Programación Semanal Del 7 Junio Al 13 Junio 2019

Total Page:16

File Type:pdf, Size:1020Kb

Programación Semanal Del 7 Junio Al 13 Junio 2019 PROGRAMACIÓN SEMANAL DEL 7 JUNIO AL 13 JUNIO 2019 Estrenos Cine Familiar Dolby Atmos 7.1 Dolby Digital 7.1 Proyección en calidad 4K Proyección en 70mm VOSE: Versión original subtitulada en español VIERNES 15:20h LOS SIETE MAGNÍFICOS The Magnificent Seven VOSE · 128’ SINOPSIS 7 JUNIO 17:45h ROCKETMAN Rocketman VOSE · 121’ 20:10h JOHN WICK: CAPÍTULO 3 - PARABELLUM ALADDÍN Aladdin / Guy Ritchie, 2019. Int: Naomi Scott, Will Smith, Mena Massoud. John Wick: Chapter 3 - Parabellum VOSE · 130’ USA · VOSE · · 128’ 22:45h EL EXORCISTA (DIRECTOR’S CUT) The Exorcist (Director’s Cut) VOSE · 132’ Disney sigue apostando por las adaptaciones reales de sus clásicos animados, poniendo siempre el proyecto en manos de directores consolidados como Kenneth Branagh, que dirigió la nueva versión de La Cenicienta, o Bill Condon, responsable de La Bella y la Bestia estrenada en 2017. En esta ocasión, ha sido el realizador Guy Ritchie SÁBADO 12:00h VENGADORES: ENDGAME Avengers: Endgame VOSE · 182’ el responsable de darle nueva vida a uno de los grandes títulos de la animación: Aladdin. Un joven ladronzuelo de buen corazón descubrirá una lámpara mágica con un genio que le concederá tres deseos, lo que le permitirá hacerse 8 JUNIO 15:20h SU NOMBRE ES CRAIG, DANIEL CRAIG pasar por príncipe ante la chica a la que ama, la princesa Jasmine. Will Smith desbancó a Jim Carrey como nuevo CASINO ROYALE Casino Royale VOSE · 144’ genio, un personaje que en la versión de dibujos cobró magia gracias a la voz y el humor de Robin Williams. 18:00h VIVIR Y MORIR EN LOS ANGELES To Live and Die in L.A. VOSE · 116’ Domingo 9 junio / 13:00h 20:20h ROCKETMAN Rocketman VOSE · 121’ 22:45h JOHN WICK: CAPÍTULO 3 - PARABELLUM ALITA: ÁNGEL DE COMBATE Alita: Battle Angel / Robert Rodriguez, 2019. Int: Eiza González, Rosa John Wick: Chapter 3 - Parabellum VOSE · 130’ Salazar, Mahershala Ali. Canadá / Argentina / USA · VOSE · · 122’ El doctor Ido encuentra un cyborg en el desguace. Tras repararlo, descubre que se trata de una joven sin memoria DOMINGO 13:00h ALADDÍN Aladdin VOSE · 128’ con grandes habilidades para la lucha. Después de más de diez años encabezando el proyecto de llevar a la gran pantalla, y con actores reales, el manga de Yukito Kishiro, James Cameron dejó su guion en manos de Robert 15:25h LA CORRESPONSAL A Private War VOSE · 110’ 9 JUNIO Rodríguez. El director, que heredó cientos de notas de Cameron y casi doscientas páginas de historia, decidió hacer 17:45h SALVAR AL SOLDADO RYAN Saving Private Ryan VOSE · 169’ algunos cambios de diseño como el agrandar los ojos de forma digital a la actriz protagonista para conseguir que se 21:10h ROCKETMAN Rocketman VOSE · 121’ pareciera más al dibujo original. Jueves 13 junio / 15:00h 23:35h LA VIDA DE BRIAN Life of Brian VOSE · 94’ SU NOMBRE ES CRAIG, DANIEL CRAIG LUNES 15:00h TOMMY Tommy VOSE · 111’ CASINO ROYALE Casino Royale / Martin Campbell, 2006. Int: Daniel Craig, Eva Green, Judi Dench. Reino Unido / USA · VOSE · 35mm · 144’ 17:10h ROCKETMAN Rocketman VOSE · 121’ 10 JUNIO Primera aparición de Daniel Craig como agente 007. Basada en la primera novela de James