Meeting the Expectations of Society
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Tiffcom2o2o Market Report Topics トピックス
TIFFCOM2O2O MARKET REPORT TOPICS トピックス TIFFCOM2020 was held in an all-online format to accommodate the "New Normal". TIFFCOM2020 explored the possibility of a new content market in an on-demand environment that is not restricted by time and space. TIFFCOM2020は、新しい生活様式に合わせたオール・オンラインでの開催を実施。時間と空間に囚われないオンデマンドな環境下で新たなコンテンツマーケットの可能性を探りました。 ONLINE BUSINESS ONLINE BOOTH MATCHING By adopting a virtual booth(VR), we provided a one- In order to provide benefi cial business opportunities for stop environment for buyers to obtain various content exhibitors and buyers, we provided search functions information and exhibitor information stress-free. such as detailed searches by industry and category, and recommendations based on registered information. バ ーチャルブ ース(VR)を採用し、ストレスフリーでの各種コンテンツ情 報や出展者情報が、ワンストップで入手できる環境を提供。 業種やカテゴリーによる詳細検索、登録情報に基づいたレコメンド検索 機能といった、出展者とバイヤーとの有益な商談機会に繋がる環境を提 供。 Search Participants Exhibitor Details 2 16 ONLINE SCREENING ONLINE SEMINAR Provided an online screening service that connected Featured 18 seminars highlighting the latest trends and exhibitors and buyers in a secure environment(DRM). personalities in film, TV, and streaming platforms.The Equipped with a search function with detailed keynote speaker was Jim Gianopulos, Chairman and categorization and convenient functions for content CEO of Paramount Pictures. matching. 映画、TV、配信といった各ジャンルの最新テーマや人物にスポットを当 セキュアな環境下(DRM)での出展者とバイヤーを繋ぐオンラインスクリ てた18プログラムを実施。キーノートには、ジム・ジアノプロス氏(パラ ーニングサービスを提供。細かくカテゴリ分けされた検索機能やコンテ マウント・ピクチャーズ会長兼CEO)が登壇。 ンツマッチングに便利な機能を採用。 SUMMARY 総括 TIFFCOM2020 was -
Japan Content Showcase2016 マーケットレポート
Market Report 2016 Focused on latest trends 18,330 participants conducted various business meetings PARTICIPANTs Japan Content Showcase is a leading multi-content market in Asia featuring music, films, TV and animation. JCS celebrated 5th anniversary in 2016 as a joint market with TIFFCOM (the affiliated market of Tokyo International Film Festival*1), Tokyo International Music Market (TIMM) and Tokyo International Anime Festival (TIAF) and highest recorded, 18,330 participants visited the market*2. In addition to many buyers and sellers, producers and other various professionals from different fields also attended JCS 2016. *1 The only film festival in Japan approved by the International Federation of Film Producers Associations *2 Excluding live showcase outside the market Breakdown of Participants' Profession Valid responses 3,139 : Buyer's VOICE PRODUCER's VOICE Buyer's VOICE Buyer(Acquisitions) 1,189 Film Commission Film Fund 5 1 / Mary Alana Gibson Pancha Charam.P NALLIAH Irene Lloren Seller 423 Talent Management 37 Digital Media Rights LLC / USA MALAYSIAN FILM PRODUCERS ASSOCIATION /Malaysia Primetrade Asia, Inc. / Philippines Producer 340 Legal Expert/Clerk 30 The market is pretty A well organized I think it is great nice bacause I can t i m e . B e c a u s e Content Creator 299 Public Relations/Journalist 25 focus more on the event. Bravo! Asian content and buyers can actually Marketing 2 1 2 Translator/Interpreter 23 Anime. There are lots cross over from of local companies Director 74 Government Agency/Embassy 20 music to film. It t h e U S h a s n eve r wo u l d b e g re a t Festival/Market 66 Publisher 1 8 worked with before and that is kind of o p p o r t u n i t y fo r Filmmaker 57 Other 223 important. -
Outline of Training Exercises in Fukui Prefecture (1/4)
