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Buddhism in America
Buddhism in America The Columbia Contemporary American Religion Series Columbia Contemporary American Religion Series The United States is the birthplace of religious pluralism, and the spiritual landscape of contemporary America is as varied and complex as that of any country in the world. The books in this new series, written by leading scholars for students and general readers alike, fall into two categories: some of these well-crafted, thought-provoking portraits of the country’s major religious groups describe and explain particular religious practices and rituals, beliefs, and major challenges facing a given community today. Others explore current themes and topics in American religion that cut across denominational lines. The texts are supplemented with care- fully selected photographs and artwork, annotated bibliographies, con- cise profiles of important individuals, and chronologies of major events. — Roman Catholicism in America Islam in America . B UDDHISM in America Richard Hughes Seager C C Publishers Since New York Chichester, West Sussex Copyright © Columbia University Press All rights reserved Library of Congress Cataloging-in-Publication Data Seager, Richard Hughes. Buddhism in America / Richard Hughes Seager. p. cm. — (Columbia contemporary American religion series) Includes bibliographical references and index. ISBN ‒‒‒ — ISBN ‒‒‒ (pbk.) . Buddhism—United States. I. Title. II. Series. BQ.S .'—dc – Casebound editions of Columbia University Press books are printed on permanent and durable acid-free paper. -
Uhm Phd 9506222 R.Pdf
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UM! films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent UJWD the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adverselyaffect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-band comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. U·M·I University Microfilms tnternauonat A Bell & Howell tntorrnatron Company 300 North Zeeb Road. Ann Arbor. M148106-1346 USA 313/761-4700 800:521·0600 Order Number 9506222 The linguistic and psycholinguistic nature of kanji: Do kanji represent and trigger only meanings? Matsunaga, Sachiko, Ph.D. University of Hawaii, 1994 Copyright @1994 by Matsunaga, Sachiko. -
Establishing Okinawan Heritage Language Education
Establishing Okinawan heritage language education ESTABLISHING OKINAWAN HERITAGE LANGUAGE EDUCATION Patrick HEINRICH (University of Duisburg-Essen) ABSTRACT In spite of Okinawan language endangerment, heritage language educa- tion for Okinawan has still to be established as a planned and purposeful endeavour. The present paper discusses the prerequisites and objectives of Okinawan Heritage Language (OHL) education.1 It examines language attitudes towards Okinawan, discusses possibilities and constraints un- derlying its curriculum design, and suggests research which is necessary for successfully establishing OHL education. The following results are presented. Language attitudes reveal broad support for establishing Ok- inawan heritage language education. A curriculum for OHL must consid- er the constraints arising from the present language situation, as well as language attitudes towards Okinawan. Research necessary for the estab- lishment of OHL can largely draw from existing approaches to foreign language education. The paper argues that establishment of OHL educa- tion should start with research and the creation of emancipative ideas on what Okinawan ought to be in the future – in particular which societal functions it ought to fulfil. A curriculum for OHL could be established by following the user profiles and levels of linguistic proficiency of the Common European Framework of Reference for Languages. 1 This paper specifically treats the language of Okinawa Island only. Other languages of the Ryukyuan language family such as the languages of Amami, Miyako, Yaeyama and Yonaguni are not considered here. The present paper draws on research conducted in 2005 in Okinawa. Research was supported by a Japanese Society for the Promotion of Science fellowship which is gratefully acknowledged here. -
