Dossier 40 Anys Sitges Festival Internacional De
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Edmond Press
International Press International Sales Venice: wild bunch The PR Contact Ltd. Venice Phil Symes - Mobile: 347 643 1171 Vincent Maraval Ronaldo Mourao - Mobile: 347 643 0966 Tel: +336 11 91 23 93 Email: [email protected] Email: [email protected] Fax: 041 5265277 Carole Baraton 62nd Mostra Venice Film Festival: Tel: +336 20 36 77 72 Hotel Villa Pannonia Email: [email protected] Via Doge D. Michiel 48 Gaël Nouaile 30126 Venezia Lido Tel: +336 21 23 04 72 Tel: 041 5260162 Email: [email protected] Fax: 041 5265277 Silva Simonutti London: Tel: +33 6 82 13 18 84 The PR Contact Ltd. Email: [email protected] 32 Newman Street London, W1T 1PU Paris: Tel: + 44 (0) 207 323 1200 Wild Bunch Fax: + 44 (0) 207 323 1070 99, rue de la Verrerie - 75004 Paris Email: [email protected] tel: + 33 1 53 01 50 20 fax: +33 1 53 01 50 49 www.wildbunch.biz French Press: French Distribution : Pan Européenne / Wild Bunch Michel Burstein / Bossa Nova Tel: +33 1 43 26 26 26 Fax: +33 1 43 26 26 36 High resolution images are available to download from 32 bd st germain - 75005 Paris the press section at www.wildbunch.biz [email protected] www.bossa-nova.info Synopsis Cast and Crew “You are not where you belong.” Edmond: William H. Macy Thus begins a brutal descent into a contemporary urban hell Glenna: Julia Stiles in David Mamet's savage black comedy, when his encounter B-Girl: Denise Richards with a fortune-teller leads businessman Edmond (William H. -
From Sexploitation to Canuxploitation (Representations of Gender in the Canadian ‘Slasher’ Film)
Maple Syrup Gore: From Sexploitation to Canuxploitation (Representations of Gender in the Canadian ‘Slasher’ Film) by Agnieszka Mlynarz A Thesis presented to The University of Guelph In partial fulfilment of requirements for the degree of Master of Arts in Theatre Studies Guelph, Ontario, Canada © Agnieszka Mlynarz, April, 2017 ABSTRACT Maple Syrup Gore: From Sexploitation to Canuxploitation (Representations of Gender in the Canadian ‘Slasher’ Film) Agnieszka Mlynarz Advisor: University of Guelph, 2017 Professor Alan Filewod This thesis is an investigation of five Canadian genre films with female leads from the Tax Shelter era: The Pyx, Cannibal Girls, Black Christmas, Ilsa: She Wolf of the SS, and Death Weekend. It considers the complex space women occupy in the horror genre and explores if there are stylistic cultural differences in how gender is represented in Canadian horror. In examining variations in Canadian horror from other popular trends in horror cinema the thesis questions how normality is presented and wishes to differentiate Canuxploitation by defining who the threat is. ACKNOWLEDGEMENTS I would like to express my deepest gratitude to Dr. Paul Salmon and Dr. Alan Filewod. Alan, your understanding, support and above all trust in my offbeat work ethic and creative impulses has been invaluable to me over the years. Thank you. To my parents, who never once have discouraged any of my decisions surrounding my love of theatre and film, always helping me find my way back despite the tears and deep- seated fears. To the team at Black Fawn Distribution: Chad Archibald, CF Benner, Chris Giroux, and Gabriel Carrer who brought me back into the fold with open arms, hearts, and a cold beer. -
Title Call # Category
