Works Cited – Films
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Works cited – films Ali (Michael Mann, 2001) All the President’s Men (Alan J Pakula, 1976) American Beauty (Sam Mendes, 1998) American History X (Tony Kaye, 1998) American Psycho (Mary Harron, 2000) American Splendor (Shari Springer Berman and Robert Pulcini, 2003) Arlington Road (Mark Pellington, 1999) Being There (Hal Ashby, 1980) Billy Elliott (Stephen Daldry, 2000) Black Christmas (Bob Clark, 1975) Blow Out (Brian De Palma, 1981) Bob Roberts (Tim Robbins, 1992) Bowling for Columbine (Michael Moore, 2002) Brassed Off (Mark Herman, 1996) The Brood (David Cronenberg, 1979) Bulworth (Warren Beatty, 1998) Capturing the Friedmans (Andrew Jarecki, 2003) Control Room (Jehane Noujaim, 2004) The China Syndrome (James Bridges, 1979) Chinatown (Roman Polanski, 1974) Clerks (Kevin Smith, 1994) Conspiracy Theory (Richard Donner, 1997) The Conversation (Francis Ford Coppola, 1974) The Corporation (Jennifer Abbott and Mark Achbar, 2004) Crumb (Terry Zwigoff, 1994) Dave (Ivan Reitman, 1993) The Defector (Raoul Lévy, 1965) La Dolce Vita (Federico Fellini, 1960) Dr Strangelove, or: How I Learned to Stop Worrying and Love the Bomb (Stanley Kubrick, 1964) Evil Dead II (Sam Raimi, 1987) 201 Executive Action (David Miller, 1973) eXistenZ (David Cronenberg, 1999) The Exorcist (William Friedkin, 1973) Fahrenheit 9/11 (Michael Moore, 2004) Falling Down (Joel Schumacher, 1993) Far From Heaven (Todd Haynes, 2002) Fight Club (David Fincher, 1999) The Firm (Sydney Pollack, 1993) The Fly (David Cronenberg, 1986) The Forgotten (Joseph Ruben, 2004) Friday the 13th (Sean S Cunningham, 1980) The Full Monty (Peter Cattaneo, 1997) Funeral in Berlin (Guy Hamilton, 1965) The Game (David Fincher, 1997) Gattaca (Andrew Niccol, 1997) Groundhog Day (Harold Ramis, 1993) Halloween (John Carpenter, 1978) Happiness (Todd Solondz, 1998) Hiroshima, Mon Amour (Alan Resnais, 1959) The Hunting of the President (Nickolas Perry and Harry Thomason, 2004) I Know What You Did Last Summer (Jim Gillespie, 1997, and sequel 1998) In the Company of Men (Neil LaBute, 1997) In the Line of Fire (Wolfgang Petersen, 1993) It Came From Outer Space (Jack Arnold, 1953) The Insider (Michael Mann, 1999) The Ipcress File (Sidney J Furie, 1965) Jaws (Steven Spielberg, 1975) JFK (Oliver Stone, 1991) Kalifornia (Dominic Sena, 1993) Kids (Larry Clark, 1995) Life of Brian (Monty Python’s Life of Brian) (Terry Jones, 1979) Mad City (Costa-Gavras, 1997) 202 Malcolm X (Spike Lee, 1992) The Matrix (Andy and Larry Wachowski, 1999) Memento (Christopher Nolan, 2000) Men in Black (Barry Sonnenfeld, 1997) Le mépris (Jean-Luc Godard, 1963) Microcosmos: Le peuple de l’herbe (Claude Nuridsany & Marie Pérennou, 1996) English title (USA): Microcosmos Mrs Doubtfire (Chris Columbus, 1993) Natural Born Killers (Oliver Stone, 1994) On the Beach (Stanley Kramer, 1959) Outfoxed: Rupert Murdoch’s War on Journalism (Robert Greenwald, 2004) The Parallax View (Alan J Pakula, 1974) The Passion of the Christ (Mel Gibson, 2004) Pierrot le fou (Jean-Luc Godard, 1965) The Player (Robert Altman, 1992) Playtime (Jacques Tati, 1967) Primary Colors (Mike Nichols, 1998) The Quiller Memorandum (Michael