New Age Tourism and Evangelicalism in the 'Last
NEGOTIATING EVANGELICALISM AND NEW AGE TOURISM THROUGH QUECHUA ONTOLOGIES IN CUZCO, PERU by Guillermo Salas Carreño A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in The University of Michigan 2012 Doctoral Committee: Professor Bruce Mannheim, Chair Professor Judith T. Irvine Professor Paul C. Johnson Professor Webb Keane Professor Marisol de la Cadena, University of California Davis © Guillermo Salas Carreño All rights reserved 2012 To Stéphanie ii ACKNOWLEDGMENTS This dissertation was able to arrive to its final shape thanks to the support of many throughout its development. First of all I would like to thank the people of the community of Hapu (Paucartambo, Cuzco) who allowed me to stay at their community, participate in their daily life and in their festivities. Many thanks also to those who showed notable patience as well as engagement with a visitor who asked strange and absurd questions in a far from perfect Quechua. Because of the University of Michigan’s Institutional Review Board’s regulations I find myself unable to fully disclose their names. Given their public position of authority that allows me to mention them directly, I deeply thank the directive board of the community through its then president Francisco Apasa and the vice president José Machacca. Beyond the authorities, I particularly want to thank my compadres don Luis and doña Martina, Fabian and Viviana, José and María, Tomas and Florencia, and Francisco and Epifania for the many hours spent in their homes and their fields, sharing their food and daily tasks, and for their kindness in guiding me in Hapu, allowing me to participate in their daily life and answering my many questions. -
Pictures of an Island Kingdom Depictions of Ryūkyū in Early Modern Japan
PICTURES OF AN ISLAND KINGDOM DEPICTIONS OF RYŪKYŪ IN EARLY MODERN JAPAN A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ART HISTORY MAY 2012 By Travis Seifman Thesis Committee: John Szostak, Chairperson Kate Lingley Paul Lavy Gregory Smits Table of Contents Introduction……………………………………………………………………………………… 1 Chapter I: Handscroll Paintings as Visual Record………………………………. 18 Chapter II: Illustrated Books and Popular Discourse…………………………. 33 Chapter III: Hokusai Ryūkyū Hakkei: A Case Study……………………………. 55 Conclusion………………………………………………………………………………………. 78 Appendix: Figures …………………………………………………………………………… 81 Works Cited ……………………………………………………………………………………. 106 ii Abstract This paper seeks to uncover early modern Japanese understandings of the Ryūkyū Kingdom through examination of popular publications, including illustrated books and woodblock prints, as well as handscroll paintings depicting Ryukyuan embassy processions within Japan. The objects examined include one such handscroll painting, several illustrated books from the Sakamaki-Hawley Collection, University of Hawaiʻi at Mānoa Library, and Hokusai Ryūkyū Hakkei, an 1832 series of eight landscape prints depicting sites in Okinawa. Drawing upon previous scholarship on the role of popular publishing in forming conceptions of “Japan” or of “national identity” at this time, a media discourse approach is employed to argue that such publications can serve as reliable indicators of understandings -
Through the Case of Izumo Taishakyo Mission of Hawaii
