DOCSLIB.ORG

Gothic Cathedral

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Gothic Art Gothic heritage: the perfect church, the aesthetics of structure; verticality of power Gothic cathedral as the Heavenly Jerusalem Gothic versus Romanesque architecture Cathedral’s façade Cathedral’s interior Stained-glass windows Flying buttresses Between Gothic and Renaissance Freestanding sculpture: the Virgin Nicola and Giovanni Pisano - Classical heritage and Gothic religiosity Painting: Giotto The Gothic Cathedral Term Gothic born as pejorative rehabilitated in the 19th cent James Renwick, Saint Patrick's Cathedral, Construction Completed: 1879, New York Influence on early modernism: beauty of structure John ROEBLING, Brooklyn Bridge, New York City, 1869 -1883 verticality Cass GILBERT, Woolworth William VAN ALEN, Building: view Chrysler Building from the air, New York, 1913 New York, 1930 Urbanization and power San Gimignano, Italy 13th century Manhattan, USA, 21st century Exterior: Main characteristics of Gothic facade: - Not 1 but 3 monumental portals - decoration everywhere (sculptures, columns, trefoils, rose) - windows - lightness (vision of Heavenly Jerusalem), rather than volume and heaviness (solidity) - Verticality of pointed arches Reims Cathedral, France, ca. St-Trophime, Arles, France, ca. 1225-1290 and pinnacles 1180 Reims Cathedral, France, ca. 1225-1290 Interior of Saint- Sernin, Toulous e, France, ca. 1070-1 120 The Gothic ribbed groin vault is a development of The Romanesque groin vault From structural to aestheticfunction structure and beauty Influence of… Pointed arches at the base of the dome, Great Mosque, Cordoba, Spain, 961-965. Reims Cathedral, France, ca. 1225-1290 Flying buttresses Notre-Dame, Paris, France, begun 1163, nave and flying buttresses ca. 1180-1200 The Gothic Cathedral: light Abbot Suger’s “lux nova” filtered through the sacred images of stained glass windows Jewels of the Heavenly Jerusalem (Revelation XXI) Chartres Cathedral, north transept, Rose and Lancet, 1220 Virgin and Child (Virgin of Paris), Notre-Dame, Paris, France, Early 14th century, detail Nicola Pisano, Fortitude, detail of pulpit of Pisa Cathedral baptistery, Pisa, Italy, 1259-1260, marble Nicola Pisano, Fortitude, detail of pulpit of Pisa Cathedral baptistery, Pisa, Italy, 1259-1260, marble Pulpit: a raised platform or lectern in a church or chapel from which the preacher delivers a sermon It is a mix of Classical and Gothic elements: trefoil, but round arches Corinthian capitals Large rectangular relief panels similar to those of Roman sarcophagi Nicola Pisano, pulpit of Pisa Cathedral baptistery, Pisa, Italy, 1259-1260, marble Nicola Pisano, The Annunciation and the Nativity, detail of Annunciation pulpit of Pisa Cathedral baptistery, Pisa, Italy, 1259-1260, marble relief Nicola Pisano, The Annunciation and the Nativity, detail of Nativity pulpit of Pisa Cathedral baptistery, Pisa, Italy, 1259-1260, marble relief Bath (prefiguration Nicola Pisano, The Annunciation and the Nativity, detail of pulpit of Pisa Cathedral baptistery, Pisa, Italy, 1259-1260, of Baptism) marble relief Nicola Pisano, The Annunciation and the Giovanni Pisano, The Nativity, detail of pulpit of Pisa Cathedral Annunciation and the Nativity, baptistery, Pisa, Italy, 1259-1260, marble detail of the pulpit of relief Sant’Andrea, Pistoia, Italy, 1297-1301, marble relief Nicola Pisano, The Virgin, detail Humanization Nervous agitation Giovanni Pisano, The Virgin, detail Dynamism of a moment Nicola Pisano, The Giovanni Pisano, The Annunciation, detail Annunciation, detail Intense gaze: psychological drama Giovanni Pisano, The Bath, detail Humanity of the characters Nicola Pisano, The Bath, detail Giovanni Pisano, The Crucifixion(detail) , Pistoia:Church S.Andrea, 1297 Cimabue, Madonna Enthroned, ca. 1280-1290 Giotto, Madonna Enthroned, ca. 1310. Uffizi, Florence Tempera on wood, Uffizi Firenze Volume of the figures Complexity and modernity of architecture No more frontality Clear position of figures in space Natural superimposition of figures Cimabue, Madonna Enthroned, ca. 1280-1290 Giotto, Madonna Enthroned, ca. 1310. Uffizi, Florence Tempera on wood, Uffizi Firenze Giotto, Madonna Enthroned, ca. 1310. Tempera on wood, Uffizi Firenze, p.206 illusion of the third 2 implications dimension on a flat surface 1) prominence of sight (2 ways): ----> foundations of 1) modeling empirical science 2) intuitive perspective: 2) Things are shown the architectures = three- according to their position dimensional stages where in relation to the viewer these figures can act Interior of the Arena Chapel (Cappella Scrovegni), Padua, Italy, 1305-1306 Humanization: angels darting about in hysterical grief Solemn theatricality: congregation mourns over the dead body of Christ, showing different manifestations of despair Involvement of the viewer: figures seen from the back: Giotto, Lamentation, Cappella Scrovegni, Padua, Italy, ca. 1305. Fresco Giotto, Lamentation, Vesperbild (Pieta’), Cappella Middle Rhine Region, Scrovegni, Germany, c. 1330, wood Padua, Italy, ca. and polychromy, h. 34” 1305. Fresco ca. .
Recommended publications
  • The Master of the Unruly Children and His Artistic and Creative Identities