Title Call # Category 2LDK 42429 Thriller 30 seconds of sisterhood 42159 Documentary A 42455 Documentary A2 42620 Documentary Ai to kibo no machi = Town of love & hope 41124 Documentary Akage = Red lion 42424 Action Akahige = Red beard 34501 Drama Akai hashi no shita no nerui mizu = Warm water under bridge 36299 Comedy Akai tenshi = Red angel 45323 Drama Akarui mirai = Bright future 39767 Drama Akibiyori = Late autumn 47240 Akira 31919 Action Ako-Jo danzetsu = Swords of vengeance 42426 Adventure Akumu tantei = Nightmare detective 48023 Alive 46580 Action All about Lily Chou-Chou 39770 Always zoku san-chôme no yûhi 47161 Drama Anazahevun = Another heaven 37895 Crime Ankokugai no bijo = Underworld beauty 37011 Crime Antonio Gaudí 48050 Aragami = Raging god of battle 46563 Fantasy Arakimentari 42885 Documentary Astro boy (6 separate discs) 46711 Fantasy Atarashii kamisama 41105 Comedy Avatar, the last airbender = Jiang shi shen tong 45457 Adventure Bakuretsu toshi = Burst city 42646 Sci-fi Bakushū = Early summer 38189 Drama Bakuto gaijin butai = Sympathy for the underdog 39728 Crime Banshun = Late spring 43631 Drama Barefoot Gen = Hadashi no Gen 31326, 42410 Drama Batoru rowaiaru = Battle royale 39654, 43107 Action Battle of Okinawa 47785 War Bijitâ Q = Visitor Q 35443 Comedy Biruma no tategoto = Burmese harp 44665 War Blind beast 45334 Blind swordsman 44914 Documentary Blind woman's curse = Kaidan nobori ryu 46186 Blood : Last vampire 33560 Blood, Last vampire 33560 Animation Blue seed = Aokushimitama blue seed 41681-41684 Fantasy Blue submarine -
This Action Thriller Futuristic Historic Romantic Black Comedy Will Redefine Cinema As We Know It
..... this action thriller futuristic historic romantic black comedy will redefine cinema as we know it ..... XX 200-6 KODAK X GOLD 200-6 OO 200-6 KODAK O 1 2 GOLD 200-6 science-fiction (The Quiet Earth) while because he's produced some of the Meet the Feebles, while Philip Ivey composer for both action (Pitch Black, but the leading lady for this film, to Temuera Morrison, Robbie Magasiva, graduated from standing-in for Xena beaches or Wellywood's close DIRECTOR also spending time working on sequels best films to come out of this country, COSTUME (Out of the Blue, No. 2) is just Daredevil) and drama (The Basketball give it a certain edginess, has to be Alan Dale, and Rena Owen, with Lucy to stunt-doubling for Kill Bill's The proximity to green and blue screens, Twenty years ago, this would have (Fortress 2, Under Siege 2) in but because he's so damn brilliant. Trelise Cooper, Karen Walker and beginning to carve out a career as a Diaries, Strange Days). His almost 90 Kerry Fox, who starred in Shallow Grave Lawless, the late great Kevin Smith Bride, even scoring a speaking role in but there really is no doubt that the been an extremely short list. This Hollywood. But his CV pales in The Lovely Bones? Once PJ's finished Denise L'Estrange-Corbet might production designer after working as credits, dating back to 1989 chiller with Ewan McGregor and will next be and Nathaniel Lees as playing- Quentin Tarantino's Death Proof. South Island's mix of mountains, vast comes down to what kind of film you comparison to Donaldson who has with them, they'll be bloody gorgeous! dominate the catwalks, but with an art director on The Lord of the Dead Calm, make him the go-to guy seen in New Zealand thriller The against-type baddies. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Tape ID Title Language Type System