The Japanese and Okinawan American Communities and Shintoism in Hawaii: Through the Case of Izumo Taishakyo Mission of Hawaii A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʽI AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN AMERICAN STUDIES MAY 2012 By Sawako Kinjo Thesis Committee: Dennis M. Ogawa, Chairperson Katsunori Yamazato Akemi Kikumura Yano Keywords: Japanese American Community, Shintoism in Hawaii, Izumo Taishayo Mission of Hawaii To My Parents, Sonoe and Yoshihiro Kinjo, and My Family in Okinawa and in Hawaii Acknowledgement First and foremost, I would like to express my deep and sincere gratitude to my committee chair, Professor Dennis M. Ogawa, whose guidance, patience, motivation, enthusiasm, and immense knowledge have provided a good basis for the present thesis. I also attribute the completion of my master’s thesis to his encouragement and understanding and without his thoughtful support, this thesis would not have been accomplished or written. I also wish to express my warm and cordial thanks to my committee members, Professor Katsunori Yamazato, an affiliate faculty from the University of the Ryukyus, and Dr. Akemi Kikumura Yano, an affiliate faculty and President and Chief Executive Officer (CEO) of the Japanese American National Museum, for their encouragement, helpful reference, and insightful comments and questions. My sincere thanks also goes to the interviewees, Richard T. Miyao, Robert Nakasone, Vince A. Morikawa, Daniel Chinen, Joseph Peters, and Jikai Yamazato, for kindly offering me opportunities to interview with them. It is a pleasure to thank those who made this thesis possible. -
Nansei Islands Biological Diversity Evaluation Project Report 1 Chapter 1
Introduction WWF Japan’s involvement with the Nansei Islands can be traced back to a request in 1982 by Prince Phillip, Duke of Edinburgh. The “World Conservation Strategy”, which was drafted at the time through a collaborative effort by the WWF’s network, the International Union for Conservation of Nature (IUCN), and the United Nations Environment Programme (UNEP), posed the notion that the problems affecting environments were problems that had global implications. Furthermore, the findings presented offered information on precious environments extant throughout the globe and where they were distributed, thereby providing an impetus for people to think about issues relevant to humankind’s harmonious existence with the rest of nature. One of the precious natural environments for Japan given in the “World Conservation Strategy” was the Nansei Islands. The Duke of Edinburgh, who was the President of the WWF at the time (now President Emeritus), naturally sought to promote acts of conservation by those who could see them through most effectively, i.e. pertinent conservation parties in the area, a mandate which naturally fell on the shoulders of WWF Japan with regard to nature conservation activities concerning the Nansei Islands. This marked the beginning of the Nansei Islands initiative of WWF Japan, and ever since, WWF Japan has not only consistently performed globally-relevant environmental studies of particular areas within the Nansei Islands during the 1980’s and 1990’s, but has put pressure on the national and local governments to use the findings of those studies in public policy. Unfortunately, like many other places throughout the world, the deterioration of the natural environments in the Nansei Islands has yet to stop. -
Ilias Bulaid
Ilias Bulaid Ilias Bulaid (born May 1, 1995 in Den Bosch, Netherlands) is a featherweight Ilias Bulaid Moroccan-Dutch kickboxer. Ilias was the 2016 65 kg K-1 World Tournament Runner-Up and is the current Enfusion 67 kg World Champion.[1] Born 1 May 1995 Den Bosch, As of 1 November 2018, he is ranked the #9 featherweight in the world by Netherlands [2] Combat Press. Other The Blade names Titles Nationality Dutch Moroccan 2016 K-1 World GP 2016 -65kg World Tournament Runner-Up[3] 2014 Enfusion World Champion 67 kg[4] (Three defenses; Current) Height 178 cm (5 ft 10 in) Weight 65.0 kg (143.3 lb; Professional kickboxing record 10.24 st) Division Featherweight Style Kickboxing Stance Orthodox Fighting Amsterdam, out of Netherlands Team El Otmani Gym Professional Kickboxing Record Date Result Opponent Event Location Method Round Time KO (Straight 2019- Wei Win Wu Linfeng China Right to the 3 1:11 06-29 Ninghui Body) 2018- Youssef El Decision Win Enfusion Live 70 Belgium 3 3:00 09-15 Haji (Unanimous) 2018- Hassan Wu Linfeng -67KG Loss China Decision (Split) 3 3:00 03-03 Toy Tournament Final Wu Linfeng -67KG 2018- Decision Win Xie