The Complexities of Farce
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WDSG Keeping in Touch Newsletter, Issue 9
WDSG Keeping in Touch Issue 9 Welcome to our 9th Keeping in Touch Newsletter. It’s been good to hear that you are seeing a bit more of family and friends and we are hoping to see you all at Pabulum as soon as it is safe. To that end you will have received a survey for all members, friends and volunteers and we really want to hear your thoughts on returning to some sort of Pabulum café so we can make judgements on how and when to open. If you have any problems in opening the document or completing and returning electronically, please just let us know. You are also able to post the completed survey to: Fairland Church Centre, Fairland Green, Wymondham, Norfolk, NR18 0AW With the BBC stopping free licences for the over 75s from August 1st it is worth knowing that you can still get one if you are on pension credits - the link below will enable you to find out if you are entitled to pension credit if you are not already getting it - apparently over 1million pensioners fail to claim https://www.gov.uk/pension-credit-calculator If you are not on online but would like any information referred to in this newsletter please make contact with us. Also don’t forget, if you need any help or would like to talk please don’t hesitate to make contact Email Sarah or Deborah on [email protected] Sarah’s mobile number is 07391 659057. Deborah’s mobile number is 07586 312809. We are also open to anyone living in or near Wymondham who has been recently affected by dementia and would like to make contact, we can offer friendship and understanding. -
Screwball Syll
Webster University FLST 3160: Topics in Film Studies: Screwball Comedy Instructor: Dr. Diane Carson, Ph.D. Email: [email protected] COURSE DESCRIPTION: This course focuses on classic screwball comedies from the 1930s and 40s. Films studied include It Happened One Night, Bringing Up Baby, The Awful Truth, and The Lady Eve. Thematic as well as technical elements will be analyzed. Actors include Katharine Hepburn, Cary Grant, Clark Gable, and Barbara Stanwyck. Class involves lectures, discussions, written analysis, and in-class screenings. COURSE OBJECTIVES: The purpose of this course is to analyze and inform students about the screwball comedy genre. By the end of the semester, students should have: 1. An understanding of the basic elements of screwball comedies including important elements expressed cinematically in illustrative selections from noteworthy screwball comedy directors. 2. An ability to analyze music and sound, editing (montage), performance, camera movement and angle, composition (mise-en-scene), screenwriting and directing and to understand how these technical elements contribute to the screwball comedy film under scrutiny. 3. An ability to apply various approaches to comic film analysis, including consideration of aesthetic elements, sociocultural critiques, and psychoanalytic methodology. 4. An understanding of diverse directorial styles and the effect upon the viewer. 5. An ability to analyze different kinds of screwball comedies from the earliest example in 1934 through the genre’s development into the early 40s. 6. Acquaintance with several classic screwball comedies and what makes them unique. 7. An ability to think critically about responses to the screwball comedy genre and to have insight into the films under scrutiny. -
Fawlty Towers - Episode Guide
Performances October 6, 7, 8, 13, 14, 15 Three episodes of the classic TV series are brought to life on stage. Written by John Cleese & Connie Booth. Music by Dennis Wilson By Special Arrangement With Samuel French and Origin Theatrical Auditions Saturday June 18, Sunday June 19 Thurgoona Community Centre 10 Kosciuszko Road, Thurgoona NSW 2640 Director: Alex 0410 933 582 FAWLTY TOWERS - EPISODE GUIDE ACT ONE – THE GERMANS Sybil is in hospital for her ingrowing toenail. “Perhaps they'll have it mounted for me,” mutters Basil as he tries to cope during her absence. The fire-drill ends in chaos with Basil knocked out