Autobiography by the Pythons John Cleese, Terry Jones, Michael Palin
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Advanced Programming for the Java(TM) 2 Platform
Advanced Programming for the Java(TM) 2 Platform Training Index Advanced Programming for the JavaTM 2 Platform By Calvin Austin and Monica Pawlan November 1999 [CONTENTS] [NEXT>>] [DOWNLOAD] Requires login As an experienced developer on the JavaTM platform, you undoubtedly know how fast moving and comprehensive the Early Access platform is. Its many application programming interfaces (APIs) Downloads provide a wealth of functionality for all aspects of application and system-level programming. Real-world developers never use one Bug Database or two APIs to solve a problem, but bring together key Submit a Bug functionality spanning a number of APIs. Knowing which APIs you View Database need, which parts of which APIs you need, and how the APIs work together to create the best solution can be a daunting task. Newsletters Back Issues To help you navigate the Java APIs and fast-track your project Subscribe development time, this book includes the design, development, test, and deployment phases for an enterprise-worthy auction Learning Centers application. While the example application does not cover every Articles possible programming scenario, it explores many common Bookshelf situations and the discussions leave you with a solid methodology Code Samples for designing and building your own solutions. New to Java Question of the Week This book is for developers with more than a beginning level of Quizzes understanding of writing programs in the Java programming Tech Tips language. The example application is written with the Java® 2 Tutorials platform APIs and explained in terms of functional hows and whys, so if you need help installing the Java platform, setting up your Forums environment, or getting your first application to work, you should first read a more introductory book such as Essentials of the Java Programming Language: A Hands-On Guide or The Java Tutorial. -
John Cleese & Eric Idle
JOHN CLEESE & ERIC IDLE TOGETHER AGAIN AT LAST…FOR THE VERY FIRST TIME Mesa, AZ • November 21 Tickets On-Sale Friday, June 17 at 10 a.m. June 15, 2016 (Mesa, AZ) – Still together again, Britain’s living legends of comedy, John Cleese and Eric Idle, announce their must see show John Cleese & Eric Idle: Together Again At Last…For The Very First Time in Mesa at Mesa Arts Center on November 21 at 7:30 p.m.! Tickets go on-sale to the public Friday, June 17 at 10 a.m. In Together Again At Last…For The Very First Time, Cleese and Idle will blend scripted and improvised bits with storytelling, musical numbers, exclusive footage and aquatic juggling to create a unique comedic experience with every performance. No two shows will be quite the same, thus ensuring that every audience feels like they’re seeing Together Again At Last… For The Very First Time, for the very first time. And now you know why the show is called that, don’t you? Following a successful run last fall in the Eastern US as well as a sold-out run in Australia and New Zealand this past February, their tour, John Cleese & Eric Idle: Together Again At Last…For The Very First Time will once again embark on some of the warmest (and driest) territories the US (and Canada) has to offer. The tour will take place from October 16 to November 26 and will see the British icons perform unforgettable sit-down comedy at premier venues in Victoria, Vancouver, Seattle, Spokane, Salem, Santa Rosa, San Francisco, San Jose, Thousand Oaks, Santa Barbara, Escondido, San Diego, Las Vegas, Mesa, Tucson, Albuquerque, El Paso with additional markets to be announced soon. -
The Rutles: All You Need Is Cash
