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John Cleese & Eric Idle
JOHN CLEESE & ERIC IDLE TOGETHER AGAIN AT LAST…FOR THE VERY FIRST TIME Mesa, AZ • November 21 Tickets On-Sale Friday, June 17 at 10 a.m. June 15, 2016 (Mesa, AZ) – Still together again, Britain’s living legends of comedy, John Cleese and Eric Idle, announce their must see show John Cleese & Eric Idle: Together Again At Last…For The Very First Time in Mesa at Mesa Arts Center on November 21 at 7:30 p.m.! Tickets go on-sale to the public Friday, June 17 at 10 a.m. In Together Again At Last…For The Very First Time, Cleese and Idle will blend scripted and improvised bits with storytelling, musical numbers, exclusive footage and aquatic juggling to create a unique comedic experience with every performance. No two shows will be quite the same, thus ensuring that every audience feels like they’re seeing Together Again At Last… For The Very First Time, for the very first time. And now you know why the show is called that, don’t you? Following a successful run last fall in the Eastern US as well as a sold-out run in Australia and New Zealand this past February, their tour, John Cleese & Eric Idle: Together Again At Last…For The Very First Time will once again embark on some of the warmest (and driest) territories the US (and Canada) has to offer. The tour will take place from October 16 to November 26 and will see the British icons perform unforgettable sit-down comedy at premier venues in Victoria, Vancouver, Seattle, Spokane, Salem, Santa Rosa, San Francisco, San Jose, Thousand Oaks, Santa Barbara, Escondido, San Diego, Las Vegas, Mesa, Tucson, Albuquerque, El Paso with additional markets to be announced soon. -
2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p. -
• Includes the Best and Most Frequently Quoted Moments • Each Disc
Each of these six discs contains a cornucopia of Monty Python’s best, most famous, and most frequently quoted songs and sketches as selected and introduced by the very lunatics who made Monty Python the world’s premier comedy troupe. Indeed, it’s the perfect package for all of your comedy consumers, from the newcomer to the fanatic, and everyone in between.* • Includes the best and most frequently quoted moments from the groundbreaking Flying Circus series to give new fans a primer on everything Python—that will have them reciting Python like their Megaset™-purchasing brethren in no time! • At under $8 per disc, THE PERSONAL BEST OF MONTY PYTHON’S FLYING CIRCUS opens the best-selling Flying Circus DVD franchise to new, Python-curious audiences. • Each disc includes new footage with the present-day Pythons, plus all of the naughty bits that were edited out of the PBS broadcasts and never-broadcast, DVD-exclusive bonuses with the cast. • Monty Python’s Spamalot on Broadway is still sold out—and touring North America—continuing to bring new fans with deep pockets into the Monty fold. • All of the Pythons’ best sketches are represented, including: “Self-Defense Against Fresh Fruit,” “The Upper Class Twit of the Year,” “The Lumberjack Song,” “Spanish Inquisition,” “Fish Slapping Dance,” “Silly Walks,” and “The Man Who Wrestles Himself,” plus Terry Gilliam’s best animation sequences. DVD PREORDER AUG 1 RELEASE AUG 29 special features: Behind the Scenes of John Cleese’s Personal Best a Terry Gilliam’s Featurette: A Retrospective of Python’s Animation a Eric Idle’s Personal Second-Best a Terry Jones’ Personal Second-Best a Michael Palin’s Personal Second-Best a Graham Chapman’s Personal Second-Best a Six 15-Question, 15-Ton Megaquizzes—One for Each Python a Biography and Selected Credits for Each Python a Interactive Menus a Scene Selection $44.95 srp U.S., $59.95 srp Can. -
HANCOCK's HALF HOUR COLLECTIBLES Notes To
HANCOCK’S HALF HOUR COLLECTIBLES Notes to Accompany Volume 3 All photographs copyright (C) BBC (unless otherwise stated) The Tony Hancock Appreciation Society is delighted to have given its support to the production of this new and unique series concerning the lost works of Tony Hancock. Tony Hancock: BBC Publicity Shot for Hancock’s Half Hour, November 1956 The Tony Hancock Appreciation Society (THAS) Since its creation in 1976, the THAS has dedicated itself to preserving and promoting the works of Tony Hancock and, more crucially, to finding his broadcasts that were missing from the archives. Over the decades, these efforts have yielded a wealth of material, most notably lost episodes of his most beloved work on Hancock’s Half Hour for both television and radio. Many of these have now been located and returned to the BBC; some feature in this special series of Collectibles, now into 1 its