    The Master of the Unruly Children and His Artistic and Creative Identities

    The Master of the Unruly Children and his Artistic and Creative Identities Hannah R. Higham A Thesis Submitted to The University of Birmingham For The Degree of DOCTOR OF PHILOSOPHY Department of Art History, Film and Visual Studies School of Languages, Art History and Music College of Arts and Law The University of Birmingham May 2015 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis examines a group of terracotta sculptures attributed to an artist known as the Master of the Unruly Children. The name of this artist was coined by Wilhelm von Bode, on the occasion of his first grouping seven works featuring animated infants in Berlin and London in 1890. Due to the distinctive characteristics of his work, this personality has become a mainstay of scholarship in Renaissance sculpture which has focused on identifying the anonymous artist, despite the physical evidence which suggests the involvement of several hands. Chapter One will examine the historiography in connoisseurship from the late nineteenth century to the present and will explore the idea of the scholarly “construction” of artistic identity and issues of value and innovation that are bound up with the attribution of these works.
  • Carolingian, Romanesque, Gothic

    Carolingian, Romanesque, Gothic

    3 periods: - Early Medieval (5th cent. - 1000) - Romanesque (11th-12th cent.) - Gothic (mid-12th-15th cent.) - Charlemagne’s model: Constantine's Christian empire (Renovatio Imperii) - Commission: Odo of Metz to construct a palace and chapel in Aachen, Germany - octagonal with a dome -arches and barrel vaults - influences? Odo of Metz, Palace Chapel of Charlemagne, circa 792-805, Aachen http://www.youtube.com/ watch?v=pwIKmKxu614 -Invention of the uniform Carolingian minuscule: revived the form of book production -- Return of the human figure to a central position: portraits of the evangelists as men rather than symbols –Classicism: represented as roman authors Gospel of Matthew, early 9th cent. 36.3 x 25 cm, Kunsthistorische Museum, Vienna Connoisseurship Saint Matthew, Ebbo Gospels, circa 816-835 illuminated manuscript 26 x 22.2 cm Epernay, France, Bibliotheque Municipale expressionism Romanesque art Architecture: elements of Romanesque arch.: the round arch; barrel vault; groin vault Pilgrimage and relics: new architecture for a different function of the church (Toulouse) Cloister Sculpture: revival of stone sculpture sculpted portals Santa Sabina, Compare and contrast: Early Saint-Sernin, Toulouse, Rome, 422-432 Christian vs. Romanesque France, ca. 1070-1120 Stone barrel-vault vs. timber-roofed ceiling massive piers vs. classical columns scarce light vs. abundance of windows volume vs. space size Saint-Sernin, Toulouse, Roman and Romanesque Architecture France, ca. 1070-1120 The word “Romanesque” (Roman-like) was applied in the 19th century to describe western European architecture between the 10th and the mid- 12th centuries Saint-Sernin, Toulouse, France, ca. 1070-1120 4 Features of Roman- like Architecture: 1. round arches 2.
  • Laon Cathedral • Early Gothic Example with a Plan That Resembles Romanesque

