A New Approach to the Interpretation As to the Function of the Elevated Beds Discovered at Deir El-Medina
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Functions and Uses of Egyptian Myth Fonctions Et Usages Du Mythe Égyptien
Revue de l’histoire des religions 4 | 2018 Qu’est-ce qu’un mythe égyptien ? Functions and Uses of Egyptian Myth Fonctions et usages du mythe égyptien Katja Goebs and John Baines Electronic version URL: http://journals.openedition.org/rhr/9334 DOI: 10.4000/rhr.9334 ISSN: 2105-2573 Publisher Armand Colin Printed version Date of publication: 1 December 2018 Number of pages: 645-681 ISBN: 978-2-200-93200-8 ISSN: 0035-1423 Electronic reference Katja Goebs and John Baines, “Functions and Uses of Egyptian Myth”, Revue de l’histoire des religions [Online], 4 | 2018, Online since 01 December 2020, connection on 13 January 2021. URL: http:// journals.openedition.org/rhr/9334 ; DOI: https://doi.org/10.4000/rhr.9334 Tous droits réservés KATJA GOEBS / JOHN BAINES University of Toronto / University of Oxford Functions and Uses of Egyptian Myth* This article discusses functions and uses of myth in ancient Egypt as a contribution to comparative research. Applications of myth are reviewed in order to present a basic general typology of usages: from political, scholarly, ritual, and medical applications, through incorporation in images, to linguistic and literary exploitations. In its range of function and use, Egyptian myth is similar to that of other civilizations, except that written narratives appear to have developed relatively late. The many attested forms and uses underscore its flexibility, which has entailed many interpretations starting with assessments of the Osiris myth reported by Plutarch (2nd century AD). Myths conceptualize, describe, explain, and control the world, and they were adapted to an ever-changing reality. Fonctions et usages du mythe égyptien Cet article discute les fonctions et les usages du mythe en Égypte ancienne dans une perspective comparatiste et passe en revue ses applications, afin de proposer une typologie générale de ses usages – applications politiques, érudites, rituelles et médicales, incorporation dans des images, exploitation linguistique et littéraire. -
G:\Lists Periodicals\Periodical Lists B\BIFAO.Wpd
Bulletin de l’Institut Français d’Archéologie Orientale Past and present members of the staff of the Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Statues, Stelae, Reliefs and Paintings, especially R. L. B. Moss and E. W. Burney, have taken part in the analysis of this periodical and the preparation of this list at the Griffith Institute, University of Oxford This pdf version (situation on 14 July 2010): Jaromir Malek (Editor), Diana Magee, Elizabeth Fleming and Alison Hobby (Assistants to the Editor) Clédat in BIFAO i (1901), 21-3 fig. 1 Meir. B.2. Ukh-hotep. iv.250(8)-(9) Top register, Beja herdsman. Clédat in BIFAO i (1901), 21-3 fig. 2 Meir. B.2. Ukh-hotep. iv.250(4)-(5) Lower part, Beja herdsman. Clédat in BIFAO i (1901), 21-3 fig. 3 Meir. B.2. Ukh-hotep. iv.250(8)-(9) III, Beja holding on to boat. Salmon in BIFAO i (1901), pl. opp. 72 El-Faiyûm. iv.96 Plan. Clédat in BIFAO i (1901), 88-9 Meir. Miscellaneous. Statues. iv.257 Fragment of statue of Ukh-hotep. Clédat in BIFAO i (1901), 89 [4] El-Qûs.îya. (Cusae) iv.258A Block of Djehutardais, probably Dyn. XXX. Clédat in BIFAO i (1901), 90 [top] Text El-Qûs.îya. Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Statues, Stelae, Reliefs and Paintings Griffith Institute, Sackler Library, 1 St John Street, Oxford OX1 2LG, United Kingdom [email protected] 2 iv.258 Fragment of lintel. Clédat in BIFAO i (1901), 92-3 Cartouches and texts Gebel Abû Fôda. -
THE CEREMONIAL CANOPIED CHARIOT of TUTANKHAMUN (JE61990 and JE60705): a TENTATIVE VIRTUAL RECONSTRUCTION*
