• Includes the Best and Most Frequently Quoted Moments • Each Disc

Total Page:16

File Type:pdf, Size:1020Kb

• Includes the Best and Most Frequently Quoted Moments • Each Disc Each of these six discs contains a cornucopia of Monty Python’s best, most famous, and most frequently quoted songs and sketches as selected and introduced by the very lunatics who made Monty Python the world’s premier comedy troupe. Indeed, it’s the perfect package for all of your comedy consumers, from the newcomer to the fanatic, and everyone in between.* • Includes the best and most frequently quoted moments from the groundbreaking Flying Circus series to give new fans a primer on everything Python—that will have them reciting Python like their Megaset™-purchasing brethren in no time! • At under $8 per disc, THE PERSONAL BEST OF MONTY PYTHON’S FLYING CIRCUS opens the best-selling Flying Circus DVD franchise to new, Python-curious audiences. • Each disc includes new footage with the present-day Pythons, plus all of the naughty bits that were edited out of the PBS broadcasts and never-broadcast, DVD-exclusive bonuses with the cast. • Monty Python’s Spamalot on Broadway is still sold out—and touring North America—continuing to bring new fans with deep pockets into the Monty fold. • All of the Pythons’ best sketches are represented, including: “Self-Defense Against Fresh Fruit,” “The Upper Class Twit of the Year,” “The Lumberjack Song,” “Spanish Inquisition,” “Fish Slapping Dance,” “Silly Walks,” and “The Man Who Wrestles Himself,” plus Terry Gilliam’s best animation sequences. DVD PREORDER AUG 1 RELEASE AUG 29 special features: Behind the Scenes of John Cleese’s Personal Best a Terry Gilliam’s Featurette: A Retrospective of Python’s Animation a Eric Idle’s Personal Second-Best a Terry Jones’ Personal Second-Best a Michael Palin’s Personal Second-Best a Graham Chapman’s Personal Second-Best a Six 15-Question, 15-Ton Megaquizzes—One for Each Python a Biography and Selected Credits for Each Python a Interactive Menus a Scene Selection $44.95 srp U.S., $59.95 srp Can. Color, 6 discs, Approx. 5 hrs., 30 mins. catalog no. AAE-76168, upc 7-33961-76168-9, + extras, Comedy isbn 0-7670-9140-X *And remember: Monty Python is an acquired taste. So stock this set and show some taste. RELATED & RECOMMENDED newvideo.com THE COMPLETE MONTY PYTHON’S FLYING CIRCUS 16-TON MEGASET This unassuming case is packed with every madcap moment from the show’s four year run, plus 2 MONTY PYTHON LIVE! discs. DVD AAE-74121 Distributed in Canada by Distributed in the U.S. by New Video Paradox Entertainment Group. 902 Broadway, 9th fl, New York, NY 70 Driver Rd., Unit#1, Brampton, MONTY PYTHON’S PERSONAL BEST: ERIC IDLE Eric Idle’s favorite Monty Python material 10010, Tel: (212) 206-8600, ON L6T 5V2 Tel: (800) 267-1216 E-mail: [email protected] from the entire four-year run is squeezed into one convenient package. DVD AAE-71954 E-mail: [email protected] ©2006 Python (Monty) Pictures Limited. All Rights Reserved. Authorized for private home use only. Art and Design ©2006 A&E Television Networks. All Rights Reserved. AETN.com.