    Laon Cathedral • Early Gothic Example with a Plan That Resembles Romanesque

    Gothic Art • The Gothic period dates from the 12th and 13th century. • The term Gothic was a negative term first used by historians because it was believed that the barbaric Goths were responsible for the style of this period. Gothic Architecture The Gothic period began with the construction of the choir at St. Denis by the Abbot Suger. • Pointed arch allowed for added height. • Ribbed vaulting added skeletal structure and allowed for the use of larger stained glass windows. • The exterior walls are no longer so thick and massive. Terms: • Pointed Arches • Ribbed Vaulting • Flying Buttresses • Rose Windows Video - Birth of the Gothic: Abbot Suger and St. Denis Laon Cathedral • Early Gothic example with a plan that resembles Romanesque. • The interior goes from three to four levels. • The stone portals seem to jut forward from the façade. • Added stone pierced by arcades and arched and rose windows. • Filigree-like bell towers. Interior of Laon Cathedral, view facing east (begun c. 1190 CE). Exterior of Laon Cathedral, west facade (begun c. 1190 CE). Chartres Cathedral • Generally considered to be the first High Gothic church. • The three-part wall structure allowed for large clerestory and stained-glass windows. • New developments in the flying buttresses. • In the High Gothic period, there is a change from square to the new rectangular bay system. Khan Academy Video: Chartres West Facade of Chartres Cathedral, Chartres, France (begun 1134 CE, rebuilt after 1194 CE). Royal Portals of Chartres Cathedral, Chartres, France (begun 1134 CE, rebuilt after 1194 CE). Nave, Chartres Cathedral, Chartres, France (begun 1134 CE, rebuilt after 1194 CE).
  • FRANCE June 2019 As of 21Dec2018

    FRANCE June 2019 As of 21Dec2018

    FRANCE Reims, Le Puy, Paris Notre-Dame de Reims June 18 - 27, 2019 Join Cretin-Derham Hall Alumni on this once-in-a-lifetime Lasallian / Sisters of St. Joseph Pilgrimage Tour to France. We will “Walk in the Footsteps of our Founders - The Christian Brothers and The Sisters of St. Joseph of Carondelet”. Our trip will include overnight stays in Reims, Le Puy, and Paris along with visits to Liesse and Rouen. This fully escorted, all-inclusive, private tour will include the important historic sites associated with the life of St. Jean-Baptiste de La Salle and The Sisters of St. Joseph. *Sample Itinerary / Overnight City / Activities Tuesday, June 18: Depart Minneapolis for Paris (flight below) Wednesday, June 19: Reims - Arrive Paris! Transfer to Reims + Lunch + Visit to the Motherhouse of the Sisters of the Child Jesus + Visit Lasallian School Thursday, June 20: Reims - Guided tours to include: Founder’s House/The Hotel de La Cloche Museum + Reims Cathedral + College des Bons Enfants + St. Maurice + Basilica of St. Remi + Lunch + Time to Explore on your own Friday, June 21: Reims - Day Trip to Liesse / Option to walk 3 miles in to Liesse + Lunch + Visit burial site of Blessed Brother Arnold Reche returning to Reims Saturday, June 22: Le Puy - Depart Reims + Stop en route Dijon + Lunch at La Dame d’Aquitaine + Continue transfer to Le Puy + Hotel Check-in Sunday, June 23 Le Puy - Sisters of the Child Jesus Tour Monday, June 24: Paris - Depart Le Puy + stop en route Tuesday, June 25: Paris - Walking tour of Lasallian Paris - Visit St.
  • Pisa and Lucca

    Pisa and Lucca

    SHORE EXCURSION BROCHURE FROM THE PORT OF LA SPEZIA DURATION 10 hr Pisa and Lucca TOUR DIFFICULTY EASY MEDIUM HARD iscover the elegant cities of Pisa and Lucca. Your private driver will Dpick you up at the port and take you on the picturesque ride to nearby Pisa where your private guide will be expecting you. Explore the Pisa square of Piazza dei Miracoli, see its Baptistery and the legendary Leaning Tower of Pisa, a UNESCO World Heritage site. After a visit inside the Pisa Duomo to learn about its history, your driver will take you to nearby Lucca, one of Tuscany’s lesser-known gems. After lunch at a selected trattoria, you will tour the town of Lucca which during the Longobard rule in the 11th century was made the capital of Italy. Lucca was famous for its sturdy walls that still encircle the town and its Romanesque architecture. Stroll along its famous ramparts to enjoy magnificent views of the town and surrounding coun- tryside, learn about its precious architecture and the individual spirit of its inhabitants. Enjoy seeing Piazza dell ‘Anfiteatro, Lucca Cathedral and more, and finish with a slice of ‘buccellato,’ Lucca’s signature cake! long with some time for shopping, you’ll fall under the spell of this Aenchanting town. hroughout our Lucca & Pisa shore excursions we’ll try and use scenic Tback roads so that you can fully appreciate the countryside of Tuscany prior to returning to the port of La Spezia and your cruise ship. BUTIQUE TOURS OTHER INFORMATION Highlights Of Your Excursion • This La Spezia shore excursion to Pisa and Lucca • English-speaking driver and private vehicle departs from and returns to your cruise ship.
  • Review of Anita Fiderer Moskowitz, Nicola & Giovanni Pisano