1 THE CEREMONIAL CANOPIED CHARIOT OF TUTANKHAMUN (JE61990 and JE60705): A TENTATIVE VIRTUAL RECONSTRUCTION* BY NOZOMU KAWAI, YASUSHI OKADA, TAKESHI OISHI, MASATAKA KAGESAWA, AKIKO NISHISAKA, AND HUSSEIN KAMAL† The Japan International Cooperation Agency (JICA) and the Ministry of Tourism and Antiquities, Arab Republic of Egypt, have been conducting the Grand Egyptian Museum Joint Conservation Project (GEM-JC) since November 2016, after having completed two phases of cooperation to improve conservation techniques at the Grand Egyptian Museum Conservation Center (GEM-CC). The GEM- CC conservation specialists will have their skills enhanced through this experience and GEM-CC's capacity and efficiency as an important conservation centre will also be improved. It is expected that GEM-CC staff will ultimately complete all conservation activities and treatments. Among the 72 target objects for the GEM-JC Project, designated to be transferred from the Egyptian Museum in Tahrir Square to the Grand Egyptian Museum in Giza and jointly conserved by Egyptian and Japanese conservators, five chariots were selected. In particular, the ‘second state chariot’ (GEM 4940; JE61990; Carter no. 122; A1 of Littauer and Crouwel1) (fig.1) was chosen as the lead object, with Japanese and Egyptian experts working jointly on all aspects of the treatment, including remedial conservation, as a model for the conservation of the other chariots. In the course of the project, we confirmed that this particular chariot originally had a canopy (GEM 4539; JE60705; Carter no. 123) (fig. 2) attached to the chariot body, as first proposed by Edwin Brock in 2012.2 However, it is impossible to join these two artifacts together because of their fragile condition, and it has been decided to display them separately. -
119 Original Article the GOLDEN SHRINES of TUTANKHAMUN
id9070281 pdfMachine by Broadgun Software - a great PDF writer! - a great PDF creator! - http://www.pdfmachine.com http://www.broadgun.com Egyptian Journal of Archaeological and Restoration Studies "EJARS" An International peer-reviewed journal published bi-annually Volume 2, Issue 2, December - 2012: pp: 119-130 www. ejars.sohag-univ.edu.eg Original article THE GOLDEN SHRINES OF TUTANKHAMUN AND THEIR INTENDED BURIAL PLACE Soliman, R. Lecturer, Tourism guidance dept., Faculty of Archaeology & Tourism guidance, Misr Univ. for Sciences & Technology, 6th October city, Egypt E-mail: [email protected] Received 3/5/2012 Accepted 12/10/2012 Abstract The most famous tomb at the Valley of the Kings, KV 62 housed so far the most intact discovery of royal funerary treasures belonging to the eighteenth dynasty boy-king Tutankhamun. The tomb has a simple architectural plan clearly prepared for a non- royal burial. However, the hastily death of Tutankhamun at a young age caused his interment in such unusually small tomb. The treasures discovered were immense in number, art finesse and especially in the amount of gold used. Of these treasures the largest shrine of four shrines laid in the burial chamber needed to be dismantled and reassembled in the tomb because of its immense size. Clearly the black marks on this shrine helped in the assembly and especially the orientation in relation to the burial chamber. These marks are totally incorrect and prove that Tutankhamun was definitely intended to be buried in another tomb. Keywords: KV62, WV23, Golden shrines, Tutankhamun, Burial chamber, Orientation. 1. Introduction Tutankhamun was only nine and the real cause of his death remains years old when he got to throne; at that enigmatic. -
Griffith Recent Acquisitions
1 Publications in Egyptology 2002 Based on the monthly accessions lists of Sackler Library in Oxford created by Diane Bergman (Griffith Librarian, Sackler Library). This list has been prepared by Jaromir Malek (Editor of the Topographical Bibliography, Griffith Institute, Oxford) A Journey through Ancient Egypt London : Brockhampton, 2001. 1860198325 Abitz, Friedrich Pharao als Gott in den Unterweltsbüchern des Neuen Reiches Orbis biblicus et orientalis; 146 Freiburg, Schweiz : Universitätsverlag ; Göttingen: Vandenhoeck & Ruprecht, 1995 3727810408 (Universitätsverlag) 3525537816 (Vandenhoeck & Ruprecht) Ägyptologische Tempeltagung (5th : 1999 : Würzburg, Germany) 5. Ägyptologische Tempeltagung : Würzburg, 23.-26. September 1999 Ägypten und Altes Testament ; Bd. 33,3 Wiesbaden : Harrassowitz Verlag, 2002. 