Recommended publications
  • John Cleese & Eric Idle
    JOHN CLEESE & ERIC IDLE TOGETHER AGAIN AT LAST…FOR THE VERY FIRST TIME Mesa, AZ • November 21 Tickets On-Sale Friday, June 17 at 10 a.m. June 15, 2016 (Mesa, AZ) – Still together again, Britain’s living legends of comedy, John Cleese and Eric Idle, announce their must see show John Cleese & Eric Idle: Together Again At Last…For The Very First Time in Mesa at Mesa Arts Center on November 21 at 7:30 p.m.! Tickets go on-sale to the public Friday, June 17 at 10 a.m. In Together Again At Last…For The Very First Time, Cleese and Idle will blend scripted and improvised bits with storytelling, musical numbers, exclusive footage and aquatic juggling to create a unique comedic experience with every performance. No two shows will be quite the same, thus ensuring that every audience feels like they’re seeing Together Again At Last… For The Very First Time, for the very first time. And now you know why the show is called that, don’t you? Following a successful run last fall in the Eastern US as well as a sold-out run in Australia and New Zealand this past February, their tour, John Cleese & Eric Idle: Together Again At Last…For The Very First Time will once again embark on some of the warmest (and driest) territories the US (and Canada) has to offer. The tour will take place from October 16 to November 26 and will see the British icons perform unforgettable sit-down comedy at premier venues in Victoria, Vancouver, Seattle, Spokane, Salem, Santa Rosa, San Francisco, San Jose, Thousand Oaks, Santa Barbara, Escondido, San Diego, Las Vegas, Mesa, Tucson, Albuquerque, El Paso with additional markets to be announced soon.
    [Show full text]
  • The Rutles: All You Need Is Cash
    SPOOFS The Rutles: All You Need Is Cash In the 1970s, Eric Idle, a former member of the legendary British com- edy team Monty Python, featured a Beatles parody song called “It Must Be Love” on Rutland Weekend Television, his own television show on BBC-2. The song had been written by Neil Innes, who had previously worked with Monty Python and the Bonzo Dog Doo-Dah Band. The song was performed by ‘The Rutles’, a Beatles look-alike band featuring Neil Innes as the John Lennon character, and Eric Idle as the Paul McCartney character (vgl. Harry 1985: 69). In October 1976, the parody was shown on America’s NBC TV’s show Saturday Night Live as a se- quel to the running gag of a Beatles reunion for $3,000. The parody went down so well that Eric Idle and Neil Innes decided to produce a feature program about The Rutles for television. Idle, who was a close friend of George Harrison, was allowed to watch Neil Aspinall’s unreleased do- cumentary about The Beatles, called The Long and Winding Road. Aspi- nall’s film featured a bulk of famous footage of The Beatles, from their first televised performance at the Cavern Club in Liverpool to their last group performance on the roof of their Apple business building. Idle u- sed The Long and Winding Road as a model for his fake-documentary about The Rutles and basically re-told the history of The Beatles pro- jected upon this imaginary rock band, adding essential elements of par- ody and the Pythonesque sense of surreal humor.
    [Show full text]
  • Lesleywalker
    (3/10/21) LESLEY WALKER Editor FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “MILITARY WIVES” Peter Cattaneo 42 Rory Aitken Tempo Productions Ltd. Ben Pugh “THE MAN WHO KILLED DON Terry Gilliam Amazon Studios Mariela Besuievsky QUIXOTE” Recorded Picture Co. Amy Gilliam Gerardo Herrero Gabriele Oricchio “THE DRESSER” Richard Eyre BBC Suzan Harrison Playground Ent. Colin Callender “MOLLY MOON: THE Christopher N. Rowley Amber Ent. Lawrence Elman INCREDIBLE HYPNOTIST” Lipsync Prods. Ileen Maisel “HOLLOW CROWN: HENRY IV”Richard Eyre BBC Rupert Ryle-Hodges Neal Street Prods. Sam Mendes “I AM NASRINE” Tina Gharavi Bridge and Tunnel Prods James Richard Baille (Supervising Editor) David Raedeker “WILL” Ellen Perry Strangelove Films Mark Cooper Ellen Perry Taha Altayli “MAMMA MIA” Phyllida Lloyd Playtone Gary Goetzman Nomination: American Cinema Editors (ACE) Award Universal Pictures Tom Hanks Rita Wilson “CLOSING THE RING” Richard Attenborough Closing the Ring Ltd. Jo Gilbert “BROTHERS GRIMM” Terry Gilliam Miramax Daniel Bobker Charles Roven “TIDELAND” Terry Gilliam Capri Films Gabriella Martinelli Recorded Picture Co. Jeremy Thomas “NICHOLAS NICKLEBY” Douglas McGrath Cloud Nine Ent. S. Channing Williams Hart Sharp Entertainment John Hart MGM/United Artists Jeffery Sharp “ALL OR NOTHING” Mike Leigh Cloud Nine Entertainment Simon Channing Williams Le Studio Canal “SLEEPING DICTIONARY” Guy Jenkin Fine Line Simon Bosanquet "FEAR AND LOATHING IN Terry Gilliam Rhino Patrick Cassavetti LAS VEGAS" Stephen Nemeth "ACT WITHOUT WORDS I" Karel Reisz Parallel