Bond escrita por Ian 19:20h REPORTEROS EN GUERRA Fleming, y con algún elemento prestado de Goldfinger, Casino Royale apostó por una trama glamurosa que combinaba una EL AÑO QUE VIVIMOS PELIGROSAMENTE tensa partida de póquer con secuencias de alto voltaje como la persecución en el aeropuerto. Sábado 8 junio / 15:20h The Year of Living Dangerously VOSE · 115’ 21:40h JOHN WICK: CAPÍTULO 3 - PARABELLUM CORRESPONSALES EN GUERRA John Wick: Chapter 3 - Parabellum VOSE · 130’ EL AÑO QUE VIVIMOS PELIGROSAMENTE The Year of Living Dangerously / Peter Weir, 1982. Int: Mel Gibson, Sigourney Weaver, Linda Hunt. Australia-USA · VOSE · 35mm · 115’ MARTES 16:45h ROCKETMAN Rocketman VOSE · 121’ Mel Gibson es un reportero que es enviado a Indonesia para cubrir las tensiones que han estallado en Yakarta durante 19:10h EL EXORCISTA III The Exorcist III VOSE · 110’ la presidencia de Sukarno. Allí contará con la ayuda de un fiel fotógrafo y mantendrá una apasionada relación con una 11 JUNIO diplomática a la que da vida Sigourney Weaver. Curiosamente, el fotógrafo fue interpretado por Linda Hunt, que recibió 21:30h VENGADORES: ENDGAME Avengers: Endgame VOSE · 182’ numerosos premios por su interpretación, incluyendo el Oscar a mejor actriz secundaria. Lunes 10 junio / 19:20h MIÉRCOLES 15:10h M, EL VAMPIRO DE DÜSSELDORF M VOSE · 117’ EL EXORCISTA (DIRECTOR’S CUT) The Exorcist (Director’s Cut) / William Friedkin, 1973. Int: Linda Blair, Max von Sydow, Ellen Burstyn. USA · VOSE · 132’ 17:25h SOMBRA Ying VOSE · 116’ 12 JUNIO Una niña empieza a sufrir cambios de personalidad. La madre pedirá ayuda a un sacerdote creyendo que la pequeña 22:00h ROCKETMAN Rocketman VOSE · 121’ puede estar poseída. William Friedkin elevó de categoría el terror gracias a esta adaptación del best-seller de William Peter Blatty, inspirado en un caso real de exorcismo. El film obtuvo diez nominaciones a los Oscar. Viernes 7 junio / 22:45h JUEVES 15:00h ALITA: ÁNGEL DE COMBATE Alita: Battle Angel VOSE · 122’ 13 JUNIO 17:20h LA CORRESPONSAL A Private War VOSE · 110’ 22:45h GATTACA Gattaca VOSE · 106’ EL EXORCISTA III The Exorcist III / William Peter Blatty , 1990. USA · VOSE · 35mm · 110’ Tercera entrega de la saga, esta vez dirigida por el propio autor de la novela original, William Peter Blatty, y concebida como una secuela directa de El exorcista (1973). La policía sigue el rastro de un sanguinario asesino en serie aficionado a los ritos satánicos. El problema es que el principal sospechoso es un criminal que lleva muerto más de quince años. Martes 11 junio / 19:10h ENTRADAS A LA VENTA EN TAQUILLA Y WEB: www.phenomena-experience.com PRECIOS: Los precios varían según la película y el horario de la sesión. Para más información consultar programación en www.phenomena-experience.com. DESCUENTOS Y ABONOS: Mayores de 65 años y Menores de 12 años: 1€ de descuento por entrada. Socios del Club Phenomena: hasta un 50% de descuento según sesión. GATTACA Gattaca / Andrew Niccol, 1997. Int: Ethan Hawke, Uma ROCKETMAN Rocketman / Dexter Fletcher, 2019. Int: Taron Thurman, Jude Law. USA · VOSE · 106’ Egerton, Jamie Bell, Richard Madden. Reino Unido / USA · VOSE · En una sociedad futura, los humanos serán seleccionados genéticamente. Vin- · 121’ cent, uno de los últimos nacidos