Outline of Training Exercises in Fukui prefecture (1/4) 1. Date and time November 27, 2005 (Sun.) 2. Organizer Cabinet Secretariat, Fukui prefectural government, Mihama Town, and Tsuruga City 3. Assumption The Mihama Nuclear Power Plant of the Kansai Electric Power Co., Inc. has been attacked by a terrorist group. Part of this facility is damaged, which may cause a leak of radioactive material. 4. Major exercise sites (1) Emergency Response On-site Headquarters (the national government, Fukui prefectural government, Mihama Town, and Tsuruga City) Fukui Mihama Nuclear Disaster Prevention Center and Fukui Tsuruga Nuclear Disaster Prevention Center (Logistic support) (2) Fukui Emergency Response Headquarters Fukui prefectural government (3) Mihama Town Emergency Response Headquarters Mihama Town Office (4) Areas requiring evacuation Nyuu district, Takenami district, and Sugahama district in Mihama Town Nishiura district in Tsuruga City (5) Evacuation center, rescue center Mihama Town health and welfare center "Haatopia" 5. Major exercises (1) Exercise to establish the Emergency Response On-site Headquarters National, prefectural and municipal on-site headquarters were established and operated at the Off-site Center (Mihama Nuclear Disaster-Prevention Center). Joint councils, etc. were operated with cooperation among related organizations. (2) Exercise to establish Emergency Response Headquarters, etc. The Emergency Response Headquarters were established by the Fukui prefectural government and municipalities. Various meetings were held and evacuation directives given. (3) Evacuation drill for local residents Based on evacuation directives and evacuation procedures compiled at the Mihama Town On-site Headquarters and Tsuruga City On-site Headquarters, the fire service, the Self- Defense Force, the Prefectural Police and the Japan Coast Guard conducted an evacuation drill for residents of areas requiring evacuation. -
The Hagi Taishou(Grand Prix)Of Contemporary Ceramic Ⅲ
THE GRAND PRIX NEWS The Hagi Taisho u(Grand Prix )of Contemporary Ceramic Ⅲ 2 January 2014 – 2 February 2014 Place:Hagi Uragami Museum, Yamaguchi, Japan. Tel :+81 −838 −24 −2400 Fax :+81 −838 −24 −2401 E-mail :[email protected] URL :http://hum.pref.yamaguchi.lg.jp The Organization Committee of the Hagi Taisho u(Grand Prix )will hold the International Contemporary Ceramic Competition. Ceramic Art is one of the important cultural resources at the Yamaguchi prefecture. We hope this competition will lead to the more development the Ceramic Art and look forward to your creative work. The Application Outline 1. The qualification of application :Disregard :Application form :Japanese or English ※In the 2 nd Jury, ceramists who are not residents at Japan, need to some deputies who are residents at Japan. 2. The number of the works :one or two works / a ceramist 3. The standar d(rule )of the competition : a, The total size of the height + width + depths is within 240cm, and one of the longest side is within 150cm. b, Only ceramic works that are originals, with the exclusion of any copies will be admitted. c, Any works without a hindrance is best in transporting and an exhibition. The works that are easily broken will be rejected. Even in the trust transportation, they will be returned to the sender at their expense. d, Entrants are responsible for sending works to the designated address at their own expense. Each package must imperatively contain a list of the works. The committee of the Hagi Grand Prix is not responsible for any damage to works during shipping. -
THE UNIVERSITY of HULL New Lives in the Ancestral Homeland
THE UNIVERSITY OF HULL New Lives in the Ancestral Homeland: Return migration from South America to mainland Japan and Okinawa being a Thesis submitted for the Degree of Doctor of Philosophy in the University of Hull by Naoko Horikawa MSc January 2012 New Lives in the Ancestral Homeland: Return migration from South America to mainland Japan and Okinawa Naoko Horikawa MSc January 2012 Thesis Abstract This work presents a study of identity formation in migrants of Japanese and Okinawan descent who relocate from countries of South America to mainland Japan and to the island prefecture of Okinawa, initially to seek economic advantage. The migrants, called Nikkeijin, are predominantly progeny of earlier migrants from Japan to South America. In a cross-generational sense, they are return migrants. The ethnographic study, based on field research conducted in two sites on the mainland and in Okinawa, compares Nikkeijin experience and attitudes as they interact with native Japanese. Because of their