3447045442 (pbk.) Aldred, Cyril Tutankhamun, craftsmanship in gold in the reign of the king Artist's limited ed. Medaenas monographs on the arts [Florence? Italy] : Boehringer Ingelheim, c1979. Ali, Mohamed Sherif Hieratische Ritzinschriften aus Theben : Paläographie der Graffiti und Steinbruchinschriften Göttinger Orientforschungen. IV. Reihe Ägypten ; 34 Wiesbaden : Harrassowitz, 2002. 3447038543 (pbk.) Allen, Troy D. Ancient Egyptian kinship :an Afrocentric case study 1998. Andreu, Guillemette Les artistes de Pharaon : Deir el-Médineh et la Vallée des Rois Paris, Réunion des musées nationaux ; Turnhout, Belgique : Brepols, c2002. 2711844498 (pbk.) Antikenmuseum Basel und Sammlung Ludwig Antikenmuseum Basel und Sammlung Ludwig Basel : Antikenmuseum Basel und Sammlung Ludwig, [1999?] 2 Assad, Thomas J. Three Victorian travellers : Burton, Blunt, Doughty London : Routledge & K. Paul, [1964] Assmann, Jan Tod und Jenseits im Alten Ägypten München : Beck, 2001. 3406465706 Assmann, Jan Ägyptische Mysterien? Reihe Kulte/Kulturen München : Fink, 2002. 3770536509 (pbk.) Assmann, Jan Ägypten. English The search for God in ancient Egypt Ithaca ; London : Cornell University Press, 2001. -
Through the Eras AHTTE.Ancntegypt.Tpgs 9/14/04 12:10 PM Page 3
AHTTE.AncntEgypt.tpgs 9/14/04 12:10 PM Page 1 ARTS & HUMANITIES Through the Eras AHTTE.AncntEgypt.tpgs 9/14/04 12:10 PM Page 3 ARTS & HUMANITIES \ Through the Eras Ancient Egypt 2675–332 B.C.E Edward Bleiberg, Editor 69742_AHTE_AEfm_iv-xxviii.qxd 9/21/04 1:20 PM Page iv Arts and Humanities Through The Eras: Ancient Egypt (2675 B.C.E.–332 B.C.E.) Edward Bleiberg Project Editor Indexing Services Product Design Rebecca Parks Barbara Koch Michelle DiMercurio Editorial Imaging and Multimedia Composition and Electronic Prepress Danielle Behr, Pamela A. Dear, Jason Everett, Randy Bassett, Mary K. Grimes, Lezlie Light, Evi Seoud Rachel J. Kain, Timothy Sisler, Ralph G. Daniel William Newell, Christine O’Bryan, Zerbonia Kelly A. Quin Manufacturing Wendy Blurton Editorial Support Services Rights and Acquisitions Mark Springer Margaret Chamberlain, Shalice Shah-Caldwell © 2005 Thomson Gale, a part of the This publication is a creative work fully Cover photographs by permission of Corbis Thomson Corporation. protected by all applicable copyright laws, as (seated statue of Pharaoh Djoser) and well as by misappropriation, trade secret, AP/Wide World Photos (“The Creation of Thomson and Star Logo are trademarks and unfair competition, and other applicable laws. Adam and Eve” detail by Orvieto). Gale is a registered trademark used herein The authors and editors of this work have under license. added value to the underlying factual Since this page cannot legibly accommo- material herein through one or more of the date all copyright notices, the acknowledge- For more information, contact following: unique and original selection, ments constitute an extension of the Thomson Gale coordination, expression, arrangement, and copyright notice. -
Culture-Based Humanities Units Nancy Hogan Eastern Illinois University
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1981 Culture-Based Humanities Units Nancy Hogan Eastern Illinois University Recommended Citation Hogan, Nancy, "Culture-Based Humanities Units" (1981). Masters Theses. 3010. https://thekeep.eiu.edu/theses/3010 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THESIS REPRODUCTION CERTIFICATE TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for in clusion in that institution' s library or research holdings. Z' ,!ti IJg/ Date I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced because - --------- ----- Date Author m Culture-based Humanities llnits (TITLEI BY :tfancy Hogan A Major Paper in Lieu of the Traditional THESIS SUBMITIED IN PARTIAL FULFILLMENT -
The Symbolism and Function of the Window of Appearance in the Amarna Period*1