third volume. However, many still remain lost at this time. In addition, our efforts have found other material – shows recorded before Hancock became a household name – from series such as Calling All Forces, Variety Bandbox and Star Bill. Again, examples of these can be found in this series. In the previous volumes, there was an extensive analysis of missing recordings from Hancock’s radio career, and, as ever, we remain hopeful that some of these recordings will emerge from private collections or, perhaps, the archives of the BBC or other institutions. In these notes, we will focus on a number of missing recordings and shows outside the ‘core’ work Hancock did on his eponymous series and those that preceded it. -
5.1 May 2018 Newsletter.Cdr
5.1 3D BBC CiNA/RNIB May 2018 Newsletter Summary April 1. April Competition 4. March Winner’s email 2. Clues & Explanations 5.May Extra mid-month 2018 3. Presentations 2017 6. Spike Milligan Crossword Enigmatist Pickles 1. April Competition I TOLD YOU I WAS ILL The April competition with Spike Milligan themed grid by Pickles and clued by Enigmatist, was won by Jos Tait of Preston Australia. Excellent solving! SPIKE MILLIGAN Feedback included: Enigmatist is one of my favourite setters and many of the reasons for that can be found in this puzzle: clever and challenging exploitation of an interesting theme; complex, cryptic and misleading clues – for example, it took me a long time to unravel the clue to IRONIC, but it is, as indeed are all his clues, ultimately both intricate and fair. A most enjoyable solve this month. Kmc One solver is speaking to another :- “Would you like to do this puzzle set by Enigmatist or climb the North face of the Eiger?” “Wait right there – I'll get the crampons!” GS Much fun to be had here, as Andre always has a go first. He was amazed when he came to complain that nothing could really contain Y__G T__G and I immediately burst into song... Quite an education in British culture for him! AR Thanks again for the great, and consistently entertaining, puzzles. JN Lovely to have the brilliant madcap humour of Spike Milligan celebrated and brought back to life again in such a clever puzzle. Again I am in awe of how much Engimatist was able to pack into the grid, and how many references Grid by there are, since I imagine the constraints of 3D must be greater than those Pickles of 2D. -
John Hooper - Pioneer British Batman
NEWSLETTER AND PROCEEDINGS OF THE LINNEAN SOCIETY OF LONDON VOLUME 26 x NUMBER xJULY 2010 THE LINNEAN SOCIETY OF LONDON Registered Charity Number 220509 Burlington House, Piccadilly, London W1J 0BF Tel. (+44) (0)20 7434 4479; Fax: (+44) (0)20 7287 9364 e-mail: [email protected]; internet: www.linnean.org President Secretaries Council Dr Vaughan Southgate BOTANICAL The Officers and Dr Sandra D Knapp Prof Geoffrey Boxshall Vice-Presidents Prof Mark Chase Dr Mike Fay ZOOLOGICAL Prof Dianne Edwards Dr Sandra D Knapp Dr Malcolm Scoble Mr Alistair Land Dr Keith Maybury Dr Terry Langford Dr Malcolm Scoble EDITORIAL Mr Brian Livingstone Dr John R Edmondson Prof Geoff Moore Treasurer Ms Sara Oldfield Professor Gren Ll Lucas OBE COLLECTIONS Dr Sylvia Phillips Mrs Susan Gove Mr Terence Preston Executive Secretary Dr Mark Watson Dr Ruth Temple Librarian Dr David Williams Mrs Lynda Brooks Prof Patricia Willmer Financial Controller/Membership Mr Priya Nithianandan Deputy Librarian Conservator Mr Ben Sherwood Ms Janet Ashdown Building and Office Manager Ms Victoria Smith Honorary Archivist Conservation Assistant Ms Gina Douglas Ms Lucy Gosnay Communications Manager Ms Claire Inman Special Publications and Education Manager Ms Leonie Berwick Office Assistant Mr Tom Helps THE LINNEAN Newsletter and Proceedings of the Linnean Society of London ISSN 0950-1096 Edited by Brian G Gardiner Editorial ................................................................................................................ 1 Society News.............................................................................................................. -
John Cleese on Creativity from His 11991 Speech Given to Visual Arts