Japanese background, Nikkeijin benefit from privileged visa status; nonetheless, in Japan they are treated as foreigners, and their identity diversifies. Nikkeijin are found to construct simultaneous social fields in both the country of departure and the new environment. This situation may be recognized through the concept of transnationalism. I argue that Nikkeijin self-identity can be multiple and flexible, and does not necessarily coincide with social identity. An increasing and officially promoted diasporic consciousness among migrants of Okinawan descent would seem to produce a different ethnic response to any on the mainland and a greater potential for integration. My thesis should contribute to the understanding of identity in Nikkeijin return migration. -
Strategic Yet Strained
INTRODUCTION | i STRATEGIC YET STRAINED US FORCE REALIGNMENT IN JAPAN AND ITS EFFECTS ON OKINAWA Yuki Tatsumi, Editor September 2008 ii | STRATEGIC YET STRAINED Copyright ©2008 The Henry L. Stimson Center ISBN: 0-9770023-8-1 Photos from the US Government Cover design by Rock Creek Creative All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means without prior written consent from The Henry L. Stimson Center. The Henry L. Stimson Center 1111 19th Street, NW 12th Floor Washington, DC 20036 phone: 202-223-5956 fax: 202-238-9604 www.stimson.org TABLE OF CONTENTS Acronyms............................................................................................................. v Preface ..............................................................................................................viii Acknowledgements............................................................................................. ix INTRODUCTION.................................................................................................... 1 Yuki Tatsumi and Arthur Lord SECTION I: THE CONTEXT CHAPTER 1: THE GLOBAL POSTURE REVIEW OF THE UNITED STATES: “REDUCE, MAINTAIN, AND ENHANCE”............................................................... 13 Derek J. Mitchell CHAPTER 2: THE US STRATEGY BEYOND THE GLOBAL POSTURE REVIEW ...... 25 Tsuneo “Nabe” Watanabe CHAPTER 3: THE LEGACY OF PRIME MINISTER KOIZUMI’S JAPANESE FOREIGN POLICY: AN ASSESSMENT ................................................................... -
Living the Broadcasting History of Post-War Okinawa Chosei
Oral History of Broadcasting Start from Scratch: Living the Broadcasting History of Post-War Okinawa Chosei Kabira, Former President of Okinawa Hoso Kyokai (OHK) [Okinawa Public Broadcasting System] December 2018 Isao Yoshida Kyoko Hirotani NHK Broadcasting Culture Research Institute Media History Research 1 Abstract The series “Oral History of Broadcasting” has been conducting interviews with an aim to trace the history of broadcasting from the testimonies of people involved in broadcasting by adopting the research methodology of oral history. This paper features the broadcasting history of post-war Okinawa. After WWII, Okinawa came under the direct rule of the U.S. military forces and was totally detached from the mainland Japan in terms of politics, economy, and legal system, which was extended to social and cultural aspects. Broadcasting history was no exception: how it began and how it developed was entirely different from that in the mainland Japan. In the ruins where broadcast function had been completely lost, a radio broadcast service was launched from scratch by the U.S. military and gradually evolved into an established entity while being tossed up and down by the Japanese and U.S. governments as well as social landscapes. Here is a person who has been deeply involved in the process, experiencing each critical stage: Chosei Kabira, former President of Okinawa Hoso Kyokai (OHK) [Okinawa Public Broadcasting System]. Mr. Kabira is a rare figure who has been involved in broadcasting all the way from the launch of broadcasting in the post-war period to the reversion of Okinawa to Japan. This paper focuses on how Chosei Kabira thought and acted at each phase as an individual broadcaster and what prompted him to do so, as an attempt to vividly elucidate the history of broadcasting in Okinawa. -