    [Show full text]
  • He Dreams of Giants
    From the makers of Lost In La Mancha comes A Tale of Obsession… He Dreams of Giants A film by Keith Fulton and Lou Pepe RUNNING TIME: 84 minutes United Kingdom, 2019, DCP, 5.1 Dolby Digital Surround, Aspect Ratio16:9 PRESS CONTACT: Cinetic Media Ryan Werner and Charlie Olsky 1 SYNOPSIS “Why does anyone create? It’s hard. Life is hard. Art is hard. Doing anything worthwhile is hard.” – Terry Gilliam From the team behind Lost in La Mancha and The Hamster Factor, HE DREAMS OF GIANTS is the culmination of a trilogy of documentaries that have followed film director Terry Gilliam over a twenty-five-year period. Charting Gilliam’s final, beleaguered quest to adapt Don Quixote, this documentary is a potent study of creative obsession. For over thirty years, Terry Gilliam has dreamed of creating a screen adaptation of Cervantes’ masterpiece. When he first attempted the production in 2000, Gilliam already had the reputation of being a bit of a Quixote himself: a filmmaker whose stories of visionary dreamers raging against gigantic forces mirrored his own artistic battles with the Hollywood machine. The collapse of that infamous and ill-fated production – as documented in Lost in La Mancha – only further cemented Gilliam’s reputation as an idealist chasing an impossible dream. HE DREAMS OF GIANTS picks up Gilliam’s story seventeen years later as he finally mounts the production once again and struggles to finish it. Facing him are a host of new obstacles: budget constraints, a history of compromise and heightened expectations, all compounded by self-doubt, the toll of aging, and the nagging existential question: What is left for an artist when he completes the quest that has defined a large part of his career? 2 Combining immersive verité footage of Gilliam’s production with intimate interviews and archival footage from the director’s entire career, HE DREAMS OF GIANTS is a revealing character study of a late-career artist, and a meditation on the value of creativity in the face of mortality.
    [Show full text]
  • Reagan Defends Military Strikes on Iranian Targets Associated Press No Illusions About the Cost of Irresponsible Behavior," WASHINGTON -- President Reagan Said
    Back In the fifties I IACCENT: Bitter 'Beetlejuice' again Mostly sunny and cool Tues­ day, high 45 to 50. Clear and /VIEWPOINT: Respond to the Task Force cold Tuesday night, low 30 to VOL XXI, NO. 125 TUESDAY, APRIL 19, 1988 the independent newspaper serving Notre Dame and Saint Mary's Reagan defends military strikes on Iranian targets Associated Press no illusions about the cost of irresponsible behavior," WASHINGTON -- President Reagan said. Reagan said Monday he or­ "They must know that we dered military strikes against will protect our ships, and if Iranian targets because of "ir­ they threaten us, they'll pay a responsible behavior" toward price," Reagan said. The pres­ U.S. ships, and served notice ident told his audience that "a that Tehran will "pay a price" more normal relationship with for such aggression in the Per­ Iran is desirable -- and we're sian Gulf. prepared for it." Defending attacks on Iranian But Reagan said that "such military platforms in the south­ a relationship is not possible so ern gulf, Reagan said: "we aim long as Iran attacks neutral to deter further Iranian aggres­ ships, threatens its neighbors, sion, not provoke it." He supports terrorism and refuses renewed the U.S. call for Iran to end the bloody war with to accept a United Nations Iraq." resolution demanding a cease­ Besides destroying the two fire in the Iran-Iraq war. offshore Iranian oil platforms Reagan used an appearance used for military purposes, the before a business audience to U.S. Navy either sank or comment on U.S.