John Cleese on Creativity from his 11991 speech given to Visual Arts When Video Arts asked me if I’d like to talk about creativity I said, “No problem. No. problem!” because telling people about how to be creative it’s easy. It’s only doing it that is difficult. I knew it would be particularly easy for me because I spent the last 25 years watching various creative people produce their stuff and being fascinated to see if I could figure out what makes creative people, me included, more creative. What is more, a couple of years ago I got very excited because a friend of mine who runs the psychology department at Sussex University, Brian Bates, showed me some research on creativity done at Berkeley in the 70s by a brilliant psychologist Donald MacKinnon, which seemed to confirm in the most impressively scientific way, all the vague intuitions that I had heard over the years. So the prospect of settling down for quite serious study for the purpose of tonight’s gossip was quite delightful and I, having spent several weeks on it, I can say, categorically, that what I have to tell you tonight about how you can all become more creative is a complete waste of time. So I think it would be much better if I just told jokes instead. You know the light bulbs you know. How many Poles does it take to change a light bulb? One to hold it and four to turn the table…. You see the reason it is futile for me to talk about creativity is that it quite simply, cannot be explained. -
MONTY PYTHON at 50 , a Month-Long Season Celebra
Tuesday 16 July 2019, London. The BFI today announces full details of IT’S… MONTY PYTHON AT 50, a month-long season celebrating Monty Python – their roots, influences and subsequent work both as a group, and as individuals. The season, which takes place from 1 September – 1 October at BFI Southbank, forms part of the 50th anniversary celebrations of the beloved comedy group, whose seminal series Monty Python’s Flying Circus first aired on 5th October 1969. The season will include all the Monty Python feature films; oddities and unseen curios from the depths of the BFI National Archive and from Michael Palin’s personal collection of super 8mm films; back-to-back screenings of the entire series of Monty Python’s Flying Circus in a unique big-screen outing; and screenings of post-Python TV (Fawlty Towers, Out of the Trees, Ripping Yarns) and films (Jabberwocky, A Fish Called Wanda, Time Bandits, Wind in the Willows and more). There will also be rare screenings of pre-Python shows At Last the 1948 Show and Do Not Adjust Your Set, both of which will be released on BFI DVD on Monday 16 September, and a free exhibition of Python-related material from the BFI National Archive and The Monty Python Archive, and a Python takeover in the BFI Shop. Reflecting on the legacy and approaching celebrations, the Pythons commented: “Python has survived because we live in an increasingly Pythonesque world. Extreme silliness seems more relevant now than it ever was.” IT’S… MONTY PYTHON AT 50 programmers Justin Johnson and Dick Fiddy said: “We are delighted to share what is undoubtedly one of the most absurd seasons ever presented by the BFI, but even more delighted that it has been put together with help from the Pythons themselves and marked with their golden stamp of silliness. -
The Goon Show: the Spanish Suitcase
THE GOON SHOW: THE SPANISH SUITCASE First broadcast on December 7, 1954. Script by Spike Milligan and Eric Sykes. Produced by Peter Eton. Announced by Wallace Greenslade. The orchestra was conducted by Wally Stott. Transcribed by Kurt Adkins, corrections by Peter Olausson. Greenslade: This is the BBC Home Service. Grytpype: Oh dear! Greenslade: Never-the-less, this is the BBC Home Service, my almamata! Bluebottle: Olé! Seagoon: That olé of olés can only herald the coming of the highly esteemed Goon Show! Grams: [Panic stricken audience running out, door slams] Seagoon: Who unlocked the doors? Mr. Greenslade, emergency music! Grams: [’The Archers’ theme tune and animal noises] Seagoon: Stop! [Music stop] I knew that would get them back in. Heads above the trough! [country accent] Now then, Dan Greenslade, me dear, tell 'em as 'ow we're going to be doing that there Goon Show. I'll be off to mend my tractor. Greenslade (country accent): Aaaaah, aaalright me old dear Ned Archer, I reckon as all we'll be having a ripe harvest of compost from 'im tonight! Greenslade: Aaaaaarh! Seagoon: Aaaaaarh! Regal Woman: Hello you two, still arguing about the old cow? Greenslade: Aaaaaaaarh! Regal Woman: Where's Daddy? Greenslade: Well, he were asking if them beams up in the barn were strong. 1 Seagoon: Ay, he asked I that, he did, he asked I that then he went up there with a coil of rope and a noose around his neck. Regal Woman: No no, he... Oh look! Grams: [’The Archers’ end theme tune] Sellers: Easy money! Seagoon (himself): Right, now Greenslade, off with your dung smock and into a serious vein. -
Tim Brooke-Taylor Very Brief TIM Was Born in Buxton, Derbyshire