by the moose’s head in the lobby. The deranged host then encounters the Germans and tells them the “truth” about their Fatherland… ACT TWO – COMMUNICATION PROBLEMS It’s not a wise man who entrusts his furtive winnings on the horses to an absent-minded geriatric Major, but Basil was never known for that quality. Parting with those ill-gotten gains was Basil’s first mistake; his second was to tangle with the intermittently deaf Mrs Richards. ACT THREE – WALDORF SALAD Mine host's penny-pinching catches up with him as an American guest demands the quality of service not normally associated with the “Torquay Riviera”, as Basil calls his neck of the woods. A Waldorf Salad is not part of Fawlty Towers' standard culinary repertoire, nor is a Screwdriver to be found on the hotel's drinks list… FAWLTY TOWERS – THE REGULARS BASIL FAWLTY (John Cleese) The hotel manager from hell, Basil seems convinced that Fawlty Towers would be a top-rate establishment, if only he didn't have to bother with the guests. -
Elementary Teacher's Book
2ND EDITION Elementary Teacher’s Book with Resource and Assessment Disc Jenny Parsons and Matthew Du y with Damian Williams A01_SPKO_TB_ELEGLB_6752_FM1_4colour.indd 1 06/08/2015 19:07 contents TEACHER’S BOOK Introduction Students’ Book contents 4–7 Welcome to Speakout Second Edition 9 Overview of the components 10–11 A unit of the Students’ Book 12–15 Additional components 16–18 Workbook 16 MyEnglishLab 17 ActiveTeach 17 Website 18 Speakout Extra 18 Teaching approaches 19–22 The Global Scale of English 23 Teacher’s notes Index 24 Units 1–12 25–144 Resource bank 145–194 Resource bank Teacher’s notes 195–204 TEACHER’S RESOURCE AND ASSESSMENT DISC Extra resources ● Class audio scripts ● Class video scripts ● Photocopiable worksheets with instructions ● Photocopiable worksheets index ● BBC interviews ● Worksheets for BBC interviews Tests ● Unit tests ● Achievement tests ● Mid-course test ● End of course test ● Test audio ● Test audio scripts ● Test answer key 3 A01_SPKO_TB_ELEGLB_6752_FM1_4colour.indd 3 06/08/2015 19:07 STUDENTS’CONTENTS BOOK CONTENTS CONTENTS LESSON GRAMMAR/FUNCTION VOCABULARY PRONUNCIATION READING LISTENING/DVD SPEAKING WRITING UNIT 1 WELCOME page 7 BBC interviews | What’s your name? 1.1 Nice to meet you present simple: be countries and nationalities word stress listen to people introduce themselves introduce yourself and others improve your use of capital letters page 8 1.2 Travel light this/that, these/those; objects word stress; this, that, these, read about travelling light identify objects page 10 possessives those -
The English-Speaking Aristophanes and the Languages of Class Snobbery 1650-1914
Pre-print of Hall, E. in Aristophanes in Performance (Legenda 2005) The English-Speaking Aristophanes and the Languages of Class Snobbery 1650-1914 Edith Hall Introduction In previous chapters it has been seen that as early as the 1650s an Irishman could use Aristophanes to criticise English imperialism, while by the early 19th century the possibility was being explored in France of staging a topical adaptation of Aristophanes. In 1817, moreover, Eugene Scribe could base his vaudeville show Les Comices d’Athènes on Ecclesiazusae. Aristophanes became an important figure for German Romantics, including Hegel, after Friedrich von Schlegel had in 1794 published his fine essay on the aesthetic value of Greek comedy. There von Schlegel proposed that the Romantic ideals of Freedom and Joy (Freiheit, Freude) are integral to all art; since von Schlegel regarded comedy as containing them to the highest degree, for him it was the most democratic of all art forms. Aristophanic comedy made a fundamental contribution to his theory of a popular genre with emancipatory potential. One result of the philosophical interest in Aristophanes was that in the early decades of the 18th century, until the 1848 revolution, the German theatre itself felt the impact of the ancient comic writer: topical Lustspiele displayed interest in his plays, which provided a model for German poets longing for a political comedy, for example the remarkable satirical trilogy Napoleon by Friedrich Rückert (1815-18). This international context illuminates the experiences undergone by Aristophanic comedy in England, and what became known as Britain consequent upon the 1707 Act of Union. -