Anderson, 1965) Roger & Me (Michael Moore, 1989) Rosemary’s Baby (Roman Polanski, 1968) Safe (Todd Solondz, 1995) Scanners (David Cronenberg, 1981) Scream (Wes Craven, 1996, and sequels 1997, 2000) Seven (David Fincher, 1995) sex, lies, and videotape (Steven Soderbergh, 1989) Shattered (Wolfgang Petersen, 1991) Silkwood (Mike Nichols, 1983) Stranger than Paradise (Jim Jarmusch, 1984) The Sixth Sense (M Night Shyalaman, 1999) Il sorpasso (Dino Risi, 1962) English title (USA): The Easy Life La Sortie des usines Lumière (Louis and Auguste Lumière, 1895) Spartan (David Mamet, 2004) The Spy Who Came in from the Cold (Martin Ritt, 1965) 203 The Stepford Wives (Bryan Forbes, 1975) Strange Days (Kathryn Bigelow, 1995) Stranger then Paradise (Jim Jarmusch, 1984) They Came from Within (David Cronenberg, 1974) also known as Shivers and The Parasite Murders This is Spinal Tap (Rob Reiner, 1984) Three Days of the Condor (Sydney Pollack, 1975) The Truman Show (Peter Weir, 1998) Twelve Monkeys (Terry Gilliam, 1995) Videodrome (David Cronenberg, 1983) Una vita difficile (Dino Risi, 1961) English title: A Difficult Life Wag the Dog (Barry Levinson, 1997) The War Room (Chris Hegedus and D A Pennebaker, 1993) When We Were Kings (Leon Gast, 1996) Winter Kills (William Richert, 1979) X-Files: The Movie (Rob Bowman, 1998) Adapted from The X-Files TV series, which had six seasons, 1993 to 1998. Works cited – bibliography Adorno, T. and Horkheimer, M. (1972 /1944Ger) Dialectic of Enlightenment, Trans. Cumming, J., Continuum, New York. Agamben, G. (1998 /1995It) Homo Sacer: Sovereign Power and Bare Life, Trans. Heller- Roazen, D., Stanford University Press, Stanford, CA. Allen, J. (2003) 'From Fordism to Post-Fordism,' article posted for students, at: http://www.hmse.memphis.edu/faculty/andrews/COURSESTAUGHT/SLC%207321/ Readings/Week%2006/1.Allen96-Post-Fordism.HTML accessed 15-Dec-03. Aminzade, R. R., Goldstone, J. A., McAdam, D., Perry, E. J., Sewell, W. H., Tarrow, S. and Tilly, C. (Eds.) (2001) Silence and Voice in the Study of Contentious Politics, Cambridge University Press, Cambridge, UK. Anderson, B. (1991 /first edition 1983) Imagined Communities: Reflecting on the Origin and Spread of Nationalism, Verso, London. Anderson, P. (1980) Arguments Within English Marxism, NLB and Verso Editions, London. 204 Anonymous (1976a) Autonomia operaia: nascita, sviluppo e prospettive dell'"area dell'autonomia" nella prima organica antologia documentaria, Savelli, Rome. Anonymous (1976b) La sinistra rivoluzionaria in Italia: documenti e interventi delle tre principali organizzazioni: Avanguardia operaia, Lotta continua, PdUP, Savelli, Rome. Anonymous (2003) 'From operaismo to "autonomist Marxism",' Aufheben, 11: http://www.geocities.com/aufheben2/auf_11_operaismo.html accessed 13-Feb-04. Australian Centre for Industrial Relations Research and Training (1999) Australia at work: just managing?, Prentice Hall, Sydney. Balio, T. (2002) '"A major presence in all the world's important markets": The globalization of Hollywood in the 1990s,' In The Film Cultures Reader (Ed. Turner, G.) Routledge, London, pp 206-217. Barnes, S. and Kaase, M. (1979) Political Action: Mass Participation in Five Western