    Review of Anita Fiderer Moskowitz, Nicola & Giovanni Pisano

    Peregrinations: Journal of Medieval Art and Architecture Volume 2 Issue 3 1-3 2009 Review of Anita Fiderer Moskowitz, Nicola & Giovanni Pisano: The Pulpits: Pious Devotion/Pious Diversion Peter Dent Courtauld Institute Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Dent, Peter. "Review of Anita Fiderer Moskowitz, Nicola & Giovanni Pisano: The Pulpits: Pious Devotion/ Pious Diversion." Peregrinations: Journal of Medieval Art and Architecture 2, 3 (2009): 1-3. https://digital.kenyon.edu/perejournal/vol2/iss3/16 This Book Review is brought to you for free and open access by Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Dent BOOK REVIEWS Review of Anita Fiderer Moskowitz, with photographs by David Finn, Nicola & Giovanni Pisano: The Pulpits: Pious Devotion – Pious Diversion, (London, Harvey Miller, 2005), 362pp., ills. 329 b/w, 8 colour, €125 ($156), ISBN 1-872501-49 By Peter Dent (Courtauld Institute, London) Nicola & Giovanni Pisano: The Pulpits: Pious Devotion – Pious Diversion by Anita Fiderer Moskowitz is the first monograph devoted entirely to these fundamental works of late medieval Italian sculpture. It is an attractive volume, largely down to the extensive set of new photographs commissioned from David Finn, an initiative that should be applauded. Although the decision (defended and discussed in the Preface) to present a “sculptor‟s” rather than a beholder‟s eye view raises methodological issues, there are some magnificent images here.
  • 1.1 Document on Historical /Architectural/Environmental

    1.1 Document on Historical /Architectural/Environmental

    Ref. Ares(2016)1596182 - 04/04/2016 D1.1 – Document on historical /archi- tectural/environmental knowledge of the buildings Project Information Grant Agreement Number 646178 Nanomaterials for conservation of European architectural heritage developed by Project Full Title research on characteristic lithotypes Project Acronym NANO-CATHEDRAL NMP-21-2014 Materials-based solutions for protection or preservation of Funding scheme European cultural heritage Start date of the project June, 1 2015 Duration 36 months Project Coordinator Andrea Lazzeri (INSTM) Project Website www.nanocathedral.eu Deliverable Information Deliverable n° D1.1 Deliverable title Document on historical/architectural/environmental knowledge of the buildings WP no. 1 WP Leader Marco Lezzerini (INSTM) CONSORZIO INTERUNIVERSITARIO NAZIONALE PER LA SCIENZA E TECNOLOGIA DIE MATERIALI, Opera della Primaziale Pisana, HDK, UNI BA, Fundación Catedral Contributing Partners Santa María, Dombausekretariat St.Stephan, TU WIEN, Architectenbureau Bressers, Statsbygg Nature public Authors Franz Zehetner, Marco Lezzerini, Michele Marroni, Francesca Signori Marco Lezzerini, Michele Marroni, Francesca Signori, Graziana Maddalena Gianluca De Felice, Anton Sutter, Donatella De Bonis, Roberto Cela Ulrike Brinckmann, Sven Eversberg, Peter Fuessenich, Sophie Hoepner Rainer Drewello Contributors Leandro Camara, Juan Ignacio Lasagabaster Wolfgang Zehetner, Franz Zehetner Andreas Rohatsch, Matea Ban Ignace Roelens, Matthias De Waele, Philippe Depotter, Maarten Van Landeghem Resty Garcia, Yngve Kvame Reviewers Marco Lezzerini, Francesca Signori Contractual Deadline Month 4 (Oct 2015) Delivery date to EC April 4, 2016 1/308 Dissemination Level PU Public PP Restricted to other programme participants (incl. Commission Services) RE Restricted to a group specified by the consortium (incl. Commission Services) CO Confidential, only for the members of the consortium (incl.
  • Summary of the Periodic Report on the State of Conservation, 2006

