents Overview of Production of Recordings and Digital Music Sales in 2017 .................. 1 Statistics by Format (Unit Basis — Value Basis) .............................................................. 4 1. Total Recorded Music — Production on Unit Basis ............................................... 4 2. Total Audio Recordings — Production on Unit Basis ............................................ 4 3. Total CDs — Production on Unit Basis .................................................................... 4 4. Total Recorded Music — Production on Value Basis ............................................. 5 5. Total Audio Recordings — Production on Value Basis .......................................... 5 6. Total CDs — Production on Value Basis ................................................................. 5 7. CD Singles — Production on Unit Basis .................................................................. 6 8. 5" CD Albums — Production on Unit Basis ............................................................ 6 9. Music Videos — Production on Unit Basis ............................................................. 6 10. CD Singles — Production on Value Basis................................................................ 7 11. 5" CD Albums — Production on Value Basis.......................................................... 7 12. Music Videos — Production on Value Basis ........................................................... 7 13. Digital
    [Show full text]
  • Japan Content Showcase2016 マーケットレポート
    Market Report 2016 Focused on latest trends 18,330 participants conducted various business meetings PARTICIPANTs Japan Content Showcase is a leading multi-content market in Asia featuring music, films, TV and animation. JCS celebrated 5th anniversary in 2016 as a joint market with TIFFCOM （the affiliated market of Tokyo International Film Festival*1）, Tokyo International Music Market （TIMM） and Tokyo International Anime Festival （TIAF） and highest recorded, 18,330 participants visited the market*2. In addition to many buyers and sellers, producers and other various professionals from different fields also attended JCS 2016. *1 The only film festival in Japan approved by the International Federation of Film Producers Associations *2 Excluding live showcase outside the market Breakdown of Participants' Profession Valid responses 3,139 ： Buyer's VOICE PRODUCER's VOICE Buyer's VOICE Buyer(Acquisitions) 1,189 Film Commission Film Fund 5 1 / Mary Alana Gibson Pancha Charam.P NALLIAH Irene Lloren Seller 423 Talent Management 37 Digital Media Rights LLC ／ USA MALAYSIAN FILM PRODUCERS ASSOCIATION ／Malaysia Primetrade Asia, Inc. ／ Philippines Producer 340 Legal Expert/Clerk 30 The market is pretty A well organized I think it is great nice bacause I can t i m e . B e c a u s e Content Creator 299 Public Relations/Journalist 25 focus more on the event. Bravo! Asian content and buyers can actually Marketing 2 1 2 Translator/Interpreter 23 Anime. There are lots cross over from of local companies Director 74 Government Agency/Embassy 20 music to film. It t h e U S h a s n eve r wo u l d b e g re a t Festival/Market 66 Publisher 1 8 worked with before and that is kind of o p p o r t u n i t y fo r Filmmaker 57 Other 223 important.
    [Show full text]
  • Found in Translation: Evolving Approaches for the Localization of Japanese Video Games
    arts Article Found in Translation: Evolving Approaches for the Localization of Japanese Video Games Carme Mangiron Department of Translation, Interpreting and East Asian Studies, Universitat Autònoma de Barcelona, 08193 Bellaterra, Barcelona, Spain; [email protected] Abstract: Japanese video games have entertained players around the world and played an important role in the video game industry since its origins. In order to export Japanese games overseas, they need to be localized, i.e., they need to be technically, linguistically, and culturally adapted for the territories where they will be sold. This article hopes to shed light onto the current localization practices for Japanese games, their reception in North America, and how users’ feedback can con- tribute to fine-tuning localization strategies. After briefly defining what game localization entails, an overview of the localization practices followed by Japanese developers and publishers is provided. Next, the paper presents three brief case studies of the strategies applied to the localization into English of three renowned Japanese video game sagas set in Japan: Persona (1996–present), Phoenix Wright: Ace Attorney (2005–present), and Yakuza (2005–present). The objective of the paper is to analyze how localization practices for these series have evolved over time by looking at industry perspectives on localization, as well as the target market expectations, in order to examine how the dialogue between industry and consumers occurs. Special attention is given to how players’ feedback impacted on localization practices. A descriptive, participant-oriented, and documentary approach was used to collect information from specialized websites, blogs, and forums regarding localization strategies and the reception of the localized English versions.
