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Fawlty Towers - Episode Guide
Performances October 6, 7, 8, 13, 14, 15 Three episodes of the classic TV series are brought to life on stage. Written by John Cleese & Connie Booth. Music by Dennis Wilson By Special Arrangement With Samuel French and Origin Theatrical Auditions Saturday June 18, Sunday June 19 Thurgoona Community Centre 10 Kosciuszko Road, Thurgoona NSW 2640 Director: Alex 0410 933 582 FAWLTY TOWERS - EPISODE GUIDE ACT ONE – THE GERMANS Sybil is in hospital for her ingrowing toenail. “Perhaps they'll have it mounted for me,” mutters Basil as he tries to cope during her absence. The fire-drill ends in chaos with Basil knocked out by the moose’s head in the lobby. The deranged host then encounters the Germans and tells them the “truth” about their Fatherland… ACT TWO – COMMUNICATION PROBLEMS It’s not a wise man who entrusts his furtive winnings on the horses to an absent-minded geriatric Major, but Basil was never known for that quality. Parting with those ill-gotten gains was Basil’s first mistake; his second was to tangle with the intermittently deaf Mrs Richards. ACT THREE – WALDORF SALAD Mine host's penny-pinching catches up with him as an American guest demands the quality of service not normally associated with the “Torquay Riviera”, as Basil calls his neck of the woods. A Waldorf Salad is not part of Fawlty Towers' standard culinary repertoire, nor is a Screwdriver to be found on the hotel's drinks list… FAWLTY TOWERS – THE REGULARS BASIL FAWLTY (John Cleese) The hotel manager from hell, Basil seems convinced that Fawlty Towers would be a top-rate establishment, if only he didn't have to bother with the guests. -
Children Have Feet, Don't They? Ja, Barn Har Ju Fötter
STOCKHOLMS UNIVERSITET Tolk- och översättarinstitutet Children have feet, don’t they? En studie om ironi i undertexterna till Fawlty Towers Denna studie undersöker ironin i undertexterna till TV- komedin Fawlty Towers (Pang i bygget). I undersökningen studerades vilka förändringar som har skett i undertextningen med avseende på ironi vid interlingval översättning. Två översättares svenska undertexter har jämförts med en engelsk muntlig källtext med hjälp av en modifierad version av Gottliebs modell för analys av undertexter. Syftet var att pröva hypotesen att de svenska undertextarna följer en översättningsstrategi som lämpar sig bättre för översättning av en informativ än för en expressiv text. Resultaten visade att en betydande del av ironin hade utelämnats i undertexterna vilket ger ett visst stöd åt studiens hypotes. Magisteruppsats (30hp) i engelska med inriktning på översättningsvetenskap Höstterminen 2008 Handledare: Jan Pedersen Innehåll 1 Inledning........................................................................................................................ 3 1.1 Bakgrund och syfte .................................................................................................. 3 2 Teori .............................................................................................................................. 4 2.1 Undertextning.......................................................................................................... 4 2.1.1 Översättning från tal till skrift i undertextning.................................................. -
Sarjassa Pitkän Jussin Majatalo
26 sLÄHIKUVA s1/2016 2AMI-ËHKË &- Rami Mähkä +ULTTUURIHISTORIA 4URUNYLIOPISTO BASIL FAWLTY JA "ESITHATCHERILAISUUS" SARJASSA PITKÄN JUSSIN MAJATALO Klassikkoaseman saavutanut tilannekomedia Pitkän Jussin majatalo raken- tuu pitkälti töykeän ja katastrofaltiin hotellinjohtajahahmo Basil Fawltyn toilauksille. Mielipiteiltään konservatiivinen ja patriootinen Fawlty on sarjan naurun ensisijainen kohde. Sellaisena hän artikuloi käsityksiä Britannian yh- teiskunnallisesta tilanteesta 1970-luvun jälkipuoliskolla. Sarjan avainteemojen kontekstualisointi – sarjan komediallisuus huomioon otaen – autaa ymmärtä- mään yhteiskunnallista ja kultuurista kehitystä, jonka seurauksena Margaret Thatcher nousi Britannian pääministeriksi vuonna 1979. Artikkelini tarkastelee Pitkän Jussin majataloa (Fawlty Towers, BBC, 1975, 1979) tilannekomediana, jonka keskipisteenä on hotellinomistaja ja -johtaja Basil Fawltyn (John Cleese) keskiluokkainen, konservatiivinen hahmo. Sarjan muut keskushahmot ovat Sybil Fawlty (Prunella Scales), Polly (Connie Booth) ja Ma- nuel (Andrew Sachs). Sybil on Basilin vaimo, joka on miestään sosiaalisempi ja avomielisempi. Hän myös osallistuu hotellin pyörittämiseen ollen siinä itse asiassa miestään pätevämpi. Sisäkkö Polly taas on taideopiskelija, joka toimii järjen äänenä ja Basilin virheiden paikkaajana. Neljäs keskushenkilö Manuel on huonosti englantia taitava ja asioita hahmottava espanjalaistarjoilija (ks. myös Wilmut 1980, 243–247). Jo tässä vaiheessa on syytä painottaa, että sitcomin hahmot tai niiden yhdistelmä perustuvat komediallisille -
Learn Some Useful Words and Expressions to Use at the Airport.