    Summary of the Periodic Report on the State of Conservation, 2006

    State of Conservation of World Heritage Properties in Europe SECTION II - Criterion (I). Artistically unique because of its spatial design, the Campo dei Miracoli contains four ITALY absolute architectural masterpieces: the Cathedral, the baptistery, the campanile and the Campo Piazza del Duomo, Pisa Santo. Within these monuments are such world- renowned art treasures as the bronze and mosaic doors of the cathedral, the pulpits in the baptistery Brief description and cathedral, the frescoes of the Campo Santo, Standing in a large green expanse, Piazza del and many others. Duomo houses a group of monuments known the - Criterion (II). The monuments of the Campo del world over. These four masterpieces of medieval Miracoli considerably influenced the development of architecture – the cathedral, the baptistery, the architecture and monumental arts at two different campanile (the 'Leaning Tower') and the cemetery times in history. – had a great influence on monumental art in Italy from the 11th to the 14th century. 1) First, from the 11th century up to 1284, during the epitome of Pisa's prosperity, a new type of church characterized by the refinement of 1. Introduction polychrome architecture and the use of loggias was established. The Pisan style that first appeared with Year(s) of Inscription 1987 the Cathedral can be found elsewhere in Tuscany Agency responsible for site management (notably at Lucques and Pistoia), but also within the Pisan maritime territory, as shown in more humble • Opera Primaziale Pisana form by the "pieve" in Sardegna and Corsica. Piazza Duomo 17 56100 Piza 2) Later, during the 14th century, architecture In Tuscany, Italy Tuscany was dominated by the monumental style E-mail: [email protected] of Giovanni Pisano (who sculpted the pulpit of the Website: www.opapiza.it Cathedral between 1302 and 1311), a new era of pictorial art -the Trecento- was ushered in after the epidemic of the black death (Triumph of Death, a 2.
  • Images-Within-Images in Italian Painting (1250-1350)

    Images-Within-Images in Italian Painting (1250-1350)

    Images-within-Images in Italian Painting (1250-1350) Reality and Reflexivity Peter Bokody Plymouth University, UK ASHGATE Contents List of Illustrations vii Acknowledgments xiii Introduction 1 1 Essential Images-within-Images 11 2 Illusionism 37 3 Reality Effect 59 4 Nleta-Images 89 5 Meanings 113 6 Embedded Narrative 141 7 Image and Devotion 171 Conclusion 187 Bibliography 195 Index 221 List of Illustrations Color Plates 1 Model of the Stefaneschi polyptych. 8 Pietro Lorenzetti, St. John the Giotto di Bondone, Stefaneschi polyptych Evangelist Altar, before 1319, fresco. (back), between 1300-1330, tempera on Lower Church, San Francesco, Assisi. wood. Pinacoteca, Vatican. 2014 © Photo © Stefan Diller. Scala, Florence. 9 Reliefs. Expulsion of the Devils from 2 Giotto di Bondone, Envy and Infidelity, Arez20, between 1288-1297, fresco. Upper between 1303-1305, fresco. Arena Chapel, Church, San Francesco, Assisi. © Stefan Padua. Courtesy of Comune di Padua - Diller. Department of Culture. 10 Frieze. Liberation of the Repentant of Francis. St. Francis and 3 Image St. Heretic, between 1288-1297, fresco. Upper stories his between 1260-1280, of life, Church, San Francesco, Assisi. © Stefan on wood. Chiesa di San tempera Diller. Silvestro Museo Diocesano d'Arte Sacra, Orte. 2014 © Photo DeAgostini Picture 11 Verification of the Stigmata, between Library/Scala, Florence. 1288-1297, fresco. Upper Church, San Francesco, Assisi. © Stefan Diller. 4 Painted cross. St. Francis before the Cross in San between Damiano, 12 Crucifixion. Giotto di Bondone, 1288-1297, fresco. Church, San Upper Allegory of Obedience, 1310s, fresco. Lower Francesco, Assisi. © Stefan Diller. Church, San Francesco, Assisi. © Stefan Diller. 5 Twisted column.
  • Archaeometric Study of Mortars from the Pisa's Cathedral Square (Italy)

    Archaeometric Study of Mortars from the Pisa's Cathedral Square (Italy)