November 2011 ------London Particular the Dickens Fellowship Newsletter ______
No. 31 November 2011 --------------------------------------------------------------------------------------------------------------------- London Particular The Dickens Fellowship Newsletter ______________________________________________________________________ A new boss for Miss Abbey Potterson Celebrity Corner Female staff at the Charles Jan Turner has sent in an interesting recent item Dickens Museum were in a flutter recently over from the national press. Sir Ian McKellen, actor, the unexpected arrival of a bearded Ralph is buying “The Grapes” public house in Narrow Fiennes. He was seeking a copy of the play, “The Street, Limehouse, East London, which was Frozen Deep”, as he is involved in a film version immortalised as “The Six Jolly Fellowship- of Claire Tomalin’s “The Invisible Woman”, the Porters” pub in “Our Mutual Friend” in 1864. Sir story of Dickens’s relationship with Ellen Ternan. Ian is apparently a regular visitor and lives nearby. It was through the production of this play, of It is a delightful pub, over 300 years old, with a course, that CD met her. After some research, gallery at the rear which overlooks the Thames. the Museum was, fortunately, able to supply Mr The name “Jolly Fellowship-Porters” refers to Fiennes with a copy! By the way, Claire members of the Fellowship of Billingsgate fish Tomalin’s new book, “Charles Dickens: A Life”, market porters, a form of guild for relatively will have been published by the time you read this. unskilled labourers. Lovers‟ Corner Romance blossomed in the CD Shades of Mr Krook? A coroner in Galway, Museum recently, when a Dickens fan hired one Ireland, has recorded that an elderly man who of its rooms, took his girl-friend to visit, then used died in an unexplained fire was a victim of the room to propose to her! Happily, she “spontaneous human combustion” - the first time accepted him. -
Patrons' Newsletter Diary
Patrons’Volume 2, Issue 7 | April 2013Newsletter May Fawlty Towers Sandy Wilson’s Written by John Cleese & Connie The Boy Friend 10 Booth Maghull Musical Theatre Company Directed by Les Gomersall By arrangement with Samuel French May 10th - 18th June 12th - 15th Box Office Opens 3rd May Box Office Opens 5th June Carousel Advance Booking on 01695 632372 Diary Birkdale Orpheus Society Coming soon to the Little Theatre Music by Richard Rodgers, book & lyrics by Oscar An Evening of Music with Old Hammerstein II May 25th - June 1st Hall Brass Sunday 16th June 2013 Box office opens 18th May 2013 Advance Booking 01942715684 Acorn Antiques: The Musical Advanced Booking on 01704 564042 Southport Spotlights Musical Theatre Company Damages Music, lyrics and script by Victoria Woods June June 29th - July 6th, Matinee July 6th Written by Stephen Thompson Loreto Bamber Dance Show Directed by Stephen Huges-Alty Box office opens 24th June 2013 4 Friday 21st - 22nd June 2013 Advanced Booking on 07927 331977 An SDC Bar/Studio Production Box Office Opens 20th June June 4th - 8th Advance Booking 01704 538351 Box Office Opens 28th May ‘Fawlty Towers’ A comedy By Les Gomersall, Director In the early 1970s John Cleese was unusual hotelier Donald Sinclair. a member of the highly success- The result of course turned out to ful Monty Python’s Flying Circus be Fawlty Towers owned and run team. In May 1971 the team were by the equally unusual, but ex- staying at the Gleneagles Hotel in tremely funny, Basil Fawlty Torquay which was owned and run Only 12 episodes were written, by a Mr Donald Sinclair. -
Melodic Speech Patterns in the Traditional Japanese Kyogen Theatre: a Strategy of Contrasting Structures