Lei Tournament Semi China 3 3:00 03-03 (Unanimous) Finals Kunlun Fight 67 - 2017- 66kg World Sanya, Decision Win 3 3:00 11-12 Petchtanong Championship, China (Unanimous) Banchamek Quarter Finals Despite winning fight, had to withdraw from tournament due to injury. Kunlun Fight 65 - 2017- Jordan Kunlun Fight 16 Qingdao, KO (Left Body Win 1 2:25 08-27 Kranio Man Tournament China Hook) 67 kg- Final 16 KO (Spinning 2017- Manaowan Hoofddorp, Win Fight League 6 Back Kick to The 1 1:30 05-13 Netherlands Sitsongpeenong Body) 2017- Zakaria Eindhoven, Win Enfusion Live 46 Decision 5 3:00 02-18 Zouggary[5] Netherlands Defends the Enfusion -67 kg Championship. -
Miyagi Michio's Koto Works for Children Author(S): Anne Prescott Reviewed Work(S): Source: Asian Music, Vol
University of Texas Press The Donkey's Ears Go Flop, Flop: Miyagi Michio's Koto Works for Children Author(s): Anne Prescott Reviewed work(s): Source: Asian Music, Vol. 36, No. 1 (Winter - Spring, 2005), pp. 27-43 Published by: University of Texas Press Stable URL: http://www.jstor.org/stable/4098502 . Accessed: 29/05/2012 23:35 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of Texas Press is collaborating with JSTOR to digitize, preserve and extend access to Asian Music. http://www.jstor.org The Donkey'sEars Go Flop, Flop: Miyagi Michio'sKoto Works for Children Anne Prescott Abstract:Miyagi Michio gilA L (1894-1956),koto performer,composer, and edu- cator,was a musicalinnovator who modifiedtraditional instruments, incorporated new ideasinto the bodyof workcalled s6kyoku Z 0,' andadopted compositional and playingtechniques from Western music and instruments.He was also one of the first Japanesecomposers to createpedagogical materials and entertainingworks that were appropriatefor children,and thoseworks are still widelyused todayto teachkoto- playingto beginners,particularly children. This paper will providean introductionto the Miyagischool of kotoplaying, examine the traditionalmethod of teachingkoto to children,investigate Miyagi's motivation for creatinga pedagogicalmethod for chil- dren,provide a historicaloverview of Miyagi'sdakyoku @ (children'ssongs), and finallyanalyze several of theseworks. -
Glories of the Japanese Music Heritage ANCIENT SOUNDSCAPES REBORN Japanese Sacred Gagaku Court Music and Secular Art Music
The Institute for Japanese Cultural Heritage Initiatives (Formerly the Institute for Medieval Japanese Studies) and the Columbia Music Performance Program Present Our 8th Season Concert To Celebrate the Institute’s th 45 Anniversary Glories of the Japanese Music Heritage ANCIENT SOUNDSCAPES REBORN Japanese Sacred Gagaku Court Music and Secular Art Music Featuring renowned Japanese Gagaku musicians and New York-based Hōgaku artists With the Columbia Gagaku and Hōgaku Instrumental Ensembles of New York Friday, March 8, 2013 at 8 PM Miller Theatre, Columbia University (116th Street & Broadway) Join us tomorrow, too, at The New York Summit The Future of the Japanese Music Heritage Strategies for Nurturing Japanese Instrumental Genres in the 21st-Century Scandanavia House 58 Park Avenue (between 37th and 38th Streets) Doors open 10am Summit 10:30am-5:30pm Register at http://www.medievaljapanesestudies.org Hear panels of professional instrumentalists and composers discuss the challenges they face in the world of Japanese instrumental music in the current century. Keep up to date on plans to establish the first ever Tokyo Academy of Japanese Instrumental Music. Add your voice to support the bilingual global marketing of Japanese CD and DVD music masterpieces now available only to the Japanese market. Look inside the 19th-century cultural conflicts stirred by Westernization when Japanese instruments were banned from the schools in favor of the piano and violin. 3 The Institute for Medieval Japanese Studies takes on a new name: THE INSTITUTE FOR JAPANESE CULTURAL HERITAGE INITIATIVES The year 2013 marks the 45th year of the Institute’s founding in 1968. We mark it with a time-honored East Asian practice— ―a rectification of names.‖ The word ―medieval‖ served the Institute well during its first decades, when the most pressing research needs were in the most neglected of Japanese historical eras and disciplines— early 14th- to late 16th-century literary and cultural history, labeled ―medieval‖ by Japanese scholars. -