    [Show full text]
  • Critiques / Bulworth / Fear and Loathing in Las Vegas / Feux D’Artifices / the Last Days of Disco / Le Septième Ciel / Wild Man Blues]
    Document generated on 09/27/2021 9:20 p.m. Ciné-Bulles Le cinéma d’auteur avant tout Critiques Bulworth Fear and Loathing in Las Vegas Feux d’artifices The Last Days of Disco le Septième Ciel Wild Man Blues Paul Beaucage, Charles-Stéphane Roy and Jean Beaulieu Volume 17, Number 2, Summer 1998 URI: https://id.erudit.org/iderudit/34365ac See table of contents Publisher(s) Association des cinémas parallèles du Québec ISSN 0820-8921 (print) 1923-3221 (digital) Explore this journal Cite this review Beaucage, P., Roy, C.-S. & Beaulieu, J. (1998). Review of [Critiques / Bulworth / Fear and Loathing in Las Vegas / Feux d’artifices / The Last Days of Disco / le Septième Ciel / Wild Man Blues]. Ciné-Bulles, 17(2), 48–56. Tous droits réservés © Association des cinémas parallèles du Québec, 1998 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Critiques BULWORTH de Jay Bulworth (Warren Beatty), un sénateur dé­ de Warren Beatty mocrate qui, las des mensonges et de la corruption politiques, décide d'avouer la vérité (si âpre soit- elle) à ses électeurs. À quoi doit-on attribuer sa sou­ par Paul Beaucage daine volte-face? Mystère.
    [Show full text]
  • John Cleese on Creativity from His 11991 Speech Given to Visual Arts
    John Cleese on Creativity from his 11991 speech given to Visual Arts When Video Arts asked me if I’d like to talk about creativity I said, “No problem. No. problem!” because telling people about how to be creative it’s easy. It’s only doing it that is difficult. I knew it would be particularly easy for me because I spent the last 25 years watching various creative people produce their stuff and being fascinated to see if I could figure out what makes creative people, me included, more creative. What is more, a couple of years ago I got very excited because a friend of mine who runs the psychology department at Sussex University, Brian Bates, showed me some research on creativity done at Berkeley in the 70s by a brilliant psychologist Donald MacKinnon, which seemed to confirm in the most impressively scientific way, all the vague intuitions that I had heard over the years. So the prospect of settling down for quite serious study for the purpose of tonight’s gossip was quite delightful and I, having spent several weeks on it, I can say, categorically, that what I have to tell you tonight about how you can all become more creative is a complete waste of time. So I think it would be much better if I just told jokes instead. You know the light bulbs you know. How many Poles does it take to change a light bulb? One to hold it and four to turn the table…. You see the reason it is futile for me to talk about creativity is that it quite simply, cannot be explained.