Spring 2001 97 Melodic Speech Patterns in the Traditional Japanese Kyogen Theatre: A Strategy of Contrasting Structures Zvika Serper To Nomura Mansaku, the greatest living kyogen actor Kyogen are comic short plays that serve as interludes between the serious no dramas, together comprising the nogaku, the Japanese traditional aristocratic theatre. They can be farce, satire, tragi-comedy, etc., dealing with the daily life of the lower and middle classes. Relationships between an ordinary man and his wife or lover, and those between a master and his servant are the most common themes in kyogen, in contrast with the more serious super-human appearances of ghosts, gods, and demons in no. Kyogen can be considered as the realistic antithesis of no not only on the dramatic level, but as regards the acting too.1 Vocal expression in kyogen, as in no, consists of both speech and singing, although the proportions differ completely in the two styles, with far more speech than singing in kyogen. Similar to the other traditional theatre arts in Japan, the art passes from father to sons or disciples, and the acting patterns accumulate and crystallize throughout the generations, including the melodic speech patterns. There is no notation of these patterns in the professional texts, and to date no analysis has been attempted of these traditional speech patterns. The kyogen speech served as one of the main sources for the speech of kabuki, the traditional popular theatre that developed later, and therefore it embodies the nucleus of the presentational speech art of all Japanese traditional theatres. In the present analysis of the principles and aesthetic of the kyogen speech patterns I hope to shed some light on these Japanese theatrical speech patterns and provide greater insight into their complexity. -
THIS ISSUE: Comedy
2014-2015 September ISSUE 1 scene. THE JOURNAL OF THE INTERNATIONAL SCHOOLS THEATRE ASSOCIATION THIS ISSUE: Comedy www.ista.co.uk WHO’S WHO @ ISTA… CONTENTS Patron 2 Connections Professor Jonothan Neelands, by Rebecca Kohler National Teaching Fellow, Chair of Drama and Theatre Education in the Institute of Education 3 Comedy d’un jour and Chair of Creative Education in the Warwick Business School (WBS) at the University of by Francois Zanini Warwick. 4 Learning through humour Board of trustees by Mike Pasternak Iain Stirling (chair), Scotland Formerly Superintendent, Advanced Learning Schools, Riyadh. Recently retired. 8 Desperately seeking the laughs Jen Tickle (vice chair), Jamaica by Peter Michael Marino Head of Visual & Performing Arts and Theory of Knowledge at The Hillel Academy, Jamaica. 9 “Chou” – the comic actor in Chinese opera Dinos Aristidou, UK by Chris Ng Freelance writer, director, consultant. 11 Directing comedy Alan Hayes, Belgium by Sacha Kyle Theatre teacher International School Brussels. Sherri Sutton, Switzerland 12 Videotape everything, change and be Comic, director and chief examiner for IB DP Theatre. Theatre teacher at La Chataigneraie. grateful Jess Thorpe, Scotland by Dorothy Bishop Co Artistic Director of Glas(s) Performance and award winning young people’s company 13 Seriously funny Junction 25. Visiting. Lecturer in the Arts in Social Justice at the Royal Conservatoire of Scotland. by Stephen Finegold Honorary life members 15 How I got the best job in the world! Dinos Aristidou, UK Being a clown, being a -
MONTY PYTHON at 50 , a Month-Long Season Celebra
Tuesday 16 July 2019, London. The BFI today announces full details of IT’S… MONTY PYTHON AT 50, a month-long season celebrating Monty Python – their roots, influences and subsequent work both as a group, and as individuals. The season, which takes place from 1 September – 1 October at BFI Southbank, forms part of the 50th anniversary celebrations of the beloved comedy group, whose seminal series Monty Python’s Flying Circus first aired on 5th October 1969. The season will include all the Monty Python feature films; oddities and unseen curios from the depths of the BFI National Archive and from Michael Palin’s personal collection of super 8mm films; back-to-back screenings of the entire series of Monty Python’s Flying Circus in a unique big-screen outing; and screenings of post-Python TV (Fawlty Towers, Out of the Trees, Ripping Yarns) and