FOLIA PRAEHISTORICA POSNANIENSIA T. XXIV – 2019 WYDZIAŁ ARCHEOLOGII, UAM POZNAŃ – ISSN 0239-8524 http://dx.doi.org/10.14746/fpp.2019.24.05 THE SYMBOLISM AND FUNCTION OF THE WINDOW OF APPEARANCE IN THE AMARNA PERIOD*1 SYMBOLIZM I FUNKCJA OKNA POJAWIEŃ W OKRESIE AMARNEŃSKIM Maria M. Kloska orcid.org/0000-0003-4822-8891 Wydział Historii, Uniwersytet im. A. Mickiewicza ul. Uniwersytetu Poznańskiego 7, 61-614 Poznań [email protected] ABSTRACT: During the reign of the Amarna spouses, giving gold necklaces to royal officials took place (almost always) from the so-called Window of Appearance. From them, Akhenaten and Nefertiti, often with princesses, honoured deserved and devoted dignitaries. The popularity of the Window of Appearance closely relates to the introduction of a new religious system introduced by Akhenaten and Nefertiti. Ac- cording to the new religion, Akhenaten and Nefertiti were a pair of divine twins like Shu and Tefnut, who in the Heliopolitan theology, were the children of the god Atum – replaced by Aten in Amarna. The royal couple prayed to the main solar god, while their subjects prayed to the king and queen. Since Akhenaten per- formed the role of a priest through whom ordinary people could pray to the god, it was necessary to create a construction that would allow the king to meet with his subjects publicly. The Window of Appearance was such architectural innovation. It was crucial because the king was an intermediator between the peo- ple and the only right sun god, Aten. The Windows of Appearance were probably located in various places in Akhetaten, including the Great Palace, the King’s House, the North Palace, the Small Aten Temple and in the temples of the Sunshades of Re in the Kom el-Nana and Maru-Aten. -
The Gazelle in Ancient Egyptian Art Image and Meaning
Uppsala Studies in Egyptology - 6 - Department of Archaeology and Ancient History Uppsala University For my parents Dorrit and Hindrik Åsa Strandberg The Gazelle in Ancient Egyptian Art Image and Meaning Uppsala 2009 Dissertation presented at Uppsala University to be publicly examined in the Auditorium Minus of the Museum Gustavianum, Uppsala, Friday, October 2, 2009 at 09:15 for the degree of Doctor of Philosophy. The examination will be conducted in English. Abstract Strandberg, Åsa. 2009. The Gazelle in Ancient Egyptian Art. Image and Meaning. Uppsala Studies in Egyptology 6. 262 pages, 83 figures. Published by the Department of Archaeology and Ancient History, Uppsala University. xviii +262 pp. ISSN 1650-9838, ISBN 978-91-506-2091-7. This thesis establishes the basic images of the gazelle in ancient Egyptian art and their meaning. A chronological overview of the categories of material featuring gazelle images is presented as a background to an interpretation. An introduction and review of the characteristics of the gazelle in the wild are presented in Chapters 1-2. The images of gazelle in the Predynastic material are reviewed in Chapter 3, identifying the desert hunt as the main setting for gazelle imagery. Chapter 4 reviews the images of the gazelle in the desert hunt scenes from tombs and temples. The majority of the motifs characteristic for the gazelle are found in this context. Chapter 5 gives a typological analysis of the images of the gazelle from offering processions scenes. In this material the image of the nursing gazelle is given particular importance. Similar images are also found on objects, where symbolic connotations can be discerned (Chapter 6). -
The Stela of the Viceroy Usersatet (Boston MFA 25.632), His Shrine at Qasr Ibrim, and the Festival of Nubian Tribute Under Amenhotep II
The Stela of the Viceroy Usersatet (Boston MFA 25.632), his Shrine at Qasr Ibrim, and the Festival of Nubian Tribute under Amenhotep II John Coleman Darnell Yale University N SPITE OF the surviving epigraphic and archaeological evidence concerning the Egyptian administration of Nubia during the New Kingdom, the personal aspects of colonial rule I are at best shadows behind the more prosaic evidence of prosopography and titles, architectural history and burial practices, that force etic analysis to march ahead of emic understanding of Egyptian and Nubian interactions.1 When any archaeological or epigraphic light shines on personal relationships within the administration, at least suggesting, if not revealing, the attitudes of various members of the colonial administration, and hinting at interactions between social strata in Nubia and Egypt, those who would understand Egyptian and Nubian culture may be expected to show interest. The stela of the Viceroy Usersatet from Semna,2 recording