Changement Identitaire Et Revendications Régionalistes Du Kansaï Au Japon
Université de Montréal Changement identitaire et revendications régionalistes du Kansaï au Japon par Sachiyo Kanzaki Département d’anthropologie Faculté des arts et des sciences Thèse présentée à la Faculté des études supérieures et postdoctorales en vue de l’obtention du grade de Philosophiae Doctor (Ph.D.) en anthropologie Octobre, 2013 © Kanzaki, 2013 Université de Montréal Faculté des études supérieures et postdoctorales Cette thèse intitulée : Changement identitaire et revendications régionalistes au Kansaï, Japon Présentée par : Sachiyo Kanzaki a été évaluée par un jury composé des personnes suivantes : Gilles Bibeau, président-rapporteur Bernard Bernier, directeur de recherche Thomas Lamarre, membre du jury John Price, examinateur externe Dominique Caouette, représentant du doyen de la FES Résumé Depuis quelque temps, au Japon, on utilise de plus en plus le terme « Kansaï » pour désigner la région du Kinki (littéralement « le voisinage de la capitale »). Cette thèse propose d’analyser l’émergence de cette entité régionale et de son discours culturel dans le but de pallier le manque de recherches antérieures sur la diversité socioculturelle et le régionalisme au Japon. Il y existe, d’une part, une volonté de considérer le Japon comme une entité homogène, et d’autre part, un contexte dans lequel le Japon lui-même prône l’homogénéité de son peuple. Historiquement, ces énoncés ont été réfutés à plusieurs reprises par différents chercheurs et organismes. Entre-temps, sur le plan régional, la diversité devient de moins en moins clairement observable dû à l’urbanisation, aux moyens de transport, à la migration interne et au développement des médias de masse. Cette situation à l'époque post-industrielle a engendré aujourd’hui le discours régionaliste du Kansaï. -
Japan's Television Broadcasting Industry
NTV2008_AR(J)_表紙.indd 78 08.10.24 7:50:54 PM NTV2008_AR(E)_C2,73_1006.indd C2 08.10.22 7:18:25 PM ANNUAL REPORT 2008 NIPPON TELEVISION NETWORK 1 NTV_FH(E)_1021_master.indd 1 08.10.24 7:34:44 PM Contents Overview of NTV 4 Japan’s Television Broadcasting Industry 6 NTV at a Glance 8 Eleven-Year Financial Summary 10 NTV Business Strategies 12 NTV Celebrates its 55th Anniversary To Our Shareholders and Stakeholders 14 Message from the Chairman and the President 16 Interview with President Kubo on the New Medium-Term Management Plan Special Feature: NTV’s Film Business Strategy 22 NTV’s Strengths in the Film Business 24 Multiple Usage of Content Originating from Films 26 Major Releases in the Fiscal Year Ending March 31, 2009 Review of Operations 28 Television Broadcasting 31 Cultural Activities 34 Other Businesses Continuing to Evolve 36 Corporate Governance 40 CSR 43 Financial Section 70 Organization 71 NTV Group and NTV Global Network 72 Corporate Data 73 Investor Information Cautionary Statements with Respect to Forward-Looking Statements: Statements made in this annual report with respect to NTV’s plans and benefi ts, as well as other statements that are not historical facts, are forward-looking statements, which involve risks and uncertainties. Potential risks and uncertainties include, without limitation, general economic conditions in NTV’s markets, exchange rates and NTV’s ability to continue to win customers’ acceptance of its products, which are off ered in highly competitive markets characterized by continual new product introductions and rapid developments in technology. -
Art and Design, Dialogue with Materials