Militarization and Demilitarization of Okinawa As a Geostrategic “Keystone” Under the Japan-U.S
Militarization and Demilitarization of Okinawa As a Geostrategic “Keystone” under the Japan-U.S. Alliance August 10-12, 2013 International Geographical Union (IGU) 2013 Kyoto Regional Conference Commission on Political Geography Post-Conference Field Trip In Collaboration with Political Geography Research Group, Human Geographical Society of Japan and Okinawa Geographical Society Contents Organizers and Participants………………………………………………………………………….. p. 2 Co-organizers Assistants Supporting Organizations Informants Participants Time Schedule……………………………………………………………………………………….. p. 4 Route Maps……………………………………………………………………………………….…..p. 5 Naha Airport……………………………………………………………………………………….... p. 6 Domestic Flight Arrival Procedures Domestic Flight Departure Procedures Departing From Okinawa during a Typhoon Traveling to Okinawa during a Typhoon Accommodation………………………………………...…………………………………………..... p. 9 Deigo Hotel History of Deigo Hotel History of Okinawa (Ryukyu)………………………………………..………………………............. p. 11 From Ryukyu to Okinawa The Battle of Okinawa Postwar Occupation and Administration by the United States Post-Reversion U.S. Military Presence in Okinawa U.S. Military Bases in Okinawa…………………………………………………………………...… p. 14 Futenma Air Station Kadena Air Base Camp Schwab Camp Hansen Military Base Towns in Okinawa………………………………………………………...………….. p. 20 Political Economic Profile of Selected Base Towns Okinawa City (formerly Koza City) Chatan Town Yomitan Village Henoko, Nago City Kin Town What to do in Naha……………………………………………………………………………...… p. 31 1 Organizers -
Jim Robitaille CV 2016
JIM ROBITAILLE CURRICULUM VITAE PERSONAL INFORMATION Name: James Robitaille Date of birth: 04-25-1960 Place of birth: New Bedford, Massachusetts, United States Ability: Guitarist for electric, acoustic & extended range guitars in all styles Other skills: Composer, arranger, bassist, percussionist, educator, and author Professional Experience 2016 Future Forward Events Conference, Weyquasset Resort Unexpected Joy, world premiere, Wellfleet Harbor Actors Theater 1980 - present International performances and or recordings as a sideman, and leader sharing the stage with many regional and Internationally renowned artists including: Dave Liebman (Miles Davis, Elvin Jones, Chick Corea), Karl Berger (Ornette Coleman, Dave Holland), Bob Moses (Charles Mingus, Pat Metheny, Jaco Pastorious), Esperanza Spalding, Oscar Stagnaro (Paquito D’Riveira), Kate McGarry, Gerry Gibbs, John Lockwood, Julian Lage, Santi Debriano, Bruno Raberg, Joe Beck, and The Dizzy Gillespie Alumni All-Stars. 1985- present Weyquasset Resort, Harwich, MA Ocean Edge Resort, Brewster, MA Seacrest Resort, Falmouth, MA Wychmere Harbor Resort, Harwich, MA World Trade Center, Boston, MA Park Plaza Hotel, Boston, Ma. Copley Square Hotel, Boston, MA The Wang Center, Boston, MA The Zeiterion Theater, New Bedford, MA Chatham Bars Resort, Chatham, MA Breakers Mansion, Newport, R.I. Rosecliff Mansion, Newport, R.I Ocean Cliff, Newport, R.I Whitecliffs Resort, Sagamore, MA Boston Omni Parker House Hotel State Room, Boston, MA Ritz Carlton, Boston, MA Marriot Hotel, Boston, MA Marriot Hotel & Resort, Providence, R.I Red Jacket Resort, Yarmouthport, MA Boston Copley Plaza Hotel Blue Water Resort, Yarmouth, MA Hyannis Yacht Club, Hyannis, MA Sankaty Head Resort, Nantucket, MA Ryles Jazz Club Internationale, Cambridge, MA Johnny, D’s, Somerville, MA The Beehive, Boston, MA University of Massachusetts Dartmouth Jazz Festival Provincetown Jazz festival Falmouth Jazz Festival Providence Water Place Park Jazz Festival West Bank Bistro, New London, CT Providence Biltmore Hotel, Providence, R.I.