Amenhotep II’s personal transcription of his own royal decree to Usersatet, offering advice regarding interactions of Egyptians and Nubians within the viceregal administration, indeed casts some light on the interactions of king, viceroy, and Nubian members of the Egyptian bureaucracy in the south [fig. 1]. The seeming obscurity of the king’s advice, and the lack of transparency regarding the situation about which Amenhotep II offers that advice, have resulted in considerable modern attention to the text, but a certain looseness of interpretation has bedeviled many examinations of the inscription. Defining exactly what the Usersatet stela illuminates has proved to be elusive. Several Egyptological discussions of the inscription have fostered florid descriptions of the personality and character of Amenhotep II, in spite of the remaining uncertainties in properly 1 So S.T. -
Dance in Ancient Egypt Author(S): Patricia Spencer Reviewed Work(S): Source: Near Eastern Archaeology, Vol
Dance in Ancient Egypt Author(s): Patricia Spencer Reviewed work(s): Source: Near Eastern Archaeology, Vol. 66, No. 3, Dance in the Ancient World (Sep., 2003), pp. 111-121 Published by: The American Schools of Oriental Research Stable URL: http://www.jstor.org/stable/3210914 . Accessed: 19/04/2012 18:23 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The American Schools of Oriental Research is collaborating with JSTOR to digitize, preserve and extend access to Near Eastern Archaeology. http://www.jstor.org A ncient Egypthas left a rich and variedtextual legacy.Nevertheless, evidence on dance per se from literarysources is rare, since the ancient Egyptianssaw no need to describe in words something that was so familiarto them. There are a numberof termsthat were used for the verb "to dance,"the most commonbeing ib3. Other termsthat describespecific dances or movementsare knownbut unfortunately these often occursimply as "labels"to scenesor in contextswhere they saylittle or noth- ing of the natureof the dancein question.From casual references in literatureor administrative documentsit is, however,possible to learnsomething about dance and dancers in ancient Egypt,their lives and the attitudesof the ancientEgyptians towards performers. -
RELS 203/303 Ancient Religion: Egypt to Mesopotamia
RELS 203/303 Ancient Religion: Egypt to Mesopotamia Pre-Christmas Summer School, 2019 The Opening of the Mouth ceremony (1275 BC), EA 9901 (British Museum) Course Outline & Study Guide 1 COURSE DESCRIPTION RELS 203/303 examines some of the key religious practices, beliefs and texts of ancient Egypt, Mesopotamia and the Levant, ca. 3000–300 BCE. In this paper we explore the religious ideas and practices of three civilisations of the ancient world: their gods and goddesses, their temples and priests, their attempts to communicate with the divine and to exercise power via magic, as well as their foundational myths and their expectations concerning the afterlife. Ancient Egypt, Mesopotamia, and the Levant (Syria-Aram, Palestine/Israel, Phoenicia, Philistia, and the Transjordan) fascinated early European explorers and scholars, their long-lost religious texts shedding light on the world from which Judaism, Christianity, and Islam later evolved. While demonstrating such influences, the paper will focus on understanding Ancient Near Eastern religion in its own right and in relation to debates within recent scholarship. The course will proceed around what is known as the Fertile Crescent in the Ancient Near East, traveling broadly from the east to the west: Lectures 1-9: Mesopotamia Lectures 10-16: The Levant Lectures 17-24: Egypt ABOUT THE LECTURER Deane Galbraith lectures on Judaism, Ancient Religion (Egyptian, Mesopotamian, Levantine), Paganism and Mystery Cults, and the introductory course to Judaism, Christianity and Islam. Deane’s major areas of research include the development of traditions within the Jewish Pentateuch, contemporary Evangelical prophecy movements, and resurrection stories. He is also the founding editor of Relegere: Studies in Religion and Reception, a journal examining the influence and effects of religious traditions within history and modern culture.