Tape ID Title Language Type System 1361 10 English 4 PAL 1089D 10 Things I Hate About You (DVD) English 10 DVD 7326D 100 Women (DVD) English 9 DVD KD019 101 Dalmatians (Walt Disney) English 3 PAL 0361sn 101 Dalmatians - Live Action (NTSC) English 6 NTSC 0362sn 101 Dalmatians II (NTSC) English 6 NTSC KD040 101 Dalmations (Live) English 3 PAL KD041 102 Dalmatians English 3 PAL 0665 12 Angry Men English 4 PAL 0044D 12 Angry Men (DVD) English 10 DVD 6826 12 Monkeys (NTSC) English 3 NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian 4 PAL 6016 13 Conversations About One Thing (NTSC) English 1 NTSC 0189DN 13 Going On 30 (DVD 1) English 9 DVD 7080D 13 Going On 30 (DVD) English 9 DVD 0179DN 13 Moons (DVD 1) English 9 DVD 3050D 13th Warrior (DVD) English 10 DVD 6291 13th Warrior (NTSC) English 3 nTSC 5172D 1492 - Conquest Of Paradise (DVD) English 10 DVD 3165D 15 Minutes (DVD) English 10 DVD 6568 15 Minutes (NTSC) English 3 NTSC 7122D 16 Years Of Alcohol (DVD) English 9 DVD 1078 18 Again English 4 Pal 5163a 1900 - Part I English 4 pAL 5163b 1900 - Part II English 4 pAL 1244 1941 English 4 PAL 0072DN 1Love (DVD 1) English 9 DVD 0141DN 2 Days (DVD 1) English 9 DVD 0172sn 2 Days In The Valley (NTSC) English 6 NTSC 3256D 2 Fast 2 Furious (DVD) English 10 DVD 5276D 2 Gs And A Key (DVD) English 4 DVD f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French 4 PAL X059D 20 30 40 (DVD) English 9 DVD 1304 200 Cigarettes English 4 Pal 6474 200 Cigarettes (NTSC) English 3 NTSC 3172D 2001 - A Space Odyssey (DVD) English 10 DVD 3032D 2010 - The Year -
Historical Essays Excerpts
Excerpts from: Historical Essays By Deborah O'Toole Copyright ©Deborah O'Toole All rights reserved. No part of this document may be used or reproduced in any manner whatsoever without written permission from the author. HISTORICAL ESSAYS *EXCERPTS ONLY* By Deborah O'Toole ABOUT Deborah O'Toole is the author of several historical essays, which are now available in e-book format. The articles first appeared in Ambermont Magazine when Deborah was a staff writer for the publication. The essays include topics ranging from Billy the Kid, Anne Boleyn, Lizzie Borden, Michael Collins, Loch Ness Monster, U.S. Political Parties and Jack the Ripper. The essays are now available at Class Notes, or can be obtained from Amazon (Kindle), Barnes & Noble (Nook) and Kobo Books (multiple formats). For more, go to: https://deborahotoole.com/essays.htm 2 HISTORICAL ESSAYS *EXCERPTS ONLY* By Deborah O'Toole BILLY THE KID (excerpt only) William Henry McCarty (aka Billy the Kid) was born in New York in 1859. The actual day of his birth is still in question. Some claim it was November 23, 1859 while others (such as writer Ash Upson who helped Pat Garrett pen his memoirs), insist the date was November 21, 1859 (which also happened to be Upson's birthday). Whatever the case, it is generally agreed that William McCarty was born in late 1859. Several historians claim young William's real father was named Bonney, which may account for his use of the name as an alias in later years. Young William's mother, Catherine, later married a man by the name of Henry McCarty, who became the father of William’s younger brother, Joseph. -
By Joseph Sheridan Le Fanu
CARMILLA BY JOSEPH SHERIDAN LE FANU Irish Studies James MacKillop, Series Editor Other titles in the Irish series Collaborative Dubliners: Joyce in Dialogue Vicki Mahaffey, ed. Gender and Medicine in Ireland, 1700–1950 Margaret Preston and Margaret Ó hÓgartaigh, eds. Grand Opportunity: The Gaelic Revival and Irish Society, 1893–1910 Timothy G. McMahon Ireland in Focus: Film, Photography, and Popular Culture Eóin Flannery and Michael Griff n, eds. The Irish Bridget: Irish Immigrant Women in Domestic Service in America, 1840–1930 Margaret Lynch-Brennan Irish Theater in America: Essays on Irish Theatrical Diaspora John P. Harrington, ed. Joyce, Imperialism, and Postcolonialism Leonard Orr, ed. Making Ireland Irish: Tourism and National Identity since