    [Show full text]
  • MONTY PYTHON at 50 , a Month-Long Season Celebra
    Tuesday 16 July 2019, London. The BFI today announces full details of IT’S… MONTY PYTHON AT 50, a month-long season celebrating Monty Python – their roots, influences and subsequent work both as a group, and as individuals. The season, which takes place from 1 September – 1 October at BFI Southbank, forms part of the 50th anniversary celebrations of the beloved comedy group, whose seminal series Monty Python’s Flying Circus first aired on 5th October 1969. The season will include all the Monty Python feature films; oddities and unseen curios from the depths of the BFI National Archive and from Michael Palin’s personal collection of super 8mm films; back-to-back screenings of the entire series of Monty Python’s Flying Circus in a unique big-screen outing; and screenings of post-Python TV (Fawlty Towers, Out of the Trees, Ripping Yarns) and films (Jabberwocky, A Fish Called Wanda, Time Bandits, Wind in the Willows and more). There will also be rare screenings of pre-Python shows At Last the 1948 Show and Do Not Adjust Your Set, both of which will be released on BFI DVD on Monday 16 September, and a free exhibition of Python-related material from the BFI National Archive and The Monty Python Archive, and a Python takeover in the BFI Shop. Reflecting on the legacy and approaching celebrations, the Pythons commented: “Python has survived because we live in an increasingly Pythonesque world. Extreme silliness seems more relevant now than it ever was.” IT’S… MONTY PYTHON AT 50 programmers Justin Johnson and Dick Fiddy said: “We are delighted to share what is undoubtedly one of the most absurd seasons ever presented by the BFI, but even more delighted that it has been put together with help from the Pythons themselves and marked with their golden stamp of silliness.
    [Show full text]
  • Martin Scorsese Set to Receive Cinematic Imagery Award from the Art Directors Guild’S Excellence in Production Design Awards, Feb
    Martin Scorsese MARTIN SCORSESE SET TO RECEIVE CINEMATIC IMAGERY AWARD FROM THE ART DIRECTORS GUILD’S EXCELLENCE IN PRODUCTION DESIGN AWARDS, FEB. 8, 2014 LOS ANGELES, Dec. 5, 2013 - Academy Award®-winning filmmaker Martin Scorsese, whose films have consistently reflected the highest quality of production design, will receive the prestigious Cinematic Imagery Award from the Art Directors Guild (ADG) at its 18th Annual Art Directors Guild’s Excellence in Production Design Awards, it was announced today by ADG Council Chairman John Shaffner and Awards Producers Raf Lydon and Dave Blass. Set for February 8, 2014, the black-tie ceremony at The Beverly Hilton Hotel will be hosted by Owen Benjamin and will honor more than 40 years of Scorsese’s extraordinary award-winning work. The ADG’s Cinematic Imagery Award is given to those whose body of work in the film industry has richly enhanced the visual aspects of the movie-going experience. Previous recipients have been the Production Designers behind the James Bond franchise, the principal team behind the Harry Potter films, Bill Taylor, Syd Dutton, Warren Beatty, Allen Daviau, Clint Eastwood, Blake Edwards, Terry Gilliam, Ray Harryhausen, Norman Jewison, John Lasseter, George Lucas, Frank Oz, Steven Spielberg, Robert S. Wise and Zhang Yimou. Said Shaffner, "The ADG has wanted Scorsese to accept this deserving honor since the earliest days of its inception. We are beyond delighted that his schedule finally now allows him time to receive it! The ADG has always considered his hands-on pursuit of excellence of production design to equal all of the fine craftsmanship that goes into every aspect of all Martin Scorsese films." Martin Scorsese is one of the most prominent and influential filmmakers working today.
    [Show full text]
  • Ronnie Corbett Service
    41846 Ronnie Corbett service:. 1/6/17 10:46 Page 1 Westminster Abbey A Service of Thanksgiving to celebrate the Life and Work of RONNIE CORBETT CBE 4th December 1930 – 31st March 2016 Wednesday 7th June 2017 Noon 41846 Ronnie Corbett service:. 1/6/17 10:46 Page 2 41846 Ronnie Corbett service:. 1/6/17 10:46 Page 3 ‘But I digress…’ Ronnie, in inimitable chair pose, ready for another rambling monologue 41846 Ronnie Corbett service:. 1/6/17 10:46 Page 4 Ronnie Corbett was one of the UK’s best loved entertainers, with a career spanning more than six decades and embracing television, film, theatre, and cabaret. Most famously, The Two Ronnies, his longstanding partnership with Ronnie Barker, made him a household name and even a national treasure. ‘I do find the “national treasure” thing very touching,’ he once told one interviewer, ‘actually, it brings a tear to my eye when people call me that.’ Born in Edinburgh to a Scottish baker and his English wife, Ronnie was educated locally but shunned further education after a handful of performances in amateur theatrical shows at his church youth club convinced him he wanted to be an actor. He served in the Royal Air Force and was, at only five feet tall in his stocking feet, the shortest commissioned officer in the British Forces. After moving to London, he made his professional stage appearance as Ronald Corbett in Take it Easy in 1956. Initially sensitive about his height, he soon realised that he could use it to huge comic potential.