SPOOFS The Rutles: All You Need Is Cash In the 1970s, Eric Idle, a former member of the legendary British com- edy team Monty Python, featured a Beatles parody song called “It Must Be Love” on Rutland Weekend Television, his own television show on BBC-2. The song had been written by Neil Innes, who had previously worked with Monty Python and the Bonzo Dog Doo-Dah Band. The song was performed by ‘The Rutles’, a Beatles look-alike band featuring Neil Innes as the John Lennon character, and Eric Idle as the Paul McCartney character (vgl. Harry 1985: 69). In October 1976, the parody was shown on America’s NBC TV’s show Saturday Night Live as a se- quel to the running gag of a Beatles reunion for $3,000. The parody went down so well that Eric Idle and Neil Innes decided to produce a feature program about The Rutles for television. Idle, who was a close friend of George Harrison, was allowed to watch Neil Aspinall’s unreleased do- cumentary about The Beatles, called The Long and Winding Road. Aspi- nall’s film featured a bulk of famous footage of The Beatles, from their first televised performance at the Cavern Club in Liverpool to their last group performance on the roof of their Apple business building. Idle u- sed The Long and Winding Road as a model for his fake-documentary about The Rutles and basically re-told the history of The Beatles pro- jected upon this imaginary rock band, adding essential elements of par- ody and the Pythonesque sense of surreal humor. -
• Includes the Best and Most Frequently Quoted Moments • Each Disc
Each of these six discs contains a cornucopia of Monty Python’s best, most famous, and most frequently quoted songs and sketches as selected and introduced by the very lunatics who made Monty Python the world’s premier comedy troupe. Indeed, it’s the perfect package for all of your comedy consumers, from the newcomer to the fanatic, and everyone in between.* • Includes the best and most frequently quoted moments from the groundbreaking Flying Circus series to give new fans a primer on everything Python—that will have them reciting Python like their Megaset™-purchasing brethren in no time! • At under $8 per disc, THE PERSONAL BEST OF MONTY PYTHON’S FLYING CIRCUS opens the best-selling Flying Circus DVD franchise to new, Python-curious audiences. • Each disc includes new footage with the present-day Pythons, plus all of the naughty bits that were edited out of the PBS broadcasts and never-broadcast, DVD-exclusive bonuses with the cast. • Monty Python’s Spamalot on Broadway is still sold out—and touring North America—continuing to bring new fans with deep pockets into the Monty fold. • All of the Pythons’ best sketches are represented, including: “Self-Defense Against Fresh Fruit,” “The Upper Class Twit of the Year,” “The Lumberjack Song,” “Spanish Inquisition,” “Fish Slapping Dance,” “Silly Walks,” and “The Man Who Wrestles Himself,” plus Terry Gilliam’s best animation sequences. DVD PREORDER AUG 1 RELEASE AUG 29 special features: Behind the Scenes of John Cleese’s Personal Best a Terry Gilliam’s Featurette: A Retrospective of Python’s Animation a Eric Idle’s Personal Second-Best a Terry Jones’ Personal Second-Best a Michael Palin’s Personal Second-Best a Graham Chapman’s Personal Second-Best a Six 15-Question, 15-Ton Megaquizzes—One for Each Python a Biography and Selected Credits for Each Python a Interactive Menus a Scene Selection $44.95 srp U.S., $59.95 srp Can. -
Lesleywalker
(3/10/21) LESLEY WALKER Editor FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “MILITARY WIVES” Peter Cattaneo 42 Rory Aitken Tempo Productions Ltd. Ben Pugh “THE MAN WHO KILLED DON Terry Gilliam Amazon Studios Mariela Besuievsky QUIXOTE” Recorded Picture Co. Amy Gilliam Gerardo Herrero Gabriele Oricchio “THE DRESSER” Richard Eyre BBC Suzan Harrison Playground Ent. Colin Callender “MOLLY MOON: THE Christopher N. Rowley Amber Ent. Lawrence Elman INCREDIBLE HYPNOTIST” Lipsync Prods. Ileen Maisel “HOLLOW CROWN: HENRY IV”Richard Eyre BBC Rupert Ryle-Hodges Neal Street Prods. Sam Mendes “I AM NASRINE” Tina Gharavi Bridge and Tunnel Prods James Richard Baille (Supervising Editor) David Raedeker “WILL” Ellen Perry Strangelove Films Mark Cooper Ellen Perry Taha Altayli “MAMMA MIA” Phyllida Lloyd Playtone Gary Goetzman Nomination: American Cinema Editors (ACE) Award Universal Pictures Tom Hanks Rita Wilson “CLOSING THE RING” Richard Attenborough Closing the Ring Ltd. Jo Gilbert “BROTHERS GRIMM” Terry Gilliam Miramax Daniel Bobker Charles Roven “TIDELAND” Terry Gilliam Capri Films Gabriella Martinelli Recorded Picture Co. Jeremy Thomas “NICHOLAS NICKLEBY” Douglas McGrath Cloud Nine Ent. S. Channing Williams Hart Sharp Entertainment John Hart MGM/United Artists Jeffery Sharp “ALL OR NOTHING” Mike Leigh Cloud Nine Entertainment Simon Channing Williams Le Studio Canal “SLEEPING DICTIONARY” Guy Jenkin Fine Line Simon Bosanquet "FEAR AND LOATHING IN Terry Gilliam Rhino Patrick Cassavetti LAS VEGAS" Stephen Nemeth "ACT WITHOUT WORDS I" Karel Reisz Parallel -