    [Show full text]
  • RIAJ Yearbook 2019 1 Overview of Production of Recordings and Digital Music Sales in 2018
    Statistics RIAJ YEARBOOK Trends 2019 The Recording Industry in Japan 2019 Contents Overview of Production of Recordings and Digital Music Sales in 2018 .................. 1 Statistics by Format (Unit Basis — Value Basis) .............................................................. 4 1. Total Recorded Music — Production on Unit Basis ............................................... 4 2. Total Audio Recordings — Production on Unit Basis ............................................ 4 3. Total CDs — Production on Unit Basis .................................................................... 4 4. Total Recorded Music — Production on Value Basis ............................................. 5 5. Total Audio Recordings — Production on Value Basis .......................................... 5 6. Total CDs — Production on Value Basis ................................................................. 5 7. CD Singles — Production on Unit Basis .................................................................. 6 8. 5" CD Albums — Production on Unit Basis ............................................................ 6 9. Music Videos — Production on Unit Basis ............................................................. 6 10. CD Singles — Production on Value Basis................................................................ 7 11. 5" CD Albums — Production on Value Basis.......................................................... 7 12. Music Videos — Production on Value Basis ........................................................... 7 13. Digital
    [Show full text]
  • HFA Irides Review Report Focusing on the 2011
    Hyogo Framework for Action 2005-2015: Building the Resilience of Nations and Communities to Disasters HFA IRIDeS Review Report Focusing on 2011 Great East Japan Earthquake May 2014 International Research Institute of Disaster Science Tohoku University Japan Hyogo Framework for Action 2005-2015: Building the Resilience of Nations and Communities to Disasters HFA IRIDeS Review Report Focusing on 2011 Great East Japan Earthquake May 2014 International Research Institute of Disaster Science Tohoku University Japan Preface Having experienced the catastrophic disaster in 2011, Tohoku University has founded the International Research Institute of Disaster Science (IRIDeS). Together with collaborating organizations from many countries and staff with a broad array of specializations, the IRIDeS conducts world-leading research on natural disaster science and disaster mitigation. Based on the lessons from the 2011 Great East Japan (Tohoku) Earthquake and Tsunami disaster, the IRIDeS aims to become a world center for the research/ study of disasters and disaster mitigation, learning from and building upon past lessons in disaster management from Japan and others around the world. Throughout, the IRIDeS should contribute to on- going recovery/reconstruction efforts in areas affected by the 2011 tsunami, conducting action-oriented research and pursuing effective disaster management to build a sustainable and resilient society. The 3rd United Nations World Conference on Disaster Risk Reduction 2015 will be held on 14-18 March 2015 in Sendai City, one of the areas seriously damaged due to the 2011 Earthquake and Tsunami. The IRIDeS shall play an important role at the conference as an academic organization located in the hosting city. Drafting of this report, focusing on the 2011 Earthquake and Tsunami in terms of the core indicators of the Hyogo Framework for Action 2005-2015, is one of the contributory activities to the forthcoming event.
    [Show full text]
  • Connection Nippon
    2.– 6.MAI 2012 NIPPON CONNECTION JAPANISCHES FILMFESTIVAL FRANKFURT AM M AIN xxxx_nippon_connection_M+K_ad_alt 14/3/12 12:26 Page 1 1 Page 12:26 14/3/12 xxxx_nippon_connection_M+K_ad_alt SIE WOLLEN DIE DIE WOLLEN SIE ORIGINALSCHAUPLÄTZE SEHEN? SEHEN? ORIGINALSCHAUPLÄTZE Tradition und Hightech – beidem fühlen wir uns uns wir fühlen beidem – Hightech und radition T verpflichtet. An Bord modernster Flugzeuge finden finden Flugzeuge modernster Bord An verpflichtet. Sie die sprichwör tlich japanische Gastfreundschaft. eundschaft. Gastfr japanische tlich sprichwör die Sie JAL fliegt täglich nonstop mit B777-300 zwischen zwischen B777-300 mit nonstop täglich fliegt JAL Frankfurt und Tokyo. Und mit dem ‘ oneworld® ® world one ‘ dem mit Und Tokyo. und Frankfurt Yokoso! Visit Japan Tarif’ sind 39 Destinationen in in Destinationen 39 sind Tarif’ Japan isit V okoso! Y Japan kostengünstig zu erreichen. reichen. er zu kostengünstig Japan Auskünfte zu Sonderangeboten und Informationen Informationen und Sonderangeboten zu Auskünfte im Reisebüro oder unter 069-13 60 150. 150. 60 069-13 unter oder Reisebüro im www.de.jal.com .de.jal.com www YOUKOSO! WIR BEGRÜSSEN SIE HERZLICH ZUM 12. JAPANISCHEN YOUKOSO! FILMFESTIVAL NIPPON CONNECTION! Ein Festival ist immer nur so spannend wie seine A film festival is only as good as the films it presents. Filme. Das produktive Kino Japans bietet glückli- Fortunately Japanese cinema is not only productive cherweise eine reiche Fundgrube – und noch mehr but also offers rich quality. And more than that, it of- als das. Es ist stets auch eine Herausforderung. fers a great challenge: even mainstream titles tend Selbst im Mainstream-Bereich verweigert es sich to defy simple genre categorization.
    [Show full text]