de forma natural, debe utilizar la identidad de Aunque solo Bryan Singer consta como director, en realidad fue el realizador uno de los miembros de la élite para poder trabajar en una empresa aeroespacial Dexter Fletcher quien acabó el rodaje de Bohemian Rhapsody, biopic basado y cumplir su sueño de viajar al espacio. Extraordinario film de ciencia-ficción de en la vida de Freddie Mercury. En esta ocasión, el director rueda de nuevo impecable factura y perfecto diseño de producción. Jueves 13 junio / 22:45h la biografía de otra estrella musical, Elton John, desde sus inicios hasta sus grandes éxitos. El propio cantante participa como productor ejecutivo de JOHN WICK: CAPÍTULO 3 - PARABELLUM John Wick: la película que fue ovacionada tras su presentación en el festival de Cannes. Impresionantes números musicales y un extraordinario trabajo del actor Taron Chapter 3 - Parabellum / Chad Stahelski, 2019. Int: Keanu Reeves, Egerton hacen destacar esta producción. 7, 8, 9, 10, 11 y 12 junio Halle Berry, Ian McShane. USA · VOSE · 130’ Después de ajustar cuentas con un criminal, John Wick ha sido expulsado de la hermandad de asesinos a sueldo a la que pertenece, lo que significa que SALVAR AL SOLDADO RYAN Saving Private Ryan han puesto precio a su cabeza. Keanu Reeves cierra la trilogía iniciada en Steven Spielberg, 1998. Int: Tom Hanks, Tom Sizemore, Edward 2014 y lo hace con una última entrega cargada de acción y con un reparto Burns, Matt Damon. USA · VOSE · Proyección en 4K · 169’ en el que destacan nombres como Halle Berry, Anjelica Huston o Mark Tras el desembarco de los aliados en Normandía, un grupo de soldados Dacascos, actor conocido por títulos como Crying Freeman. Los paraísos americanos recibe la misión de localizar al soldado James Ryan y hacer que perdidos o El pacto de los lobos. Tras la cámara se encuentra Chad Stahelski, regresa a casa ya que todos sus hermanos han muerto en combate. Segundo director de las otras dos entregas anteriores y todo un experto en artes Oscar al mejor director para Spielberg. El cineasta redujo considerablemente el marciales que conoció a Reeves haciendo de su doble en algunas secuencias color de la película, dándole un tono frío a las imágenes entre las que destaca la de lucha en Matrix. 7, 8 y 10 junio extraordinaria secuencia del desembarco en la playa, donde se llegaron a utilizar casi mil extras. Entre los secundarios encontramos a un por entonces desconocido LA CORRESPONSAL A Private War / Matthew Heineman, 2018. Vin Diesel, Bryan Cranston o Paul Giamatti. Domingo 9 junio / 17:45h Int: Rosamund Pike, Greg Wise, Alexandra Moen. Reino Unido / USA · VOSE · 110’ Considerada la mejor reportera de guerra, la norteamericana Marie Colvin cubrió conflictos como los de Sierra Leona, Kosovo, Chechenia o la guerra civil de Sri Lanka, donde perdió un ojo. Desde mediados de los años ochenta, sus crónicas para el Sunday Times la convirtieron en una leyenda del periodismo. Este biopic nos acerca a la carismática figura de Colvin y a sus experiencias en la guerra de Siria junto al fotógrafo Paul Conroy. Nominación al Globo de oro para la actriz Rosamund Pike. Domingo 9 junio · 15:25h y jueves 13 junio · 17:20h SOMBRA Ying / Zhang Yimou, 2018. Int: Chao Deng, Li Sun, Ryan Zheng.