He Dreams of Giants
From the makers of Lost In La Mancha comes A Tale of Obsession… He Dreams of Giants A film by Keith Fulton and Lou Pepe RUNNING TIME: 84 minutes United Kingdom, 2019, DCP, 5.1 Dolby Digital Surround, Aspect Ratio16:9 PRESS CONTACT: Cinetic Media Ryan Werner and Charlie Olsky 1 SYNOPSIS “Why does anyone create? It’s hard. Life is hard. Art is hard. Doing anything worthwhile is hard.” – Terry Gilliam From the team behind Lost in La Mancha and The Hamster Factor, HE DREAMS OF GIANTS is the culmination of a trilogy of documentaries that have followed film director Terry Gilliam over a twenty-five-year period. Charting Gilliam’s final, beleaguered quest to adapt Don Quixote, this documentary is a potent study of creative obsession. For over thirty years, Terry Gilliam has dreamed of creating a screen adaptation of Cervantes’ masterpiece. When he first attempted the production in 2000, Gilliam already had the reputation of being a bit of a Quixote himself: a filmmaker whose stories of visionary dreamers raging against gigantic forces mirrored his own artistic battles with the Hollywood machine. The collapse of that infamous and ill-fated production – as documented in Lost in La Mancha – only further cemented Gilliam’s reputation as an idealist chasing an impossible dream. HE DREAMS OF GIANTS picks up Gilliam’s story seventeen years later as he finally mounts the production once again and struggles to finish it. Facing him are a host of new obstacles: budget constraints, a history of compromise and heightened expectations, all compounded by self-doubt, the toll of aging, and the nagging existential question: What is left for an artist when he completes the quest that has defined a large part of his career? 2 Combining immersive verité footage of Gilliam’s production with intimate interviews and archival footage from the director’s entire career, HE DREAMS OF GIANTS is a revealing character study of a late-career artist, and a meditation on the value of creativity in the face of mortality. -
Reagan Defends Military Strikes on Iranian Targets Associated Press No Illusions About the Cost of Irresponsible Behavior," WASHINGTON -- President Reagan Said
Back In the fifties I IACCENT: Bitter 'Beetlejuice' again Mostly sunny and cool Tues day, high 45 to 50. Clear and /VIEWPOINT: Respond to the Task Force cold Tuesday night, low 30 to VOL XXI, NO. 125 TUESDAY, APRIL 19, 1988 the independent newspaper serving Notre Dame and Saint Mary's Reagan defends military strikes on Iranian targets Associated Press no illusions about the cost of irresponsible behavior," WASHINGTON -- President Reagan said. Reagan said Monday he or "They must know that we dered military strikes against will protect our ships, and if Iranian targets because of "ir they threaten us, they'll pay a responsible behavior" toward price," Reagan said. The pres U.S. ships, and served notice ident told his audience that "a that Tehran will "pay a price" more normal relationship with for such aggression in the Per Iran is desirable -- and we're sian Gulf. prepared for it." Defending attacks on Iranian But Reagan said that "such military platforms in the south a relationship is not possible so ern gulf, Reagan said: "we aim long as Iran attacks neutral to deter further Iranian aggres ships, threatens its neighbors, sion, not provoke it." He supports terrorism and refuses renewed the U.S. call for Iran to end the bloody war with to accept a United Nations Iraq." resolution demanding a cease Besides destroying the two fire in the Iran-Iraq war. offshore Iranian oil platforms Reagan used an appearance used for military purposes, the before a business audience to U.S. Navy either sank or comment on U.S. -