Tim Brooke-Taylor Very Brief TIM was born in Buxton, Derbyshire. His father was a solicitor, his mother a Lacrosse International and his maternal grandfather, a parson who played centre forward for England in the 1890’s. At Cambridge, as a result of a promise he made to the Derbyshire Education Committee, he joined the Footlights Club and became president. His colleagues included John Cleese, Graham Chapman, Bill Oddie, Graeme Garden and Bill Oddie. Tim is probably best known as one of ‘the Goodies’ and he has just returned from Australia where the goodies did a sell-out tour. He has been part of the radio programme ‘I’m Sorry I Haven’t a Clue’ since the beginning in 1972. He is a passionate supporter of Derby County. Tim Brooke-Taylor Not so brief TIM was born in Buxton, Derbyshire. His father was a solicitor, his mother a Lacrosse International and his maternal grandfather, a parson who played centre forward for England in the 1890’s. After a bad educational start - he was expelled from his first school at the age of five and a half - he went to various schools in Buxton and then on to Winchester College. Before going to Cambridge he taught at two private schools - one in Hemel Hempstead and the other, one of his old schools in Buxton, Holm Leigh - but only subjects he knew very little about. In 1960 he began an Economics and Law degree course at Pembroke College, Cambridge and, as a result of a promise he made to the Derbyshire Education Committee in return for a grant, he joined the Footlights Revue Club. -
Ronnie Corbett Service
41846 Ronnie Corbett service:. 1/6/17 10:46 Page 1 Westminster Abbey A Service of Thanksgiving to celebrate the Life and Work of RONNIE CORBETT CBE 4th December 1930 – 31st March 2016 Wednesday 7th June 2017 Noon 41846 Ronnie Corbett service:. 1/6/17 10:46 Page 2 41846 Ronnie Corbett service:. 1/6/17 10:46 Page 3 ‘But I digress…’ Ronnie, in inimitable chair pose, ready for another rambling monologue 41846 Ronnie Corbett service:. 1/6/17 10:46 Page 4 Ronnie Corbett was one of the UK’s best loved entertainers, with a career spanning more than six decades and embracing television, film, theatre, and cabaret. Most famously, The Two Ronnies, his longstanding partnership with Ronnie Barker, made him a household name and even a national treasure. ‘I do find the “national treasure” thing very touching,’ he once told one interviewer, ‘actually, it brings a tear to my eye when people call me that.’ Born in Edinburgh to a Scottish baker and his English wife, Ronnie was educated locally but shunned further education after a handful of performances in amateur theatrical shows at his church youth club convinced him he wanted to be an actor. He served in the Royal Air Force and was, at only five feet tall in his stocking feet, the shortest commissioned officer in the British Forces. After moving to London, he made his professional stage appearance as Ronald Corbett in Take it Easy in 1956. Initially sensitive about his height, he soon realised that he could use it to huge comic potential. -
British Series About a Group of With
104 G000 LISTENING First Broadcast:1929 (under title "Rise of Milligan); Moriarity (Harry Secombe); Ma- the Goldbergs"). jor Bloodknock, Indian Army, retired (Harry Secombe);Bluebottle,the Good Listening character who always reads the stage directions in his script (Harry Secombe), Type:Quiz Min and Henry (Harry Secombe, Spike Milligan). Format:Calledforcontestantstoans- wer questions based on a medley of vocalAnnouncer:Wallace Greenslade. clues that were constantly interrupted by Vocalist:Max Geldry. plants in the studio audience. A playerOrchestra:Wally Stark. won money ($3, $6, or $9) based on how Also:The Ray Ellington Quartet. many questions he could answer thatLength:30 minutes. were related to the interrupted songs. Network:NBC. Host:Lionel Kaye. First Broadcast: 1955. Vocalists:The Three Chances. Orchestra:Van Alexander. Length:30 minutes. The Gordon MacRae Show Network:CBS. First Broadcast: 1943. Type:Musical Variety Host:Gordon MacRae. Vocalists:Sheila Stevens, Marian Bell. Good News Announcer:Dan Seymour. Orchestra:Archie Bleyer, Johnny Guar- Type:Musical Variety neri. Host:Dick Powell. Length:15 minutes. Vocalist:Mary Martin. Network:CBS. Orchestra:Meredith Wilson. First Broadcast:1945. Length:30 minutes. Network:NBC. First Broadcast:1939. The Gracie Fields Show The Goon Show Type:Variety Hostess:Gracie Fields (a British comed- Type:Comedy ienne). Format:British series about a group ofRegulars:Bob Burns, The Spartan Quar- goons, people "of inarticulate language tet, Don Hancock. with one -cell brains who think in theAnnouncer:Bill Goodwin. fourth dimension," who are anti -every-Orchestra:Harry Sosnik, Lou Bring, Carl thing and whose sole purpose is first to Hoffman. destroy the British Empire, then the restLength: 5minutes(1942),15minutes of the world.