the Irish Civil War Eric G. E. Zuelow Memory Ireland, Volume 1: History and Modernity, and Volume 2: Diaspora and Memory Practices Oona Frawley, ed. The Midnight Court / Cúirt an Mheán Oíche Brian Merriman; David Marcus, trans.; Brian Ó Conchubhair, ed. Carmilla by Joseph Sheridan Le Fanu A CRITICAL EDITION • edited and with an introduction by Kathleen Costello-Sullivan SYRACUSE UNIVERSITY PRESS Copyright © 2013 by Syracuse University Press Syracuse, New York 13244-5290 All Rights Reserved First Edition 2013 13 14 15 16 17 18 6 5 4 3 2 1 Illustrations courtesy of the Special Collections/Research Center, Syracuse University Library. ∞ The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992. For a listing of books published and distributed by Syracuse University Press, visit our website at SyracuseUniversityPress.syr.edu. -
Steven Spielberg Told
Saturday, July 28, 2012 2 & 8 pm only Steven Spielberg toldproducer Richard Zanuck that One problem that Gottlieb was saddled with was how to what first attracted him to Peter Benchley’s write for his character, Meadows. If he pressed too hard novel was the last 120 pages, when three for Meadows in the story meetings, it could look like disparate men go on a sea hunt, then favoritism. If he cut a line of Meadows, the actor inside of must join forces to fight the shark. He him would just die. But worse is what happened when he and hated the first 200 pages: “I said I’d like Spielberg decided to cut Meadows out of a whole scene. to do the picture if I could change the first two acts and base (them) on original In the scene, Meadows rides to sea with Hooper and Brody screenplay material and then be very true looking for shark evidence when they come upon a local to the book for the last third. (Zanuck) fisherman’s wrecked boat. During the shot, Meadows reaches agreed and that’s how I became involved.” for the battered boat to pull it closer. On the third take, he reaches too far and falls into the water. This is freezing Benchley wrote three drafts of the screenplay before telling early-May water in the Nantucket Sound, about 50˚ F, and Spielberg: “I’m all written out on this, and that’s the best I Gottlieb is wearing two pair of long underwear to keep him can do.” (With no hard feelings, Benchley returned during warm on the boat. -
GATTACA Written and Directed by Andrew Niccol ABOUT THE
Article on Gattaca by Mark Freeman Area of Study 1 & 2 Theme: Future worlds GATTACA Written and directed by Andrew Niccol Article by Mark Freeman ABOUT THE DIRECTOR Andrew Niccol, a screenwriter and director, was born in New Zealand and moved to England at the age of 21 to direct commercials. He has written and directed Gattaca, Simone and Lord of War as well as earning an Academy Award nomination for his screenplay for The Truman Show. OVERVIEW In recent years, scientific research has unearthed a greater understanding of our genetic make-up – the lottery that determines our appearance and physical capabilities. The means by which we inherit specific traits from our parents, our genes are like a blueprint of our future, determining our predisposition for specific talents or particular illnesses. Concurrent with this understanding of genetics have come successful attempts in cloning, and, more recently, the ethical debate over stem cell research to combat a range of physical maladies. Identification and eradication of rogue genes (those that could ultimately cause malfunction at birth or later in a person’s life) is a very real possibility with the developing exploration in genetic research. In your own DNA, you already carry the genetic code which will cause your physical development in your teens, your predisposition to weight gain in your twenties, your hair loss in your thirties, early menopause in your forties, the arthritis you develop in your fifties, your death from cancer in your seventies. It’s an imposing thought to consider the map of our histories, our futures, in terms of our genetic code. -