Critiques / Bulworth / Fear and Loathing in Las Vegas / Feux D’Artifices / the Last Days of Disco / Le Septième Ciel / Wild Man Blues]
Document generated on 09/27/2021 9:20 p.m. Ciné-Bulles Le cinéma d’auteur avant tout Critiques Bulworth Fear and Loathing in Las Vegas Feux d’artifices The Last Days of Disco le Septième Ciel Wild Man Blues Paul Beaucage, Charles-Stéphane Roy and Jean Beaulieu Volume 17, Number 2, Summer 1998 URI: https://id.erudit.org/iderudit/34365ac See table of contents Publisher(s) Association des cinémas parallèles du Québec ISSN 0820-8921 (print) 1923-3221 (digital) Explore this journal Cite this review Beaucage, P., Roy, C.-S. & Beaulieu, J. (1998). Review of [Critiques / Bulworth / Fear and Loathing in Las Vegas / Feux d’artifices / The Last Days of Disco / le Septième Ciel / Wild Man Blues]. Ciné-Bulles, 17(2), 48–56. Tous droits réservés © Association des cinémas parallèles du Québec, 1998 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Critiques BULWORTH de Jay Bulworth (Warren Beatty), un sénateur dé de Warren Beatty mocrate qui, las des mensonges et de la corruption politiques, décide d'avouer la vérité (si âpre soit- elle) à ses électeurs. À quoi doit-on attribuer sa sou par Paul Beaucage daine volte-face? Mystère. -
Practical-Electronic
EVERYDAY DECEMBER 1997 ELECTRON http://www.epemag.wimborne.co.uk £2.65 pa; cinE, GIANT PULL•OUT , • • «Mr am, - DettgeR:)t tam 4"- ACTIVE , •• MICROPHONE • A simple circuit to increase sensitivity P. rs .• • • - - MINI - •• - • L. tr. ORGAN 1:7 \ An unusual, inexpensive •P 7 " • e design t Ort 9. SA 11 '7 • SOUND rtr1 1 Alarm deterrent for P1R securit hts TEACH-IN 98 ........ Part 2: Capacitors and Inductors Index for Volume 26 THE Noil MAGAZINE FO. ELL TECHNOLOGY- r ra spedal ALTERNATIVE _.•ii 9 770262 361089 Feat and FUTURE TECHNOLOGIES ELECTRIC MAN PLANS, SHOCK PEOPLE WITH THE TOUCH OF YOUR HAND! E5/set Ref F/EMA1 PARABOLIC DISH MICROPHONE PLANS Listen to distant sounds and voices open windows sound sources in 'hard to ger or hostile premises Uses Satellite technology to gather distant sounds and focus them to our ultra sensitive electronics Plans also Sn0,11 xn optional wireless link system £8/set ref F/PM5 2 FOR 1 MULTIFUNCTIONAL HIGH FREQUENCY AND HIGH DC VOLTAGE, SOLID STATE TESLA COIL A AND VARIABLE 100,000 VDC OUTPUT GENERATOR PLANS Operates on 9-12v0c, many possible experiments £10 Ref WIND GENERATORS 380 WATT 1 14 metre rta cades aaroon riatri cades .a year warranty vdc output 24v version available control electronics included brushless neodymium cubic curve alternator only two moving pans maintenance free simple roof top installation start up speed 7mph max output (30mph) 380w £499 ref AIR1 PLANS PORTABLE X RAY MACHINE PLANS Easy to construct e e- plans on a simple and cheap way to build a home X-ray rnachinei Effective device X-ray sealed assemblies can beused for experimental purposes Not a toy or for minors' £6,/set Ref F/XP I TELEKINETIC ENHÀNCER PLANS Mystrfy and amaze your COLOUR CCTV friends by creating motion with no known apparent means or cause Uses no electnca Ior mechanical connections no special gimmicks yet produces positive motion and effect Excellent for science projects. -
Powerkap - a Tool for Improving Energy Transparency for Software Developers on GNU/Linux (X86) Platforms
Project Report Department of Computing Imperial College of Science, Technology and Medicine PowerKap - A tool for Improving Energy Transparency for Software Developers on GNU/Linux (x86) platforms Author: Supervisor: Krish De Souza Dr. Anandha Gopalan Submitted in partial fulfilment of the requirements for the M.Eng Computing 4 of Imperial College London Contents 1 Introduction 6 1.1 Motivation . .6 1.2 Objectives . .7 1.3 Achievements . .7 2 Background 9 2.1 The relationship between power and energy. .9 2.2 Power controls on x86 platforms . .9 2.3 Improving software for power efficiency . 10 2.3.1 Algorithm . 10 2.3.2 Multithreading . 