    [Show full text]
  • THE RUTLES in “ALL YOU NEED IS CASH” ( 1. What Is the Crowd Doing in the Opening Scene? Why? …
    THE RUTLES in “ALL YOU NEED IS CASH” (https://vimeo.com/50881351) Observation & Comprehension Quiz 1. What is the crowd doing in the opening scene? Why? ……..……………………..……………… ……..……………………..……………………..……..……………………..……………………………. 2. What are the Rutles doing after their arrival at the airport? Why? ……………………………. ……..……………………..……………………..……..……………………..……………………………. 3. (1:11) What can you read on the back of the van? ………………..……………………………. 4. (1:26) What does the car registration number say? ………………..……………………………. 5. (1:35) Name the venue (=place) in Liverpool where the Rutles first played? …………….. 6. (1:39) What is the nickname of the Rutles? ………………..……………………….…………. 7. Complete the table with the full names of the Rutle members: Rutle member Styled after Beatle member Played by the actor John Lennon Neil Innes Paul McCartney Eric Idle George Harrison Ricky Fataar Richard Starkey John Halsey Nickname: Nickname: Ringo Starr th (=The 5 Rutle) Stuart Sutcliffe (=The 5th Beatle) Ollie Halsall 8. (1:50) What is the name of the Rutles’ manager? ………..……………………….…………. 9. Where did he discover them? ………………..………………………….………….…………. 10. How long did it take to record their 1st album? ………………………….………….…………. 11. (1:59) And their 2nd album? ………………………….………….……………………….………. 12. The reporter goes on to explain what his documentary (“mockumentary”) is about by saying : “Tonight we examine the ………… of the Rutles, we look at their …………, their …………, their ………… We ………… some of the ………… that ………… them what they are ………… And we shall also be ………… some of the people who …………with
    [Show full text]
  • Spamalot, Cal Poly Arts Has Booked King Arthur and His Gallant Knights for a Triumphant Center Stage Encore Engagement on Monday, November 21, 2011 at 7:30 P.M
    0\LPOLY News - University News & Information California Polytechnic State University, San Luis Obispo, California October 24, 2011 News release from Cal Poly Arts: Contact: Lisa Woske, [email protected] Ticket Sales: 805/756-2787 SAN LUIS OBISPO, CALIFORNIA – In response to last season’s sold-out performance of the Tony Award-musical, Monty Python's Spamalot, Cal Poly Arts has booked King Arthur and his gallant Knights for a triumphant Center Stage encore engagement on Monday, November 21, 2011 at 7:30 p.m. at the Performing Arts Center. Lovingly "ripped-off" from the internationally famous comedy team's most popular motion picture, “Monty Python and the Holy Grail,” Monty Python's Spamalot tells the legendary tale of King Arthur and the Knights of the Round Table and their quest for the Holy Grail. As one might expect, Spamalot features a chorus line of dancing divas and hapless knights, taunting Frenchmen, killer rabbits, and one very determined legless knight. Based on the Tony Award-winning direction of Mike Nichols and the riotous choreography of Casey Nicholaw, the national tour of Monty Python's Spamalot features a script by Python’s own Eric Idle, which is based on the screenplay by fellow Monty Python creators Graham Chapman, John Cleese, Terry Gilliam, Terry Jones and Michael Palin, with music and lyrics by Idle and John Du Prez. Monty Python's Spamalot was the winner of three Tony Awards and a Grammy for its original cast recording. (Adult content) Tickets for the Center Stage performance range from $30 to $68 and may be purchased at the Performing Arts Center Ticket Office, 11 a.m.
    [Show full text]