Democracies, Sage, Beverley Hills, CA. Barry, B. (2001) Culture and equality: an egalitarian critique of multiculturalism, Harvard University Press, Cambridge, MA. Barthes, R. (1975) The Pleasure of the Text, Trans. Miller, R., Hill & Wang, New York. Beam, A., with Morrison, P. (1976) Rehearsal for the year 2000:(drugs, religions, madness, crime, communes, love, visions, festivals and lunar energy): the rebirth of Albion Free State (known in the Dark Ages as England): memoirs of a male midwife (1966- 1976) Revelaction Press, London. Beck, U. (1992) Risk society: towards a new modernity, Sage, London. ––––––, Giddens, A. and Lash, S. (1994) Reflexive modernization: politics, tradition and aesthetics in the modern social order, Polity Press in association with Blackwell Publishers, Cambridge, UK. Bell, S. (1997) Ungoverning the Economy: the Political Economy of Australian Economic Policy, Oxford University Press, Melbourne. Beniger, J. R. (1986) The Control Revolution: Technological and Economic Origins of the Information Society, Harvard University Press, Cambridge, MA. Benjamin, W. (1992 /1936 Ger) 'The Work of Art in the Age of Mechanical Reproduction,' Trans. Zohn, H., In Illuminations (Ed. Arendt, H.) Fontana Press, London, pp 211- 244. –––––––––– (1992 /1950 Ger) 'Theses on the Philosophy of History,' Trans. Zohn, H., In Illuminations (Ed. Arendt, H.) Fontana Press, London, pp 245-255. Berardi, F. (1980) 'Anatomy or autonomy,' Semitotexte, 1, pp 148-170. Blackburn, R. (2000) 'A Brief History of New Left Review,' New Left Review web site: http://www.newleftreview.net/History.shtml accessed 27-Mar-04. Bogue, R. (1989) Deleuze and Guattari, Routledge, London. 205 ––––––– (2003a) Deleuze on Cinema, Routledge, New York. ––––––– (2003b) Deleuze on Literature, Routledge, New York. Bowles, S. and Gintis, H. (1986) Democracy and Capitalism: Property, Community, and the Contradictions of Modern Social Thought, Routledge and Kegan Paul, London. Brenner, R. (1998) 'The Economics of Global Turbulence: A Special Report on the World Economy, 1950-98,' New Left Review, no. 229 (entire issue). Bull, M. (2001a) 'Hate is the new love,' London Review of Books, 23 (2), 25 January, posted on the worldwide web at: http://www.lrb.co.uk/v23/n02/bull01_.html accessed 23-May-05. –––––– (2001b) '"You can't build a new society with a Stanley knife",' London Review of Books, 23 (19), 4 October, posted on the worldwide web at: http://www.lrb.co.uk/v23/n19/bull01_.html accessed 23-May-05. Bush, V. (1949) Modern Arms and Free Men: A Discussion of the Role of Science in Preserving Democracy, Simon and Schuster, New York. Butler, J., Laclau, E. and Zizek, S. (Eds.) (2000) Contingency, Hegemony, Universality: Contemporary Dialogues on the Left, Verso, New York. Butler, S. (1970 /1872) Erewhon, Penguin, Harmondsworth. Callinicos, A. (2003) An Anti-Capitalist Manifesto, Polity Press, Oxford. Callon, M. (1995) 'Four models for the dynamics of science,' In Handbook of Science and Technology Studies (Ed. Jasanoff, S.) Sage Publications, Thousand Oaks, CA, ch 1. Camus, A. (1991 /1955 1942Fr) The Myth of Sisyphus: and other essays, Vintage International, New York. Canadian Security Intelligence Service (2000)