10 2.3.3 Vectorisation . 10 2.3.4 Improper sleep loops . 12 2.3.5 OS Timers . 13 2.3.6 Context aware programming . 13 2.4 Current methods of monitoring energy. 14 2.4.1 Out of Band Energy Monitor . 14 2.4.2 In-Band Energy Monitor . 14 2.4.2.1 Powertop . 15 2.4.2.2 Turbostat . 16 2.5 Related Work . 16 2.5.1 ENTRA 2012-2015 . 16 2.5.1.1 Common Assertion Language . 16 2.5.1.2 Compiler Optimisation and Power Trade-offs . 18 2.5.1.3 Superoptimization . 18 2.5.1.4 Thermal trade-off . 20 2.5.2 eProf . 20 2.5.2.1 Asynchronous vs Synchronous . 20 2.5.2.2 Profiling implementation . 21 2.5.3 Energy Formal Definitions . 21 2.5.3.1 Java Based Energy Formalism . 22 2.5.3.2 Energy Application Model . 22 2.5.4 Impact of language, Compiler, Optimisations . -
John Cleese on Creativity from His 11991 Speech Given to Visual Arts
John Cleese on Creativity from his 11991 speech given to Visual Arts When Video Arts asked me if I’d like to talk about creativity I said, “No problem. No. problem!” because telling people about how to be creative it’s easy. It’s only doing it that is difficult. I knew it would be particularly easy for me because I spent the last 25 years watching various creative people produce their stuff and being fascinated to see if I could figure out what makes creative people, me included, more creative. What is more, a couple of years ago I got very excited because a friend of mine who runs the psychology department at Sussex University, Brian Bates, showed me some research on creativity done at Berkeley in the 70s by a brilliant psychologist Donald MacKinnon, which seemed to confirm in the most impressively scientific way, all the vague intuitions that I had heard over the years. So the prospect of settling down for quite serious study for the purpose of tonight’s gossip was quite delightful and I, having spent several weeks on it, I can say, categorically, that what I have to tell you tonight about how you can all become more creative is a complete waste of time. So I think it would be much better if I just told jokes instead. You know the light bulbs you know. How many Poles does it take to change a light bulb? One to hold it and four to turn the table…. You see the reason it is futile for me to talk about creativity is that it quite simply, cannot be explained. -
MONTY PYTHON at 50 , a Month-Long Season Celebra
Tuesday 16 July 2019, London. The BFI today announces full details of IT’S… MONTY PYTHON AT 50, a month-long season celebrating Monty Python – their roots, influences and subsequent work both as a group, and as individuals. The season, which takes place from 1 September – 1 October at BFI Southbank, forms part of the 50th anniversary celebrations of the beloved comedy group, whose seminal series Monty Python’s Flying Circus first aired on 5th October 1969. The season will include all the Monty Python feature films; oddities and unseen curios from the depths of the BFI National Archive and from Michael Palin’s personal collection of super 8mm films; back-to-back screenings of the entire series of Monty Python’s Flying Circus in a unique big-screen outing; and screenings of post-Python TV (Fawlty Towers, Out of the Trees, Ripping Yarns) and films (Jabberwocky, A Fish Called Wanda, Time Bandits, Wind in the Willows and more). There will also be rare screenings of pre-Python shows At Last the 1948 Show and Do Not Adjust Your Set, both of which will be released on BFI DVD on Monday 16 September, and a free exhibition of Python-related material from the BFI National Archive and The Monty Python Archive, and a Python takeover in the BFI Shop. Reflecting on the legacy and approaching celebrations, the Pythons commented: “Python has survived because we live in an increasingly Pythonesque world. Extreme silliness seems more relevant now than it ever was.” IT’S… MONTY PYTHON AT 50 programmers Justin Johnson and Dick Fiddy said: “We are delighted to share what is undoubtedly one of the most absurd seasons ever presented by the BFI, but even more delighted that it has been put together with help from the Pythons themselves and marked with their golden stamp of silliness.