Recommended publications
  • This Action Thriller Futuristic Historic Romantic Black Comedy Will Redefine Cinema As We Know It
    ..... this action thriller futuristic historic romantic black comedy will redefine cinema as we know it ..... XX 200-6 KODAK X GOLD 200-6 OO 200-6 KODAK O 1 2 GOLD 200-6 science-fiction (The Quiet Earth) while because he's produced some of the Meet the Feebles, while Philip Ivey composer for both action (Pitch Black, but the leading lady for this film, to Temuera Morrison, Robbie Magasiva, graduated from standing-in for Xena beaches or Wellywood's close DIRECTOR also spending time working on sequels best films to come out of this country, COSTUME (Out of the Blue, No. 2) is just Daredevil) and drama (The Basketball give it a certain edginess, has to be Alan Dale, and Rena Owen, with Lucy to stunt-doubling for Kill Bill's The proximity to green and blue screens, Twenty years ago, this would have (Fortress 2, Under Siege 2) in but because he's so damn brilliant. Trelise Cooper, Karen Walker and beginning to carve out a career as a Diaries, Strange Days). His almost 90 Kerry Fox, who starred in Shallow Grave Lawless, the late great Kevin Smith Bride, even scoring a speaking role in but there really is no doubt that the been an extremely short list. This Hollywood. But his CV pales in The Lovely Bones? Once PJ's finished Denise L'Estrange-Corbet might production designer after working as credits, dating back to 1989 chiller with Ewan McGregor and will next be and Nathaniel Lees as playing- Quentin Tarantino's Death Proof. South Island's mix of mountains, vast comes down to what kind of film you comparison to Donaldson who has with them, they'll be bloody gorgeous! dominate the catwalks, but with an art director on The Lord of the Dead Calm, make him the go-to guy seen in New Zealand thriller The against-type baddies.
    [Show full text]
  • GATTACA Written and Directed by Andrew Niccol ABOUT THE
    Article on Gattaca by Mark Freeman Area of Study 1 & 2 Theme: Future worlds GATTACA Written and directed by Andrew Niccol Article by Mark Freeman ABOUT THE DIRECTOR Andrew Niccol, a screenwriter and director, was born in New Zealand and moved to England at the age of 21 to direct commercials. He has written and directed Gattaca, Simone and Lord of War as well as earning an Academy Award nomination for his screenplay for The Truman Show. OVERVIEW In recent years, scientific research has unearthed a greater understanding of our genetic make-up – the lottery that determines our appearance and physical capabilities. The means by which we inherit specific traits from our parents, our genes are like a blueprint of our future, determining our predisposition for specific talents or particular illnesses. Concurrent with this understanding of genetics have come successful attempts in cloning, and, more recently, the ethical debate over stem cell research to combat a range of physical maladies. Identification and eradication of rogue genes (those that could ultimately cause malfunction at birth or later in a person’s life) is a very real possibility with the developing exploration in genetic research. In your own DNA, you already carry the genetic code which will cause your physical development in your teens, your predisposition to weight gain in your twenties, your hair loss in your thirties, early menopause in your forties, the arthritis you develop in your fifties, your death from cancer in your seventies. It’s an imposing thought to consider the map of our histories, our futures, in terms of our genetic code.