Learn some useful words and expressions to use at the airport. .. ~english ~ AND TELEPHONE COURSES arn • n IS •••LWNENGUSH ()V(UH( ""on ... with Hot English telephone classes! • Native English teachers just a phone call away. • Access to the very best materials through our Student's Area. • Structured classes with clear objectives per class/month/year. • Very competitive prices from just €9 per class. • Choose your timetable from 7am - 10pm (CH). But don't take our word for it, tryout a... -TRIAL LESSON ~ ... and then choose one of the four courses from below. ------ 4 PASS . 'I YOUR EXAMS 11 '\ (00 34) 91 455 0273 o telephone-english @ [email protected] www.telephone-english.com EDITOR'S INTRO How you learn English with Hot English magazine WHY AlE YOU LEARNING ENCLISHl To GET A lETTER 101, TO PASS AN OFFICIAL ENClISH [XAM, TO TRAVEl, OAIUST TO COMMUN ICATE IN ENGUSHl H OT ENGLI SH MAGAZINE HElPS WITH All TH IS. a 1-.you r vocabulary. In --, issue ofHol English n Trawl h l li,h. Vhnllo ImotI to English.speaUng you 'll learn OYer 3So English words and expressionsl Plus c oun tries ~With Hot EIISlish you'lllum the words and you ~ llt:Im \ot$ ofidiolm, phrual V!I'bs. gramm.n and more.. expressions you need for international travel! Jokes e TRACK 1 Q & n Improv. Jour Iistenia ,. E'mJ mal uiM hn60 [] Sodal £nl ll,h. How do nalive English minutes ofspolt1l English audio. You'll ltam to undtl'sbnd speakers really Ulk? lta.n with our natural English Graffiti B TRACK1 Q English. -
5. Fawlty Towers
MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master‘s Thesis Strategies for translating British humour in sitcoms using "Fawlty Towers" as an example verfasst von / submitted by Owen Davies angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien / Vienna, 2017 Studienkennzahl lt. Studienblatt / A 060 331 360 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Masterstudium Übersetzen Deutsch Russisch degree programme as it appears on the student record sheet: Contents 1. Introduction ........................................................................................................................ 5 2. Theoretical basis of translation studies ............................................................................... 7 2.1. Skopos theory .............................................................................................................. 7 2.1.1. Skopos .................................................................................................................. 8 2.1.2. Equivalence and adequacy ................................................................................... 9 2.1.3. Coherence .......................................................................................................... 10 2.1.4. Intertextual coherence (fidelity) ......................................................................... 11 2.1.5. Offer of information .......................................................................................... -
Fawlty Towers Audition Pack
by John Cleese and Connie Booth • Five performances from 23-26 September 2015 at the Bridewell Theatre, Blackfriars • Auditions will be held Wednesday 17 June, 1 Churchill Place • Rehearsals every Tuesday and Thursday 6.30-8.30pm, 1 Churchill Place PRODUCTION This production will be comprised of three episodes from scripts of the original TV series; The Hotel Inspectors, The Germans and Communication Problems. We will be casting 19 actors made up of: Seven regular roles which occur in each episode, 3 male, 4 female Twelve actors (6 female, 6 male) who can play various different larger and smaller speaking roles in each episode AUDITIONS Auditions will be held on Wednesday 17 June at Barclays HQ, 1 Churchill Place, Canary Wharf, E14 and will be open to all paying members of the society. As a steer on what the casting committee will be looking for, character will be key. If you've never seen Fawlty Towers, feel free to view the episodes on Netflix, YouTube, etc to get an idea. If you have time, please read the script pieces before the audition to give yourself more of a chance than if you simply read the lines straight off the page. While the director will want to give you freedom to bring your own character to the roles, success in casting will be based on how you portray it. Not so worried about you learning the audition lines, though that can help you express yourself more easily. REHEARSALS and SHOW WEEK Rehearsals commence Tuesday 23rd June and will run each Tuesday and Thursday 6.30-8.30pm at Barclays HQ, 1 Churchill Place, Canary Wharf. -
The Complexities of Farce