PRESS RELEASE November 6, 2017 Art and Design, dialogue with materials As one part of the creative process, artists choose their materials, so as to be able to demonstrate their craft and express what they wish to express. The selection of materials is an important aspect of the design process, as well. When materials and processing techniques are combined, new value is created. Having a face-to-face dialogue with materials is an essential part of the process of creating objects. At this exhibition, we will offer an introduction to the world of design through four sections that will focus on materials ― from wood, to metal, to high-tech materials ― and how they have transformed. The sections are called “Art and Materials,” “Innovation and Materials,” “An Introduction to Materials,” and “Installations: Bringing Art and Design Together.” Here at the Toyama Prefectural Museum of Art and Design, where the building itself embodies the allure of materials such as wood, aluminum, and glass, we are creating a place where visitors can have encounters with art and design through dialogue with materials. And there will be held INTERNATIONAL HOKURIKU KOGEI SUMMIT “WORLDS KOGEI (artisan crafts) 100” Exhibition on same period at 2F exhibition room 2. Title Art and Design, dialogue with materials Period From November 16 (Thu), 2017 to January 8 (Mon / public holiday), 2018 *Please note that the Museum may be closed for exhibition change out. Sections 1 Art and Materials 2 Innovation and Materials 3 An Introduction to Materials 4 Installations: Bringing Art and Design Together Main Works MOUREAUX, Emmanuelle / COLOR OF TIME KURAMATA, Shiro / Miss Branche SUDO, Reiko / Tanabata MINAMI, Masahiro (Masahiro Minami Design) / Kaitsuburi Curated by KIRIYAMA, Toshiki (Deputy Director, Toyama Prefectural Museum of Art and Design) Scenography Naito Architects & Associates (YUASA, Ryosuke) Poster Design TAKU SATO DESIGN OFFICE INC. -
101660 M Kawabata
Kawabata, Miki (2011) (Re)locating identities in the ancestral homeland: the complexities of belonging among the migrants from Peru in Okinawa. Mphil Thesis. SOAS, University of London http://eprints.soas.ac.uk/18464 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. (Re)locating Identities in the Ancestral Homeland: The Complexities of Belonging among the Migrants from Peru in Okinawa Thesis submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy Miki Kawabata Department of Anthropology and Sociology School of Oriental and African Studies University of London 2011 1 Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. -
NTV Global Network
NTV Group (As of July 1, 2007) Television Broadcasting Culture-Related Business Other Business Program Planning and Production Event Planning and Production Novelty Product Sales NTV Group Holdings Inc.* NTV EVENTS Inc.* NTV Service Inc.* NTV Technical Resources Inc.* AX-ON Inc.* Copyright Management Facility Management Nippon Television Art Inc.* Nippon Television Music Corporation* Nippon Television Work 24 Corporation* NTV America Company* Rights Inn Corporation NTV International Corporation* Professional Football Team Management Nippon Television Network Europe B.V. Audio and Visual Content Planning, Nippon Television Football Club Co., Ltd.* NTV Personnel Center Corp. Production and Sale (TOKYO VERDY 1969) J.M.P Co., Ltd. VAP Inc.* Nishinihon Eizo Corporation VAP Music Publishing Inc. Internet and Broadband Nagasaki Vision Corp. Forecast Communications Inc.* Kagoshima Vision Corporation Art Exhibition Planning NTV IT Produce Corporation Kanazawa Eizo Center Corporation Mamma Aiuto Inc. B-BAT Inc. Nagano Visual Center Corporation CYBIRD Mobilecasting Inc. Cosmo Space Co., Ltd. Promedia Co., Ltd. Art Exhibition Goods Sales Art Yomiuri Co., Ltd. Broadcasting Service BS Nippon Corporation Other CS Nippon Corporation SOUND INN STUDIOS INC. YOMIURI TELECASTING CORPORATION RF Radio Nippon Co., Ltd. Fukuoka Broadcasting Corporation Radio Nippon Create Inc. RF Music Publisher Inc. Shiodome Urban Energy Corporation *Consolidated subsidiary NTV Global Network NTV Network Stations (Japan) NTV/NNN Overseas News Bureaus The Sapporo Television Broadcasting Co., Ltd. (STV) Hiroshima Telecasting Co., Ltd. (HTV) NTV International Corporation RAB Aomori Broadcasting Corporation (RAB) Yamaguchi Broadcasting Co., Ltd. (KRY) Nippon Television Network Europe B.V. TV IWATE CORPORATION (TVI) JRT Shikoku Broadcasting Co., Ltd. (JRT) MIYAGI TELEVISION BROADCASTING CO., LTD.