    [Show full text]
  • Download Production Notes
    VOLTAGE PICTURES PRESENTS A VOLTAGE/SOBINI FILMS PRODUCTION A FILM BY ANDREW NICCOL GOOD KILL ETHAN HAWKE BRUCE GREENWOOD ZOE KRAVITZ JAKE ABEL AND JANUARY JONES CASTING BY AVY KAUFMAN, C.S.A. COSTUME DESIGNER LISA JENSEN PRODUCTION DESIGNER GUY BARNES MUSIC SUPERVISORS DANA SANO AND LIBBY UMSTEAD MUSIC BY CHRISTOPHE BECK EDITOR ZACH STAENBERG, A.C.E. DIRECTOR OF PHOTOGRAPHY AMIR MOKRI EXECUTIVE PRODUCERS PATRICK NEWALL, TED GIDLOW, CAMI WINIKOFF PRODUCED BY NICOLAS CHARTIER, ZEV FOREMAN, MARK AMIN WRITTEN, PRODUCED AND DIRECTED BY ANDREW NICCOL ©2014 CLEAR SKIES NEVADA, LLC ALL RIGHTS RESERVED. 2 GOOD KILL Logline The film tells the story of a Las Vegas fighter-pilot turned drone-pilot (Ethan Hawke), who fights the Taliban via remote Control for half of his day, then goes home to his wife (January Jones) and kids in the suburbs for the other half. But the pilot is starting to question the mission. Is he Creating more terrorists than he’s killing? Is he fighting a war without end? One soldier’s tale with epiC impliCations. Director’s Statement This is the story of fighter pilot, Major Tommy Egan, who has been flying F-16’s in Iraq and Afghanistan. He is still flying missions in that part of the world but now he is doing it from the inside of a very different Cockpit. He is a drone pilot, fighting the war by remote Control from an air-conditioned cubicle 7,000 miles away on a base near Las Vegas. It’s about the new schizophrenia of war. After fighting the Taliban for 12 hours a day, Tommy goes home to the suburbs to feud with his wife and kids for the other 12.
    [Show full text]
  • Ruth Prawer Jhabvala's Adapted Screenplays
    Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone.
    [Show full text]
  • Lectures Recommandées Pour Débuter La Philosophie En Terminale Generale
    LECTURES RECOMMANDÉES POUR DÉBUTER LA PHILOSOPHIE EN TERMINALE GENERALE Les œuvres suivies d'un astérisque sont à lire en priorité. Tous les textes sont disponibles en livre de poche ou consultables sur l'internet. Quelques films en lien avec les notions au programme sont proposés pour accompagner la lecture. L’existence humaine et la culture Spinoza, Traité Théologico-politique, Préface*. -François Truffaut, L’enfant sauvage [la nature] Baudelaire, Le peintre de la vie moderne, chapitres -John Huston, Freud, passions secrètes [L’inconscient, la science] I-V et XI. -Stanley Kubrick, 2001 : l’Odyssée de l’espace [la technique] Freud, Introduction à la psychanalyse, chapitres I-II. -Sean Penn, Into the wild [la nature] Hannah Arendt, La Crise de la Culture. -Spike Jonze, Her [la conscience, la technique] Lévi-Strauss, Nous sommes tous des cannibales. -Denis Villeneuve, Premier contact [le langage, le temps] -Andrew Niccol, Bienvenue à Gattaca [la technique, la liberté] -Ridley Scott, Blade Runner [La technique, le travail] La morale et la politique Épicure, La Lettre à Ménécée*. -Sophocle, Antigone [la justice] Hobbes, Du Citoyen. -Alfred Hitchcock, La corde, [le devoir] Pascal, Trois discours sur la condition des grands. -Sidney Lumet, Douze hommes en colère [la vérité, la Rousseau, Du Contrat Social, livre I*. justice] Kant, Qu’est-ce que les Lumières ? -Bertrand Tavernier, Le juge et l’assassin [la politique, la justice, la raison] Nietzsche, Généalogie de la Morale. -Costa-Gavras, Z [l’État] Marx, Salaire, prix et profit -Peter Weir, The Truman show [la vérité, le bonheur] La connaissance Platon, La République, livre VII. -Flaubert, Bouvard et Pécuchet (adaptation Platon, Gorgias.