    This is a repository copy of Archaeometric study of mortars from the Pisa’s Cathedral Square (Italy). White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/131419/ Version: Accepted Version Article: Lezzerini, Marco, Raneri, Simona, Pagnotta, Stefano et al. (2 more authors) (2018) Archaeometric study of mortars from the Pisa’s Cathedral Square (Italy). Measurement. ISSN 0263-2241 https://doi.org/10.1016/j.measurement.2018.05.057 Reuse This article is distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivs (CC BY-NC-ND) licence. This licence only allows you to download this work and share it with others as long as you credit the authors, but you can’t change the article in any way or use it commercially. More information and the full terms of the licence here: https://creativecommons.org/licenses/ Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Archaeometric study of mortars from the Pisa’s Cathedral Square (Italy) Marco LezzeriniA*, Simona RaneriA, Stefano PagnottaA , Stefano ColumbuB , Gianni GallelloC ADepartment of Earth Sciences, University of Pisa, Via S. Maria, 53 – 56126 Pisa, Italy BDepartment of Chemical and Geological Sciences, University of Cagliari, Via Trentino, 51 – 09127 Cagliari, Italy CDepartment of Archaeology, University of York, King’s Manor, YO17EP York, UK * Corresponding author: Marco Lezzerini, Department of Earth Sciences, University of Pisa, Via S.
  • Pisa Travel Guide

    Pisa Travel Guide

    Pisa Photo: Blue Planet Studio/Shutterstock.com Pisa is strategically located in the central part of Italy, at only 12 km from the Ligurian Sea, 20 km from the harbour of Livorno and the ferries heading to the Elba Island, Sardinia and Corsica, and 80 km from Florence. This city is closely associated with the Leaning Tower, but it also preserves, along with the whole complex of Piazza dei Miracoli - UNESCO World Heritage Site - and its medieval centre, numerous masterpieces of architecture and medieval history. The area around Pisa is also excellent for farm holidays, trekking, beaches and water sports on the Versilian coast. RossHelen/Shutterstock.com Top 5 Pisa Cathedral and Baptistery Pisa Baptistery (Battistero di San Giovanni) shares grounds with Pisa Duomo ... Via Aurelia (Aurelia Stree... This street played an important role in times of the ancient Roman Empire, t... The Leaning Tower Elena Korn/Shutterstock.com One of the most outstanding architectural structures of medieval Europe (par... Botanical Garden and Museum The Botanical Garden and Museum (Orto e Museo Botanico) was established in 1... Camposanto The Italian word "Camposanto" (Holy Yard) - which is a synonym of "cemetery"... Virginia Schianini/Shutterstock.com Updated 10 May 2021 Destination: Pisa Publishing date: 2021-05-10 THE CITY km), Volterra (65 km), San Gimignano (80 km) and Florence (105 km). DO & SEE arkanto/Shutterstock.com You say Pisa and you immediately think of the Leaning Tower, one of the most famous FredP/Shutterstock.com monuments in the world. But Pisa is much more than just its tower, it is also home to the The boat service in Pisa will let you enjoy the extraordinary complex of buildings known as the architectural scenery of the Lungarni, or the Piazza dei Miracoli (Square of Miracles), with its natural beauty of the nearby San Rossore magnicent cathedral and baptistery.
  • Mont Saint-Michel, France

    Mont Saint-Michel, France

    Mont Saint-Michel, France The beautiful Mont Saint-Michel at night The timeless treasure of Mont Saint-Michel rises from the sea like a fantasy castle. This small island, located off the coast in northern France, is attacked by the highest tides in Europe. Aubert, Bishop of Avranches, built the small church at the request of the Archangel Michael, chief of the ethereal militia. A small church was dedicated on October 16, 709. The Duke of Normandy requested a community of Benedictines to live on the rock in 966. It led to the construction of the pre-Romanesque church over the peak of the rock. The very first monastery buildings were established along the north wall of the church. The 12th century saw an extension of the buildings to the west and south. In the 14th century, the abbey was protected behind some military constructions, to escape the effects of the Hundred Years War. However, in the 15th century, the Romanesque church was substituted with the Gothic Flamboyant chancel. The medieval castle turned church has become one of the important tourist destinations of France. The township consists of several shops, restaurants, and small hotels. Travel Tips Remember that the tides here are very rough. Do not try to walk over sand as it is dangerous. Get the help of a guide if you wish to take a stroll over the tidal mudflats. The Mount has steep steps; climb carefully. Mont St-Michel Location Map Facts about Mont St-Michel The Mont St-Michel and its Bay were inscribed as a UNESCO World Heritage Site in 1979.