films (Jabberwocky, A Fish Called Wanda, Time Bandits, Wind in the Willows and more). There will also be rare screenings of pre-Python shows At Last the 1948 Show and Do Not Adjust Your Set, both of which will be released on BFI DVD on Monday 16 September, and a free exhibition of Python-related material from the BFI National Archive and The Monty Python Archive, and a Python takeover in the BFI Shop. Reflecting on the legacy and approaching celebrations, the Pythons commented: “Python has survived because we live in an increasingly Pythonesque world. Extreme silliness seems more relevant now than it ever was.” IT’S… MONTY PYTHON AT 50 programmers Justin Johnson and Dick Fiddy said: “We are delighted to share what is undoubtedly one of the most absurd seasons ever presented by the BFI, but even more delighted that it has been put together with help from the Pythons themselves and marked with their golden stamp of silliness. -
August 2018 IL Calendar
SUN MON TUE WED THUR FRI SAT ROOM KEY 9:00 Step with Mark 2/P (ES) 9:00 Tai-Chi 1/P (ES) 9:15 Yoga 1/SP (ES) 10:00 Hopewell Furnace National WBD - (WBD) 9:00 Personal Training 1/P (FC) 9:00 Personal Training 1/P (FC) 10:00 Medication Drop Off in Cheryl's Office Historic Site 80th Birthday AS - Art Studio 10:00 Water Volleyball 2/P (P) 10:00 VIST Bank 1/SO (ML) 1/EN (WBD) Celebration 3/I (ML) 10:00 Yoga 1/SP (ES) 1 11:00 Pilates Body Conditioning 1/E (ES) 2 10:00 Water Volleyball 2/P (P) 3 10:00 Walk Away the Pounds 1/P (ES) 4 B - Brandywine 12:15 Mah-Jong 1/I (W) 11:00 Outdoor Quoits 2/P (AS) 10:15 Chair Yoga 1/SP (ES) 11:00 Water Zumba 2/P (P) BC - Business Center 1:00 Bridge 1/I (T) 11:00 From the Heart & Crave Cafe 2/ 12:15 Mah-Jong 1/I (T) 1:00 Bridge 1/I (T) ES - Exercise Studio 1:00 Balance Basics with Catina 1/P (ES) EN (ML) 1:00 Shillington Market & Goodwill 3/EN (ML) 5:30 Fabulous Cheeze Brothers & Sisters 60's & 70's FC - Fitness Center 1:30 Immanual UCC Mission Trip to Macon, Georgia 1:00 Japanese Calligraphy Class 1/I (AS) 1:00 Giant 2/SO (ML) Music @ Nissley Vineyard $18 2/E (ML) FC - Front Circle Presentation 1/SP (ES) 2:00 Learn CPR with Adrienne 1/HS (BC) 3:00 Pick Up Pool Games 1/I (GR) 7:00 Saturday Cinema/Les Miserables 1/SO (ES) GR - Game Room 3:00 Belly Dance with Cindy 2/E (ES) 2:00 Sit-er-cize 1/P (ES) 4:00 50/50 Tickets for Sale For Alzheimer's Walk 1/V (T) 6:00 Den & Terry @ New Holland 2/E (ML) 2:30 GHM Volunteering 1/V (ML) 4:00 First Friday Happy Hour with Wahl Street 1/SO (T) ML - Meet in Lobby 7:00 Pinochle -
Chaucer Auctions Internet Only
Chaucer Auctions Internet Only . Autograph Auction Entertainment, Military, Sport & Aviation . Started Mar 06, 2015 10am GMT United Kingdom Lot Description Air Cdre Alan Deere DSO DFC WW2 fighter ace signed Mosquito Aircraft Museum cover MAM8 Tiger Moth. Flown and signed by the 1 pilot and owner. Good condition Grp Capt John Cunningham DSO DFC the top nightfighter ace of WW2 and later Comet test pilot signed Mosquito Aircraft Museum 2 DeHaviland DH110 cover flown by Sea Vixen and also signed by the two pilots. Good condition Richard Attenborough signed 463 467 Australian RAF squadrons cover flown by QANTUS 747 Also signed by Sqn Ldr Sneller AFC. 3 Scarce variety. Good condition Sir Bernard Lovell signed RAF Medmenham 25th ann Inspectorate of Radio Service cover, flown by RAF Argosy, only 253 were issued. 4 Good condition AVM Sir Harold Mick Martin DFC the famous 617 Sqn Dambuster Raid pilot signed 1981 Leonard Cheshire homes cover flown by 5 Lancaster. Good condition Rear Admiral Sandy Woodward signed RAF The Task Force to the Falkland Islands cover RAF(AC)4, flown by Hercules. He was the 6 Task Force commander in the War. Good condition 7 Ricky Wilson signed 10 x 8 colour photo, lead singer of Kaiser Chiefs and one of the judges on the TV show The Voice. Good condition 8 Vin Diesel signed 10 x 8 colour action photo from Fast & Furious. Good condition 9 Jayne Torvil1 & Christopher Dean signed white card. Good condition 10 Felix Baumgartner signed stunning 10 x 8 colour photo of his recent World record parachute jump from space.