    [Show full text]
  • F9 Production Information 1
    1 F9 PRODUCTION INFORMATION UNIVERSAL PICTURES PRESENTS AN ORIGINAL FILM/ONE RACE FILMS/PERFECT STORM PRODUCTION IN ASSOCIATION WITH ROTH/KIRSCHENBAUM FILMS A JUSTIN LIN FILM VIN DIESEL MICHELLE RODRIGUEZ TYRESE GIBSON CHRIS ‘LUDACRIS’ BRIDGES JOHN CENA NATHALIE EMMANUEL JORDANA BREWSTER SUNG KANG WITH HELEN MIRREN WITH KURT RUSSELL AND CHARLIZE THERON BASED ON CHARACTERS CREATED BY GARY SCOTT THOMPSON PRODUCED BY NEAL H. MORITZ, p.g.a. VIN DIESEL, p.g.a. JUSTIN LIN, p.g.a. JEFFREY KIRSCHENBAUM, p.g.a. JOE ROTH CLAYTON TOWNSEND, p.g.a. SAMANTHA VINCENT STORY BY JUSTIN LIN & ALFREDO BOTELLO AND DANIEL CASEY SCREENPLAY BY DANIEL CASEY & JUSTIN LIN DIRECTED BY JUSTIN LIN 2 F9 PRODUCTION INFORMATION PRODUCTION INFORMATION TABLE OF CONTENTS THE SYNOPSIS ................................................................................................... 3 THE BACKSTORY .............................................................................................. 4 THE CHARACTERS ............................................................................................ 7 Dom Toretto – Vin Diesel ............................................................................................................. 8 Letty – Michelle Rodriguez ........................................................................................................... 8 Roman – Tyrese Gibson ............................................................................................................. 10 Tej – Chris “Ludacris” Bridges ...................................................................................................
    [Show full text]
  • Works Cited – Films
    Works cited – films Ali (Michael Mann, 2001) All the President’s Men (Alan J Pakula, 1976) American Beauty (Sam Mendes, 1998) American History X (Tony Kaye, 1998) American Psycho (Mary Harron, 2000) American Splendor (Shari Springer Berman and Robert Pulcini, 2003) Arlington Road (Mark Pellington, 1999) Being There (Hal Ashby, 1980) Billy Elliott (Stephen Daldry, 2000) Black Christmas (Bob Clark, 1975) Blow Out (Brian De Palma, 1981) Bob Roberts (Tim Robbins, 1992) Bowling for Columbine (Michael Moore, 2002) Brassed Off (Mark Herman, 1996) The Brood (David Cronenberg, 1979) Bulworth (Warren Beatty, 1998) Capturing the Friedmans (Andrew Jarecki, 2003) Control Room (Jehane Noujaim, 2004) The China Syndrome (James Bridges, 1979) Chinatown (Roman Polanski, 1974) Clerks (Kevin Smith, 1994) Conspiracy Theory (Richard Donner, 1997) The Conversation (Francis Ford Coppola, 1974) The Corporation (Jennifer Abbott and Mark Achbar, 2004) Crumb (Terry Zwigoff, 1994) Dave (Ivan Reitman, 1993) The Defector (Raoul Lévy, 1965) La Dolce Vita (Federico Fellini, 1960) Dr Strangelove, or: How I Learned to Stop Worrying and Love the Bomb (Stanley Kubrick, 1964) Evil Dead II (Sam Raimi, 1987) 201 Executive Action (David Miller, 1973) eXistenZ (David Cronenberg, 1999) The Exorcist (William Friedkin, 1973) Fahrenheit 9/11 (Michael Moore, 2004) Falling Down (Joel Schumacher, 1993) Far From Heaven (Todd Haynes, 2002) Fight Club (David Fincher, 1999) The Firm (Sydney Pollack, 1993) The Fly (David Cronenberg, 1986) The Forgotten (Joseph Ruben, 2004) Friday the 13th
    [Show full text]
  • Hliebing Dissertation Revised 05092012 3
    Copyright by Hans-Martin Liebing 2012 The Dissertation Committee for Hans-Martin Liebing certifies that this is the approved version of the following dissertation: Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood Committee: Thomas Schatz, Supervisor Hans-Bernhard Moeller Charles Ramírez Berg Joseph D. Straubhaar Howard Suber Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood by Hans-Martin Liebing, M.A.; M.F.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication In loving memory of Christa Liebing-Cornely and Martha and Robert Cornely Acknowledgements I would like to thank my committee members Tom Schatz, Charles Ramírez Berg, Joe Straubhaar, Bernd Moeller and Howard Suber for their generous support and inspiring insights during the dissertation writing process. Tom encouraged me to pursue this project and has supported it every step of the way. I can not thank him enough for making this journey exciting and memorable. Howard’s classes on Film Structure and Strategic Thinking at The University of California, Los Angeles, have shaped my perception of the entertainment industry, and having him on my committee has been a great privilege. Charles’ extensive knowledge about narrative strategies and Joe’s unparalleled global media expertise were invaluable for the writing of this dissertation. Bernd served as my guiding light in the complex European cinema arena and helped me keep perspective. I consider myself very fortunate for having such an accomplished and supportive group of individuals on my doctoral committee.