Programación Semanal Del 7 Junio Al 13 Junio 2019
PROGRAMACIÓN SEMANAL DEL 7 JUNIO AL 13 JUNIO 2019 Estrenos Cine Familiar Dolby Atmos 7.1 Dolby Digital 7.1 Proyección en calidad 4K Proyección en 70mm VOSE: Versión original subtitulada en español VIERNES 15:20h LOS SIETE MAGNÍFICOS The Magnificent Seven VOSE · 128’ SINOPSIS 7 JUNIO 17:45h ROCKETMAN Rocketman VOSE · 121’ 20:10h JOHN WICK: CAPÍTULO 3 - PARABELLUM ALADDÍN Aladdin / Guy Ritchie, 2019. Int: Naomi Scott, Will Smith, Mena Massoud. John Wick: Chapter 3 - Parabellum VOSE · 130’ USA · VOSE · · 128’ 22:45h EL EXORCISTA (DIRECTOR’S CUT) The Exorcist (Director’s Cut) VOSE · 132’ Disney sigue apostando por las adaptaciones reales de sus clásicos animados, poniendo siempre el proyecto en manos de directores consolidados como Kenneth Branagh, que dirigió la nueva versión de La Cenicienta, o Bill Condon, responsable de La Bella y la Bestia estrenada en 2017. En esta ocasión, ha sido el realizador Guy Ritchie SÁBADO 12:00h VENGADORES: ENDGAME Avengers: Endgame VOSE · 182’ el responsable de darle nueva vida a uno de los grandes títulos de la animación: Aladdin. Un joven ladronzuelo de buen corazón descubrirá una lámpara mágica con un genio que le concederá tres deseos, lo que le permitirá hacerse 8 JUNIO 15:20h SU NOMBRE ES CRAIG, DANIEL CRAIG pasar por príncipe ante la chica a la que ama, la princesa Jasmine. Will Smith desbancó a Jim Carrey como nuevo CASINO ROYALE Casino Royale VOSE · 144’ genio, un personaje que en la versión de dibujos cobró magia gracias a la voz y el humor de Robin Williams. 18:00h VIVIR Y MORIR EN LOS ANGELES To Live and Die in L.A. -
Aachi Wa Ssipak Afro Samurai Afro Samurai Resurrection Air Air Gear
1001 Nights Burn Up! Excess Dragon Ball Z Movies 3 Busou Renkin Druaga no Tou: the Aegis of Uruk Byousoku 5 Centimeter Druaga no Tou: the Sword of Uruk AA! Megami-sama (2005) Durarara!! Aachi wa Ssipak Dwaejiui Wang Afro Samurai C Afro Samurai Resurrection Canaan Air Card Captor Sakura Edens Bowy Air Gear Casshern Sins El Cazador de la Bruja Akira Chaos;Head Elfen Lied Angel Beats! Chihayafuru Erementar Gerad Animatrix, The Chii's Sweet Home Evangelion Ano Natsu de Matteru Chii's Sweet Home: Atarashii Evangelion Shin Gekijouban: Ha Ao no Exorcist O'uchi Evangelion Shin Gekijouban: Jo Appleseed +(2004) Chobits Appleseed Saga Ex Machina Choujuushin Gravion Argento Soma Choujuushin Gravion Zwei Fate/Stay Night Aria the Animation Chrno Crusade Fate/Stay Night: Unlimited Blade Asobi ni Iku yo! +Ova Chuunibyou demo Koi ga Shitai! Works Ayakashi: Samurai Horror Tales Clannad Figure 17: Tsubasa & Hikaru Azumanga Daioh Clannad After Story Final Fantasy Claymore Final Fantasy Unlimited Code Geass Hangyaku no Lelouch Final Fantasy VII: Advent Children B Gata H Kei Code Geass Hangyaku no Lelouch Final Fantasy: The Spirits Within Baccano! R2 Freedom Baka to Test to Shoukanjuu Colorful Fruits Basket Bakemonogatari Cossette no Shouzou Full Metal Panic! Bakuman. Cowboy Bebop Full Metal Panic? Fumoffu + TSR Bakumatsu Kikansetsu Coyote Ragtime Show Furi Kuri Irohanihoheto Cyber City Oedo 808 Fushigi Yuugi Bakuretsu Tenshi +Ova Bamboo Blade Bartender D.Gray-man Gad Guard Basilisk: Kouga Ninpou Chou D.N. Angel Gakuen Mokushiroku: High School Beck Dance in