The Complexities of Farce (With a Case Study on Fawlty Towers) Dario Dalla Costa BA(Hons), DipEd This Thesis is presented for the degree of Master of Arts of the University of Western Australia, School of Social and Cultural Studies, Discipline of English, Communication and Cultural Studies, 2004. Abstract This thesis will counter the argument that farce is a simplistic dramatic form low in the theatrical hierarchy and demonstrate that it is both complex and multifaceted. It will be shown to have a long history and to have influenced many different dramatic forms. The thesis is in two sections. The first will explore farce in general, and the second will use the sitcom Fawlty Towers as a case study in order to explore the televisual mode and its relevance to the contemporary context. The question “What is farce?” will be answered in detail, thus developing an unambiguous perception of the genre which will form a contextual basis for the rest of the thesis. Recurring themes will be used to link chapters together and certain issues raised in early chapters will be expanded upon in later ones. A key aspect to be taken into consideration is the importance the physical plays in farce. Thus, my focus will be specifically on performance texts, and not limit itself to the “literary” texts. The theatrical hierarchy will be addressed directly, exploring why and how the genre has been delegated to the lowest rung of the hierarchical ladder. Such a classification will be destabilised and shown to be unfounded because it is based on such assumptions as tragedy being the “best” genre because it is tragedy, and farce the worst because it is farce. -
Waldorf Salad Communication Problems
John Cleese and Connie Booth WALDORF SALAD COMMUNICATION PROBLEMS THE HOTEL INSPECTORS Fawlty Towers 1 © John Cleese & Connie Booth 2 TMMTC © John Cleese & Connie Booth Fawlty Towers 3 Waldorf Salad Basil Fawlty Sybil Fawlty Manuel Polly Terry Major Gowen Miss Tibbs Miss Gatsby Mrs Hamilton Mr Hamilton Mrs Johnstone Mr Johnstone Miss Hare Miss Gurke Mr Libson Mr Arrad Mrs Arrad © John Cleese & Connie Booth 4 TMMTC © John Cleese & Connie Booth Fawlty Towers 5 The hotel dining room. It is towards the end of dinner‐time. The room is very full and Basil, Polly and Manuel are bustling about frantically. Sybil, however, is standing by a central table, ignoring the confusion. She is talking to Mr Libson, who is sitting by himself at the table. He looks extremely bored. Sybil Oh, it's a lovely part of the world, isn't it? All those beautiful trees and fields and a variety of birds. Mr Libson Yes, that's true. Sybil And you can just go there and get away from it all, away from the helter‐skelter of modern life. Because we all do need our solitude, don't we. Mr Libson (feelingly) Yes, we do. Sybil I mean, nowadays it's not easy to find the time to. I don't know, enjoy life because there's always things to do, it's all so hectic, isn't it. All of us just running around letting things get on top of us, and quite honestly what's the point? Basil rushes by on his way to a table where Mr and Mrs Johnstone sit. -
"The Wedding Party Meets the Hotel Inspectors"
CaymanW Drama SocietyM PRESENTS "THE WEDDING PARTY MEETS THE HOTEL INSPECTORS" Fe~ ~~ OL Wart , I, Written By John Clee$e and Cl>nnie Booth AT THE I PROSPECT PLAYHOUSE, RED BAY NOVEMBER/DECEMBER, 1993 To Another Fine ~ In The Best - /1 --- Of Comedy Congratulations From Barclays Bank PLe Welcome to another Fawlty Towers feast which promises to be one of our funniest. I have combined two of the television scripts from the very first BBC 2 series of Fawlty Towers, "The Wedding Party" and "The Hotel Inspectors" into our Two-Act Comedy and trust the purists amongst us will accept the liberties I have taken with the original work written by, the then husband and wife team, John Cleese and Connie Booth. In actual fact, "The Hotel Inspectors" is almost as the original script apart fqr a small amount of substitution with the sexes of two of the characters. "The ivedding Party" did require a certain amount of rewriting and dialogue addition as the original involved too many different bedroom scenes' The role of Manuel is now played for the first time by David Godfrey - his first acting role for the Society - and he has taken great pains to review the original many times to get as close to the poor Spanish wai ter as an Englishman can, who doesn't in real life speak a word of Spanish. Full marks to my cast and crew who have all worked very hard to bring this to you tonight. I was only able to get the play fully cast ten days before opening night.