    [Show full text]
  • Students Enrolled in Literature and Cinema From: Mrs. Mcvcrry Re: Summer Viewing Requirement
    To: Students Enrolled in Literature and Cinema From: Mrs. McVcrry Re: Summer Viewing Requirement Welcome to Literature and Cinema! This letter is to inform you of the viewing requirements for our semester course. In addition, you will find explicit instructions for an assignment that is due the first day of regular classes. You are required to view two films over the summer. One film MUST be a foreign film; the other film is from the genre (i.e, action/parody/drama) of your choice. For the films that may be unfamiliar to you, I have included a very brief synopsis. HORROR: The Shining (19S0): Directed by Swnky Kurbrkk Eased upon the novel by Stephen King. Follows one man's destructive descent into madness in a haunted Coiarado hotel. A modem aJlegorv for the effects of alcoholism on the family dynamic, .4n .American Haunting (2005): Starring Sissy Spacek and Donald Sutherland. Twin stories, one set in colonial times the other set in the present, interrwine in the tradition of American Romanticism. A young woman is relentlessly attacked by an evil spirit, but the explanation for the haunting may have more human origins. Scream (1996): Written and directed by Kevin Williamson. The "horror" movie that challenged the conventions of the American horror genre. .Also starring Neve Campbell, Counney Cox .Arquette, and David .Arquette. Brief cameo by Drew Barrymore. The Others (2001).- Produced by Tom Cruise and starring Nicole Kidman. Inspired by European Gothic storyielling, one woman contends with the seemingly supernatural possession of her children and home; a haunting, she feels, may be the work of the estate's staff Poltergeist (1982); Starring Tom Skerriit: The film that inn-oduced the poltergeist phenomenon to the American public.
    [Show full text]
  • Dossier 40 Anys Sitges Festival Internacional De
    2 INDEX / ÍNDICE/ SUMMARY I Edició, 1968 ..................................................... p. 3 II Edició, 1969 ..................................................... p. 4 III Edició, 1970 ..................................................... p. 5 IV Edició, 1971 ..................................................... p. 6 V Edició, 1972 ..................................................... p. 8 VI Edició, 1973 ..................................................... p. 10 VII Edició, 1974 ..................................................... p. 12 VIII Edició, 1975 ..................................................... p. 14 IX Edició, 1976 ..................................................... p. 16 X Edició, 1977 ..................................................... p. 18 XI Edició, 1978 ..................................................... p. 20 XII Edició, 1979 ..................................................... p. 22 XIII Edició, 1980 ..................................................... p. 24 XIV Edició, 1981 .................................................... p. 26 XV Edició, 1982 .................................................... p. 28 XVI Edició, 1983 .................................................... p. 30 XVII Edició, 1984 .................................................... p. 32 XVIII Edició, 1985 .................................................... p. 34 XIX Edició, 1986 ................................................... p. 36 XX Edició, 1987 .................................................... p. 38 XXI Edició, 1988
    [Show full text]
  • David J Negron Jr Storyboard Artist
    DAVID J NEGRON JR STORYBOARD ARTIST [email protected] cell: (310) 993-0126 INHUMANS (storyboard artist) - director: Roel Reine 2017 GEOSTORM (storyboard artist) (post-production) - director: Dean Devlin 2017 RENEGADES (storyboard artist) (completed) - director: Steven Quale 2017 GHOST IN THE SHELL (storyboard artist) - director: Rupert Sanders 2017 KONG: SKULL ISLAND (storyboard artist: reshoots) - director: Jordan Vogt-Roberts 2015 SAN ANDREAS (storyboard artist) - director: Brad Peyton 2013 GANGSTER SQUAD (storyboard artist: reshoots - uncredited) - director: Ruben Fleischer 2012 STOLEN (storyboard artist) - director: Simon West 2012 BATTLESHIP (storyboard artist) - director: Peter Berg 2011 SHERLOCK HOLMES: A GAME OF SHADOWS (storyboard artist: re-shoots) - director: Guy Ritchie 2011 MISSION: IMPOSSIBLE GHOST PROTOCOL (storyboard artist - re-shoots) - director: Brad Bird 2011 IN TIME (storyboard artist) - director: Andrew Niccol 2011 SEEKING JUSTICE (storyboard artist) - director: Roger Donaldson 2011 YOUR HIGHNESS (storyboard artist - uncredited) - director: David Gordon Green 2011 THE MECHANIC (storyboard artist) - director: Simon West 2010 KILLERS (storyboard artist) - director: Robert Luketic 2009 G.I. JOE: THE RISE OF COBRA (illustrator) - director: Stephen Sommers 2008 THE SPIDERWICK CHRONICLES (storyboard artist) - director: Mark Waters 2007 THE GAME PLAN (storyboard artist) - director: Andy Fickman 2007 RUSH HOUR 3 (storyboard artist) - director: Brett Ratner 2005 MR. & MRS. SMITH (storyboard artist: second unit) - director: Doug Liman 2004 NATIONAL TREASURE (storyboard artist) - director: Jon Turteltaub 2003 OPEN RANGE (storyboard artist) - director: Kevin Costner 2002 STAR TREK: NEMESIS (illustrator) - director: Stuart Baird 2002 THE SCORPION KING (storyboard artist) - director: Chuck Russell 2002 WHERE THE HEART IS (storyboard illustrator) - director: Matt Williams 2000 HIGH CRIMES (storyboard artist) - director: Carl Franklin 1999 THREE KINGS (storyboard artist) - director: David O.
    [Show full text]
  • Borders in Upside Down
    Spaces of Capital/Spaces of Labor (and Everything In-between): Borders in Upside Down Pablo Gómez Muñoz Supervisor: Prof. Dr. Celestino Deleyto Alcalá Master in Textual and Cultural Studies Departamento de Filología Inglesa y Alemana Facultad de Filosofía y Letras Universidad de Zaragoza September 2013 Acknowledgements Research towards this Master Thesis has been conducted with the support of a mobility scholarship from "La Caixa" Foundation. 1 2 Contents Introduction 5 1. Upside Down: The Transnational Context 17 2. Two Sides of a Border: Affluent Capitalism and its Backyard 24 3. Natural Contact Zones, Border Cracks, and Transnational Love 45 Conclusion 59 Works Cited 63 Films Cited 71 3 4 Introduction Some years ago, A Day Without a Mexican (Sergio Arau, 2004) fantasized with the idea of all Mexican migrants disappearing from the United States for one day. The film depicts the mess that results from the absence of Mexicans in the USA: almost nothing works. One year and ten months after the US release of this film, migrants in the United States, mostly from Latin America, organized the 'Great American Boycott' strike on May 1, 2006. Migrants did not attend schools, work, or buy anything in an attempt to draw attention to their presence and demand equal rights. A Day without a Mexican presents an unrealistic situation—Mexicans will not disappear from one day to the next—, yet it captures the times' preoccupations accurately. Movies are mirrors of the social affairs and concerns of their time. Science fiction, which often portrays imaginary and futuristic worlds, draws on the present environment to speculate on the future.
    [Show full text]